Today you can watch The Go’s official video for “All Dimensions Are Loose” a new offering from the band’s long-lost album, Free Electricity. The visual was filmed by Charles Piippo and captured live at Magic Stick venue in Detroit, MI.
“All Dimensions Are Loose” follows the release of Free Electricity’s title track, which Stereogum says is “the sound of a garage-punk band taking things deep into the chaos zone…”
Having fearlessly plumbed the murky depths of our archives, Sub Pop’s crack team of archivists have resurfaced with glad tidings! The Go’s Free Electricity will finally see worldwide release on Friday, September 4th, 2026! The ten-track long player was written, composed, and arranged by Bobby Harlow (except track one, which was written by Harlow and Dion Fischer; and track five, written by Harlow and Cary Loren).
Free Electricity was mixed and produced by Matthew Smith, engineered by Jim Diamond at Ghetto Recorders, and mastered by Jim Kissling at Jim Kissling Mastering in Detroit, Michigan.
Tracklisting: 1. Free Electricity 2. Secular Century Man 3. All Dimensions Are Loose 4. Peacock Angel 5. Pharaoh’s Tomb 6. Into Outer Space 7. Turnin’ On 8. Blood Red Sun 9. Muthers of the Earth 10. Golden Dawn
Today, singer-songwriter, musician, and producer Sera Cahoone is sharing the reflective and winsome “Not How I Hoped,” a new single from I’ve Missed You All These Years, her forthcoming new album, available worldwide on Friday, August 28th from Sub Pop. Sera also stars in its official video, which she co-directed with Adam Evarts using drone footage that captures the gorgeous landscapes of the Mt. Baker National Forest.
Sera says of the track, “This song flew out of my broken heart many moons ago. It was the first song I wrote for this record. It’s quite sad, but writing it really helped me work through those hard feelings.”
Sera is also sharing new tour dates for the month of September, which will include the East Coast and Midwest shows Wednesday, September 23rd through Wednesday, September 30th. Additional live dates announced soon. See below for a current list of shows.
Wed. Sep. 23 - Minneapolis, MN - Icehouse MPLS Sat. Sep. 26 - Chicago, IL - The Hideout Wed. Sep. 30 - Philadelphia, PA - Milkboy
On I’ve Missed You All These Years, her sixth record, Cahoone is in full command of her powers. In its ability to hold loss and connection in the same hand, the album is triumphant, a celebration of life rooted in the knowledge of its fleeting nature. The product of a lifetime spent performing and producing music, the album traverses blues, folk, pop, and country, evoking Loretta Lynn in one song and Lucinda Williams in the next. It’s a testament to the strength that creativity and community brings, a portrait of an artist who knows herself completely.
I’ve Missed You All These Years, which also includes the singles “Say Something” and “Pulling Up Roots,” was co-produced by Sera Cahoone and John Morgan Askew at Bear Creek Studios in Woodinville, WA, mixed by Askew at Scenic Burrows in Vancouver, WA, and mastered by JJ Golden at Golden Mastering.
I’ve Missed You All These Years will be available on CD/LP/Digitally from Sub Pop. LP preorders from megamart.subpop.com in North America, Mega Mart Europe in the UK and EU, and your local record store will receive the limited Loser edition on Metallic Gold vinyl (while supplies last).
What People Are Saying About Sera Cahoone: “Shaped by a gorgeous backing of guitar, piano, and Hammond organ, the rich-n-swaying ballad finds Cahoone singing with a well-worn smile flickering at the edges, a flash of light that balances the heavy-hearted nature of the lyrics. Framing a portrait of strained but wholly vital domesticity, Cahoone’s voice is full of tenderness, holding a sense of yearning that is palpable in the weight it carries.” (“Say Something”) Gold Flake Paint
“Her new album I’ve Missed You All These Years, out August 28, is so richly tuneful and full it sounds as if it could’ve come out at any time since about 1968. It’s previewed by Say Something, which is a little bit Emmylou Harris, a bit Loretta Lynn, even quite Joan Baez, a lot Weyes Blood – and wouldn’t you love to hear them together?” The New Cue
Sera Cahoone I’ve Missed You All These Years
Tracklisting: 1. High and Low 2. Say Something 3. No One Like You 4. Not How I Hoped 5. Horse Runnin’ 6. Pulling Up Roots 7. Supposed To Be 8. Hits Right 9. Tangled Nights 10. I’m No Fool 11. Something Good
Today, July 15th, Sweeping Promises share the pulsating ripper “Accent”, available now on all streaming services from Sub Pop.
The band describes “Accent” as a, “…cacophony of routine, the plight of a lowly drone who dreams of breaking out of an instinct-born & increasingly restrictive flight path. It’s got a flapping, insectoid rhythm, which is misery to play. We call it ‘cicadence.’ It’s a succession of bee-sting realizations from an individual dangerously at risk of becoming feral, independent, an outsider.”
“Accent” follows previously released singles “Cocoon” and “Shooting Shadows” from their forthcoming album, YouSay I Romanticize, available Friday, August 14th from Sub Pop.
Sweeping Promises has also confirmed a four-date run of in-store appearances at independent record stores across the Midwest. In-store performances begin on August 13th at Euclid Records in St. Louis, followed by performances at Goner Records in Memphis, Feel It in Cincinnati, and Bric-a-Brac Records & Collectibles in Chicago. These in-store performances are FREE to the public, and you can grab a Loser Edition of the new record on Black and Yellow Confetti vinyl while supplies last.
Sweeping Promises embark on a North American headlining tour in the fall of 2026. The first leg begins on Wednesday, September 9th, in Oklahoma City, OK, and runs through September 29th, culminating in a hometown show at White Schoolhouse in Lawrence, KS. The second leg begins on October 27th in Omaha, NE, and ends on November 18th in Nashville, TN. Further live dates, including international touring, will follow soon. Tickets available at sweepingpromises.com.
YOU SAY I ROMANTICIZE IN-STORES WITH LIVE PERFORMANCES Thu. Aug. 13 - St. Louis, MO - Euclid Records @ 6:00 PM Fri. Aug. 14 - Memphis, TN - Goner Records @ 6:00 PM Sat. Aug. 15 - Cincinnati, OH - Feel It @ 5:00 PM Sun. Aug. 16 - Chicago, IL - Bric-a-Brac Records & Collectibles @ 4:00 PM
YOU SAY I ROMANTICIZE NORTH AMERICAN HEADLINE TOUR Wed. Sep. 09 - Oklahoma City, OK - Resonant Head Thu. Sep. 10 - Denton, TX - Rubber Gloves Fri. Sep. 11 - Austin, TX - LEVITATION Sat. Sep. 12 - San Antonio, TX - Paper Tiger Tue. Sep. 15 - Phoenix, AZ - Rebel Lounge Wed. Sep. 16 - San Diego, CA - Casbah Thu. Sep. 17 - Los Angeles, CA - Sid the Cat Auditorium Fri. Sep. 18 - San Francisco, CA - Rickshaw Stop Sun. Sep. 20 - Portland, OR - Mississippi Studios Tue. Sep. 22 - Vancouver, BC - Fox Cabaret Wed. Sep. 23 - Seattle, WA - Baba Yaga Fri. Sep. 25 - Boise, ID - Shrine Social Club Basement Sat. Sep. 26 - Salt Lake City, UT - The DLC at Quarters Sun. Sep. 27 - Denver, CO - Hi-Dive Tue. Sep. 29 - Lawrence, KS - White Schoolhouse Tue. Oct. 27 - Omaha, NE - Slowdown Wed. Oct. 28 - St Paul, MN - Turf Club Thu. Oct 29 - Milwaukee, WI - Cactus Club Fri. Oct. 30 - Chicago, IL - Empty Bottle Sat. Oct. 31 - Detroit, MI - Lager House Tue. Nov. 03 - Toronto, ON - Monarch Wed. Nov. 04 - Montreal, QC - La Sala Rossa Thu. Nov. 05 - Boston, MA - Deep Cuts Fri. Nov. 06 - Boston, MA - Deep Cuts Sun. Nov. 08 - Troy, NY - No Fun Tue. Nov. 10 - New York, NY - Night Club 101 Wed. Nov. 11 - Brooklyn, NY - Baby’s All Right Thu. Nov. 12 - Philadelphia, PA - First Unitarian Church Fri. Nov. 13 - Washington, DC - Union Stage Sat. Nov. 14 - Richmond, VA - Cobra Cabana Mon. Nov. 16 - Durham, NC - The Pinhook Tue. Nov. 17 - Atlanta, GA - The Masquerade (Purgatory) Wed. Nov. 18 - Nashville, TN - DRKMTTR
Sweeping Promises’ YouSay I Romanticize was recorded over an 18-month period and is a tribute to the chaos of creation and collaboration under shifting circumstances. Guitarist Caufield Schnug and bassist/vocalist Lira Mondal found and tested themselves in their combination tour house and recording studio in Kansas, annually working on dozens of albums from other bands, hosting tour stops, planning shows, and the like. After an immersive process of tracking and whittling down YSIR demos and carving out an idiosyncratic chamber-recording method for the album’s intentional wall-of-sound, the duo brought in touring drummer Spenser Gralla to play the songs as the band would on stage.
Sweeping Promises’ YouSay I Romanticize is available to preorder now on CD/LP/Digitally worldwide from Sub Pop.
Sweeping Promises YouSay I Romanticize
Tracklisting: 1. Shooting Shadows 2. My Friend’s An Entomologist 3. Last Man 4. Rapture, Or… 5. Abduction On Camera 6. My Anchoress 7. Cocoon 8. Accent 9. Does He Want To Be The Weatherman? 10. Write Lightly
Today, Tuesday, July 14th, Deep Sea Diver is releasing an inspired, revved-up new take on “Teardrop,” the beloved Massive Attack hit featuring Elizabeth Fraser, across all streaming services.
Deep Sea Diver’s Jessica Dobson offers this on the cover: “We have always loved the voice and spirit of Elizabeth Fraser; her collaboration with Massive Attack is one of my all-time favorite songs. I was stopped in my tracks as a kid the first time I heard it. It has a magic that is undeniable, and we wanted to live in that magic for a while and to show it to our audience. Doing covers brings us back to connecting us to what we love and as we are writing new songs, we are really trying to purely focus on things that we love and are drawn to, even if mysteriously, like this one. A mysterious beauty.”
This new version of “Teardrop” was produced by Deep Sea Diver’s Jessica Dobson and Peter Mansen at High Beam Studio, mixed by Andy Park at The Crumb Studio in Seattle, and mastered by Steve Fallone at Sterling Sound.
This weekend, Deep Sea Diver teams up with Sub Pop labelmates Nation of Language for two Pacific Northwest co-headlining shows: Friday, July 17th in Forest Grove, OR at Grand Lodge, and Saturday, July 18th in Carnation, WA at Remlinger Farms. Tickets are on sale now.
The new cover of “Teardrop” follows the release of Deep Sea Diver’s Billboard Heart, the band’s internationally acclaimed 2025 album, which is also available now on CD/LP/All DSPs worldwide from Sub Pop.
What People Are Saying About Deep Sea Diver “Frontwoman Jessica Dobson’s powerful voice and gnarled guitar solos grant the Seattle band’s propulsive, riff-laden indie rock a new level of yearning intensity.” [Billboard Heart] Pitchfork
“Billboard Heart could propel Deep Sea Diver to the greatest of heights: mild indie stardom. Or at least it should, because this record is very good. But even if they aren’t headlining Pearl Jam-sized arenas this time next year, the sounds of Billboard Heart could fill one.” PASTE
“There is plenty to unpack with plenty of anthemic moments but also moments of calm that help the epic tracks to soar even more. Dobson’s vocals and guitar work are both captivating throughout in a record that rarely has a dull moment and is full of spirit and spark from start to finish.” [Billboard Heart] CLASH
“The sleek, dramatic title track sets the stage with a lush, grooving indie rock bolstered by shimmery synths, textured guitar effects, and a somewhat oversaturated sound that permeates and distinguishes the album.”[Billboard Heart] ★★★★ All Music “Dobson’s slightly wounded vocals and scuzzy guitar; a slick, keyboard-festooned backdrop and, even on the straightforward hushed ‘Loose Change’ and the relatively spartan ‘Always Waving Goodbye,’ a sense of galloping ur-gency. Madison Cunningham drops in to add guitar and Pierces-style harmonies on ‘Let Me Go,’ but Dobson is the star of her own show, from the cascading choruses of ‘See In The Dark’ to the title track’s stylish chimes, and in ‘What Do I Know’ she may have found Deep Sea Diver’s key to crossover.”[Billboard Heart] ★★★★ MOJO
“…Earmarked by crunchier guitars, soaring synths, and the occasional heavy drum fill (often explosion-like, as on ‘What Do I Know’). What results is a record of vast diversity and glittering dream pop, the unifying feature being Dobson’s excellent solo playing on guitar.” [Billboard Heart] 8/10, Under the Radar
“Pop grandeur, gnarly fundamentalist hardcore, iridescent psych, gothic elegance, electro-rock drama and anthemic tunes with a cathedral-like grandeur - Jessica Dobson’s band serve up all of them here, so you wonder why DSD aren’t as big as Florence + The Machine…songs such as ‘Shovel,’ ‘See In The Dark’ and ‘Emergency’ punch and swagger with a defiant dose of rock’n’roll pomp and circumstance.” [Billboard Heart] UNCUT
Having fearlessly plumbed the murky depths of our archives, Sub Pop’s crack team of archivists have resurfaced with glad tidings! The Go’s Free Electricity, the group’s storied, long-lost album, will finally see worldwide release on Friday, September 4th, 2026! The ten-track long player was written, composed, and arranged by Bobby Harlow (except track one, which was written by Harlow and Dion Fischer; and track five, written by Harlow and Cary Loren).
Free Electricity was mixed and produced by Matthew Smith, engineered by Jim Diamond at Ghetto Recorders, and mastered by Jim Kissling at Jim Kissling Mastering in Detroit, Michigan.
The Go’s Free Electricity features highlights such as the title track, “All Dimensions Are Loose,” and “Secular Century Man,” and is available now to preorder on CD/LP/Digital from Sub Pop. LP preorders from megamart.subpop.com in North America, Mega Mart Europe in the UK and EU, and your local record store will receive the limited Loser edition on Metallic Gold vinyl (while supplies last).
More on The Go’s Free Electricity by Matthew Smith: The Go appeared in Detroit in 1998, and I immediately became a fan. I’d been waiting for Detroit to produce a group this good since Brownsville Station broke up, and here they were, except I liked The Go even more than all their hometown predecessors. I eventually was asked to produce their first two albums, so I was granted the rare opportunity to be the producer of my favorite rock and roll group.
The first was the debut album Whatcha Doin’, and the second was the mysterious, legendary “lost” album, Free Electricity.
After a few bass and lead guitar personnel shakeups, and a lot of touring in the U.S. following the release of Whatcha Doin’, The Go were back in Detroit with a bunch of new songs which they wanted to record immediately. We again went to Ghetto Recorders, and were in there for a week, maybe two weeks? The Go played these songs at full blast in the studio, getting them all on tape in just one or two takes. The atmosphere surrounding these sessions was one of openness and creativity, so the overdubbing process was an avalanche of ideas, coming down really fast, and going to tape effortlessly.
The title track might have ended up sounding like a more traditional rock and roll song, but I suggested they do a take with the lead guitar blasting non-stop, something which made the dynamics more like that of a free jazz ensemble. When I sat down to mix the track, the reverb tank seemed to open up like a giant hole in the earth’s crust and suddenly what came out of the speakers was a big, cavernous sound, like some haunted frequency beamed across the time barrier from the Grande Ballroom circa 1968. At this point, the mixing board felt more like a Ouija board. We were going where the music was leading us, and the strange sounds just kept on coming.
There’s a heavy jazz influence on this record. We were all listening to a lot of ‘60s free jazz, so it seemed quite normal (to some of us) that the mixes tended to sound a bit more like records by Pharoah Sanders and Sun Ra than the records being made by our peers in the rock and roll scene.
Perhaps this was perceived as a strange approach back in the year 2000, and there certainly were some people who felt we were totally out of control and maybe a bit crazy, but The Go were only as out of control as their musical and literary heroes, like the Fugs and Allen Ginsberg and the Bonzo Dog Band and Nilsson and lots of other individualists who inspired them.
Guest appearances by Cary Loren from Destroy All Monsters and John Olson from Wolf Eyes only reinforced the album’s musical direction. Anyway, “weird” or not, this was an inspired recording made by an inspired group of musicians. There was a feeling of excitement and adventure happening at these sessions, and I think we captured that feeling on tape.
The Go Free Electricity
Tracklisting: 1. Free Electricity 2. Secular Century Man 3. All Dimensions Are Loose 4. Peacock Angel 5. Pharaoh’s Tomb 6. Into Outer Space 7. Turnin’ On 8. Blood Red Sun 9. Muthers of the Earth 10. Golden Dawn
