Here now for your audio-visual stimulation is the frenetic new video for forthcoming METZ single, “Eraser,” directed by Nathan Joyner and starring Alia Jyawook of the San Diego band Hot Nerds.
Brooklyn Vegan had this to say, “It visually matches the song’s pummeling sonic assault, beat for beat” (see video premiere January 7th).”
METZ’s 2016 headlining world tour resumes this Saturday, January 9th in Boston at the Sinclair and runs through February 20th in Beijing, China at Mao Livehouse.
New highlights include: a short east coast/midwest US tour January 9th-16th (with Bully); January 29th in Tokyo at Fever; January 30th-February 14th for appearances at the multi-city Laneway Festival, held in Singapore, Australia and New Zealand; And February 17th -20th for three shows in Taiwan and China. (see tour details below)
The “Eraser” b/w “Pure Auto” single will be available January 22nd, 2016 on 7” vinyl from Three One G and digitally from Sub Pop.
Following two acclaimed albums on Sub Pop (2012’s METZ; 2015’sII) and a deeply impressive amount of touring, this Three One G single is the band’s first recording for the esteemed CA-based label, and their first new material since the release of II. Both “Eraser” and “Pure Auto” were produced by METZ, recorded by Graham Walsh at Union Sound Company, and mastered by Matthew Barnhart at Chicago Mastering Service.
The “Eraser” / “Pure Auto” 7” single, which was pressed on either sea foam green or white vinyl in two runs limited to 1,000 copies each, is available now for preorder through Three One G while supplies last (copies through Sub Pop Mega Mart are now sold out). The single is also available for preorder digitally through Three One G, megamart.subpop.com, iTunes, and Amazon.
For more info on METZ’s “Eraser” / “Pure Auto” single, visit Three One G.
METZ II is available now on CD / LP / DL worldwide from Sub Pop. The album has earned “Albums of the Year” notice from the likes ofEntertainment Weekly, Rolling Stone, Diffuser, Blare, and Treble. II also scored the band its highest chart position in the U.S. to date, entering at #98 / Billboard Top 200. In Canada, the album debuted at #27 on the Top 200 albums chart.
Tour Dates Jan. 9 - Boston, MA - The Sinclair * ^ Jan. 11 - Washington, DC - Rock & Roll Hotel * ^ Jan. 12 - Philadelphia, PA - First Unitarian Church * ^ Jan. 14 - Brooklyn, NY - Music Hall of Williamsburg * # Jan. 16 - Chicago, IL - Metro * (Tomorrow Never Knows Fest 2016) Jan. 29 - Tokyo, Japan - Fever Jan. 30 - Singapore - The Meadow, Gardens by the Bay (Laneway Festival) Feb. 01 - Auckland, NZ - Silo Park (Laneway Festival) Feb. 05 - Adelaide, AU - Harts Mill, Port Adelaide (Laneway Festival) Feb. 06 - Brisbane, AU - Brisbane Showground, Bowen Hills (Laneway Festival) Feb. 07 - Sydney, AU - Sydney College of the Arts (Laneway Festival) Feb. 10 - Sydney, AU - Oxford Art Factory Feb. 12 - Melbourne, AU - The Corner ** Feb. 13 - Melbourne, AU - Footscray Community Arts Centre and the River’s Edge (Laneway Festival) Feb. 14 - Fremantle, AU - Esplanade Reserve and West End (Laneway Festival) Feb. 17 - Taipei, TW - The Wall Livehouse Feb. 19 - Shanghai, China - Yuyintang Feb. 20 - Beijing, China - Mao Livehouse * w/ Bully ^ w/ So Pitted # w/ Big Ups ** w/ Deaf Wish, My Disco
Hold on to yer butts: METZ have shared their official video for “Spit You Out”, a standout from II, their acclaimed 2015 album. This thrilling, frenetic video, directed by the band and edited by Scott Cudmore (“The Swimmer,” “Wasted,” “Wet Blanket”), features effects-laden live footage and presents a visceral representation of the band’s sound and deft power in performance.
Noisey calls “Spit You Out” “a menacing track off of II that pits hypnotic noise punk against the grungey godheads of the Pacific Northwest” (see December 7th premiere).
METZ “Eraser” b/w “Pure Auto” single, will be available January 22nd, 2016 on 7” vinyl from Three One G and digitally from Sub Pop. The “Eraser” / “Pure Auto” single will come pressed on both green and white colored vinyl and each run is limited to 1,000 copies. It’s now available for preorder through Three One G and the Sub Pop Mega Mart (while supplies last). The single will also be available digitally through megamart.subpop.com, iTunes, and Amazon.
And because you always need more METZ: “Can’t Understand,” their contribution to the 2013 installment of the Adult Swim Singles Series, and is now available to purchase via Sub Pop Mega Mart, iTunes, and Amazon.
METZ’s extensive 2015/16 headlining world tour in support of II resumes January 9th in Cambridge, MA at The Sinclair and currently ends February 20th in Bejing, CN at Mao Livehouse. Tour highlights include: a short east coast/midwest US tour January 9th-16th (with Bully); January 29th in Tokyo at Fever; January 30th-February 14th at the multi-city Laneway Festival, held in Singapore, Australia and New Zealand; and appearances in Taiwan and China (February 17-20). (see complete dates below).
METZ II has earned acclaim from the likes of Entertainment Weekly, Rolling Stone, The AV Club, SPIN, Treble, and more. IIscored the band its highest chart position in the U.S. to date, entering at #98 / Billboard Top 200. In Canada, the album debuted at #27 on the Top 200 albums chart. II also peaked at #8 on theCMJ Top 200 chart.
What people are saying about METZ II: “Metz colors outside the lines—obliterates them, really.” - New York Times
“The record twitches with the flying-off-the-rails urgency of the band’s live shows as Metz sandblasts the industrial precision of their first album into a nastier, more shambolic attack.” - Rolling Stone
“These mild-looking Canadians revive the golden age of early Nirvana and ’90s grunge with 10 walloping noise-rockers—but there are surprising hooks amid all the Sturm und Drang.” -Entertainment Weekly
“The record is all killer, no filler.” - AV Club
“II is looser and fuzzier than its predecessor… one of 2015’s standout records.” [8.5 / 10] - MAGNET
“This isn’t just purgative music hell-bent on bloodletting and catharsis; it’s also carefully composed, with loving attention paid to fine detail and immaculate precision.” [“First Listen”] - NPR Music
“Creating a soundscape of claustrophobic, ravenous guitar riffs awash in feedback and distortion, with drums that never let you catch your breath. You’ll feel it in your stomach as much as you hear it.” [First Play] - CBC Music
“Album of the Week” - Stereogum
“Hits like a concussion grenade, and you’ll revel in the damage long after the room’s been cleared.” [4/5]- Alternative Press
“II, like the record that preceded it, is still a seasick and unyielding document of brutalist experimentation. But because the trio is willing to explore different avenues, there’s more corners to get lost in.” [8/10] - SPIN
“Album of the Week” - Treble
“A direct gut-punching affair.” [5/5] – DIY
“Bigger, faster, louder, stronger - in many ways II is everything the band’s second record ought to be.” [8/10] - Loud & Quiet
“Bold, unsympathetic and brutally effective.” [8/10] – NME
“Raucous, filthy and hummable in equal measure.” [8/10] - Rock Sound
“A second volume of string-bending, amp-busting noise-punk…Awesome.” [4/5] - Time Out London
“II is what Metz do best: brazenly truculent hardcore.” - The Guardian
“Few bands anywhere do this sort of thing this well.” - The Quietus
“With II, Metz have done more than enough to cement themselves as the new kings of transgressive hard rock, and that’s a crown which is going to be difficult for anyone to wrestle from them.” [8.5/10] - The Line of Best Fit
“This album has achieved a seemingly impossible feat by sounding even more aggressive than the one that preceded it.” [8/10] - The 405
“The whole record is a dizzy, punk joy - taking itself far less seriously than most proper hardcore bands, whilst sounding twice as aggressive as any of them, and with better tunes.” [8/10] -Drowned in Sound
“II almost feels like Metz wanted to push the boundaries to see just how dark and dirty they could play while still carrying a tune and continuing to draw listeners in with unconventionally gripping arrangements - and good on them, they pulled it off!” [10/10] -Louder Than War
Jan. 09 - Cambridge, MA - The Sinclair # ^ Jan. 11 - Washington, DC - Rock & Roll Hotel # ^ Jan. 12 - Philadelphia, PA - First Unitarian Church # ^ Jan. 13 - New York, NY - Bowery Ballroom # Jan. 14 - Brooklyn, NY - Music Hall of Williamsburg # Jan. 16 - Chicago, IL - Metro # Jan. 29 - Tokyo, JP - FEVER Jan. 30 - Singapore, SP - Laneway Festival Feb. 01 - Auckland, NZ - Laneway Festival Feb. 05 - Adelaide, AU - Laneway Festival Feb. 06 - Brisbane, AU - Laneway Festival Feb. 07 - Sydney, AU - Laneway Festival Feb. 10 - Sydney, AU - Oxford Art Factory Feb. 12 - Melbourne, AU - The Corner** Feb. 13 - Melbourne, AU - Laneway Festival Feb. 14 - Perth, AU - Laneway Festival Feb. 17 - Taipei City, TW - The Wall Livehouse Feb. 19 - Shanghai, CN - Yuyintang Feb. 20 - Bejing, CN - Mao Livehouse
* w/ My Disco, The Low Life ** w/ My Disco, Deaf Wish # w/ Bully ^ w/ So Pitted
Watch Strange Wilds’ new video for “Disdain”, one of the standouts from Subjective Concepts. The new video, directed by the unknown entity known only as Yomamma, marries performance footage with a story that revolves around the strange habits of a rogue police officer.
Brooklyn Vegan had this to say about the visual: “It follows a young cop who is clearly on a power-trip of self destruction of the Harvey Keitel variety, albeit in a comic way(see video premiere October 22nd).”
Strange Wilds continues their North American tour in support of their debut album, Subjective Concepts, with a show tonight, October 22 in Providence, RI at Aurora. The tour goes until November 21st, and takes the band throughout the continental U.S. (tour details below).
Strange Wilds’ Subjective Concepts is available now in all your favorite formats via the Sub Pop Mega Mart, iTunes, Amazon and Bandcamp. All customers who order the LP version of Subjective Concepts from megamart.subpop.com and Bandcamp will receive the limited “Loser Edition” on white vinyl (while supplies last).
[Photo credit: Che Hise Gattone]
Oct. 22 - Providence, RI - Aurora Oct. 23 - Philadelphia, PA - Kung Fu Necktie Oct. 24 - Washington, DC - The (sea) Lab Oct. 26 - RIchmond, VA - Strange Matter Oct. 27 - Asheville, NC - Tiger Mountain Oct. 28 - Atlanta, GA - Drunken Unicorn Oct. 30 - Miami, FL - Kill Your Idol Oct. 31 - Gainesville, FL - Fest 14 / The Atlantic Nov. 01 - Jacksonville, FL - Rain Dogs Nov. 02 - New Orleans, LA - Siberia Nov. 03 - Houston, TX - Walter’s Downtown Nov. 04 - Austin, TX - Beerland Nov. 06 - Tucson, AZ - Hotel Congress Nov. 08 - San Diego, CA - Soda Bar Nov. 09 - Fullerton, CA - Continental Room Nov. 10 - El Centro, CA - Strangers Nov. 11 - Los Angeles, CA - All Star Lanes Nov. 12 - Bakersfield, CA - Temblor Brewing Company Nov. 13 - Oakland, CA - 1-2-3-4 Go Records Nov. 14 - Santa Rosa, CA - Atlas Coffee Company Nov. 16 - Reno, NV - The Holland Project Nov. 17 - Salt Lake City, UT - Diabolical Records Nov. 18 - Boise, ID - Neurolux Nov. 19 - Portland, OR - Bunk Bar Nov. 20 - Tacoma, WA - Real Art Nov. 21 - Seattle, WA - The Highline
You can now experience Deaf Wish’s official video for “On,” from Pain, their new album releasing today - yes, it’s finally here - worldwide.
When pressed for a description of the visual, director Vincenzi Vandella offered this: “Rainbows, Snakes, Chrome, Champagne. A live broadcast from the Deaf Wish cathedral (see Brooklyn Vegan video premiere August 7th).”
Pain was recorded & produced by the band at Reservoir, Victoria, mixed by Mikey Young and mastered by April Golden at Golden Mastering.
Deaf Wish have confirmed a few Australian dates in support ofPain, including August 28th in Geelong, AU at Barwon Club and the band’s official CD release show on September 5th in Melbourne, AU at The Tote. (Never fear: a North American tour will be announcement shortly.)
Starting today, Pain is available for purchase on CD / LP / DL from your local purveyor of fine records, and also online from Sub Pop Mega Mart, iTunes, Amazon, and Bandcamp. LP orders from megamart.subpop.com will receive the limited Loser edition on clear, black marbled vinyl (while supplies last).
Tour Dates Aug. 28 - Geelong, AU - Barwon Club Geelong Sep. 05 - Melbourne, AU - The Tote
Strange Wilds’ ear-splitting debut album Subjective Concepts is now available on CD / LP / DL worldwide and can be yours today.
In celebration of today’s release, the band also presents an official video for “Pronoia,” the album’s lead single. Director David Hoejke and young shredders Strange Wilds will test the limits of your eyes, ears and speakers with this audiovisual assault (see FLOOD videp premiere July 24th). Strange Wilds have a few Pacific Northwest shows - see below - in support of Subjective Concepts (including one in their hometown of Olympia, WA) from July 24th through August 10th, including two Seattle record-release shows today, July 24th: an instore at Everyday Music (at 5pm) and a performance at Capitol Hill Block Party’s Barboza stage (at 7:30pm). Do yourself a favor if you’re a lucky Pacific Northwesterner and watch them crush it in person.
We also suggest purchasing the album Subjective Concepts from Sub Pop Mega Mart, iTunes, Amazon, Bandcamp or your friendly neighborhood record store. FYI - All customers who order the LP version of Subjective Concepts from Mega Mart and Bandcamp will receive the limited “Loser Edition” on white vinyl, with a limited-edition poster, while supplies last. (There’s also a new T-shirt design available individually or as part of a bundle with the record. Yeah, we thought you’d like that.)
It Seems ‘They’ Have Something To Say About Strange Wilds’ Album Debut:
“The album is a wake-up call to rock above the hazy summer daze, but then, just like that, it’s gone—a 35-minute sing-along tornado demanding to be played again immediately.” - FLOOD
“Pronoia is the opposite of paranoia, essentially the happy delusion that there is a conspiracy that exists to help people. It’s also the name of the hellish four-minute blast of noise that’s the best song on this debut album by Seattle trio Strange Wilds. The follow-up to 2014’s four-track ‘Wet’ EP, Subjective Concepts sounds like it was raised on ‘Bleach’-era Nirvana and aligns the band with their Washington peers Milk Music and Naomi Punk. They build a monumental wall of hardcore noise on ‘Egophillia’, before taking a wrecking ball to it and screaming wildly into the mess. Elsewhere, there are tight grooves on ‘Disdain’ and ‘Terrible’, and the guttural riffs on ‘Starved For’ offer plenty for bleeding gums to gnaw on.” -NME
“Touch And Go-style post rock with early grunge.” - The AV Club
“Northwestern American trio tap into grunge’s collective unconscious, channeling crushing riffs and ancestral memories of hardcore.” MOJO
“Loud, sneering, and heavy-set, Subjective Concepts could come wrapped in a rain-soaked plaid shirt.” - LOUD & QUIET
“Taut, virile hardcore punk with a seething intelligence… It’s an absolute gem.” - CLASH MUSIC
“An undeniably exciting listen.” - UNCUT
“While the barbed, razor-sharp riffs and tightrope bass thuds ofBleach largely inform the scrappy nature of key tracks like caustic opener “Pronoia” and the pensive “Oneirophobe,” there is an influential undercurrent of the signature sounds of their own city back in the day as well. Shades of K Records classics from Beat Happening and Some Velvet Sidewalk additionally factor into the more melodic elements of Subjective Concepts, particularly within the structures of college radio-ready songs like “Don’t Have To” and “Lose and Found.” - PASTE
“They are a powerful outfit, and Subjective Concepts is cohesive and fierce.” - Pitchfork
“Toggles between a coiled-snake groove and the kind of full scream-along ferocity that makes you want to thrash around in a small, dark room with a bunch of sweaty strangers. This is noisy, heavy, grimy music, and it’s great.” [“Pronoia”] - Stereogum
“A sludged-out mess of hardcore that slam dances with the Seattle label’s past and it wouldn’t be surprising at all to see them on a tour run that’s stacked with Mogwai, METZ, or Pissed Jeans” [“Pronoia”] - BLARE
“‘Starved For’ sounds exactly like what you’d want to be listening to if you lived inside of a Tony Hawk Pro Skater game.” - Noisey
Tour Dates Jul. 24 - Seattle, WA - Everyday Music in-store (5pm) Jul. 24 - Seattle, WA - Capitol Hill Block Party (7:30pm) Aug. 09 - Seattle, WA - Chop Suey ^ (EARLY) Aug. 09 - Olympia, WA - Old School Pizzeria # (LATE) Aug. 10 - Tacoma, WA - New Frontier Lounge
In 2011, prior to the release of Dum Dum Girls’ second album Only In Dreams, Dee Dee met up with friend and director Sam Macon while visiting New York City to shoot a video for song “Coming Down.” “Bedroom Eyes” was tapped as the lead single (Macon also directed that video), but everyone felt “Coming Down” warranted its own introduction. In true DIY fashion, Dee Dee, Sam, and a few friends spent a day shooting in Chinatown, chasing light across the Williamsburg bridge.
Having only previously worked with director Christin Turner on more aesthetically obscure videos, Dee Dee admits, “I couldn’t handle starring in such a straight forward, HD role — it was just too much me. I felt exposed and that made me uncomfortable.”
Against the urging of Macon, Sub Pop, and her management, Dee Dee made the call against releasing it and it was canned. (Future bass player Malia James eventually made the official video for the song.)
Fast forward to 2015 and a sync of the song on the acclaimed television series Orange Is The New Black. Soundtracking Natasha Lyonne’s character in a heartbreaking scene brought on an overwhelming response to the song, and this renewed interest found Dee Dee being asked, yet again, to release the initial video.
“I look like a kid in it,” Dee Dee comments. “I look as young and vulnerable as I actually was at that point in my life — it’s probably the most honest visual I’ve done to date, which is probably why I fought it,” she laughs. She reached out to Macon and he replied simply, “I’ve been waiting for this text for four years (see Stereogum video premiere July 21st)
Dum Dum Girls’
digital single for “Coming Down” (radio edit) b/w “Girls Intuition” is now
available for purchase through Sub Pop Mega
Mart, iTunes and
all streaming services.