DIY had this to say about the song, “Latest track Only Child is a vast escape. Every last note is thrown into the skies, every giant declaration worthy adventure. More than anything, this is loud. Tone it down if you want, but the song and the record sound best when they’re pushed to the limit.” (see track premiere January 11th).” Note: German fans can listen via VISIONS Magazin.
Shearwater’s 2016 North American and European tour in support of Jet Plane and Oxbow begins February 3rd in Austin, TX at North Door and currently ends March 26th in Portland, OR at Mississippi Studios. Main support will come from Barsuk recording artist Laura Gibson (March 16th - 19th). See the full tour listing below.
Oh and hey, pre ordering Jet Plane and Oxbow earns you immediate access (as of Jan. 8th) to stream the album before its street date, and provides access to an exclusive Shearwater podcast, “Headwaters,” which features demos and outtakes from the new record and a conversation between Meiburg and WNYC’s John Schaefer (host of New Sounds and the Soundcheck podcast). An edited version compiled and broadcast by Schaefer is available for streaming on the WNYC site.
[Photo Credit: Sarah Cass]
More about Shearwater:
This is definitely Shearwater’s biggest and loudest record—it’s easy to imagine these songs roaring from the stage—but it’s also their most detailed and intricate one. Front man Jonathan Meiburg and producer/engineer Reisch (who also recorded 2012’s Animal Joy and the off-the-cuff collaborations of 2014’s Fellow Travelers) spent two years crafting Jet Plane and Oxbow with help from drummer Cully Symington, longtime Shearwater associates Howard Draper and Lucas Oswald, and tourmates Jesca Hoop, Abram Shook, and Jenn Wasner.
But their secret weapon this time is film composer and percussionist Brian Reitzell, whose soundtracks include The Virgin Suicides, Lost in Translation, The Bling Ring, and 30 Days of Night. Reitzell’s arsenal of strange instruments emphasizes Jet Plane and Oxbow’s cinematic depth and scope, and reflects the band’s choice to anchor the record in the era when digital technology was just beginning to transform the world of recorded music. In Shearwater’s hands this doesn’t feel like nostalgia; the racing synths and hammered dulcimers of heart-pounding opener “Prime” or the addled motorik of “Radio Silence” sound more like a metaphor for our own bewildering moment (read more at Sub Pop).
Feb. 03 - Austin, TX - North Door (w/ Marmalakes) Feb. 04 - Dallas, TX - Club Dada (w/ Marmalakes) Feb. 06 - New York, NY - Mercury Lounge (w/ Jib Kidder) Feb. 10 - Berlin, DE - Frannz Club Feb. 11 - Copenhagen, DK - Loppen Feb. 12 - Hamburg, DE - Molotow Feb. 13 - Amsterdam, NL - Paradiso Noord Feb. 14 - Brussels. BE - Botanique Feb. 16 - Lille, FR - L’Aeronef Feb. 17 - London, UK - Islington Assembly Hall Feb. 18 - Bristol, UK -The Fleece Feb. 19 - Leeds, UK - The Brudenell Social Club Feb. 20 - Glasgow, UK - King Tuts Feb. 21 - Newcastle, UK - The Cluny Feb. 23 - Dublin, IE - Button Factory Feb. 24 -Manchester , UK - Night & Day Feb. 25 - Brighton, UK - The Haunt Feb. 26 - Paris, FR - Point Ephémère Feb. 27 - Zurich, CH - Bogen F Feb. 28 - Fribourg, CH - Nouveau Monde Mar. 04 - San Francisco, CA - The Independent Mar. 05 - Los Angeles, CA - Roxy Mar. 10 - Washington, DC - Rock and Roll Hotel Mar. 12 - Brooklyn, NY - Bell House Mar. 16 - Pittsburgh, PA - Club Cafe** Mar. 17 - Toronto, ON - Horseshoe Tavern** Mar. 18 - Ferndale, MI - The Loving Touch** Mar. 19 - Chicago, IL - Schubas** Mar. 22 - Minneapolis, MN - Turf Club Mar. 25 - Seattle, WA - The Crocodile Mar. 26 - Portland, OR - Mississippi Studios ** w/ Laura Gibson
What’s this news from Low, you ask? Well, the band have resumed their headlining US tour in support of Ones and Sixes, the group’s acclaimed new album. The trek continues tonight, Wednesday, November 11th at Minneapolis’ First Avenue, and goes through to Saturday, November 21st at Seattle’s Crocodile. Then in 2016, the group have scheduled a series of dates that begin January 15th in Anchorage, AK at Taproot and end February 13th in St. Louis at the Pageant. There are also two international festival dates to mention at this time: March 12th in Mexico City, MX at Festival NRML and June 11th in Kværndrup, DK at Heartland Festival. (see details below)
ICYMI: Low recently premiered an official video for “Lies,” from Ones and Sixes, which was directed by Manuel Aragon (watch it here). The band also made its second appearance on Later with Jools Holland, performing Ones and Sixes highlights “What Part of Me” and “The Innocents.”
And there’s more (particularly good) news of the charting kind: Ones and Sixes earned Low the group’s first-ever U.K. Top 40 album, coming in at #35 on the official albums chart. The album also entered at #68 here in the U.S. on SoundScan’s Top Current Albums charts.
At Radio, Ones and Sixes peaked at #7 on the CMJ Top 200 chart. In news of the on-air variety, the band have confirmed studio sessions at KCRW’s “Morning Becomes Eclectic” (November 16th), and have visited to WXPN’s “World Cafe” (“What Part of Me” & “No Comprende”), KCMP (view here), and more.
Ones and Sixes is also one of the best-reviewed albums of Low’s career with international acclaim from the likes of NPR Music, Paste, Rolling Stone, SPIN, Boston Globe, Pitchfork, Under the Radar, The Guardian, The Observer, DIY, Q, MOJO, Uncut, Minneapolis Star Tribune, Chicago Tribune, CLASH, The Sunday Times, Dusted, NOW, and more. And the band are the current cover stars of MAGNET’s September issue, interviewed by Bon Iver’s Justin Vernon (view cover / read an excerpt of the story here).
Low’s Ones and Sixes is available for purchase from the Sub Pop Mega Mart, iTunes, Amazon, and Bandcamp. Now completely sold-out through megamart.subpop.com, the limited “Loser Edition” of the double-LP on yellow vinyl and packaged in a variant slipcase cover is only available from select independent stores and from the band themselves at upcoming tour dates (while supplies last). Has it been a while since you visited the Mega Mart? Well, there are also two new T-shirt designs available both as individual items and as part of CD/LP bundles.
Nov. 11 - Minneapolis, MN - First Avenue*
Nov. 12 – Omaha, NE – Reverb Lounge*
Nov. 13 - Denver, CO - Larimer Lounge*
Nov. 14 - Salt Lake City, UT - The Complex*
Nov. 16 - Los Angeles, CA - The Troubadour*
Nov. 18 - San Francisco, CA - Great American Music Hall*
Beach House have announced the first round of 2016 tour dates for North America in support of Thank Your Lucky Stars and Depression Cherry. The trek begins February 29th in Cleveland at House of Blues and ends March 18th in Philadelphia at Union Transfer. Tickets go on sale Friday, October 23rd. (details below)
Beach House’s 2015 tour resumes on October 24th at Belfast’s Mandela Hall and their 2015 dates end with a sold-out 3-night stand December 17-19 in San Francisco at The Fillmore.
And last week, Beach House performed “One Thing” from Thank Your Lucky Stars on the release date for the album, on The Late Show with Stephen Colbert. Watch that performance here.
Additionally, Beach House have scheduled a Reddit AMA for Tuesday, October 20th at 2pm EDT.
Thank Your Lucky Stars is now available to stream here, and is available for purchase in North America through Sub Pop Mega Mart, Bandcamp, Amazon, and iTunes. LP and digital copies of the album are available through all DSPs and your local record stores, with the CD version following on Friday, October 30th. LP preorders through megamart.subpop.com will also receive the limited “Loser” edition on green vinyl (while supplies last).
2015 Oct. 24 - Belfast, UK - Mandela Hall Oct. 25 - Dublin, IE - Vicar Street Oct. 26 - Glasgow, UK - ABC Oct. 27 - Manchester, UK - The Ritz Oct. 29 - Paris, FR - Pitchfork Music Festival Oct. 30 - London, UK - Shepherds Bush Empire Oct. 31 - London, UK - Shepherds Bush Empire [Sold Out] Nov. 02 - Amsterdam, NL - Paradiso Nov. 03 - Brussels, BE - Autumn Falls @ AB [Sold Out] Nov. 04 - Koln, DE - Gloria Nov. 05 - Luxemborg, LU - Den Atelier Nov. 07 - Reykjavik, IS - Iceland Airwaves Nov. 10 - Oslo, NO - Sentrum Scene Nov. 11 - Gothenburg, SE - Tradgarn Nov. 12 - Stockholm, SE - Debaser Medis [Sold Out] Nov. 13 - Copenhagen DK - Vega [Sold Out] Nov. 14 - Hamburg, DE - Kampnagel K1 Nov. 16 - Berlin, DE - Huxley’s Nov. 17 - Munich, DE - Freiheiz Nov. 18 - Lausanne, CH - Les Docks Nov. 20 - Barcelona, ES - Apolo [Sold Out] Nov. 22 - Madrid, ES - La Riviera Nov. 23 - Lisbon, PT - Armazén Nov. 24 - Porto, PT - Teatro sa da Bandeira Dec. 07 - Santa Ana, CA - The Observatory [Sold Out] Dec. 09 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 10 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 11 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 12 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 17 - San Francisco, CA - The Fillmore [Sold Out] Dec. 18 - San Francisco, CA - The Fillmore [Sold Out] Dec. 19 - San Francisco, CA - The Fillmore [Sold Out]
2016 Feb. 29 - Cleveland, OH - House of Blues Mar. 01 - Chicago, IL - Vic Theatre Mar. 05 - Toronto, ON - Danforth Music Hall Mar. 09 - Montreal, QC - Rialto Theatre Mar. 11 - Boston, MA - House of Blues Mar. 14 - New York, NY - Webster Hall Mar. 15 - New York, NY - Webster Hall
Strange Wilds begin ripping their way across North American in support of their debut album, Subjective Concepts, tomorrow night, Thursday, September 25th at Black Lodge in Seattle. The tour keeps on rolling until November 21st, and takes the band throughout the continental U.S.
Newly added tour dates include: October 10th in Athens, OH at Galbreath Chapel; October 14th in Annondale, NY at SMOG at Bard College; October 15th in Brooklyn, NY at the Knitting Factory for Sub Pop & Hardly Art’s CMJ showcase; November 8th in San Diego, CA at the Soda Bar; and November 12th in Bakersfield, CA at Temblor Brewing Company; November 20th in Tacoma, WA at Real Art. (details below)
New to (or already obsessed with) Strange Wilds? Find their YouTube playlist (feat. the official “Pronoia” video) right here.
Strange Wilds’ Subjective Concepts is available now on CD / LP / DL at the Sub Pop Mega Mart, iTunes, Amazon and Bandcamp. All customers who order the LP version of Subjective Concepts from megamart.subpop.com and Bandcamp will receive the limited “Loser Edition” on white vinyl while supplies last. (There’s a new T-shirt design available too)
[ Photo courtesy of the band ]
What do ‘They” say about Strange Wilds? Here are some good words:
“Pronoia is the opposite of paranoia, essentially the happy delusion that there is a conspiracy that exists to help people. It’s also the name of the hellish four-minute blast of noise that’s the best song on this debut album by Seattle trio Strange Wilds. The follow-up to 2014’s four-track ‘Wet’ EP, Subjective Concepts sounds like it was raised on ‘Bleach’-era Nirvana and aligns the band with their Washington peers Milk Music and Naomi Punk. They build a monumental wall of hardcore noise on ‘Egophillia’, before taking a wrecking ball to it and screaming wildly into the mess. Elsewhere, there are tight grooves on ‘Disdain’ and ‘Terrible’, and the guttural riffs on ‘Starved For’ offer plenty for bleeding gums to gnaw on.” -NME
“Touch And Go-style post rock with early grunge.” - The AV Club
“Northwestern American trio tap into grunge’s collective unconscious, channelling crushing riffs and ancestral memories of hardcore.” MOJO
“Loud, sneering, and heavy-set, Subjective Concepts could come wrapped in a rain-soaked plaid shirt.” - LOUD & QUIET
“Taut, virile hardcore punk with a seething intelligence… It’s an absolute gem.” - CLASH MUSIC
“An undeniably exciting listen.” - UNCUT
“With their excellent full-length debut, this savage young trio offers a stiff reminder of those bygone halcyon days when Chad Channing drummed for Nirvana instead of Dave Grohl. But while the barbed, razor-sharp riffs and tightrope bass thuds of Bleach largely inform the scrappy nature of key tracks like caustic opener “Pronoia” and the pensive “Oneirophobe,” there is an influential undercurrent of the signature sounds of their own city back in the day as well. Shades of K Records classics from Beat Happening and Some Velvet Sidewalk additionally factor into the more melodic elements of Subjective Concepts, particularly within the structures of college radio-ready songs like “Don’t Have To” and “Lose and Found.” - PASTE
“They are a powerful outfit, and Subjective Concepts is cohesive and fierce.” - Pitchfork
“Toggles between a coiled-snake groove and the kind of full scream-along ferocity that makes you want to thrash around in a small, dark room with a bunch of sweaty strangers. This is noisy, heavy, grimy music, and it’s great.” [“Pronoia”] - Stereogum
“A sludged-out mess of hardcore that slam dances with the Seattle label’s past and it wouldn’t be surprising at all to see them on a tour run that’s stacked with Mogwai, METZ, or Pissed Jeans” [“Pronoia”] - BLARE
“‘Starved For’ sounds exactly like what you’d want to be listening to if you lived inside of a Tony Hawk Pro Skater game.” - Noisey
Sep. 25 - Seattle, WA - Black Lodge Sep. 26 - Vancouver, BC - The Biltmore Sep. 27 - Portland, OR - They Know Sep. 30 - Olympia, WA - Old School Oct. 01 - San Francisco, CA - Hemlock Oct. 02 - Los Angeles, CA - The Smell Oct. 03 - Tempe, AZ - Time Out Lounge Oct. 04 - Albuquerque, NM - Sister Oct. 05 - Denver, CO - Rhinoceropolis Oct. 06 - Omaha, NE - West Wing Oct. 07 - Columbia, MO - Cafe Berlin Oct. 08 - Milwaukee, WI - Riverwest Public House Oct. 09 - Chicago, IL - Empty Bottle Oct. 10 - Athens, OH - Galbreath Chapel Oct. 11 - Detroit, MI - Marble Bar Oct. 12 - Cleveland, OH - Now That’s Class Oct. 13 - Pittsburgh, PA - Spirit Oct. 14 - Annondale, NY - SMOG at Bard College Oct. 15 - Brooklyn, NY - Knitting Factory (Sub Pop / Hardly Art CMJ Showcase) Oct. 16 - Brooklyn, NY - Union Pool (Strange Victory Touring CMJ Party) Oct. 17 - New York, NY - Aviv Oct. 18 - Montreal, QC - Turbo Haus Oct. 19 - Toronto, ON - Smiling Buddha Oct. 20 - Rochester, NY - Bug Jar Oct. 21 - Albany, NY - The Low Beat Oct. 22 - Providence, RI - Aurora Oct. 23 - Philadelphia, PA - Kung Fu Necktie Oct. 24 - Washington, DC - The (sea) Lab Oct. 26 - RIchmond, VA - Strange Matter Oct. 27 - Asheville, NC - Tiger Mountain Oct. 28 - Atlanta, GA - Drunken Unicorn Oct. 30 - Miami, FL - Kill Your Idol Oct. 31 - Gainesville, FL - Fest 14 / The Atlantic Nov. 01 - Jacksonville, FL - Rain Dogs Nov. 02 - New Orleans, LA - Siberia Nov. 03 - Houston, TX - Walter’s Downtown Nov. 04 - Austin, TX - Beerland Nov. 06 - Tucson, AZ - Hotel Congress Nov. 08 - San Diego, CA - Soda Bar Nov. 09 - Fullerton, CA - Continental Room Nov. 10 - El Centro, CA - Strangers Nov. 11 - Los Angeles, CA - All Star Lanes Nov. 12 - Bakersfield, CA - Temblor Brewing Company Nov. 13 - Oakland, CA - 1-2-3-4 Go Records Nov. 14 - Santa Rosa, CA - Atlas Coffee Company Nov. 16 - Reno, NV - The Holland Project Nov. 17 - Salt Lake City, UT - Diabolical Records Nov. 18 - Boise, ID - Neurolux Nov. 19 - Portland, OR - Bunk Bar Nov. 20 - Tacoma, WA - Real Art Nov. 21 - Seattle, WA - The Highline
For more tour information + ticket links, please go here.
The Beach House worldwide tour in support of Depression Cherrybegins tonight, Thursday, September 17th in Columbus, OH at Newport Music Hall and their 2015 dates end with a sold-out 3-night stand December 17-19 in San Francisco at The Fillmore. (see dates below)
Experience the soothing sounds of Depression Cherry right now via the album stream, and if this is your initial foray into the magic of Beach House, might we also suggest ‘A Beginner’s Guide to Beach House’ playlist on Spotify, Rdio or YouTube?
Depression Cherry is available now on CD / LP*/ DL from Sub Pop (North America), Bella Union (Europe) and Mistletone (Australia / New Zealand), and virtually through your favorite electronic channels including (but certainly not limited to) iTunes and Amazon.
*Sorry (and thankful) to report that the special, limited, clear vinyl Loser Edition LP version of Depression Cherry is now sold-out at megamart.subpop.com. Copies of this collectible version of the album may still be available at your local independent record stores, or from the band directly at shows.
Sep. 17 - Columbus, OH - Newport Music Hall ** Sep. 18 - Cincinnati, OH - Bogart’s ** Sep. 19 - Royal Oak, MI - Royal Oak Theatre ** Sep. 21 - Milwaukee, WI - Pabst Theatre ** Sep. 22 - Minneapolis, MN - First Avenue [Sold Out] ** Sep. 23 - Minneapolis, MN - First Avenue ** Sep. 25 - Omaha, NE - Slowdown ** Sep. 26 - Lawrence, KS - Liberty Hall ** Sep. 27 - St. Louis, MO - The Pageant ** Sep. 28 - Memphis, TN - Minglewood Hall ** Sep. 29 - Tulsa, OK - Cain’s Ballroom ** Oct. 01 - Houston, TX - House of Blues Oct. 02 - New Orleans, LA - Civic Theatre Oct. 03 - Birmingham, AL - Saturn ** Oct. 04 - Nashville, TN - The Ryman Auditorium ** Oct. 06 - Atlanta, GA - Buckhead Theatre ** Oct. 07 - Asheville, NC - Orange Peel ** Oct. 08 - Saxapahaw, NC - Haw River Ballroom [Sold Out] ** Oct. 24 - Belfast, UK - Mandela Hall Oct. 25 - Dublin, IE - Vicar Street Oct. 26 - Glasgow, UK - ABC Oct. 27 - Manchester, UK - The Ritz Oct. 29 - Paris, FR - Pitchfork Music Festival Oct. 30 - London, UK - Shepherds Bush Empire Nov. 02 - Amsterdam, NL - Paradiso Nov. 03 - Brussels, BE - Autumn Falls @ AB Nov. 04 - Koln, DE - Gloria Nov. 05 - Luxemborg, LU - Den Atelier Nov. 07 - Reykjavik, IS - Iceland Airwaves Nov. 10 - Oslo, NO - Sentrum Scene Nov. 11 - Gothenburg, SE - Tradgarn Nov. 12 - Stockholm, SE - Debaser Medis Nov. 13 - Copenhagen DK - Vega Nov. 14 - Hamburg, DE - Kampnagel K1 Nov. 16 - Berlin, DE - Huxley’s Nov. 17 - Munich, DE - Freiheiz Nov. 18 - Lausanne, CH - Les Docks Nov. 20 - Barcelona, ES - Apolo Nov. 22 - Madrid, ES - La Riviera Nov. 23 - Lisbon, PT - Armazén Nov. 24 - Porto, PT - Teatro sa da Bandeira Dec. 07 - Santa Ana, CA - The Observatory [Sold Out] Dec. 09 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 10 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 11 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 12 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 17 - San Francisco, CA - The Fillmore [Sold Out] Dec. 18 - San Francisco, CA - The Fillmore [Sold Out] Dec. 19 - San Francisco, CA - The Fillmore [Sold Out] ** w/ Jessica Pratt
Luluc’s previously announced west coast and southeastern U.S. trek in support of album Passerby kicks-off tomorrow night, Thursday, September 17th in Seattle, WA at The Sunset and ends October 2nd in New Orleans, LA at Republic. (see dates below) Additionally, the band will act as main support for Jose Gonzalez (September 28th-October 2nd).
Passerby is currently available from Sub Pop and of course from your friendly neighborhood record store.
The album has earned Luluc international praise from the likes ofNPR Music’s “First Listen” & “All Songs Considered,” No Depression, Bust, RollingStone.com, MOJO, Magnet, Stereogum, Exclaim, Drowned in Sound, The Line of Best Fit, CLASH, Tone, All Music Guide, My Old Kentucky Blog, Mess + Noise, Double J, Sydney Morning Herald, ABC Radio (AU), and more. At radio,Passerby peaked at #8 on the CMJ Top 200 Chart.
What “They” have to say about Luluc:
“Passerby provides a tremendous introduction to a band whose deliberate impeccability never feels staid or fussy. It helps that The National’s Aaron Dessner, who knows a little something about impeccability, leaves his fingerprints all over these songs: He produced Passerby with Randell and Hassett, and he provides a good bit of the rich but spare backing instrumentation throughout. Dessner and Luluc both know how and when to let a song breathe.” [First Listen] -NPR Music
“Passerby is gorgeous and refined through and through, and likely to sound as timeless as all that great stuff Joe Boyd himself produced back in the late ‘60s.” [Review] - Rolling Stone.com
“Luluc has indie credentials to spare, but all that really matters is that this music is impossibly delicate and deeply beautiful.” [Review, 8/10] - MAGNET
“Strikes all the right chords: spectral melodies, buttery harmonies, and a blissful melancholia that hints at Nick Drake and Simon and Garfunkel without going to far into either territory. Zoe Randell and Steve Hassett might have created the year’s most addictive record to dates; from the predawn flutter of Opener “Small Window” to the shimmering heat of “Early Night” and “Star,” every track onPasserby begs to played again and again, preferably in the dusky sunlight of late summer.” [5/5 Review] - BUST
“[It] captures the band’s homespun charm in its main melody which sits over spindly strings that move like ripples in still water.” [“Without a Face”] - Stereogum
Tour Dates Sep. 17 - Seattle - Sunset Tavern Sep. 20 - Portland - Mississippi Studios Sep. 22 - San Francisco - Brick & Mortar Music Hall Sep. 23 - LA - The Echo Sep. 26 - San Diego - UCSD Loft Sep. 28 - Hollywood, FL - ArtsPark Amphitheater* Sep. 29 - Tampa, FL - State Theatre * Sep. 30 - Orlando, FL - The Social * Oct. 01 - Atlanta, GA - Variety Playhouse * Oct. 02- New Orleans LA - Republic * *w/ Jose Gonzalez