Low has delivered a new video for “Into You,” a standout from Ones and Sixes, their acclaimed 2015 album. The visual was directed by Jim Burns and Beth Chalmers, and filmed while on location in Glasgow, Scotland.
The directors had this to say of the video: “Inspired by the hypnotic reflections of the River Clyde on the archways beneath Glasgow’s city bridges, this film draws parallels between the power of a single beam of sunlight and the deeply affecting personal experience one feels during Low’s live performance. Despite being part of a crowd, Low’s music invokes within you a profound and unique individual perspective.”
Low’s 2016 tour schedule in support of Ones and Sixes is underway with a show tonight, February 1st in Philadelphia, PA at Johnny Brenda’s and runs through June 11th in Kværndrup, DK at Heartland Festival. New tour highlights include a tour of Australia and New Zealand from April 1st-9th. (see dates below.)
Low’s Ones and Sixes is available for purchase from the Sub Pop Mega Mart, iTunes, Amazon, and Bandcamp. Now completely sold-out through megamart.subpop.com, the limited “Loser Edition” of the double-LP on yellow vinyl and packaged in a variant slipcase cover is available from select independent stores and from the band themselves at upcoming tour dates, while supplies last. There are also two new T-shirt designs available at megamart.subpop.com, both as individual items and as part of CD and LP bundles.
Ones and Sixes garnered year-end praise from the likes of NPR Music (50 Best Albums and “Readers Poll”), Music OMH (#10), MOJO (#13), Drowned in Sound (#16), Under The Radar (#24), The Skinny (#28), Uncut (#37), and Village Voice “Pazz & Jop” (#46). It also earned the group’s first-ever U.K. Top 40 album spot, coming in at #35 on the official albums chart, and entered at #68 here in the U.S. on SoundScan’s Top Current Albums charts. Ones and Sixes also peaked at #7 on the CMJ Top 200 chart.
[Photo Credit :: Zoran Orlic]
What ‘the people’ are saying about Low’s Ones and Sixes:
“It’s one thing for Low to have made a rewarding career of spare, dramatic, glacially paced music…It’s another to make those ingredients sound so incredibly dynamic; to spend 20-plus years making a dozen albums that each feel distinct, and that each introduce new ideas, twists and ways to wring drama out of the space between notes…Throughout Ones and Sixes, the Minnesota trio somehow gives weight to airiness as comfort and discord orbit each other like a binary star. But every time the portent threatens to become overbearing — just as the mix of prettiness and heaviness tips a little too far out of alignment — Low punctures it with a burst of cleansing aggression or some pristine, exquisite surprise. Anything to keep us off balance.” [“First Listen”] - NPR Music
“The band’s strengths are here in abundance, but they are reimagined, twisted into new shapes and given a visceral intensity that is utterly irresistible.” [9/10] - CLASH
“…Striking a balance between their majestic, slow-moving melancholy and harsher experimental noise.” [4/5] - The Guardian
“One of the most impressive albums of their career” [4/5] - MOJO
“‘What Part of Me,’ with its upbeat percussion, fuzzy guitar textures andsweet harmonized lyrics about relationship boundaries (‘What part of me don’t you own?’), feels like a sideways response to the post-1989 maximalism of today’s Top 40; “Into You” is a gospel-inflected, subtly sexy slow jam; and “The Innocents” sets accusatory vocals over a crunching electro-industrial beat, all to excellent effect. Elsewhere, on the gentle, pained duet “Lies,” Low remind us they’re still masters of doing a lot with a little.” - Rolling Stone
”Ones and Sixes is all at once beautiful, ugly, tense, warm, inviting and repellent. It’s an emotional and sonic juggling act where even the slightest bum-note would draw attention to itself. As always with Low, the beauty is all about the details” - Pitchfork
‘Ones and Sixes is an ear-pricking listen.’ [Album of the Week] - The Observer
“Beautiful desolation….coolly exhilarating” [4/5] - Q
“Ones and Sixes finds them producing some of their best work in years” - The Quietus
“It’sanothersubtly heart-rending effort from a band that remains one of the very finest in the
world. If you needed a reminder of why Low are an institution then this is it.” [8/10] - Drowned in Sound
“Somehow, with each new release (and they come regularly, every two or three years), Low manage to find new ways of protracting their deceptively beautiful melodies.” [4.5/5] - Music OMH
“Ones and Sixes hinges on tension that courses throughout these 12 songs. The drums land with a thud, as if transferred from modern R&B and hip-hop. They anchor songs that crackle with bits of distortion and chiming guitars that somehow feel disembodied from everything surrounding them. Then, in keeping with a signature Low move, there is the spectral spark created by Parker and Sparhawk singing together; their alchemy is otherworldly and downright intoxicating.” - Boston Globe
“With Ones and Sixes they’ve pulled together many of their disparate sides in a masterful survey of what makes them one of the great rock bands of their era.” - Dusted
“Ones and Sixes sees Low churning out some of their most accessible work, with “What Part of Me” having the potential to be an unlikely hit. As ever, strong stuff in every way.” [4/5] - Record Collector
“Low’s always been good at making records where it sounds like every note and beat contains some degree of pain and hope you’ve felt.Sohopefully it’s compelling when this one stands out even more as one of their best.” [8.1 /10] - PASTE
“Low remain as vital as ever” - DIY
“After two decades, a band that could easily feel part of the wallpaper remain hungry to show that you never know what lies beneath” [8/10] - Uncut
“Comfortably ahead of the pop pack” - The Sunday Times
“Masters of transforming emptiness into swelling, sweeping orchestrations of musical and mental noise, Low are truly intense and joyful on their newest exhibition of off-kilter, subterranean pop.” [4/5] - NOW
Feb. 01 - Philadelphia, PA – Johnny Brenda’s
Feb. 02 - Baltimore, MD - Creative Alliance (Seated)
Feb. 03 - Carrboro, NC - Cat’s Cradle
Feb. 04 - Atlanta, GA - The Earl
Feb. 05 - Birmingham, AL - Saturn
Feb. 06 - New Orleans, LA - One Eyed Jacks
Feb. 08 - Houston, TX - Walter’s Downtown
Feb. 09 - Austin, TX - The Parish
Feb. 10 - Dallas, TX - The Kessler Theatre
Feb. 11 - Hot Springs, AR - Low Key Arts
Feb. 12 - Nashville, TN - City Winery
Feb. 13 - St. Louis, MO - Off Broadway
Mar. 12 - Mexico City, MX - Festival NRML
Apr. 01 - Wellington, NZ - Bodega
Apr. 02 - Auckland, NZ - King’s Arms
Apr. 04 - Southbank, AU - Melbourne Recital Centre
Apr. 05 - North Fremantle, AU - Mojos Fremantle
Apr. 07 - Fortitude Valley, AU - Black Bear Lodge
Apr. 08 - Sydney, AU - Oxford Art Factory
Apr. 09 - Hobart, AU - Eros & Thanatos (at the Museum of Old and New Art)
Jun. 11 - Kværndrup, DK - Heartland Festival
* w/ Andy Shauf
For up-to-date information on tickets please visit http://chairkickers.com/shows.
Here now for your audio-visual stimulation is the frenetic new video for forthcoming METZ single, “Eraser,” directed by Nathan Joyner and starring Alia Jyawook of the San Diego band Hot Nerds.
Brooklyn Vegan had this to say, “
It visually matches the song’s pummeling sonic assault, beat for beat” (see video premiere January 7th).”
METZ’s 2016 headlining world tour resumes this Saturday, January 9th in Boston at the Sinclair and runs through February 20th in Beijing, China at Mao Livehouse.
highlights include: a short east coast/midwest US tour January 9th-16th (with Bully); January 29th in Tokyo at Fever; January 30th-February 14th for appearances at the multi-city Laneway Festival, held in Singapore, Australia and New Zealand; And February 17th -20th for three shows in Taiwan and China. (see tour details below)
The “Eraser” b/w “Pure Auto” single will be available January 22nd, 2016 on 7” vinyl from Three One G and digitally from Sub Pop.
Following two acclaimed albums on Sub Pop (2012’s METZ; 2015’sII) and a deeply impressive amount of touring, this Three One G single is the band’s first recording for the esteemed CA-based label, and their first new material since the release of II. Both “Eraser” and “Pure Auto” were produced by METZ, recorded by Graham Walsh at Union Sound Company, and mastered by Matthew Barnhart at Chicago Mastering Service.
The “Eraser” / “Pure Auto” 7” single, which was pressed on either sea foam green or white vinyl in two runs limited to 1,000 copies each, is available now for preorder through Three One G while supplies last (copies through Sub Pop Mega Mart are now sold out). The single is also available for preorder digitally through Three One G, megamart.subpop.com, iTunes, and Amazon.
For more info on METZ’s “Eraser” / “Pure Auto” single, visit Three One G.
METZ II is available now on CD / LP / DL worldwide from Sub Pop. The album has earned “Albums of the Year” notice from the likes ofEntertainment Weekly, Rolling Stone, Diffuser, Blare, and Treble. II also scored the band its highest chart position in the U.S. to date, entering at #98 / Billboard Top 200. In Canada, the album debuted at #27 on the Top 200 albums chart.
METZ II is now available for purchase through the Sub Pop Mega Mart, iTunes, Amazon, and Bandcamp.
Jan. 9 - Boston, MA - The Sinclair * ^
Jan. 11 - Washington, DC - Rock & Roll Hotel * ^
Jan. 12 - Philadelphia, PA - First Unitarian Church * ^
Jan. 14 - Brooklyn, NY - Music Hall of Williamsburg * #
Jan. 16 - Chicago, IL - Metro * (Tomorrow Never Knows Fest 2016)
Jan. 29 - Tokyo, Japan - Fever
Jan. 30 - Singapore - The Meadow, Gardens by the Bay (Laneway Festival)
Feb. 01 - Auckland, NZ - Silo Park (Laneway Festival)
Feb. 05 - Adelaide, AU - Harts Mill, Port Adelaide (Laneway Festival)
Feb. 06 - Brisbane, AU - Brisbane Showground, Bowen Hills (Laneway Festival)
Feb. 07 - Sydney, AU - Sydney College of the Arts (Laneway Festival)
Feb. 10 - Sydney, AU - Oxford Art Factory
Feb. 12 - Melbourne, AU - The Corner **
Feb. 13 - Melbourne, AU - Footscray Community Arts Centre and the River’s Edge (Laneway Festival)
Feb. 14 - Fremantle, AU - Esplanade Reserve and West End (Laneway Festival)
Feb. 17 - Taipei, TW - The Wall Livehouse
Feb. 19 - Shanghai, China - Yuyintang
Feb. 20 - Beijing, China - Mao Livehouse
* w/ Bully
^ w/ So Pitted
# w/ Big Ups
** w/ Deaf Wish, My Disco
For Ticket Links, go right here.
Hold on to yer butts: METZ have shared their official video for “Spit You Out”, a standout from II, their acclaimed 2015 album. This thrilling, frenetic video, directed by the band and edited by Scott Cudmore (“The Swimmer,” “Wasted,” “Wet Blanket”), features effects-laden live footage and presents a visceral representation of the band’s sound and deft power in performance.Get Yer METZ:
Noisey calls “Spit You Out” “a menacing track off of II that pits hypnotic noise punk against the grungey godheads of the Pacific Northwest” (see December 7th premiere).
METZ “Eraser” b/w “Pure Auto” single, will be available January 22nd, 2016 on 7” vinyl from Three One G and digitally from Sub Pop. The “Eraser” / “Pure Auto” single will come pressed on both green and white colored vinyl and each run is limited to 1,000 copies. It’s now available for preorder through Three One G and the Sub Pop Mega Mart (while supplies last). The single will also be available digitally through megamart.subpop.com, iTunes, and Amazon.
And because you always need more METZ: “Can’t Understand,” their contribution to the 2013 installment of the Adult Swim Singles Series, and is now available to purchase via Sub Pop Mega Mart, iTunes, and Amazon.
METZ’s extensive 2015/16 headlining world tour in support of II resumes January 9th in Cambridge, MA at The Sinclair and currently ends February 20th in Bejing, CN at Mao Livehouse. Tour highlights include: a short east coast/midwest US tour January 9th-16th (with Bully); January 29th in Tokyo at Fever; January 30th-February 14th at the multi-city Laneway Festival, held in Singapore, Australia and New Zealand; and appearances in Taiwan and China (February 17-20). (see complete dates below).
METZ II has earned acclaim from the likes of Entertainment Weekly, Rolling Stone, The AV Club, SPIN, Treble, and more. IIscored the band its highest chart position in the U.S. to date, entering at #98 / Billboard Top 200. In Canada, the album debuted at #27 on the Top 200 albums chart. II also peaked at #8 on theCMJ Top 200 chart.
What people are saying about METZ II:
“Metz colors outside the lines—obliterates them, really.” - New York Times
“The record twitches with the flying-off-the-rails urgency of the band’s live shows as Metz sandblasts the industrial precision of their first album into a nastier, more shambolic attack.” - Rolling Stone
“These mild-looking Canadians revive the golden age of early Nirvana and ’90s grunge with 10 walloping noise-rockers—but there are surprising hooks amid all the Sturm und Drang.” -Entertainment Weekly
“The record is all killer, no filler.” - AV Club
“II is looser and fuzzier than its predecessor… one of 2015’s standout records.” [8.5 / 10] - MAGNET
“This isn’t just purgative music hell-bent on bloodletting and catharsis; it’s also carefully composed, with loving attention paid to fine detail and immaculate precision.” [“First Listen”] - NPR Music
“Creating a soundscape of claustrophobic, ravenous guitar riffs awash in feedback and distortion, with drums that never let you catch your breath. You’ll feel it in your stomach as much as you hear it.” [First Play] - CBC Music
“Album of the Week” - Stereogum
“Hits like a concussion grenade, and you’ll revel in the damage long after the room’s been cleared.” [4/5]- Alternative Press
“II, like the record that preceded it, is still a seasick and unyielding document of brutalist experimentation. But because the trio is willing to explore different avenues, there’s more corners to get lost in.” [8/10] - SPIN
“Album of the Week” - Treble
“A direct gut-punching affair.” [5/5] – DIY
“Bigger, faster, louder, stronger - in many ways II is everything the band’s second record ought to be.” [8/10] - Loud & Quiet
“Bold, unsympathetic and brutally effective.” [8/10] – NME
“Raucous, filthy and hummable in equal measure.” [8/10] - Rock Sound
“A second volume of string-bending, amp-busting noise-punk…Awesome.” [4/5] - Time Out London
“II is what Metz do best: brazenly truculent hardcore.” - The Guardian
“Few bands anywhere do this sort of thing this well.” - The Quietus
“With II, Metz have done more than enough to cement themselves as the new kings of transgressive hard rock, and that’s a crown which is going to be difficult for anyone to wrestle from them.” [8.5/10] - The Line of Best Fit
“This album has achieved a seemingly impossible feat by sounding even more aggressive than the one that preceded it.” [8/10] - The 405
“The whole record is a dizzy, punk joy - taking itself far less seriously than most proper hardcore bands, whilst sounding twice as aggressive as any of them, and with better tunes.” [8/10] -Drowned in Sound
“II almost feels like Metz wanted to push the boundaries to see just how dark and dirty they could play while still carrying a tune and continuing to draw listeners in with unconventionally gripping arrangements - and good on them, they pulled it off!” [10/10] -Louder Than War
Jan. 09 - Cambridge, MA - The Sinclair # ^
Jan. 11 - Washington, DC - Rock & Roll Hotel # ^
Jan. 12 - Philadelphia, PA - First Unitarian Church # ^
Jan. 13 - New York, NY - Bowery Ballroom #
Jan. 14 - Brooklyn, NY - Music Hall of Williamsburg #
Jan. 16 - Chicago, IL - Metro #
Jan. 29 - Tokyo, JP - FEVER
Jan. 30 - Singapore, SP - Laneway Festival
Feb. 01 - Auckland, NZ - Laneway Festival
Feb. 05 - Adelaide, AU - Laneway Festival
Feb. 06 - Brisbane, AU - Laneway Festival
Feb. 07 - Sydney, AU - Laneway Festival
Feb. 10 - Sydney, AU - Oxford Art Factory
Feb. 12 - Melbourne, AU - The Corner**
Feb. 13 - Melbourne, AU - Laneway Festival
Feb. 14 - Perth, AU - Laneway Festival
Feb. 17 - Taipei City, TW - The Wall Livehouse
Feb. 19 - Shanghai, CN - Yuyintang
Feb. 20 - Bejing, CN - Mao Livehouse
* w/ My Disco, The Low Life
** w/ My Disco, Deaf Wish
# w/ Bully
^ w/ So Pitted
Watch Strange Wilds
’ new video for “Disdain”
, one of the standouts from Subjective Concepts
. The new video, directed by the unknown entity known only as Yomamma, marries performance footage with a story that revolves around the strange habits of a rogue police officer.
Brooklyn Vegan had this to say about the visual: “It follows a young cop who is clearly on a power-trip of self destruction of the Harvey Keitel variety, albeit in a comic way (see video premiere October 22nd).”
Strange Wilds continues their North American tour in support of their debut album, Subjective Concepts, with a show tonight, October 22 in Providence, RI at Aurora. The tour goes until November 21st, and takes the band throughout the continental U.S. (tour details below).
Strange Wilds’ Subjective Concepts is available now in all your favorite formats via the Sub Pop Mega Mart, iTunes, Amazon and Bandcamp. All customers who order the LP version of Subjective Concepts from megamart.subpop.com and Bandcamp will receive the limited “Loser Edition” on white vinyl (while supplies last).
[Photo credit: Che Hise Gattone]
Oct. 22 - Providence, RI - Aurora
Oct. 23 - Philadelphia, PA - Kung Fu Necktie
Oct. 24 - Washington, DC - The (sea) Lab
Oct. 26 - RIchmond, VA - Strange Matter
Oct. 27 - Asheville, NC - Tiger Mountain
Oct. 28 - Atlanta, GA - Drunken Unicorn
Oct. 30 - Miami, FL - Kill Your Idol
Oct. 31 - Gainesville, FL - Fest 14 / The Atlantic
Nov. 01 - Jacksonville, FL - Rain Dogs
Nov. 02 - New Orleans, LA - Siberia
Nov. 03 - Houston, TX - Walter’s Downtown
Nov. 04 - Austin, TX - Beerland
Nov. 06 - Tucson, AZ - Hotel Congress
Nov. 08 - San Diego, CA - Soda Bar
Nov. 09 - Fullerton, CA - Continental Room
Nov. 10 - El Centro, CA - Strangers
Nov. 11 - Los Angeles, CA - All Star Lanes
Nov. 12 - Bakersfield, CA - Temblor Brewing Company
Nov. 13 - Oakland, CA - 1-2-3-4 Go Records
Nov. 14 - Santa Rosa, CA - Atlas Coffee Company
Nov. 16 - Reno, NV - The Holland Project
Nov. 17 - Salt Lake City, UT - Diabolical Records
Nov. 18 - Boise, ID - Neurolux
Nov. 19 - Portland, OR - Bunk Bar
Nov. 20 - Tacoma, WA - Real Art
Nov. 21 - Seattle, WA - The Highline
You can now experience Deaf Wish’s official video for “On,” from Pain, their new album releasing today - yes, it’s finally here - worldwide.
When pressed for a description of the visual, director Vincenzi
Vandella offered this: “Rainbows, Snakes, Chrome, Champagne. A live broadcast from the Deaf Wish cathedral (see Brooklyn Vegan video premiere August 7th).”
was recorded & produced by the band at Reservoir, Victoria, mixed by Mikey Young and mastered by April Golden at Golden Mastering.
Deaf Wish have confirmed a few Australian dates in support ofPain, including August 28th in Geelong, AU at Barwon Club and the band’s official CD release show on September 5th in Melbourne, AU at The Tote. (Never fear: a North American tour will be announcement shortly.)
Starting today, Pain is available for purchase on CD / LP / DL from your local purveyor of fine records, and also online from Sub Pop Mega Mart, iTunes, Amazon, and Bandcamp. LP orders from megamart.subpop.com will receive the limited Loser edition on clear, black marbled vinyl (while supplies last).
Aug. 28 - Geelong, AU - Barwon Club Geelong
Sep. 05 - Melbourne, AU - The Tote
Strange Wilds’ ear-splitting debut album Subjective Concepts is now available on CD / LP / DL worldwide and can be yours today.
In celebration of today’s release, the band also presents an official video for “Pronoia,” the album’s lead single. Director David Hoejke and young shredders Strange Wilds will test the limits of your eyes, ears and speakers with this audiovisual assault (see FLOOD videp premiere July 24th
Strange Wilds have a few Pacific Northwest shows - see below - in support of Subjective Concepts
(including one in their hometown of Olympia, WA) from July 24th through August 10th, including two Seattle record-release shows today, July 24th: an instore at Everyday Music (at 5pm) and a performance at Capitol Hill Block Party’s Barboza stage (at 7:30pm). Do yourself a favor if you’re a lucky Pacific Northwesterner and watch them crush it in person.
We also suggest purchasing the album Subjective Concepts
from Sub Pop Mega Mart
or your friendly neighborhood record store. FYI - All customers who order the LP version of Subjective Concepts
from Mega Mart and Bandcamp will receive the limited “Loser Edition” on white vinyl, with a limited-edition poster, while supplies last. (There’s also a new T-shirt design available individually or as part of a bundle with the record. Yeah, we thought you’d like that.) It Seems ‘They’ Have Something To Say About Strange Wilds’ Album Debut:
“The album is a wake-up call to rock above the hazy summer daze, but then, just like that, it’s gone—a 35-minute sing-along tornado demanding to be played again immediately.” - FLOOD
“Pronoia is the opposite of paranoia, essentially the happy delusion that there is a conspiracy that exists to help people. It’s also the name of the hellish four-minute blast of noise that’s the best song on this debut album by Seattle trio Strange Wilds. The follow-up to 2014’s four-track ‘Wet’ EP, Subjective Concepts sounds like it was raised on ‘Bleach’-era Nirvana and aligns the band with their Washington peers Milk Music and Naomi Punk. They build a monumental wall of hardcore noise on ‘Egophillia’, before taking a wrecking ball to it and screaming wildly into the mess. Elsewhere, there are tight grooves on ‘Disdain’ and ‘Terrible’, and the guttural riffs on ‘Starved For’ offer plenty for bleeding gums to gnaw on.” -NME
“Touch And Go-style post rock with early grunge.” - The AV Club
“Northwestern American trio tap into grunge’s collective unconscious, channeling crushing riffs and ancestral memories of hardcore.” MOJO
“Loud, sneering, and heavy-set, Subjective Concepts could come wrapped in a rain-soaked plaid shirt.” - LOUD & QUIET
“Taut, virile hardcore punk with a seething intelligence… It’s an absolute gem.” - CLASH MUSIC
“An undeniably exciting listen.” - UNCUT
“While the barbed, razor-sharp riffs and tightrope bass thuds ofBleach largely inform the scrappy nature of key tracks like caustic opener “Pronoia” and the pensive “Oneirophobe,” there is an influential undercurrent of the signature sounds of their own city back in the day as well. Shades of K Records classics from Beat Happening and Some Velvet Sidewalk additionally factor into the more melodic elements of Subjective Concepts, particularly within the structures of college radio-ready songs like “Don’t Have To” and “Lose and Found.” - PASTE
“They are a powerful outfit, and Subjective Concepts is cohesive and fierce.” - Pitchfork
“Toggles between a coiled-snake groove and the kind of full scream-along ferocity that makes you want to thrash around in a small, dark room with a bunch of sweaty strangers. This is noisy, heavy, grimy music, and it’s great.” [“Pronoia”] - Stereogum
“A sludged-out mess of hardcore that slam dances with the Seattle label’s past and it wouldn’t be surprising at all to see them on a tour run that’s stacked with Mogwai, METZ, or Pissed Jeans” [“Pronoia”] - BLARE
“‘Starved For’ sounds exactly like what you’d want to be listening to if you lived inside of a Tony Hawk Pro Skater game.” - Noisey
Jul. 24 - Seattle, WA - Everyday Music in-store (5pm)
Jul. 24 - Seattle, WA - Capitol Hill Block Party (7:30pm)
Aug. 09 - Seattle, WA - Chop Suey ^ (EARLY)
Aug. 09 - Olympia, WA - Old School Pizzeria # (LATE)
Aug. 10 - Tacoma, WA - New Frontier Lounge
*w/ So Pitted
^ w/ Screaming Females
# w/ Vexx