Watch the “make it Heat but starring Vorhees” official video for Kiwi Jr.’s “Unspeakable Things,” directed by Morgan Waters, and a new single and highlight from Chopper, the group’s forthcoming new album.
Jeremy Gaudet says of the video, “People are always trying to sign into my email. What do they think they’re gonna find? The public appetite for dirty laundry is wild. Having moved the world online has not helped. Dan Boeckner had the idea to use the Moog sound for the hook, which was originally on guitar, and that sound brings the song into a sort of new-wave territory that was fun and different for us. We kept referencing the vibe of Michael Mann movies when recording the album, and then Morgan heard this and came up with the idea of making the video look like the movie Heat. Somehow TSN’s Jay Onrait, Jonah from Fucked Up, and comedians Tom Henry and Rodrigo Fernandez-Stoll were convinced to cameo in it. We also were wearing these hockey masks filming all day next to a busy road getting a lot of car honks and didn’t realize until much later that we filmed on an actual Friday the 13th.”
On August 12th, 2022, KIWI JR. will release Chopper, the group’s third album, worldwide on CD/LP/CS/DSPs through Sub Pop, with the exception of Canada through the band’s Kiwi Club imprint. The album, which features the aforementioned “Unspeakable Things,” the previously released “Night Vision,” along with “The Sound of Music” and “The Extra Sees the Film,” was recorded and produced in Toronto by Sub Pop labelmate Dan Boeckner (Wolf Parade, Handsome Furs, Operators).
Chopper is available for preorder from Sub Pop. LP preorders from megamart.subpop.com, select independent retailers in North America will receive the limited Loser edition on crystal clear vinyl (while supplies last). Meanwhile, preorders through select independent retailers in the UK and EU will receive the limited Loser edition on clear vinyl (while supplies last).
Kiwi Jr.’s tour schedule for 2022 in support of Chopper resumes Saturday, June 25th in Toronto, Ontario at Horseshoe Tavern, and runs through Sunday, September 25th in Amsterdam, Netherlands at Paradiso. Sub Pop labelmates Weird Nightmare will also co-headline Kiwi Jr.’s North American shows (July 25th-July 31st, select dates). Additional live dates to be announced soon.
Sat. Jun. 25 - Toronto, ON - Horseshoe Tavern Fri. Jul. 22 - Montreal, QC - Bar le Ritz PDB * Sat. Jul. 23 - Ottawa, ON - SAW Gallery * Thu. Jul. 28 - Brooklyn, NY - Baby’s All Right * Fri. Jul. 29 - Rehoboth Beach, DE - Dogfish Head Brewing * Sat. Jul. 30 - Washington, DC - Songbird Music House * Sun. Jul. 31 - Philadelphia, PA - Johnny Brenda’s * Fri. Sep. 16 - Paris, FR - La Boule Noire Sat. Sep. 17 - Orleans, FR - Hop Pop Hop Festival Sun. Sep. 18 - Lille, FR - L’ Aeronef Mon. Sep. 19 - London, UK - Victoria Dalston [SOLD OUT] Tue. Sep. 20 - London, UK - 100 Club Wed. Sep. 21 - Brussels, BE - Witloofbar Botanique Thu. Sep. 22 - Nijmegen, NL - Merleyn Sat. Sep. 24 - Eindhoven, NL - Stoomhuisje Sun. Sep. 25 - Amsterdam, NL - Paradiso * w/ Weird Nightmare
What people said about Kiwi Jr.’s 2021 release, Cooler Returns: “Sustaining momentum near-flawlessly across 13 songs… Kiwi Jr. have the skills to match their smarts.” ★★★★ 4 stars - MOJO
“Sardonic storytelling and mocking asides…an impatient, slacker-rock imagining of a folk album....some chords ring out with George Harrison glossiness while others are as shaggy and impetuous as The Clean —rarely do hi-fi and lo-fi splendors coexist so harmoniously.” - Pitchfork
“Cooler Returns is all hits, a baker’s dozen of ridiculously catchy three-minute pop nuggets that deliver massive sing-along-choruses.” - Brooklyn Vegan
“Canadian absurdists’ return is a lyrical delight” - Uncut
“This one may have been released in literally the very first week of 2021, but it never strayed far from rotation. A truly jubilant sound echoing The Clean and Orange Juice but with the punch of contemporary indie, and wry and winking vocals that remind what the ‘90s had to offer underground.” [2021 Year In Review] - Aquarium Drunkard
“Kiwi Jr. take the jangliest of guitars and dribble enigmatic observations all over them. Light-hearted and exhilarating enough to make you stop caring and too catchy for its own good.” [15 Best Indie Pop Records of 2021] - PopMatters
“Kiwi Jr. hypnotize with their sophomore record. There is incredible efficiency in the brief slices of the Toronto foursome’s peppy pop songcraft–more than half clock in under three minutes–with enticing hooks and odd references.”[40 Best Albums of 2021] - Rock & Roll Globe
“Kiwi Jr’s world is the perfect anecdote to the real world in 2020/21.” [2021 Albums of The Year]- Louder Than War
“L’année 2021 ne pouvait mieux commencer qu’avec cet excellent disque a l’entrain communicatif, d’une inspiration jubilatoire, veritable rayon de soleil au cour de l’hiver” [4/5] - Rock & Folk
“Les quatre musiciens de Toronto ne changent pas leur formule gagnante et livrent une guitare jangly élégante et efficace.” - Les Inrocks
“Ook de referenties zijn dik in orde: the Chills, The Strokes, The Kinks… en de vroege R.E.M. ‘Fonkelende gitaarplaat die refereert aan heden en verleden.”, Best Albums of the Month - Oor
Taken from their critically acclaimed debut album Observatory which was released December 3, 2021 via Sub Pop, AEON STATION are proud to premiere the video for “QUEENS,” which vocalist/songwriter Kevin Whelan explains, “is to celebrate Pride. The creation of this DIY video came organically with a few mutual friends brainstorming ways to bring the song to life. My wife Mary Ann and I reached out to Bill Shea [a.k.a. close friend and celebrated NYC drag queen MargOH! Channing] to help make the video, where he enlisted his friend, Jorge Urena to film it. The footage was carefully pieced together by our own Lysa Opfer from Aeon Station.”
Advocating self acceptance, the video for “Queens” focuses on the stunning transformation from Bill to the MargOH! and the joy that comes with personal truth. “I was so thrilled when Mary Ann reached out to me about the song ‘Queens’ and creating a video for it,” says MargOH! excitedly.
The origins of the video is one based on the history and friendship of Kevin, Mary Ann and Bill/MargOH! who had been coworkers while Kevin and Mary Ann were dating. After a breakup between the two, Bill proved to be the catalyst that initiated their ultimate reconciliation. “Bill was unknowingly part of Kevin’s plan to get us back together,” laughs Mary Ann. “Kevin asked Bill to deliver some gifts to me. I wouldn’t take them at first, but after some initial protest, I eventually accepted the gifts, and the rest is history.”
“I think the video has captured the inspiration of this song ‘The Winner Takes it All’ by ABBA - like a game of high-stakes poker and not being afraid to go all-in, taking that chance and betting on the real you,” says Kevin. “Thank you, MargOH!, for agreeing to make the video and delighting audiences for many years with your cabaret performances. Thank you also for helping me start the reconciliation process with my now wife all those years ago!”
Concludes MargOH!, “I’m so happy it’s being released during Pride because the song and video captures the past, the present and hope for the future and we all need that right now. It’s like Judy Garland once said, ‘Well, we have a whole new year ahead of us. And wouldn’t it be wonderful if we could all be a little more gentle with each other, a little more loving, and have a little more empathy, and maybe, next year at this time we’d like each other a little more’.”
“Queens” is taken from the album Observatory by Aeon Station. The band has also announced Summer tour dates below.
July 9 – Chicago @ Square Roots Festival August 12 – San Francisco @ The Independent (tickets) August 13 – Los Angeles @ The Echo (tickets) August 26 – NYC @ Le Poisson Rouge (tickets) August 27 – Boston @ Brighton Music Hall (tickets) September 23 – Portland, OR @ Mississippi Studios (tickets) September 24 – Seattle @ Tractor Tavern (tickets)
We greatly encourage you to watch Built to Spill’s “Fool’s Gold,” a very official and funny new video, directed by Jordan Minkoff (who also directed the band’s “Gonna Lose” visual).
When the Wind Forgets Your Name featuring the aforementioned “Understood,” along with “Gonna Lose,” “Fool’s Gold,” “Spiderweb,” and “Rocksteady,” was produced by Doug Martsch, mixed by Martsch, Lê Almeida, João Casaes, and Josh Lewis, and mastered by Mell Dettmer. When the Wind Forgets Your Name is the first new Built to Spill album since the release of 2015’s Untethered Moon.
Built to Spill’s headlining and festival shows for the summer and fall of 2022 resumes Thursday, June 23rd at Calgary’s Sled Island Festival. The tour currently runs through Saturday, September 24 in Salt Lake City, UT at Metro Music Hall. The tour will feature songs from When the Wind Forgets Your Name along with fan favorites from the band’s catalog.
Support for these shows (select dates) will come from Oruã (the Brazilian band featuring When the Wind… collaborators Almeida and Casaes), along with Prism Bitch, Wetface, Blood Lemon, The French Tips, and Braided Waves. The live band for these Built to Spill tour dates will consist of Martsch, bassist Melanie Radford, and drummer Teresa Esguerra. For updated information on tickets, please visit builttospill.com.
Thu. Jun. 23 - Calgary, AB - Sled Island Festival Sat. Jul. 23 - Carnation, WA - Timber! Festival Sat. Jul. 30 - Stanley, ID - Sawtooth Family Gathering Sat. Aug. 06 - Happy Valley, OR - Pickathon Sun. Aug. 07 - Happy Valley, OR - Pickathon Thu. Aug. 11 - Spokane, WA - Lucky You Lounge ^ @ Fri. Aug. 12 - Bozeman, MT - The ELM ^ @ Sat. Aug. 13 - Billings, MT - The Pub Station ^ @ Mon. Aug. 15 - Fargo, ND - The Hall @ FBC ^ @ Tue. Aug. 16 - Minneapolis, MN - First Avenue ^ @ Wed. Aug. 17 - Madison, WI - Majestic Theater ^ @ Thu. Aug. 18 - Chicago, IL - Thalia Hall ^ @ Fri. Aug. 19 - Chicago, IL - Thalia Hall ^ @ Sat. Aug. 20 - Louisville, KY - Headliner’s Music Hall ^ @ Mon. Aug. 22 - Cincinnati, OH - Woodward Theater ^ @ Tue. Aug. 23 - Cleveland Heights, OH - Grog Shop ^ @ Wed. Aug. 24 - Toronto, ON - Danforth Music Hall % Thu. Aug. 25 - Montreal, QC - Corona Theatre # % Fri. Aug. 26 - Portland, ME - State Theatre # % Sat. Aug. 27 - New Haven, CT - College Street Music Hall # % Mon. Aug. 29 - South Burlington, VT - Higher Ground # % Tue. Aug. 30 - Holyoke, MA - Gateway City Arts # % Thu. Sep. 01 - Asbury Park, NJ - Stone Pony # % Fri. Sep. 02 - Baltimore, MD - Ram’s Head Live # % Sat. Sep. 03 - New York, NY - Irving Plaza # % Sun. Sep. 04 - Bethlehem, PA - Musikfest # % Tue. Sep. 06 - Columbus, OH - The Athenaeum Theatre * = Wed. Sep. 07 - Knoxville, TN - The Mill & Mine * = Thu. Sep. 08 - Wilmington, NC - Greenfield Lake Amphitheater * = Fri. Sep. 09 - Charleston, SC - Charleston Music Hall * = Sat. Sep. 10 - St. Petersburg, FL - Jannus Live * = Sun. Sep. 11 - Ft. Lauderdale, FL - Culture Room * = Tue. Sep. 13 - Orlando, FL - The Social * = Wed. Sep. 14 - Jacksonville, FL - Jack Rabbits * = Thu. Sep. 15 - Pensacola, FL - Vinyl Music Hall * = Fri. Sep. 16 - Birmingham, AL - Saturn Birmingham * = Sat. Sep. 17 - Memphis, TN - Growler’s * = Sun. Sep. 18 - Tulsa, OK - Cain’s Ballroom * = Mon. Sep. 19 - St. Louis, MO - Red Flag * = Tue. Sep. 20 - Columbia, MO - Blue Note * = Wed. Sep. 21 - Lawrence, KS - Granada Theater * = Fri. Sep. 23 - Denver, CO - Bluebird Theater * = Sat. Sep. 24 - Salt Lake City, UT - Metro Music Hall * =
When the Wind Forgets Your Name is now available for preorder on CD/LP/CS/DSPs through Sub Pop. LPs purchased through megamart.subpop.com, and select independent retailers in North America will receive the limited Loser Edition on Rainforest Green vinyl (while supplies last). Meanwhile, LP preorders in the U.K. and Europe through select independent retailers will receive the album on Misty Kiwi Fruit Green vinyl (while supplies last).
When the Wind Forgets Your Name’s cover art was designed by comic artist Alex Graham (Dog Biscuits; Fantagraphics Books), who also illustrated the fifty-panel comic strip for the album’s gatefold (available with the CD, LP, and cassette editions of the album).
Built to Spill When The Wind Forgets Your Name
Tracklisting: 1. Gonna Lose 2. Fool’s Gold 3. Understood 4. Elements 5. Rock Steady 6. Spiderweb 7. Never Alright 8. Alright 9. Comes a Day
“A record that exposes a new element of vulnerability that makes no sacrifice to their gritty, unshackled punk sound.” ★★★★DORK
“Flare-ups of vibrant noise… taut rhythms and brief but potent guitar flashes are occasionally reminiscent of Jon Spencer or J. Mascis. My Other People sees TV Priest continue to map out their own increasingly intriguing identity.”Kerrang!
“Post-punk propulsion from the London four-piece, with a vocal like a prolonged howl of pain, rage and love.”The Sunday Times
TV Priest’s international touring in support of My Other People resumes tonight, Friday, June 17th in London, UK at Rough Trade East and now runs through Saturday, November 26th in Cologne, Germany at Artheater. For up to date information on tickets, please visit TV Priest.com.
Fri. Jun. 17 - London, UK - Rough Trade East Mon. Jun. 20 - Brighton, UK - Resident* Tue. Jun. 21 - Southsea Portsmouth, UK - Pie & Vinyl* Wed. Jun. 22 - Totnes, UK - Drift* Thu. Jun. 23 - Leeds, UK - The Vinyl Whistle* Sun. Jul. 03 - Hyeres, FR - Pointu Festival Fri. Jul. 22 - Suffolk, UK - Latitude Festival Sun. Jul. 24 - Sienna, IT - TVSpenta Festival Tue. Jul.26 - Brooklyn, NY - Union Pool Wed. Jul. 27 - Philadelphia, PA - PhilaMOCA Fri. Jul. 29 - Montréal, QC - Bar le Ritz PDB Sat. Jul. 30 - Toronto, ON - Monarch Tavern Sun. Jul. 31 - Chicago, IL - Beat Kitchen Thu. Aug. 04 - Happy Valley, OR - Pickathon Fri. Aug. 05 - Happy Valley, OR - Pickathon Sat. Aug. 06 - Vancouver, BC - Fox Cabaret Sun. Aug. 07 - Seattle, WA - Clock-Out Lounge Fri. Sep. 03 - Salisbury, UK - End of the Road Festival Fri. Sep. 09 - Heusden, NL - Misty Fields Festival Sat. Sep. 17 - Leicester, UK - Wide Eyed Festival Mon. Oct. 24 - Nijmegen, NL - Merleyn Tue. Oct. 25 - Groningen, NL - Vera Tue. Oct. 26 - Rotterdam, NL - Rotown Fri. Oct. 28 - Amsterdam, NL - London Calling Festival Sun. Oct. 30 - Bristol, UK - The Louisiana Mon. Oct. 31 - Birmingham, UK - Hare & Hounds Tue. Nov. 01 - Dublin, IE - The Workman’s Cellar Thu. Nov. 03 - Manchester, UK - Yes (Pink Room) Fri. Nov. 04 - Glasgow, UK - Broadcast Sat. Nov. 05 - Leeds, UK - Belgrave Music Hall Mon. Nov. 07 - Cambridge, UK - Portland Arms Tue. Nov. 08 - Leicester, UK - Firebug Bar Thu. Nov. 10 - London, UK - Scala Fri. Nov. 11 - Reading, UK -The Face Bar Sat. Nov. 12 - Southampton, UK - The Joiners Sun. Nov. 13 - Brighton, UK - Green Door Store Tue. Nov. 15 - Paris, FR - TBC Wed. Nov. 16 - Le Havre, FR - Le Tetris Fri. Nov. 18 - Nantes, FR - Stereolux Sat. Nov. 19 - Lille, FR - L’Aeronef Sun. Nov. 20 - Brussels, BE - Botanique Tue. Nov. 22 - Zurich, CH - Bogen F Thu. Nov. 24 - Berlin, DE - Privatvclub Fri. Nov. 25 - Cologne, DE - Artheater * Stripped down performances
What people are saying about TV Priest: “There’s a strong crackle of big-collared ’90s nylon shirting – Tindersticks, Pulp, Nick Cave, Morphine – as singer Charlie Drinkwater darkens the corners: “Off that map there are monsters / off that map there are madmen.” [“Limehouse Cut”] - MOJO
“On these new tracks, vocalist Charlie Drinkwater continues to resemble Joe Talbot, but I can just as easily hear Nick Cave, Jim Morrison, and Protomartyr’s Joe Casey in those bellows. His bandmates sound spry and adventurous, brimming with ideas and kinetic energy.” [“Bury Me In My Shoes”] - Stereogum
“The music has a real wielding tone throughout buzzing guitars and yelled vocals offering itself up with plenty of on the side feels.” [“Bury Me In My Shoes”] - Closed Captioned
“Frontman Charlie Drinkwater makes a startling statement. “I’m going to take these clothes off now,” he sings, offering up an image that seems to reveal the very core of this stunning new offering.” [“One Easy Thing”] - Far Out
“Charlie Drinkwater’s vulnerable side comes to the fore in ‘One Easy Thing’, with a voice that lends itself as capably to emotive ballads as it does to hook-heavy punk” [“One Easy Thing”] - Riot Mag
“Thoughtful and metronomic in equal measure, the plucking guitar chords at the forefront of the sonics with a mesmeric rhythm which is almost hypnotic in its delivery.” - [“Limehouse Cut”] -Backseat Mafia
“Stark and sinister, this track is a Nick Cave-esque lament on urban displacement and a longing for beautiful landscapes.” - [“Limehouse Cut”] - The Times
“Beautifully sparse in it’s opening refrain, the track points to a change of direction for the band. Sonically, the new single seems lighter than their previous output, aligning more with the booming British Post-Punk scene than with their krautrock inspired roots.” [“One Easy Thing”] - When The Horn Blows
“The song is dark, a rock with a riff that is pleasant, Charlie Drinkwater’s vocals over the top are reminiscent of Johnny Cash. The song evokes the feeling of exhaustion without being exhausting to listen to.” [“One Easy Thing”] - ASBO Magazine
Father John Misty is sharing the official video for “Buddy’s Rendezvous,” directed by filmmaker and photographer Emma Elizabeth Tillman (TheHistory of Caves; The Wheel) and is a highlight from Chloë and The Next 20th Century, his internationally acclaimed new album.
Emma says of the video, “‘Buddy’s Rendezvous’ is a world unto itself. It is a place out of time. My dream for the video is that it would surrender itself to the power of the song. An unnamed man (played by Craig Stark), fresh out of jail and down on his luck makes his way across the fractured landscape of Los Angeles to meet his daughter (played by Arrow DeWilde). All the while he is beset by memories of a more innocent time. Despite her hesitance, his daughter and her boyfriend (played by Gilbert Trejo) agree to meet her father and find moments of sadness and sparks of tenderness in the connection made. Although the video and the song can be considered love letters to Los Angeles, the themes are universal. Disappointments, regrets, forgiveness, tenderness, perseverance, and love. The incredible performances by Arrow, Craig, Gilbert, and David Haley all coalesce to bring this vision to life. Cinematography by James Wall on 16mm evokes the down and out feeling of LA, merging past and present. This video could not have been accomplished without the talent of producer Bria Little and creative director and editor Jonathan King.”
Also out today is Lana Del Rey’s gorgeous cover of “Buddy’s Rendezvous,” available now on all DSPs. Her interpretation of the song was previously only available as a 7” single included with the limited edition box set of Chloë and The Next 20th Century.
Father John Misty’s Chloë and The Next 20th Century and its singles are earning “Best Albums” and “Songs of 2022 (So Far)” placement from the likes of Stereogum, The Guardian, Consequence, The Current, Uproxx (Steve Hyden), and more.
Father John Misty’s previously announced international headlining tour schedule in support of Chloë and The Next 20th Century begins Saturday, June 26th, 2022 and runs through Friday, March 17th, 2023. A current list of dates below.
2022: Summer/Fall (North America + South America) Sat. Jun. 26 - Greenfield, MA - Green River Festival Fri. Jul 08 - Des Moines, IA - 80/35 Music Festival Sun. Jul. 31 - Morrison, CO - Red Rocks Amphitheatre w/ The Colorado Symphony * Wed. Aug. 03 - San Diego, CA - Humphreys Concerts By The Bay * [Sold Out] Thu. Aug. 04 - San Diego, CA - Humphreys Concerts By The Bay * Fri. Aug. 05 - Las Vegas, NV - The Theater at Virgin Hotels Las Vegas * Sat. Aug. 06 - Phoenix, AZ - The Van Buren * Mon. Aug. 08 - Oklahoma City, OK- The Criterion * Tue. Aug. 09 - Kansas City, MO - Arvest Bank Theatre at The Midland * Thu. Aug. 11 - Houston, TX - White Oak Music Hall * Fri. Aug. 12 - Austin, TX - Moody Amphitheater * Sat. Aug. 13 - New Orleans, LA - Orpheum Theater * Sun. Aug. 14 - Dallas, TX - The Factory in Deep Ellum * Thu. Aug. 18 - Los Angeles, CA - Hollywood Forever Cemetery * [Sold Out] Fri. Aug. 19 - Los Angeles, CA - Hollywood Forever Cemetery [Sold Out] Sat. Aug. 20 - Oakland, CA - Fox Theater * Tue. Aug. 23 - Eugene, OR - McDonald Theatre * Thu. Aug. 25 - Vancouver, BC - Orpheum * Fri. Aug. 26 - Port Townsend, WA - THING Festival Sat. Aug. 27 - Portland, OR - Pioneer Square * Mon. Sep. 12 - Columbus, OH - KEMBA Live! * Tue. Sep. 13 - Philadelphia, PA- The Met Philadelphia * Thu. Sep. 15 - Louisville, KY - Bourbon & Beyond Festival Fri. Sep. 16 - Richmond, VA - Brown’s Island * Sat. Sep. 17 - Asheville, NC - Rabbit Rabbit * Mon. Sep. 19 - Charleston, SC - The Riviera Theater * [Sold Out] Tue. Sep. 20 - Washington, DC - The Anthem * Thu. Sep. 22 - New York, NY - Radio City Music Hall w/ The New York Pops * Fri. Sep. 23 - Boston, MA - Leader Bank Pavilion * Sat. Sep. 24 - Bridgeport, CT - Sound on Sound Festival Mon. Sep. 26 - Montreal, QC - MTELUS * Tue. Sep. 27 - Toronto, ON - Roy Thomson Hall * Thu. Sep. 29 - Chicago, IL - Chicago Theatre * Fri. Sep. 30 - Saint Paul, MN - Palace Theatre * Sat. Oct. 01 - Saint Paul, MN - Palace Theatre * Mon. Oct. 03 - Milwaukee, WI - Riverside Theater * Tue. Oct. 04 - Indianapolis, IN - Clowes Memorial Hall * Thu. Oct. 06 - Nashville, TN - Ryman Auditorium * Fri. Oct. 07 - Atlanta, GA - The Eastern * Sat. Oct. 08 - Durham, NC - DPAC * Sun. Nov. 06 - Sao Paolo, BR - Primavera Sound Sat. Nov. 12 - Buenos Aires, AR - Primavera Sound Sun. Nov. 13 - Santiago, CL - Primavera Sound Thu. Nov. 17 - Bogotá, CO - Coliseo Live ^ Sun. Nov. 20 - Mexico City, MX - Corona Capital
* w/ Suki Waterhouse ^ w/ Arctic Monkeys
2023: Late Winter/Spring (Europe) Sat. Feb. 25 - Oslo, NO - Sentrum Scene Tue. Feb. 28 - Stockholm, SE - Cirkus Thu. Mar. 02 - Denmark, DK - KB Hallen Fri. Mar. 03 - Berlin, DE - Columbiahalle Sat. Mar. 04 - Amsterdam, NL - AFAS Live Mon. Mar. 06 - Brussels, BE - Ancienne Belgique Tue. Mar. 07 - Paris, France - Salle Pleyel Thu. Mar. 09 - London, UK- O2 Academy Brixton Mon. Mar. 13 - Gateshead, UK - Sage Gateshead Wed. Mar. 15 - Glasgow, UK - Barrowlands Thu. Mar. 16 - Glasgow, UK - Barrowlands Fri. Mar. 17 - Manchester, UK - O2 Apollo Manchester
Chloë and The Next 20th Century is out now worldwide from Sub Pop and in Europe from Bella Union.
What People Are Saying About Father John Misty’s Chloë and the Next 20th Century: “Over his 10-year career as Father John Misty, we’ve seen this wild orchid of an artist gradually bloom into a generational singer-songwriter…Chloë and the Next 20th Century serves as a gorgeously crafted highlight reel of the singer’s many previous styles and guises.” ★★★★★ NME
“Chloë and the Next 20th Century is his best yet. He still takes his cues from the great storytellers of the 1970s but this effort is also on thrall to glamor of old Hollywood and the jazzy show tunes of the 30s and 40s. Pianos twinkle and strings swirl. The singing is warm and rich.” ★★★★★ The Mail on Sunday
“One of the best albums of the year.”Variety
“Pop’s funniest storyteller is back at his best.”★★★★ The Guardian
“Another breakthrough for Tillman — as a lyricist, as a melodicist, as a singer, as a builder of worlds.” Uproxx
“Album number 5 from Father John Misty is his most widescreen yet… astonishing music full of big ideas… A triumph.” ★★★★★ Shindig
“A ravishing magnum opus… he creates a world all his own (9/10).” The Sun
“Stunningly melodic… Tillman’s voice sounds fantastic throughout… It feels like an artist who’s spent time wondering what the point was, making peace with what he does, even – or especially – if it involves escapism. Sinking into Chloë and the Next 20th Century’s lush, sepia-toned arrangements, escaping with him is a pleasure (“Album of the Week”).” ★★★★ The Guardian
“For such a project to come off, the compositions have to feel like standards, with chord progressions and whistleable tunes that become more interesting with repeated listens. And Mr. Tillman pulls it off.” Wall Street Journal
“Tillman’s writerly skills would have shone in any era… He offers a moving reminder of the beauty of life’s impermanence…As Chloë and the Next 20th Century sees Father John Misty escaping into his own parallel Hollywood reality, it’s highly entertaining to slip in alongside him.” ★★★★ MOJO
“On Chloë and the Next 20th Century, Father John Misty is transporting himself to another world; it sounds pretty damn sweet over there.” ★★★★ ½ DIY
“Father John Misty’s Chloë and the Next 20th Century is filled with deeply imaginative arrangements and sophisticated, textured songwriting (9/10).” PopMatters
“Chloë represents a very stark, yet impressive left turn for Tillman, a record that sees him grow not only as a narrative lyricist, but also a master arranger (8.8/10)” PASTE
“The student has become the maestro (B+).”Entertainment Weekly
“With delicate orchestral arrangements, a dead Turkish Angora, and an overlying Old Hollywood theme, Chloë and the Next 20th Century is the most un-Misty-like album yet. We’re OK with that.” Rolling Stone
“Even though we’ve spent 10 songs becoming accustomed to Chloë’s milieu, Tillman upends that comfort on the 11th song. Ultimately, Chloë and the Next 20th Century signifies something larger. Father John Misty will always be interesting.” SPIN
“Father John Misty’s new album is unlike anything he’s ever done before, in the best possible way…This latest one is excellent, and if anything, it serves as proof that Tillman doesn’t need the crutch of the FJM role. Maybe now, five years after he first contemplated killing him, he can finally let Father John Misty rest in peace.” Inside Hook
“A cinematic masterpiece. With a full orchestra at his heels, Father John Misty’s fifth album is likely to be one of the classiest and most ambitious records of the year; only he could pull this off.” ★★★★ DORK
“An epic, orchestral album that recalls the Golden Age of Hollywood (9/10).” Hot Press
“Achingly beautiful melodies, lyrics embed with ennui and romanticism, vocals of extraordinary richness… yes, it’s another Father John Misty album” ★★★★ Sunday Times
“A talented and original musician stepping outside expectations.... Influences from past epochs of Los Angeles bohemia can be heard, but Tillman inhabits his Father John Misty persona so confidently that the songs transcend pastiche.” ★★★★ Financial Times
“Inclusive, playful and connective.” ★★★★ NARC
“Chloë.. is maximum Misty from tip to twinkly toe… As woodwinds flutter and strings swoon, Tillman’s voice rises to the occasion: his rich, warm delivery pulls you into the songs, barbed asides and beautiful melancholy impeccably balanced… Tillman’s writing brims with story-song riches, countering 21st-century cynicism with old-school romanticism.”★★★★Record Collector
“Fans who fell in love with Tillman’s sharp social commentary will find plenty to hone in on, but the lush sounds take some of the bite out of his clever barbs and cynical perspectives on love and connection. Even with the strong, considered design of his previous albums, Father John Misty has never sounded so pleasant.” ★★★★ All Music
“For all their evocations, the dreamscapes on Chloë are not actually nostalgic. Instead, the songs seem to underline the artist’s gallows humor at our collective doom, repeating various destructions of humanity — both on the scale of an endless century and every love affair.” Consequence
“The band—including frequent collaborators Drew Erickson and Jonathan Wilson, plus a string quartet and eleven orchestra members—play with silvery poise and high drama. The characters may be odious and dissolute, but the way Misty sings about them is delightful, from the debonair delivery of ‘Chloë’ to the little retro-microphone vibrato that creeps into ‘Kiss Me.’” Pitchfork
“Josh Tillman’s new album is a foray into old Hollywood that goes down like a smooth martini (B+).” The AV Club
“Sophisticated orchestral pop… utterly delectable… a luxuriously irresistible affair (8.3/10).” Far Out
“Right from the start, ‘Chloë’ raises the curtain on an MGM Tinseltown of muted trumpets and colourised aesthetic… a romantic and intriguing world to fall into.” ★★★★ The Telegraph
“These are smart, amusing songs with sumptuous instrumentation.” The New Statesman
“It’s a big, bold, beautiful statement that doesn’t hit you over the head but gently and carefully makes its way into your heart (8/10).” Northern Transmissions
“Affecting and nuanced… these are warm, gentle, and often stunning songs that charm before they have the time to creep up on you.” ★★★★ Our Culture
“Brilliant and moving… His vivid, imaginative fifth album swerves between lounge jazz and romantic reveries.” - PROG
“Unmistakably a Father John Misty record, he ranges across a number of styles with panache… It’s great to have Tillman back in all his grandiose brilliance.” ★★★★ - Morning Star