Beach House have announced two new interactive features, a “Single Finder” & “Setlist Creator,” which you can experience now via their website, BeachHouseBaltimore.com.
The “Single Finder” allows Beach House fans to choose 3 of their favorite songs from the group’s extensive catalog and enter them into the device. The “Single Finder” will then use an algorithm to choose a “single” from Depression Cherry that is right for you (more info here).
Meanwhile, the “Setlist Creator” allows fans to choose three songs they’d like Beach House to play at a show they’re attending on their upcoming tour. The band’s setlist changes nightly, with some songs played a few times per tour. While there are no guarantees Beach House will play each of these fan selections, the “Setlist Creator” will help influence their set lists along the tour (more info here).
Depression Cherry will be available on CD / LP/ DL on August 28th. LP and CD versions of Depression Cherry will come packaged in a sumptuous red velvet sleeve. (yes, that IS velvet) All pre-orderers of the LP via megamart.subpop.com will receive the special, limited, clear vinyl Loser Edition (while supplies last, of course).
Tour Dates Aug. 18 - Portland, ME - State Theatre * Aug. 19 - Northampton, MA - Pearl Street Nightclub * Aug. 20 - Burlington, VT - Higher Ground * Aug. 21 - Buffalo, NY - Town Ballroom * Aug. 22 - Pittsburgh, PA - Mr. Small’s * Aug. 24 - Albany, NY - Upstate Concert Hall * Aug. 25 - Providence, RI - Lupo’s Heartbreak Hotel * Aug. 26 - New Haven, CT - College Street Music Hall * Aug. 29 - Baltimore, MD - Windjammer @ Pier Six Pavilion # [Sold Out] Sep. 17 - Columbus, OH - Newport Music Hall ** Sep. 18 - Cincinnati, OH - Bogart’s ** Sep. 19 - Royal Oak, MI - Royal Oak Theatre ** Sep. 21 - Milwaukee, WI - Pabst Theatre ** Sep. 22 - Minneapolis, MN - First Avenue [Sold Out] ** Sep. 23 - Minneapolis, MN - First Avenue ** Sep. 25 - Omaha, NE - Slowdown ** Sep. 26 - Lawrence, KS - Liberty Hall ** Sep. 27 - St. Louis, MO - The Pageant ** Sep. 28 - Memphis, TN - Minglewood Hall ** Sep. 29 - Tulsa, OK - Cain’s Ballroom ** Oct. 01 - Houston, TX - House of Blues Oct. 02 - New Orleans, LA - Civic Theatre Oct. 03 - Birmingham, AL - Saturn ** Oct. 04 - Nashville, TN - The Ryman Auditorium ** Oct. 06 - Atlanta, GA - Buckhead Theatre ** Oct. 07 - Asheville, NC - Orange Peel ** Oct. 08 - Saxapahaw, NC - Haw River Ballroom [Sold Out] ** Oct. 24 - Belfast, UK - Mandela Hall Oct. 25 - Dublin, IE - Vicar Street Oct. 26 - Glasgow, UK - ABC Oct. 27 - Manchester, UK - The Ritz Oct. 29 - Paris, FR - Pitchfork Music Festival Oct. 30 - London, UK - Shepherds Bush Empire Nov. 02 - Amsterdam, NL - Paradiso Nov. 03 - Brussels, BE - Autumn Falls @ AB Nov. 04 - Koln, DE - Gloria Nov. 05 - Luxemborg, LU - Den Atelier Nov. 07 - Reykjavik, IS - Iceland Airwaves Nov. 10 - Oslo, NO - Sentrum Scene Nov. 11 - Gothenburg, SE - Tradgarn Nov. 12 - Stockholm, SE - Debaser Medis Nov. 13 - Copenhagen DK - Vega Nov. 14 - Hamburg, DE - Kampnagel K1 Nov. 16 - Berlin, DE - Huxley’s Nov. 17 - Munich, DE - Freiheiz Nov. 18 - Lausanne, CH - Les Docks Nov. 20 - Barcelona, ES - Apolo Nov. 22 - Madrid, ES - La Riviera Nov. 23 - Lisbon, PT - Armazén Nov. 24 - Porto, PT - Teatro sa da Bandeira Dec. 09 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 10 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 11 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 12 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 17 - San Francisco, CA - The Fillmore [Sold Out] Dec. 18 - San Francisco, CA - The Fillmore [Sold Out] Dec. 19 - San Francisco, CA - The Fillmore [Sold Out]
* w/ Romantic States ** w/ Jessica Pratt # w/ Future Islands, Dan Deacon, Ed Schrader’s Music Beat & more
You can now experience Deaf Wish’s official video for “On,” from Pain, their new album releasing today - yes, it’s finally here - worldwide.
When pressed for a description of the visual, director Vincenzi Vandella offered this: “Rainbows, Snakes, Chrome, Champagne. A live broadcast from the Deaf Wish cathedral (see Brooklyn Vegan video premiere August 7th).”
Pain was recorded & produced by the band at Reservoir, Victoria, mixed by Mikey Young and mastered by April Golden at Golden Mastering.
Deaf Wish have confirmed a few Australian dates in support ofPain, including August 28th in Geelong, AU at Barwon Club and the band’s official CD release show on September 5th in Melbourne, AU at The Tote. (Never fear: a North American tour will be announcement shortly.)
Starting today, Pain is available for purchase on CD / LP / DL from your local purveyor of fine records, and also online from Sub Pop Mega Mart, iTunes, Amazon, and Bandcamp. LP orders from megamart.subpop.com will receive the limited Loser edition on clear, black marbled vinyl (while supplies last).
Tour Dates Aug. 28 - Geelong, AU - Barwon Club Geelong Sep. 05 - Melbourne, AU - The Tote
This fall, Strange Wilds embark on a North American tour in support of their debut album, Subjective Concepts, now available worldwide from Sub Pop. The trek starts September 25th in Seattle, WA at Black Lodge and ends November 19th in Portland, OR at Bunk Bar.
Preceding the tour, Strange Wilds also have a few Pacific Northwest dates for you noise loving fans: August 9th at Seattle’s Chop Suey (8pm), another August 9th show at Old School Pizzeria in Olympia (midnight), and August 10th in Tacoma at New Frontier Lounge. Please find a complete list of tour dates below.
As you might suspect, Strange Wilds’ Subjective Concepts is available on CD / LP / DL at the Sub Pop Mega Mart, iTunes, Amazon and Bandcamp. All customers who order the LP version of Subjective Concepts from megamart.subpop.com and Bandcamp will receive the limited “Loser Edition” on white vinyl while supplies last. That’s right: everyone’s a Loser here. T-shirt also available, individually and also bundled with the new record.
Tour Dates Aug. 09 - Seattle, WA - Chop Suey ^ (EARLY) Aug. 09 - Olympia, WA - Old School Pizzeria # (LATE) Aug. 10 - Tacoma, WA - New Frontier Lounge Sep. 25 - Seattle, WA - Black Lodge Sep. 27 - Portland, OR - They Know Sep. 30 - Olympia, WA - TBA Oct. 01 - San Francisco, CA - Hemlock Oct. 02 - Los Angeles, CA - The Smell Oct. 03 - Tempe, AZ - Time Out Lounge Oct. 05 - Denver, CO - Rhinoceropolis Oct. 09 - Chicago, IL - Empty Bottle Oct. 11 - Detroit, MI - Marble Bar Oct. 12 - Cleveland, OH - Now That’s Class Oct.16 - Brooklyn, NY - Union Pool (Strange Victory Touring CMJ Party) Oct. 19 - Toronto, ON - Smiling Buddha Oct. 20 - Rochester, NY - Bug Jar Nov. 01 - Jacksonville, FL - Rain Dogs Nov. 04 - Austin, TX - Beerland Nov. 09 - Fullerton, CA - Continental Room Nov. 10 - El Centro, CA - Strangers Nov. 11 - Los Angeles, CA - All Star Lanes Nov. 13 - Oakland, CA - 1-2-3-4 Go Records Nov. 18 - Boise, ID - Neurolux Nov. 19 - Portland, OR - Bunk Bar
Whilst awaiting their upcoming album, you can now hear Low’s “What Part of Me” the group’s affecting new single and second track release from Ones and Sixes. The Quietus, had this to say of the track: “It’s just over three minutes of the band’s fuzzy, melodic charm, laying Alan Sparhawk and Mimi Parker’s harmonized vocals over a slightly spectral setting (see song premiere August 3rd).”
Ones and Sixes is currently available for pre-order here, and also on Bandcamp. The limited “Loser Edition” LP on yellow vinyl will be available from select independent record stores and megamart.subpop.com (while supplies last). For those who like to wear their music, two new T-shirt designs will also be available, either as individual items or as part of CD/LP bundles.
Low’s Ones and Sixes releases on CD / LP / DL worldwide Friday, September 11th.
Their previously announced North American + European tour in support of Ones and Sixes, begins September 18th in Madison, WI and ends November 21st in Seattle, WA. They’ll play their largest headlining date in London’s iconic Roundhouse on October 10th. And now, there are a few additional shows preceding and following the band’s fall trek: Perfect Sound Forever Fest in Bergen, Norway (September 3rd); UK appearances at both the End of the Road and Electric Picnic Festivals (September 4th-6th / select dates); and their newly rescheduled Philadelphia date at Johnny Brenda’s (February 1st). For up to date information on tickets please visit http://chairkickers.com/shows.
Tour Dates Sep. 03 - Bergen, NO - Perfect Sounds Forever Fest @ Landmark Sep. 04 - Wiltshire, UK - End of the Road Festival Sep. 05- Stradbally, IE - Electric Picnic Sep. 18 - Madison, WI - High Noon Saloon* Sep. 19 - Chicago, IL - Thalia Hall* Sep. 21 - Toronto, ON - The Mod Club* Sep. 22 - Montreal, QC - Bar Le Ritz PDB* Sep. 23 - Boston, MA - Brighton Music Hall* Sep. 24 - Brooklyn, NY - Music Hall of Williamsburg* Sep. 25 - Hamden, Connecticut – The Ballroom at The Outer Space* Sep. 26 - Washington, DC - Black Cat* Oct. 07 - Manchester, UK - Cathedral ^ Oct. 08 - Glasgow, UK - Art School = Oct. 10 - London, UK - Roundhouse ^ Oct. 12 - Koln, DE - Gebaude 9 = Oct. 13 - Hamburg, DE – Knust = Oct. 14 - Copenhagen, DK – Vega = Oct. 15 - Stockholm, SE – Kagelbanan = Oct. 17 - Berlin, DE – Lido = Oct. 19 - Munich, DE – Ampere = Oct. 20 - Bologna, IT - Teatro Antoniano = Oct. 22 - Zaragoza, ES - Las Armas = Oct. 23 - Barcelona, ES – Bikini = Oct. 24 - Valencia, ES - Deleste Festival Oct. 26 - Madrid, ES - Teatro Lara = Oct. 27 - Santander, ES – Escenario = Oct. 29 - Amsterdam, NL - Paradiso ^ Oct. 30 – Tourcoing, FR – Le Grand Mix = Oct. 31 - Brussels, BE – AB + Nov. 02 – Paris, FR – Le Divan du Monde = Nov. 11 - Minneapolis, MN - First Avenue* Nov. 12 – Omaha, NE – Reverb Lounge* Nov. 13 - Denver, CO - Larimer Lounge* Nov. 14 - Salt Lake City, UT - The Complex* Nov. 16 - Los Angeles, CA - The Troubadour* Nov. 18 - San Francisco, CA - Great American Music Hall* Nov. 20 - Portland, OR - Doug Fir* Nov. 21 - Seattle, WA - The Crocodile* Feb. 01 – Philadelphia, PA – Johnny Brenda’s
* w/ Andy Shauf ^ w/ Two Gallants + w/ Chelsea Wolfe = w/ Mike Noga
Selective Listening: Notes from the desk of the General Manager, August 2015.
Now that’s what we call a BM*!
Because I have a very TOP LEVEL and (let’s just say…) incisive
understanding of the contents of my email inbox, I was recently made aware of
an interesting and modest experiment in music distribution put together by a
musical trio from Minneapolis called The Hand, whose members have all done or
still do time in other bands and whose mean age is 46 (approximately 750 in
band years, and near-certain assurance of their lifelong anonymity). You can
read all about it yourself here. And,
this thing is interesting for a bunch of reasons, not least of which is the
following description, which, to me, seems like a pretty good raison d’être for any band or any record label still standing, and one which
we’d unabashedly steal or co-opt were we not, at some root, dna-type level,
constitutionally unable to full-stop commit to anything so definite and old
guard as a mission statement.
It goes like this:
“we promise to never put up anything we don’t think is worth $4,
and to try not to be boring and/or behave like “professional
musicians” with a “career” (because we’re not and we don’t). you
promise to not….i dunno, be an asshole about the whole thing.”
Not at all coincidentally (because it was only his email to me on
the subject which managed to disrupt my usual laser-ish focus on important
business-related matters here in the professional music business), I am
familiar with one of the folks responsible for this thing: it’s our old friend
Zak Sally! Zak is probably best known to you for playing bass in Low for 10 or
12 years. He is further known to me as one of those people who provide plain
evidence of my own laziness in way that is frustratingly difficult to ignore
(and I have tried…). In addition to his time spent in Low, and doing stuff with
The Hand, he’s also a cartoonist, a comics art professor, runs his own small
publishing company, and
put together an upcoming 2-day festival of independent culture called Autoptic. All
this in addition to being a parent, spouse, and exceptionally solid dude. I’m
sure there’s more, but I already feel badly enough about myself.
Relatedly! Low, the other very excellent MN-based band mentioned
above (whose records it is our good fortune to release unto the world bearing
the Sub Pop imprimatur of occasional quality), have a top-notch, BJ Burton-produced
new album called Ones and Sixes, coming out in September. We have
released a song or songs (who knows?) from this record as clear proof of that
aforementioned top-notch-ed-ness. Please listen, love, buy, stream, or
otherwise consume, won’t you?
But I digress mid-digression…
What I’m going to go ahead and charitably refer to as my point
here is that a good business model, like the one that The Hand put together, is
increasingly difficult to find. Why, even seasoned music professionals, like
those who I’m told work here at Sub Pop Records, occasionally falter. And
here’s where a couple of illustrative examples might fit nicely:
- As it happens and in spite of what we recall as countless
magazine articles on the great, cresting popularity of the cupcake trend of the
recent past, people are largely unwilling to pay $15.98 for a cupcake with a
download code for a full album of mp3s, and this is especially true, to a
degree that borders on discriminatory, if your company does not just outright
excel at baking or food safety standards compliance.
- Same with sliders!
- Though nearly every single software developer who has ever
cold-called and then set up a meeting with us [or… my boss, which I then had to
attend when she bailed for more interesting or relevant uses of her time,] has
practically, though not exactly, in so many words, GUARANTEED us that just
having an app, regardless of what that app might do, is a disruptive,
game-changing, fucking RAINMAKER, we have come to learn that there are
shockingly few people interested in GrungeSquish-ing a selfie at $1.29 a pop.
- Suffice it to say that we were profoundly surprised to learn,
only after pouring great, pornographic sums of money into the much-ballyhooed
new SAP streaming service for MIDI-fied music, that today’s savvy music consumers
expect or even demand more than one album from the catalog of such a streaming
service. Further suffice it to say that SAP still seems marginally more
interesting than Pono.
As a company which has overtly (for a carefree, golden time before
the Business Affairs Dept. noticed…) declared ourselves “Going Out of Business
Since 1988,” it’s probable we’re not anyone’s first source of insight on how to
navigate the complicated mess of the music business ca. right about now. That’s
probably for the best and anyway, who cares?
As long as there are outfits like The Hand coming up with great,
innovative BMs (and we occasionally wake up long enough to steal their ideas),
it’s alright. We can have our cupcake and listen to it, too.
“BM,” of course, I mean to evoke “Business Model.”