The exhilarating French heavy psychedelic rock band SLIFT is returning with Fantasia, their new album, available Friday, June 6th, 2026 worldwide from Sub Pop. The longplayer was produced by the band at Daft Studios in Brussels, Belgium, mixed by Kurt Ballou at GodCity Studio in Salem, Massachusetts, and mastered by Magnus Lindberg at Vrtkl Audio in Stockholm, Sweden. Fantasia features the highlights “The Day of Execution,” the title track, and today’s offering, the soaring “A Storm of Wings”
Fantasia is now available for preorder on CD/2xLP/Digitally worldwide from Sub Pop. 2xLP preorders in North America through megamart.subpop.com and in the UK/EU from Mega Mart Europe will receive the limited Loser Edition on Mustard Yellow (North America) and Sparkle Starlight (UK/EU) colored vinyl. The limited Loser Editions will also be available at your local record store while supplies last.
SLIFT’s previously announced European tour schedule for the Spring and Summer of 2026 resumes Thursday, April 16th in Bourges, FR at Printemps du Bourges, and runs through Saturday, August 15th in Carhaix, FR at Motocultor Festival. New headlining dates for North America and Europe for 2026 will be announced soon.
Thu. Apr. 16 - Bourges, FR - Printemps du Bourges Sat. Apr. 18 - Tilburg, NL - Roadburn Festival Thu. May 07 - Copenhagen, DK - A Colossal Weekend Festival Tue. May 26 - Bucharest, RO - Control Club Wed. May 27 - Sofia, Bulgaria - Club Pave Thu. May 28 - Thessaloniki, GR - Soul Fri. May 29 - Athens, GR - Arch Club Sat. May 30 - Larnaca, CY - What The Fuzz Festival Fri. Jun. 05 - Tampere, FI - Ankea Festival Thu. Jun. 18 - Vannes, FR - Festival Echopark Fri. Jun. 19 - Clisson, FR - Hellfest Sat. Jun. 27 - Lärz, DE - Fusion Festival Mon. Jun. 29 - Paris, FR - L’Olympia Fri. Jul. 03 - Hérouville-Saint-Clair, FR - Festival Beauregard Sat. Aug. 08 - Josefov, FR - Brutal Assault Festival Sat. Aug. 15 - Carhaix, FR - Motocultor Festival
More on SLIFT’s Fantasia:
In the technical sense, every previous album by the radiant and heavy French trio SLIFT has been a fantasia—a composite of genres and forms that allowed the band to improvise, to jam on themes until they seemed to spiral together into space. Their acclaimed third album, 2024’s Ilion, was a sci-fi story built with 10- to 13-minute exploratory escapades, often starting with doom metal or stoner rock before spinning freely into glorious instrumental oblivion. But, in a bit of intentional irony, SLIFT’s fourth album is actually called Fantasia. It’s their leanest and most direct record to date; taken together, its eight songs clock in at less than 50 minutes. It is also their most riveting album yet, a pointed saga about overcoming international upheaval delivered by a band bearing down, not wasting a single second in the process.
They wanted to write and render songs that recognized the turmoil of these days and to sing of a more hopeful vision, of a time when a reckoning arrives. SLIFT didn’t want to lose the message by playing too much. To wit, the longest song on Fantasia is the opening title track, a nine-minute preamble in which Jean Fossat screams of his desires for the world: rising above our pain, burying our dread, and finding, individually and collectively, “a fire for your soul.” The songs that follow aren’t lacking the complexity or intensity that have made SLIFT a rising, radical star in heavy music; it’s simply that they’ve found new ways to weave the complexities of their past inside every piece, like a tapestry that reveals a new layer every time you look. In doing so, they offer an affirming and urgent message: Together, we can still change the times in which we live.
Though only Jean and bassist Rémi Fossat are related, SLIFT is essentially a band of brothers. They’ve been friends with drummer Canek Flores since high school, and 2026 marks a decade together in this trio. They rehearse with religious regularity in a basement in the countryside near Toulouse, inside the jam room where they’ve long indulged their propensity for longform wonder. But they built the songs of Fantasia differently. Jean started many of the songs by himself, then quickly brought them to basement rehearsals with a clear and concise idea of how he imagined them taking shape. At first, SLIFT struggled to keep the songs tight, old habits making them wonder if this song or that one shouldn’t break the double-digit threshold. By the time they crossed France’s northern border into Belgium to record in the enormous live room at Daft Studios, though, the songs were lean, agile, and punchy. They made most of them in a single take.
As Jean Fossat wrote the core of Fantasia, he thought a lot about Jorge Luis Borges, the Argentinian author whose fiction deftly wove elements of magic and surreality into places and plots that almost felt real. He wanted to accomplish the same thing, to add supernatural touches to his contemplations of politics so that the listener might see reality differently, might question what they were missing about this plane. SLIFT even borrowed the song title “Orbis Tertius” from a 1940 Borges short story that uses the idea of subjective idealism—that is, believing the world only exists as far as our minds go—to ask questions of memory, history, possibility, and, ultimately, control. Fantasia, then, is an imagined town plagued by a sense of unknowing and xenophobia, of trying to eliminate anything that disrupts the accepted order.
The town first comes into focus on “Corrupted Sky,” where lurid keyboards and a relentless rhythm section illustrate a city of power-hungry wastrels. Jean’s guitar solo feels like an exhilarating chase sequence in a video game, as he tries to dodge doom while arriving in Fantasia. They treat the newcomer like poison incarnate during the prog gem “The Village,” while he predicts their downfall during “A Storm of Wings.” In a mighty, fists-up anthem that suggests Clutch getting wild, SLIFT alludes to John Coltrane, Charlie Parker, and Soviet writer Mikhail Bulgakov to portend the arrival of some great liberating force, some redemptive truth.
That slowly starts to emerge during the record’s back half, as memory returns to the masses, as people start to remember that they are more than the oppressive uniformity of their society. “Waiting Man”—a psychedelic ballad that suggests Pink Floyd wandering into the Master of Reality sessions—is the breaking point. The narrator realizes that the world he’s committed to is a lie. “I waited for love, waited my time,” Jean Fossat sings, his voice more vulnerable than it’s ever been. “Waited the seasons of my life.” He knows he must find his own way out of this mess and into something better, so long as it’s not too late.
It is dreadfully easy these days to feel powerless. We have instant access to a world of news, and so much of it is so very heavy. SLIFT reckons directly with the modern onslaught of cruelty and absurdity on Fantasia, whether that’s not caring about our home planet or one another. But these eight songs are about trusting in some hidden power for fighting back, for believing in a world where something we cannot yet articulate or define offers not just a way to disrupt the status quo but perhaps to destroy it completely. SLIFT is loud, heavy, and aggressive inside these anthems. They’re preparing for a battle they think we can still win.
What People Have Said About SLIFT:
“Crosshatching space rock to stoner metal, Krautrock to black metal, the void to the arduous resurrection, their musical scope is broad enough to at least approach that end-times question: Where can we go when what we have is gone?” ‘Album Of The Day,’ Bandcamp
“Exhilaratingly expansive music balanced by a sense of darkness and foreboding, traveling simultaneously into outer space and inner turmoil. SLIFT’s expansive energy and transcendental creativity provide a uniquely rewarding thrill.” Kerrang!
“An exhilarating ride, one which continually scales modes of attack and intensity, even as it’s held in place by SLIFT’s purposeful songwriting.” - The Wire
“SLIFT’s mind-expanding mastery of heavy dynamics, six-string flair and psychedelic experimentalism marks them out as one of the most exciting metal bands we’ve heard…” Guitar World
“Though French cosmonauts Slift are very much a cult prospect, it’s only a matter of time before their mesmerising live shows make them superstars…The trio’s concerts are transcendent, cosmic thrillrides. Their genre-jumping deviations are always erratic and exciting, anchored around the herculean drumming of Canek Flores. Meanwhile, the otherworldly aura emitted by singer/guitarist Jean Fossat’s distorted wails and echoing riffs, and his bassist brother Remí’s throbbing twangs, is hammered home by a huge video backdrop, playing what seem to be Doctor Who openings that were abandoned for being too weird.” ★★★★★ Louder Sound
SLIFT Fantasia
Tracklisting: 1. Fantasia 2. Corrupted Sky 3. The Village 4. A Storm of Wings 5. Orbis Tertius 6. Waiting Man 7. The Day of Execution
Today, recent Sub Pop signee Hayden Pedigo is announcing newly rescheduled North American headlining dates for the fall of 2026, beginning on Sunday, September 13th in Indianapolis, IN at Turntable and running through Thursday, October 8th in Detroit, MI at Trinosophes. This announcement includes seven rescheduled dates from Hayden’s canceled November and December 2025 touring, along with three new ones. Tickets are on sale now.
As for fans who purchased tickets for the rescheduled fall 2025 shows, those will be honored at the new dates (except for the Third Man Records show in Nashville on Sep. 24th).
Please find a full list of dates below.
Sun. Sep. 13 - Indianapolis, IN - Turntable Wed. Sep. 23 - Atlanta, GA - Masquerade (Altar) Thu. Sep. 24 - Nashville, TN - Blue Room at Third Man Records Sat. Sep. 26 - Cincinnati, OH - Talk Low Festival Tue. Sep. 29 - Philadelphia, PA - Sanctuary at First Unitarian Church Wed. Sep. 30 - Washington, DC - Union Stage Fri. Oct. 02 - Somerville, MA - The Rockwell Sat. Oct. 03 - Portland, ME - One Longfellow Square Sun. Oct. 04 - Montreal, QC - L’Esco Tue. Oct. 06 - Toronto, ON - The Great Hall Thu. Oct. 08 - Detroit, MI - Trinosophes
About Hayden Pedigo: Hayden Pedigo: man, myth, master of disguise; un-picker, finger-picker, absurdist, perfectionist. The unorthodox contender for Amarillo City Council, subject of the film Kid Candidate, and creator of the acclaimed albums for Mexican Summer: Letting Go (2021), The Happiest Times I Ever Ignored (2023), and his latest release, I’ll Be Waving as You Drive Away (2025).
He’s an innovator of the instrumental genre. A challenger of the stereotypical, son of a truck-stop preacher, he backs up a cherry red Silverado under his own smiling, Brylcreemed and Nudie-Suited billboard. His foot hesitates above the gas pedal as a cloud of dust rises. Where between beaming advert and disillusioned entertainer might his truest self lie? I’ll Be Waving…his intentionally maximalist, genre-resistant work of warped instrumental Americana – is an exclamation point at the end of an accidental trilogy of records. The album was selected for “Best Albums of 2025” lists from All Music, Nialler9, No Ripcord, PASTE, and Pitchfork. The latter says of the record in its “Best New Music” review, “On his most majestic and sincere record yet, the Texas guitarist plays with grace and power, evoking the gentle emptiness of the American West.”
2025 also saw the release of In The Earth Again, the well-received collaborative album with Oklahoma City’s Chat Pile, released on the Computer Students label. That album also saw year-end praise from the likes of Beats Per Minute, The Needle Drop, Treble Zine, and Stereogum, who called the album “…the two acts find a cohesive middle ground in this brutally dystopian guitar music, with Pedigo’s fingerpicking contrasting Raygun Busch’s seared vocals. The result almost feels like a southern gothic novel: devastating, vast, yet oddly warm all the same.”
Today, March 30th, Man Man has officially released their song “So It Goes,” and it is available now on all DSPs from Sub Pop. Originally only heard within the 2020 game Cyberpunk 2077 under the Fingers and the Outlaws moniker, “So It Goes” quickly became a favorite among the game’s players, racking up millions of streams from fan uploads on YouTube and SoundCloud over the intervening years, with many cover versions from fans, and much speculation as to when and if it would ever officially be released. At long last you can now listen to this ballad for the dusty trails of your heart here.
Man Man is also announcing new North American headlining dates for the summer of 2026, beginning on June 6th in Cortland, NY at The Family Hoedown/Country Music Park and running through Sunday, August 16th in Pioneertown, CA at Pappy & Harriets. These tour dates will feature support from Suicide Squeeze Records act Death Valley Girls (July 6th-25th; select dates) and American Tomahawk (August 7th-16th). See below for a full run of shows.
Sat. Jun.06 - Cortland, NY - The Family Hoedown/The Country Music Park Mon. Jul. 06 - Baltimore, MD - Ottobar * Tue. Jul. 07 - Durham, NC - Motorco Music Hall * Fri. Jul. 10 - Baton Rouge, LA - Chelsea’s Live * Sat. Jul. 11 - Houston, TX - White Oak Music Hall * Sun. Jul. 12 - Austin, TX - 29th Street Ballroom * Mon. Jul. 13 - Dallas, TX - Club Dada * Wed. Jul. 15 - St Louis, MO - Delmar Hall * Thur. Jul. 16 - Chicago, IL - Lincoln Hall * Fri. Jul. 17 - St. Paul, MN - Turf Club * Sat. Jul. 18 - Highbridge Hills, WI - Highbridge Hills Disc Golf Mon. Jul. 20 - Louisville, KY - The Whirling Tiger * Tue. Jul. 21 - Pittsburgh, PA - Mr. Smalls Theatre * Thu. Jul. 23 - Philadelphia, PA - Underground Arts * Fri. Jul. 24 - Cambridge, MA - The Sinclair * Sat. Jul. 25 - Brooklyn, NY - Music Hall of Williamsburg * Fri. Aug. 07 - Santa Cruz - The Atrium at Catalyst ^ Sat. Aug. 08 - Sacramento, CA - Harlow’s ^ Mon. Aug. 10 - Portland, OR - Mississippi Studios ^ Wed. Aug 12 - Seattle, WA - Neumos ^ Fri. Aug. 14 - San Francisco, CA - The Chapel ^ Sat. Aug. 15 - Los Angeles, CA - Echoplex ^ Sun. Aug. 16 - Pioneertown, CA - Pappy & Harriets ^
* w/ Death Valley Girls ^ American Tomahawk
In Man Man adjacent news, Ryan Kattner (aka frontman Honus Honus) joins Season 3 of the critically acclaimed Interview with the Vampire series, now rebranded as The Vampire Lestat. Kattner will star as series regular Salamander, and has also written an episode and composed original music for the season. The Vampire Lestat premieres June 7th on AMC.
Rogue Wave’s Out of the Shadow(Deluxe Edition) and Descended Like Vultures(20th Anniversary Director’s Cut) are now available on all streaming services, today, Friday, March 27th, worldwide from Sub Pop. The digital formats for each release have been expanded to include rare and unreleased bonus material from each album’s era.
Also available today are the colored-vinyl represses of each release – Out of the Shadow on emerald green, Descended Like Vultures on clear pink – complete with their original tracklists. Both can now be secured from Sub Pop Mega Mart in North America, Mega Mart Europe (UK/EU), Rogue Wave’s official website, and through your local record store.
Rogue Wave began almost by accident. In early 2002, faced with the sort of existential crisis unique to the newly unemployed, Zach Rogue decided to take some time off from his home base of San Francisco. He set off with a one-way ticket to New York in March with the intention of recording one or two songs with a friend, in an effort to exorcise his demons both artistically and personally. He came away with both a new lease on life and an album’s worth of material that would later become Rogue Wave’s stunning debut, Out of the Shadow. At the end of 2002, while preparing the album for self-release, Zach rounded out the band’s lineup with the addition of Pat Spurgeon (drums/keys/samples/vocals), Sonya Westcott (bass/vocals), and Gram LeBron (guitar/keys/vocals). Zach soon realized that together the group started to “light up like fireworks” and “liked hugging each other.” Effortless friendship spawned the refreshingly organic actualization of Rogue Wave, a band whose commitment to song-craft and to each other is nothing short of astounding.
Out of the Shadow was originally released in a limited quantity on the band’s own Responsive Recordings label in early 2003. It is a gentle, undeniable charmer full of the naturally timeless sophistication and fierce, penetrating hooks that define a classic album.
Soon after their formation, Rogue Wave found themselves invited to play shows with bands like Spoon, Destroyer, Mates of State, Super Furry Animals, The Clientele and The Shins. “Rogue Wave seems like a classic Bay Area band, in the tradition of Thinking Fellers and Barbara Manning—they’ve just got that vibe,” gushed Carl Newman, The New Pornographers’ vocalist and songwriter. And he’s right—the quartet effused vitality, all the while infusing their damaged melodies with casual charm.
Released in 2005, Descended Like Vultures is Rogue Wave’s second album for Sub Pop. It would be the first time the band’s leader made a record with a whole group – Rogue, Spurgeon, Le Bron, and new bass player Evan Farrell – in the studio. They spent 10 days with Bill Racine (who also produced Out Of The Shadow with Rogue) at Supernatural Sound in Oregon City, OR, resulting in the creation of 11 tracks that journey through a dreamy landscape inspired by several decades of classic rock and pop (from Fleetwood Mac to Neil Young to My Bloody Valentine.)
For the first time as an entire unit, Rogue Wave went out of its way to create a free-flowing album that includes equal amounts of tension, release and resolution. In the process, they made a brilliantly layered, expertly crafted album that changes shape with repeated spins.
In the Spring of 2025, Rogue Wave’s “Eyes,” which is included here with the bonus material for Descended Like Vultures, was certified as a Gold-selling single by the RIAA (read more via October 27th album announcement).
What People Have Said About Rogue Wave’s Out of the Shadow & Descended Like Vultures: “Think Doug Martsch fronting the Shins and playing the sweetest Carl Newman jams ever.” [Out Of The Shadow] 5/5,Alternative Press
“Out of the Shadow’s blissful indie-pop tunes are as affecting as they are catchy.” Dusted
“Their Sub Pop debut overflows with breezy, Pacific Northwest harmonies, lush vocals and strummed guitar work that beats a path similar to The Shins’ Oh, Inverted World and Elliott Smith’s XO.” [Out of the Shadow] Pitchfork
“The bicoastal milieu of Out of the Shadow is apparent: It reflects both a lush, sunny “California Dreamin’” temperament, and Gotham’s grimy, melancholic disposition.’ 7.8/10, Pitchfork
“Not a weak link or bit of filler to be found anywhere, either. Out of the Shadow is an indie dream come true.” 4.5/5,All Music
“Deceptively inventive, darkly melodic Simon & Garfunkel and (Elliott) Smithisms.” [Out of the Shadow] NME
“Tightly packed with ‘Eight Days A Week’-style harmonies and immaculate, 12-string strumming” [Out of the Shadow] MOJO
“Rogue’s high, gentle vocals and halcyon harmonies mask lyrics that are occasionally dark and cynical–but never mushy.” [Descended Like Vultures] A-,Entertainment Weekly
“One of the year’s best.” [Descended Like Vultures] Billboard
“A perfect mix of tender melodies and rock and roll.” [Descended Like Vultures] 8/10, Under the Radar
“a more visceral, immediate effort.” [Descended Like Vultures] 7.8/10, Pitchfork
“…a musical ambition that flirts with the experimental, but remains joyously within reach of the FM dial.” [Descended Like Vultures] 8/10, Uncut
Rogue Wave Out of the Shadow (Deluxe Edition)
Digital Tracklisting: 1. Every Moment 2. Nourishment Nation 3. Be Kind + Remind 4. Seasick On Land 5. Kicking The Heart Out 6. Postage Stamp World 7. Sewn Up 8. Falcon Settles Me 9. Endgame 10. Endless Shovel 11. Man-Revolutionary! 12. Perfect 13. Everyday 14. Every Moment (4-track Demo) 15. Kicking the Heart Out (4-track Demo) 16. Angela (4-track Demo) 17. Do I Really Wanna Die For You? (4-track Demo) 18. Wrecking Ball (feat. The Helio Sequence; Live at Bowery Ballroom 06/15/2005)
Rogue Wave Descended Like Vultures (20th Anniversary Director’s Cut)
Digital Tracklisting: 1. Vulture’s Reprise 2. Bird on a Wire 3. Catform 4. Loves Lost Guarantee 5. Salesman at the Day of the Parade 6. My Will 7. Publish My Love 8. Are You on My Side 9. Vulture’s Return 10. You 11. Interruptions 12. Medicine Ball 13. 10:1 14. California 15. Vulture’s Reprieve 16. Eyes 17. Desperate (Demo) 18. Dropout (Demo) 19. When We Begin (Demo) 20. Debaser (Live at Russian Recording 2006)
Today, you can hear The Bug Club’s “Yours (If You Want Me),” the introspective, tender, anxious, and really good new single out today on all streaming services from Sub Pop. This new standout is from Every Single Muscle, the Welsh duo’s new album out May 29th, 2026.
The Bug Club is also announcing new US tour dates for June and July 2026, beginning Thursday, June 18th in Toronto, ON at The Garrison and running through Friday, July 10th in Chicago, IL at Lincoln Hall. Tickets for these shows will be on sale Friday, March 27th at 10 AM (Local).
The Bug Club has also added three shows to its previously announced headlining UK run for May and June 2026. The new shows include two nights in Manchester at The Eagle on Thursday, May 14th & Friday, May 15th, and one night in Glasgow at The Glad Cafe on Saturday, May 16th. The band will also support Super Furry Animals at Brixton Academy in London on May 23rd. Please see a full list of dates below.
May/June/August 2026, UK Shows Sat. May 09 - Wrexham, UK - The Rockin’ Chair Thu. May 14 - Manchester, UK - The Eagle Fri. May 15 - Manchester, UK - The Eagle Sat. May 16 - Glasgow, UK - The Glad Cafe Sat. May 23 - London, UK - O2 Academy Brixton Mon. Jun. 01- Norwich, UK - Arts Centre Tue. Jun. 02 - Brighton, UK - Concorde 2 Wed. Jun. 03 - Bristol, UK - Lantern Hall (Bristol Beacon) Thu. Jun. 04 - Liverpool, UK - Hangar 34 Fri. Jun. 05 - Leeds, UK - Project House Sat. Jun. 06 - Barry, UK - Memo Arts Centre Sat. Aug. 22 - Crickhowell, UK, Green Man Festival * supporting Super Furry Animals
June/July 2026, US Shows Thu. Jun. 18 - Toronto, ON - The Garrison ^ Fri. Jun. 19 - Picton, ON - Matron Brewing ^ Sat. Jun. 20 - Burnstown, ON - Neat ^ Sun. Jun. 21 - Montreal, QC - Foufs ^ Wed. Jun. 24 - Charlottetown, PE - Trailside Inn ^ Thu. Jun. 25 - Fredericton, NB - The Cap ^ Fri. Jun. 26 - Halifax, NS - Seahorse ^ Sat. Jun. 27 - Sydney, NS - Daniel’s Ale House ^ Mon. Jun. 29 - Portland, ME - SPACE Gallery Tue. Jun. 30 - Medford, MA - Deep Cuts Wed. Jul. 01 - Brooklyn, NY - Elsewhere Rooftop Thu. Jul. 02 - Philadelphia, PA - Ukie Club Mon. Jul. 06 - Washington, DC - DC9 Tue. Jul. 07 - Carrboro, NC - Cat’s Cradle Back Room Wed. Jul. 08 - Asheville, NC - Static Age Thu. Jul. 09 - Nashville, TN - Blue Room @ Third Man Fri. Jul. 10 - Chicago, IL - Lincoln Hall ^ w/ Boojums
Every Single Muscle is available to preorder now on CD/LP/all DSPs from Sub Pop. LP preorders from megamart.subpop.com in North America, Mega Mart Europe in the UK + EU, and your local record store, will receive the limited Loser Edition opaque blue (NA) and blue vinyl (UK/EU)(all vinyl color editions whilst stock lasts!). Every Single Muscle also features what is likely the band’s most BONKERS cover art to date, illustrated by Ross Willmett.
Every Single Muscle features today’s offering “Yours (If You Want Me), along with approximately 17 other tight and engaging garage-punk numbers like “Watching the Omnibus,” “A Good Day for Dying,” “Make It Count,” and “My Uncle Warren Drives a Passat.” Every Single Muscle was produced and mixed by Tom Rees at Rat Trap Studios in Cardiff, Wales, and mastered by Mikey Young.
What People Are Saying About The Bug Club “Welsh duo The Bug Club have become one of the most reliable DIY-style indie rock groups of the last few years, and the first single from their upcoming album Every Single Muscle does not disappoint. “Watching the Omnibus” is a patented Bug Club ripper that clocks in at just over a minute, packed with hooks and self-deprecating lyrics.” “Indie Basement: Best Songs & Albums of February 2026” - BROOKLYN VEGAN
“‘Watching the Omnibus’ packs a ton of amped-up guitar riffage and existentialism into less than 90 seconds: “I’m still alive and kicking/ And doing reasonable well/ You’ve got to die for something/ But there’s some things we don’t sell,” go some of its more memorable lines.” STEREOGUM
The Bug Club Every Single Muscle
Tracklisting: 1. Miss Wales 2012 2. A Good Day for Dying 3. Make It Count 4. Cut to Black 5. Full Range of Motion 6. Pretty as a Magazine 7. Look Like Me 8. How Can We Be Friends 9. Every Single Muscle 10. Shiny and Wet 11. Semi-Automatic 12. In My Short Life 13. Watching the Omnibus 14. It’s Our Manager David 15. Yours (If You Want Me) 16. All My Clothes Fell Off 17. Third Best Friend 18. My Uncle Warren Drives a Passat
