Today, Band of Horses announce they will celebrate the 20th birthday of their Gold-certified 2006 debut album Everything All The Time with a newly expanded 20th Anniversary Edition, out on March 20, 2026 via Sub Pop. The expanded 19-track edition is accompanied by an additional LP of bonus tracks, including the 2005 tour EP, a trove of previously unreleased studio and live tracks, and rarities like “The End’s Not Near” (as featured on The O.C.) and a demo version of the double Platinum single “The Funeral.”
The album has been fully remastered for the anniversary edition, with the artwork refreshed and expanded into a gatefold jacket, including new liner notes by the album’s producer, Phil Ek (Fleet Foxes, Built To Spill, Modest Mouse, Father John Misty).
In his liner notes, Ek shares: “I’ve always believed that albums need to feel special and should transcend the recording process. I want records that I produce to feel like you can walk into them, to have a three-dimensional depth. The music should stay as fresh and exciting as the first time you heard it. Achieving this requires a lot of time, trust, and effort in the studio, but it pays off in the end. Twenty years on, I still think Everything All The Time exemplifies this fully.”
Reflecting on the anniversary, Band of Horses’ Ben Bridwell adds: “This album made all of my dreams come true. Forever grateful for the desperation that fueled its inspiration.”
Everything All The Time (20th Anniversary Edition) will be available worldwide on double LP, CD, and digital platforms. The digital edition includes additional bonus tracks not available on the vinyl release. LP preorders in North America via the Sub Pop Mega Mart, the band’s official website, and local record stores will receive the limited Loser Edition on metallic gold vinyl. UK and EU preorders via Mega Mart Europe will receive the Loser Edition on opaque yellow vinyl.
Also out today is the previously unreleased fan favorite “(Biding Time Is a) Boat to Row,” accompanied by a new official video directed by James Ayling of Cape Films. Inspired by the real-life story of the 52-hertz whale, the video stars Josh Whitehouse (Daisy Jones & The Six). Listen to the track HERE and watch the video HERE.
Band of Horses will celebrate the release with a spring headlining anniversary tour. An Evening With Band of Horses: Celebrating 20 Years of Everything All The Time begins Thursday, April 9 in Portland, ME at State Theatre, and concludes on Saturday, May 2 in Columbia, MO at Rose Park.
Fan presales begin today at 12 p.m. EST. Tickets go on sale to the general public Friday, January 16 at 10 a.m. local time.
Ahead of the tour, the band will also perform a series of Seattle anniversary shows surrounding the album’s release, including an all-ages show on Thursday, March 19 at The Vera Project and a two-night stand at The Showbox on Saturday, March 21 and Sunday, March 22.
2026 Spring Tour Dates Thu. Mar. 19 - Seattle, WA - The Vera Project Sat. Mar. 21 - Seattle, WA - The Showbox Sun. Mar. 22 - Seattle, WA – The Showbox Thu. Apr. 09 - Portland, ME - State Theatre Fri. Apr. 10 - Beverly, MA - The Cabot Sun. Apr. 12 - Huntington, NY - The Paramount Tue. Apr. 14 - Philadelphia, PA - The Fillmore Wed. Apr. 15 - Montclair, NJ - The Wellmont Theatre Thu. Apr. 16 - Port Chester, NY - Capitol Theatre Sat. Apr. 18 - Baltimore, MD - Nevermore Hall Sun. Apr. 19 - Buffalo, NY - Electric City Tue. Apr. 21 - Pittsburgh, PA - Roxian Theatre Wed. Apr. 22 - Detroit, MI - The Fillmore Fri. Apr. 24 - Cleveland, OH - Agora Theatre Sat. Apr. 25 - Shipshewana, IN - Bluegate PAC Mon. Apr. 27 - Madison, WI - The Sylvee Wed. Apr. 29 - Minneapolis, MN - The Fillmore Fri. May 01 - Kansas City, MO - Uptown Theatre Sat. May 02 - Columbia, MO - Rose Park
About Everything All The Time:
Achieving musical transcendence is a tricky feat. If it happens - a big if - it does so naturally, and perhaps nobody knows that better than Band of Horses, whose landmark debut Everything All The Time still, after twenty years, feels as vital and, dare we say, transcendent as when it came out in 2006.
Guitarist/vocalist Ben Bridwell formed Band of Horses in Seattle in 2004, after the end of his nearly ten-year run in northwest melancholic darlings Carissa’s Wierd. Carissa’s Wierd trafficked in beautiful orchestral pop, whose songs told unflinching stories of heartbreak and loss, leavened with defeatist humor. Band of Horses rose from the ashes of that well-loved band, buoyed by Bridwell’s warm, reverb-heavy vocals, and woodsy, dreamy songs oozing with tension, longing, and hope. Armed with a fresh Sub Pop deal and a smashing batch of songs, the band recorded their debut full-length, Everything All The Time, with producer Phil Ek at Seattle’s Avast Studios.
At times raggedly epic (“The Great Salt Lake”) and delicately pensive (“St. Augustine,” “Monsters”), Everything All The Time is an album painted gorgeously in fragile highs and lows. That’s part of the genius in Band of Horses: they craft intelligent, classic movements within their songs, perfectly balancing desperation and hope, calmness and mania, love and fear. And of course there’s the massive single, “The Funeral,” which became a defining song of the era, and continues to inspire new generations of fans and artists alike. The song has appeared extensively in film and TV placements, was sampled by Kid Cudi, and was recently reimagined in a 2025 dance edit by acclaimed producer/multi-instrumentalist Gryffin. The enduring Everything All The Time would go on to be certified Gold, and “The Funeral” was recently certified double Platinum by the RIAA.
About Band of Horses:
There might be no other band that was able to channel the generational anxiety in those early millennial years and turn it into such powerful and inclusive art quite like Band of Horses. Band of Horses fashioned gorgeously ragged epics, Ben Bridwell’s high-flying vocals and eccentric enunciation floating like a specter that felt like a prelude to a dream. Full of profundity, truth, and sometimes just homespun advice on how to live, Band of Horses songs have become anthems and touchstones for fans — meditations on change, longing, and what a person will do to make things right. And what you do when you can’t.
The band’s debut Everything All the Time (2006) introduced their sweeping, emotionally resonant sound, embodied by the double Platinum anthem “The Funeral,” now regarded as one of the most enduring songs of the modern indie rock era. The albums that followed, including 2007’s Cease To Begin, cemented their place in the indie rock canon. They’ve released six studio albums, including Infinite Arms (2010), which earned a Grammy nomination. Most recently, the critically acclaimed Things Are Great (2022) finds the band recapturing the raw emotion and unpolished punk-rock spirit of its earlier days.
Band of Horses Everything All The Time (20th Anniversary Edition)
Tracklisting: 1. The First Song 2. Wicked Gil 3. Our Swords 4. The Funeral 5. Part One 6. The Great Salt Lake 7. Weed Party 8. I Go to the Barn Because I Like The 9. Monsters 10. St. Augustine 11. (Biding Time Is A) Boat to Row 12. Part Two 13. Coal Mine 14. Worry Song 15. The End’s Not Near 16. The Funeral (Demo Version) 17. Wicked Gil (Demo Version) 18. Our Swords (Demo Version) 19. I Go to the Barn Because I Like The / Monsters (Live at The Crocodile)
Today, January 9th, 2026, Father John Misty’s “The Old Law” is a new single available on all digital streaming services worldwide from Sub Pop. The song was produced by Drew Erickson and Josh Tillman, mixed by Michael Harris and Jonathan Wilson at Fivestar Studios in Los Angeles, and mastered by Adam Amyan at Ayan Mastering. “The Old Law” is previously known to Father John Misty fans as “God’s Trash” and debuted as part of the live set in the fall of 2024.
A little over a year later, “The Old Law” single follows the release of Mahashmashana, Father John Misty’s sixth long player in twelve years, released in November 2024.
The Western US leg of Father John Misty’s previously announced international headlining and festival tour dates in support of Mahashmashama kick off Monday, March 23rd in Ventura, CA at the Majestic Ventura Theater and run through Sunday, May 17th in Pomona, CA at The Fox Theater.
Along this run, Father John Misty has scheduled two-night stands at the historic The Castro Theatre in San Francisco (March 24th+25th), and at The Paramount Theatre in Seattle (Apr. 3rd +4th). He will also headline at Boise’s Treefort Festival (Mar. 29th).
Father John Misty’s UK & EU run will start on Monday, June 1st in Lisbon, PT at Sagres Campo Pequeno and end on Sunday, June 14th in Wicklow, IE with a headlining set at Beyond The Pale Festival. Highlights for this run include appearances at Primavera Festival in Barcelona, ES (Jun. 4th), and Northside Festival in Aarhus, DK (Jun. 6th) and Father John Misty’s first headlining shows in Portugal in eight years.
Variety says of his July 2025 headlining performance at The Greek Theatre, “He’s one of contemporary music’s greatest lyricists and one of our loveliest melodists (a good combo, when you can find it, by the way), so there’s usually some kind of euphoric effect even in distemper or dystopia. His wish is our command when it comes to actually enjoying stuff that sounds more challenging on paper, or even on vinyl, than it does in the flesh.”
Mon. Mar. 23 - Ventura, CA - Majestic Ventura Theater @
Tue. Mar. 24 - San Francisco, CA - The Castro Theatre*
Wed. Mar. 25 - San Francisco, CA - The Castro Theatre*
Fri. Mar. 27 - Sacramento, CA - Channel 24 #
Sat. Mar. 28 - Reno, NV - Grand Sierra Resort and Casino - Grand Theatre@
Sun. Mar. 29 - Boise, ID - Treefort Music Festival
Tue. Mar. 31 - Missoula, MT - The Wilma@
Thu. Apr. 02 - Eugene, OR - McDonald Theatre@
Fri. Apr. 03 - Seattle, WA - Paramount Theatre&
Sat. Apr. 04 - Seattle, WA - Paramount Theatre&
Thu. May 14 - Aspen, CO - Belly Up Aspen #
Fri. May 15 - Salt Lake City - Kilby Block Party
Sat. May 16- Las Vegas, NV - Brooklyn Bowl@
Sun. May 17 - Pomona, CA - The Fox Theater@
EU Tour Dates, June 2026
Mon. Jun. 01 - Lisbon, PT - Sagres Campo Pequeno
Tue. Jun. 02 - Porto, PT - Coliseu do Porto
Thu. Jun. 04 - Barcelona, ES - Primavera Festival
Sat. Jun. 06 - Aarhus, DK - Northside Festival
Mon. Jun. 08 - Amsterdam, NL - Live At Amsterdam Bos
Tue. Jun. 09 - Cologne, DE - Carlswerk Victoria
Wed. Jun.10 - Antwerp, BE - OLT Rivierenhof
Fri. Jun. 12 - London, UK - Lido Festival
Sun. Jun. 14 - Wicklow, IE - Beyond The Pale Festival
@ with David Vandervelde
* with Andy Shauf
# An Evening With
& Very Special Guests TBA
Mahashmashana and its singles earned glowing reviews and “Best of” coverage from the likes of Variety, The Ringer, Vogue, Under the Radar, Uproxx, Stereogum, Brooklyn Vegan, The AV Club, PASTE, Consequence of Sound, PopMatters, GQ (UK), Philadelphia Inquirer, Pitchfork, New York Times, and The New Yorker, the latter who called the album “an aching monument to human imperfection.”
“One of the most refreshing voices in indie.” — Paste
“An increasingly rare artist who sees indie pop as more than just wallpaper, Lala Lala has steadily built a discography that aims boldly for the heart.” — FADER
Lala Lala, the project of Lillie West, announces her new album and Sub Pop debut, Heaven 2, out February 27th, and a North American tour (on sale Jan. 9th). In conjunction, she releases two new singles, “Heaven2” and “Even Mountains Erode,” which follow the existential “Does This Go Faster?,” a tone setter for Heaven 2 which “glimmers with champagne-bubbly synths and percussion” (FLOOD).
West has always made her music in response to an itchiness to always be moving, but as she developed a burgeoning desire to settle, she found the surprise realization that steadiness can beget creativity. That evolutionary tension is what fuels Heaven 2. The album was co-produced by West and Jay Som’s Melina Duterte, who provides a strong punchiness as a bed for West’s warm, rounded vocals. Duterte and West performed almost all of the album’s instruments with a few crucial guests, including Sen Morimoto, Macie Stewart and Porches’ Aaron Maine.
For many years, West lived in Chicago, where she established Lala Lala as an integral part of the city’s indie scene, releasing two albums – The Lamb (2018) and I Want the Door to Open (2021) – on the Sub Pop imprint Hardly Art. They were powerful statements from a curious artist: catchy guitar-pop songs about being stuck in the ups and downs of life, the struggle to stay sober, to leave town, to blow up your life.
West left Chicago to search for more, and in the process, wrote Heaven 2. On her journey, she landed off the grid in Taos, New Mexico, then made her way to Iceland, where she lived on and off for two years, with the off being in London, where she grew up. Following a residency in a tiny Icelandic town, she made her way to Reykjavik and released an instrumental album, If I Were A Real Man I Would Be Able To Break The Neck Of A Suffering Bird (2024), and finally headed to Los Angeles, where she has, almost surprisingly, fallen in love and found herself settled. It’s been a good place to live, not because she particularly likes or dislikes L.A., but because she’s discovered that, as she puts it, “wherever you go, there you are.” This sentiment permeates throughout Heaven 2.
Take “Even Mountains Erode” in which West sings about how it’s ultimately okay to be on one’s own: “There are symbols and signs, you’re missing your life // You’re under a threat, that you can’t feel yet // And if you need to be free, I don’t see what you see // But I’m not opposed // Even mountains erode.” And the melodramatic “Heaven2,” written at a time of feeling defeated. West’s vocals build like a cloud swelling before a storm, synths sweep across the song, the drums patter like raindrops on a car roof, and then the whole sky opens up, with a massive instrumental outro taken straight from the demo.
Catharsis is not only about the pain, but the escape that happens when you free yourself of it. And so there are moments of bold joy on the album, too. “Resistance is the root of all suffering, and I did not know that,” says West. “I thought that I could dictate the course of my life.” Of course, like everyone else, she could not. Wherever you go, there you are.
Heaven 2 is now available to preorder on CD/LP/all DSPs from Sub Pop. LPs purchased from megamart.subpop.com, MegaMart Europe in the UK + EU, and your local record store, will receive the limited Loser Edition on Ocean Blue (NA) and Crystal Clear (UK/EU) vinyl, while supplies last.
Iron & Wine, the solo project of multi-instrumentalist and producer Sam Beam, will release their eighth full-length album and sixth for Sub Pop, entitled Hen’s Teeth, worldwide on February 27th.
Hen’s Teeth arrives fully formed but sits as a sibling record, of sorts, to 2024’s acclaimed and Grammy-nominated Light Verse. Its seeds were sewn during the multiple sessions done over the last few years in the foothills of Los Angeles with studio owner/engineer Dave Way (Fiona Apple, Jakob Dylan, Sheryl Crow) at the helm. The record features many familiar names from the Iron & Wine universe - David Garza, Sebastian Steinberg, Tyler Chester, Griffin Goldsmith, Beth Goodfellow, Kyle Crane, and Paul Cartwright – lending their talents to a collection of songs that, while complementary in nature, had their own distinct feel.
Hen’s Teeth includes a few new, fresh voices; the Grammy-winning Americana trio I’m With Her - Sarah Jarosz, Aoife O’Donovan, and Sara Watkins - are featured on two tracks. The trio bring their harmonizing prowess to the ebullient track, “Robin’s Egg,” and in the tender, mournful “Wait Up” they make more with less on a song that is sure to become a fan favorite. The record also marks the recording debut of Arden Beam. Arden (one of Beam’s daughters) contributes harmonies and backing vocals on “Roses,” “Singing Saw,” “Defiance, Ohio,” and “Grace Notes.” Her contributions lend a personal poignancy and a wonderful sonic texture to Hen’s Teeth.
The title Hen’s Teeth, much like the birth of this record, takes its inspiration as something that should not exist; a happy accident that fell out of enjoying the company of the aforementioned players in a setting that offered creativity and inspiration. As Beam states : “To me it suggests the impossible. Hen’s teeth do not exist. And that’s what this record felt like: a gift that shouldn’t be there but it is. An impossible thing but it’s real.”
Today, Iron & Wine has shared an official video for their sonically poignant track, “In Your Ocean.” It’s one of several songs on Hen’s Teeth in which lovers are depicted as so deeply entwined they physically merge. “Praying for dry ground / Though I only want to drown / When I find myself swimming in your ocean.” You can watch the new video, directed by Spencer Kelly, here.
Iron & Wine have announced a WORLD tour beginning in late February in Australia & New Zealand, with headline dates in North America, running from April to May and newly announced dates in October. See below for a complete list of dates. Tickets can be purchased here.
Australia & New Zealand Sat. Feb. 28 - Perth, AU - The Rechabite * Mon. Mar. 02 - Brisbane, AU - The Princess Theatre * Wed. Mar. 04 - Sydney, AU - City Recital Hall * Fri. Mar. 06 - Adelaide, AU - WOMADelaide * Sat. Mar. 07 - Port Fairy, AU - Port Fairy Folk Festival Sun. Mar 08 - Port Fairy, AU - Port Fairy Folk Festival Tue. Mar. 10 - Melbourne, AU - Northcote Theatre * Thu. Mar. 12 - Hobart, AU - Odeon Theatre * Sat. Mar. 14 - Auckland, NZ - Powerstation * Sun. Mar - 15, Wellington, NZ - Meow Nui *
North America Tue. Mar. 17 - Honolulu, HI - The Hawaii Theatre ^ Wed. Mar. 18 - Kahului, HI - Maui Arts & Cultural Center Castle Theater ^ Mon. Apr. 27th - St Louis, MO - The Pageant @ Tue. Apr. 28th - Columbia, MO - The Blue Note @ Wed. Apr. 29th - Omaha, NE - Astro Theater @ Fri. May 01 - Saint Paul, MN - Fitzgerald Theater @ Sat. May 02 - Milwaukee, WI - Turner Hall Ballroom @ Sun. May 03 - Iowa City, IA - The Englert Theatre @ Tue. May 05 - Chicago, IL - Thalia Hall @ Wed. May 06 - Chicago, IL - Thalia Hall @ Fri. May 08 - Ann Arbor, MI - Michigan Theater @ Sat. May 09 - Niagara Falls, CA - The Avalon Theatre at Niagara Fallsview Casino Resort @ Sun. May 10 - Albany, NY - The Egg @ Mon. May 11 - Philadelphia, PA - Union Transfer @ Wed. May 13 - Brooklyn, NY - Brooklyn Steel @ Thu. May 14 - Washington, D.C. - 9:30 Club @ Fri. May 15 - Norfolk, VA - The NorVa @ Sat. May 16 - Saxapahaw, NC - Haw River Ballroom @ Sun. May 17 - Carrboro, NC - Cat’s Cradle @
*with Leah Senior ^ with Jenny Yim @ with Improvement Movement
Hen’s Teeth is now available to preorder on CD/LP/all DSPs from Sub Pop. LPs purchased from megamart.subpop.com, MegaMart Europe in the UK + EU, and your local record store, will receive the limited Loser Edition on Transparent White (NA), Ox Blood (UK/EU), and Australia/New Zealand (White) while supplies last. Iron & Wine Hen’s Teeth
Track Listing: 1. Roses 2. Paper and Stone 3. Robin’s Egg (feat. I’m With Her) 4. Singing Saw 5. In Your Ocean 6. Defiance, Ohio 7. Wait Up (feat. I’m With Her) 8. Grace Notes 9. Dates and Dead People 10. Half Measures
On Friday, February 6th, 2026, Sub Pop will release a limited-edition 7” single from Oklahoma City noise-rock powerhouse Chat Pile featuring two studio tracks: one brand new original titled “Masks,” and the other a burly reimagining of the early Nirvana song “Sifting.”
The single will be available on sea-glass with black swirl vinyl, and can be preordered now in the US from Sub Pop Mega Mart, in the UK/EU from Mega Mart Europe, and an independent retailer near you. A tour-only version pressed on peach vinyl will also be available at Chat Pile’s live shows. Finally, there is a sick new collaborative logo T-shirt also available (7” Single and T-shirt, available while supplies last!).
Sub Pop is thrilled that Chat Pile graced us with these two massive songs, and we couldn’t be happier to add them to the list of greats who have released. The band kindly shared their perspective on this release, so we’ll let them elaborate further:
“It’s a true dream to put out a single on Sub Pop, and our new song ‘Masks’ hopefully honors the spirit of the mythical, sometimes mystical, city of Seattle. Thanks in part to the movie Hype, we have long been obsessed with Seattle, the American underground of the late ‘80s, and Sub Pop and their tools of world domination. Everything we learned about packaging Chat Pile, we learned from Sub Pop co-founders Jonathan Poneman and Bruce Pavitt.
“We wanted to cover a song from the early Sub Pop era, and something off Bleach seemed the obvious choice. Songs like ‘Paper Cuts,’ ‘Negative Creep,’ and especially ‘Sifting’ are fairly lateral to the type of sounds we make with Chat Pile. (Perhaps next time we’ll take on a TAD song!)
“P.S. - Fuck ICE.”
Chat Pile August 2026 Tour Dates Sonic Blast Festival - Ancora, Portugal Off Festival - Katowice, Poland Palp Festival - Col du Lein, Switzerland Arctangent Festival - Bristol, United Kingdom
