Chad VanGaalen’s fantastic new album Light Information is out now on on CD / LP / DL / CS worldwide from Sub Pop and in Canada from Flemish Eye. The album features the highlights “Mind Hijacker’s Curse” [listen here], “Old Heads” [listen here] and “Pine & Clover” [watch here]. Light Information was written, played, and produced by VanGaalen (save Ryan Bourne’s bass part on “Mystery Elementals” and vocals on “Static Shape” from his young daughters Ezzy and Pip).
The album emerged from the experimental instruments that fill the creative polymath’s Calgary garage studio. Among them is a beloved Korg 770 monosynth, which VanGaalen coveted for years before fixing one up and devoting a lot of recent energy to recording “duets” with it. One of these, “Prep Piano and 770,” is the lone instrumental on Light Information, more atmosphere and chord bursts than the rest of the album’s hooky rock narrative.
On Monday, September 11th, Chad VanGaalen will participate in the Reddit Indieheads AMA at 1pm ET [more info on that is here].
Light Information can be purchased from Sub Pop and Flemish Eye. LP pre orders of the album from megamart.subpop.com and select independent retailers will receive the limited Loser edition on crystal clear vinyl (while supplies last). There is also be a new T-shirt design available.
Also out today is the repress of VanGaalen’s Infiniheart, his beloved and long out of print (on vinyl) 2005 debut on 2xLP and Turquoise vinyl. And Chad VanGaalen’s entire discography (Shrink Dust, Infiniheart, Skelliconnection, Soft Airplane, and Diaper Island) is also now available through Bandcamp.
Chad VanGaalen’s previously announced fall 2017 international tour dates in support of Light Information span October 15th in Utrecht, Netherlands at EKKO through December 8th in Montreal, Quebec at The Fairmount. Full list of dates + ticket links are here.
After Kyle Craft wrapped up the recording of his upcoming (all originals) 2018 album, he decided to record a cover of a Jenny Lewis song for fun. This quickly spiraled into a full fledged project with Kyle recording a slew of songs by his favorite female singers. Working with his bandmate, Kevin Clark in their home studio after hours, Craft multi-tracked all the parts himself, and what started as an idle aside became a labor of love.
Now Sub Pop and Craft have picked ten favorites from the sessions to release as Girl Crazy, a series of 2-track singles rolling out weekly starting today, September 7th. Focusing on Craft’s acclaimed interpretive talents – his version of Bowie’s “Heroes” stole the show at Newport 2017 – Girl Crazy introduces audiences, who may know Craft from his Sub Pop debut Dolls of Highland, to another side of the artist. New tracks from the Girl Crazy series will be released every Thursday through October 5th, and will also feature covers of songs by artists like Sharon Van Etten, Jenny Lewis, Cher and Patsy Cline.
The first installment in the covers series are Kyle’s interpretations of Karen Dalton’s ‘Something On Your Mind” [listen here] and Patti Smith’s “Distant Fingers” [listen here].
Kyle Craft and his band will hit the road for a short Northwestern U.S. trek, beginning September 16th in San Francisco at Cafe Du Nord and ending September 21st in Seattle at the Crocodile Cafe.
Sep. 16 - San Francisco, CA - Cafe du Nord Sep. 17 - Williams, OR - Rascal’s Bar & Grill Sep. 18 - Eugene, OR - Fathoms Bar Sep. 19 - Portland, OR - Mississippi Studios Sep. 21 - Seattle, WA - The Crocodile
What “The People” have said about Kyle Craft: “…Undeniably unique: Kyle Craft is a strong contender for outsider of the year. An unlikely hero of the year. An unlikely hero of rock music, he’s nonetheless created a noteworthy, potentially groundbreaking debut album in Dolls of Highland.” - PASTE
“If Dolls of Highland has a basis in autobiography—the title references the Shreveport neighborhood where it was made—Craft spends the album imagining himself as Ziggy Sawdust, a flamboyant fop working the barrelhouse piano in the front room of the seediest bayou bordello. His songs illustrate how the intense religiosity and voodoo-infused mythology of the South make it fertile turf for the sort of colorful characterization and freak-scenery on which glam rock was founded.” - Pitchfork
“Just enough of Ziggy’s stardust gives “Pentecost” its musical sheen, but it’s Craft’s vocal intensity that outlasts all else.” [“10 Artists You Need to Know”] - Rolling Stone
“…hurls together Craft’s Dylan-meets-Brett Anderson holler with rollicking ragtime stomp, reminiscent of vintage Cockney Rebel or early Suede. The instantly singable likes of “Berlin” and “Lady of the Ark” are peopled by “girls and ghosts” from Craft’s hometown of Shreveport each depicted with a mix of empathy, humour and occasional savagery. And behind these tragicomic nightlife tales is a top-notch songwriter who has been fired by the sting of romantic betrayal.” [Dolls of Highland] - The Guardian
“Paired with his knack for great melodies, it demonstrates Craft’s emotional power as a songwriter.” [“Pentecost”] - NPR
“Craft, who grew up in Louisiana but now lives in Portland, brings an authentic southern blues sensibility to glam and folk rock but what makes Dolls one of the best albums of the year is his ability to transform his influences into a sound that’s all his own.” [Dolls of Highland] - Huffington Post
“…The 27-year-old’s debut album, Dolls of Highland, earned almost exclusively positive reviews, following a simple formula: Bob Dylan’s Blonde on Blonde crossed with David Bowie’s The Rise and Fall of Ziggy Stardust and the Spiders From Mars. Despite the transparent approach, he produced not a familiar sound but rather a cryptic sort of glam Americana that defies expectation…” - Village Voice
“…Craft’s music is so full of its own weird singularity that he’s on to something far beyond idol worship. ” - Billboard
Craft displays the full prowess of his vocal range, hitting high notes that hark back to glam rock vocals of the ’70s” - American Songwriter
Wolf Parade just announced 2018 dates for the western U.S. and Canada in support of Cry Cry Cry, their forthcoming album. The newly added dates span January 12th in Vancouver at The Commodore Ballroom and run through January 24th in Phoenix at The Van Buren, and will include stops in Seattle, Portland, San Francisco, Berkeley, Los Angeles, Santa Ana, and San Diego. Barsuk Records act Charly Bliss, who are supporting the October 13th-27th shows (select dates), will now also act as direct support, January 12th-24th (select dates).
Tickets on sale to general public Friday, September 8th at 10am (local time), and fan pre-sale starts here tomorrow September 6th at 10am (also local time).
Preceding these headlining shows, Wolf Parade will also act as direct support for Arcade Fire, September 5th through September 28th.
Wolf Parade Tour Dates
Sep. 05 - Quebec City, QC - Videotron Center* Sep. 06 - Montreal, QC - Bell Centre* Sep. 08 - South Burlington, VT - Higher Ground Sep. 09 - Ottawa, ON - Canadian Tire Center* Sep. 21 - Duluth, GA - Infinite Energy Arena* Sep. 22 - Tampa, FL - USF Sun Dome* Sep. 23 - Coral Gables, FL - Watsco Center* Sep. 24 - St. Augustine, FL - St. Augustine, FL Amphitheatre* Sep. 26 - New Orleans, LA - UNO Lakefront Arena* Sep. 27 - Austin, TX - Frank Erwin Center* Sep. 28 - Dallas, TX - American Airlines Center* Oct. 12 - Guelph, ON - Peter Clark Hall Oct. 13 - Toronto, ON - Phoenix Concert Theatre** Oct. 15 - Buffalo, NY - Town Ballroom** Oct. 16 - Cleveland, OH - House of Blues Oct. 19 - Philadelphia, PA - Union Transfer** Oct. 20 - Boston, MA - Royale** Oct. 21 - Brooklyn, NY - Brooklyn Steel Oct. 22 - Washington, DC - Black Cat** Oct. 24 - Chicago, IL - Thalia Hall Oct. 25 - South Saginaw, MI - The Crofoot Ballroom Oct. 26 - Milwaukee, WI - Turner Hall** Oct. 27 - Minneapolis, MN - First Avenue** Nov. 15 - Amsterdam, NL - Melkweg Nov. 17- Paris, FR - Petit Bain Nov. 18 - Bristol, UK - Thekla Nov. 20 - Dublin, UK - Button Factory Nov. 21 - Manchester, UK - Gorilla Nov. 22 - London, UK - O2 Forum Nov. 24 - Brussels, BE - Botanique (Orangerie) Nov. 25 - Nancy, FR - L’ autre Canal Nov. 26 - Basel, CH - Kaserne Nov. 27 - Munich, DE - Hansa 39 Nov. 29 - Berlin, DE - Bi Nuu Nov. 30 - Hamburg, DE - Gruenspan Dec. 01 - Copenhagen, DK - Loppen Dec. 02 - Stockholm, SE - Strand
2018 Jan. 12 - Vancouver, BC - The Commodore Ballroom ** Jan. 13 - Seattle, WA - Showbox at the Market ** Jan. 14 - Portland, OR - Crystal Ballroom ** Jan. 16 - San Francisco, CA - The Fillmore ** Jan. 17 - Berkeley, CA - The UC Theatre ** Jan. 20 - Los Angeles, CA - The Fonda Theatre Jan. 21 - Santa Ana, CA - The Observatory ** Jan. 23 - San Diego, CA - The Observatory North Park ** Jan. 24 - Phoenix, AZ The Van Buren **
*w/ Arcade Fire ** w/ Charly Bliss
Early last week (August 29th), Wolf Parade released “You’re Dreaming,” a second offering and politically-charged standout from Cry Cry Cry [listen here]. “You’re Dreaming” is urgent power pop with lyrics inspired by the shock and confusion following the 2016 election (“All these scenes of shattered glass / All your systems in collapse”). Irreverent new animations from returning collaborator and visual artist Scorpion Dagger (“Valley Boy”) accompany the track.
Wolf Parade’s Cry Cry Cry will be available from Sub Pop on Friday, October 6th, 2017 and is now up for pre-order on CD / 2xLP / DL / CS worldwide from Sub Pop, and in Canada from Universal Records via Wolf Parade’s webstore right here. LP pre-orders through megamart.subpop.com and select independent retailers in the U.S. will receive the limited loser edition on creme colored vinyl (while supplies last), and a new t-shirt design is also available for your bundling pleasure.
Bully are back with a new album, more powerful and hard hitting than ever. Losing will be released October 20th worldwide on Sub Pop.
Off the back of the first single “Feel The Same” which had critics and fans alike raving about its intensity, the band are offering another glimpse into the new album releasing the new song “Running.” Alicia Bognano explains the meaning behind the song telling us, “Overall, Running is about shamelessly keeping yourself distracted or making up excuses to avoid processing certain emotions.”
Losing has all the hallmarks of an iconic album and on the band’s sophomore release, they’ve landed harshly in the adult world, and are facing the brutality of life. New York Magazine tipped the album in the Fall Music Preview writing “Alicia Bognanno has the loveliest snarl this side of Nirvana’s Live at Reading. That it’s in a pop-punk setting, with lyrics reckoning with adulthood, only strengthens its power.”
Bully will be hitting the road this fall, all dates are listed the below, along with a newly announced run of 2018 dates.
Losing is available for pre-order now from Sub Pop Records and from Bully’s webstore. LP pre-orders of the album from Sub Pop and select independent retailers will receive the limited Loser Edition on clear vinyl with black swirls (while supplies last).
Losing was engineered and mixed by lead-singer Alicia Bognanno in Chicago at Electrical Audio.
This 3LP/2CD set collects the entire studio-recorded output of the U-Men, remastered, plus 5 unreleased songs, with 16 pages of photos, liner notes and interviews w/ the band. Executive produced by Jack Endino.
Yes, you read it and even we can’t quite believe it’s true. So let us calmly reassure you that YES … IT’S FUCKING TRUE. Sub Pop Records will release U-Men, the self-titled anthology from the legendary Seattle band, worldwide on Friday, November 3rd, 2017.
This comprehensive remastered collection features the track you just pressed ‘play’ on, “Dig It a Hole”.
U-Men is now available for preorder from Sub Pop right hereand is available in the following formats:
3xLP box set housed in a cardboard slipcase with printed inner sleeves + 16-page booklet
2xCD digipack with custom dust sleeves + 16-page booklet
Digitally
U-Men Tracklisting:
Volume 1 1. Blight 2. Flowers DGIH 3. Shoot ‘em Down 4. Gila 5. Trouble Under Water 6. Mystery Pain 7. Last Lunch
Volume 2 1. Clubs 2. The Fumes 3. Cow Rock 4. Green Trumpet 5. A Year and a Day 6. Ten After One 7. They! 8. U-Men Stomp 9. Solid Action 10. Dig It a Hole
Volume 3 1. Whistlin’ Pete 2. 2 X 4 3. A Three Year Old Could Do That 4. Juice Party 5. Flea Circus 6. Too Good to Be Food 7. Willie Dong Hurts Dogs 8. Papa Doesn’t Love His Children Anymore 9. Pay the Bubba 10. Freezebomb 11. That’s Wild About Jack 12. Bad Little Woman 13. Selfish
[Photo Credit: Cam Garrett]
More on the U-Men from Mudhoney’s Mark Arm: The U-Men are one of the best bands I’ve ever seen. They were hypnotic, frenetic, powerful and compelling. It was impossible to resist getting sucked into their weird, darkly absurd world. They effortlessly blended The Sonics, Link Wray, Pere Ubu, and Captain Beefheart. Their shows were loose-limbed, drunken dance parties and no two shows were alike. The U-Men were avant garage explorers and, most importantly, they fucking rocked. I was lucky enough to live in their hometown and I saw them every chance I could.
From 1983 to 1987, the U-Men were the undisputed kings of the Seattle Underground. No one else came close. They ruled a bleak backwater landscape populated by maybe 200 people. They were the only band that could unify the disparate sub-subcultures and get all 200 of those people to fill a room. Anglophilic, dress-dark Goths; neo-psych MDA acolytes; skate punks who shit in bathtubs at parties; Mod vigilantes who tormented the homeless with pellet guns; college kids who thought college kids were lame; Industrial Artistes; some random guy with a moustache; and eccentrics who insisted that they couldn’t be pigeonholed: all coalesced around the U-Men.
Sub Pop co-founder, Bruce Pavitt released the first record by the U-Men, a 4-song 12” EP on Bombshelter Records. By the time they had recorded songs for another record, Bruce was too broke to release it on his proto-Sub Pop label, so he hooked them up with Gerard Cosloy at Homestead Records. This was a big deal. Homestead had a heavy rep at the time with recent releases by Foetus, Nick Cave, Sonic Youth, and Big Black. I was sure that the release of their second 12”, Stop Spinning, would propel the U-Men into the ranks of those Homestead acts and the worldwide underground would get hip to Seattle’s finest.
The U-Men bought a pink school bus and made a couple of valiant attempts at touring. Touring was tough in those days. You’d arrive in town and learn that the show you thought you had fell through. Communication was difficult and long-distance phone calls were expensive. The band stayed in Austin for a month just to play two shows. They became fast friends with Poison 13, Butthole Surfers, Scratch Acid, The Hickoids, and Tales of Terror. Without any income they starved. Starvation and stress amplified fractures within the band and soon bassist Jim Tillman was out. That was the end of the classic line-up of the U-Men.
They remained a very good band, but with Jim they were a great band and they never quite recovered. They recorded two fantastic singles, but something was missing live. They must have sensed it because they played fewer and fewer shows. They recorded their one full-length album, Step on a Bug, for Black Label which was run out of Fallout Records. They became increasingly disenchanted with the direction the Seattle underground was heading and called it quits in 1989. The U-Men had nothing to do with Grunge. They were their own unique thing. I loved them and I still miss them.
I remember thinking at the time that most of their recordings were a little soft and didn’t capture the power of the band live. Now, thirty years later, their records sound great to me and we are lucky that they exist. I’m stoked that Sub Pop compiled these long out-of-print records and scrounged up some unreleased songs so that everyone has a chance to take a trip back to old weird Seattle.
The U-Men were… Tom Price – Guitar John Bigley – Vocals Charlie Ryan – Drums Jim Tillman – Bass (1982-86) And Robin Buchan – Bass (1980-82) Tom Hazelmyer – Bass (1987) Tony Ransom – Bass (1987-89)
Strange Peace will be out September 22, 2017 from Sub Pop Records (Worldwide, ex-Canada) and Royal Mountain Records (in Canada).
“Mess of Wires” is the latest (and arguably greatest) song to be released from METZ’s forthcoming album Strange Peace. Zane Lowe gave the song its World First premiere on his Beats 1 show on Apple Music earlier today (which can be accessed here).
As described by METZ Frontman, Alex Edkins, “Mess of Wires” is “a reminder to myself to speak out and say what I believe. To be honest with myself. It is common to feel that your thoughts are inconsequential, a drop in the echo-chamber, but silence can be worse. Speak out about what you believe in, loud and often. In the spirit of this song, I want to strongly condemn the violent and hateful actions of the white-supremacists and neo-nazis in Charlottesville, VA. this past week. Their vile attempts to incite division and fear through intimidation and violence have no place in this world.”
METZ will be touring extensively throughout North America and Europe, beginning with a two-night stand September 5th and 6th in Atlanta at 529 and continuing through to December 16th in Houston at Warehouse Live. In the midst of that run, METZ will serve as direct support for Modest Mouse on October 10th and 11th. Additionally, METZ will play shows with Suuns (September 29th-30th), Uniform (October 2nd-8th), Protomartyr (Sept. 22nd and November 2nd-8th), Brian Case (November 9th), Drahla (November 12th-24th), and Cherubs (December 15th). Their current tour dates are as follows:
Sep. 05 - Atlanta, GA - 529 Sep. 06 - Atlanta, GA - 529 Sep. 07- Raleigh, NC - Hopscotch Festival Sep. 22 - Detroit, MI - Detroit Princess Riverboat ! Sep. 23 - Madison, WI - Majestic Theatre Sep. 25 - Chicago, IL - Thalia Hall Sep. 29 - Toronto, ON - Lee’s Palace * Sep. 30 - Toronto, ON - Lee’s Palace * Oct. 02 - Boston, MA - Sinclair # Oct. 03 - Philadelphia, PA - The First Unitarian Church # Oct. 04 - Brooklyn, NY - Music Hall of Williamsburg # Oct. 05 - New York, NY - Bowery Ballroom # Oct. 06 - Washington, DC - Rock & Roll Hotel # Oct. 07 - Hamden, CT - The Ballroom Oct. 08 - Montreal, QC - La Sala Rosa Oct. 10 - Providence, RI - Lupo’s ** Oct. 11 - Sayreville, NJ - Starland Ballroom ** Oct. 18 - Halifax, NS - The Marquee (Halifax Pop Explosion) Nov. 02 - Prague, Czech Republic - Futurum ! Nov. 03 - Wroclaw, Poland - Klub Firlej ! Nov. 04 - Warsaw, Poland - Klub Hydrozagadka ! Nov. 06 - Berlin, Germany - Bi Nuu ! Nov. 07 - Copenhagen, Denmark - Loppen ! Nov. 08 - Hamburg, Germany - Knust ! Nov. 09 - Zwolle, Netherlands - Poppodium Hedon ^ Nov. 10 - Kortrijk, Belgium - De Kruen (Sonic City Festival) Nov. 11 - Utrecht, Netherlands - Le Guess Who? Festival Nov. 12 - Le Havre, France - Le Tetris % Nov. 14 - Nimes, France - La Paloma % Nov. 15 - Bordeaux, France - Theatre Barbey % Nov. 16 - Toulouse, France - Club Metronum % Nov. 17 - Barcelona, Spain - La (2) De Apolo % Nov. 18 - Madrid, Spain - Moby Dick % Nov. 20 - Nantes, France - Pole Etudiant % Nov. 21 - Paris, France - Le Trabendo % Nov. 22 - London, UK - The Garage % Nov. 23 - Bristol, UK - The Fleece % Nov. 24 - Leeds, UK - Brudenell Social Club % Nov. 25 - Brighton, UK - The Haunt Dec. 07 - Seattle, WA - Neumos Dec. 08 - Vancouver, BC - Cobalt Dec. 09 - Portland, OR - Doug Fir Dec. 11 - San Francisco, CA - Independent Dec. 12 - Los Angeles, CA - Teragram Dec. 13 - San Diego, CA - Casbah Dec. 15 - Austin, TX - Mohawk & Dec. 16 - Houston, TX - Studio @ Warehouse Live * w/ SUUNS # w/ Uniform ! w/ Protomartyr ^ w/ Brian Case % w/ Drahla & w/ Cherubs ** w// Modest Mouse
Strange Peace is available for pre-order now from both Sub Pop and Royal Mountain Records. Canadian fans can pre-order the new record here. LP pre-orders of the Sub Pop album from megamart.subpop.com and select independent retailers will receive the limited Loser Edition on clear vinyl with red and green swirls (while supplies last).
