Suki Waterhouse today released her newest track, “Wild Side,” off upcoming debut album, I Can’t Let Go, which will now be released Friday, May 6th via Sub Pop Records. “Wild Side” and I Can’t Let Go are both produced by Grammy-Nominated Producer & Songwriter Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee). “Wild Side” is the fifth release off I Can’t Let Go; “Moves, “My Mind,” “Melrose Meltdown,” and “Devil I Know” were the album’s first four tracks.

On “Wild Side,” Suki wonders aloud if her love would return to an ex if they came calling, particularly because the excitement and lust of a prior relationship can be so enticing. Suki proclaims, “when you got that ex who’s crazy, they’re always running through your mind / remember when we had a wild side?”

Father John Misty and his band have announced international headlining tour dates for 2022 and 2023 in support of Chloë and The Next 20th Century, out this Friday from Sub Pop and in Europe from Bella Union. The Guardian, in its 4-star review, says of the album, “Pop’s funniest storyteller is back at his best.” Also today, he is sharing “The Next 20th Century,” the co-title track and album closer from Chloë and the Next 20th Century.

The North American shows begin Sunday, July 31 at Red Rocks Amphitheatre and currently end Saturday, October 8th in Durham, NC at DPAC. Highlights for the tour include performances with Colorado Symphony at Red Rocks and The New York Pops at Radio City Music Hall (Sep. 22nd), and appearances at THING (Aug. 26th) and Sound on Sound (Sep. 24th) Festivals. Sub Pop labelmate Suki Waterhouse will be the main support for the North American shows (select dates).

The European shows begin Saturday, February 25th in Oslo, Norway at Sentrum Scene and end Friday, March 17th Manchester, UK at O2 Apollo Manchester. Highlights for this leg include headlining dates at AFAS Live in Amsterdam and the O2 Academy Brixton.

A series of presales (password: CanFlub) for all shows begin Wednesday, April 6 at 10 am (local), with tickets on sale to the general public Friday, April 8th at 10 am (local).

Preceding the tour, Father John Misty has a series of special performances, intimate shows, and in-stores. In the UK later this week, Father John Misty will perform a sold out London show at The Barbican with The Britten Sinfonia conducted by Jules Buckley (April 7th). 

He has also scheduled a series of special in-store performances including: April 8th in Kingston Upon Thames, UK for Banquet Records at PRYZM (5 pm + 8 pm), Saturday, April 9th in London, UK at Rough Trade East (4 pm + 8 pm), Sunday, April 10th in Brighton, UK for Resident Records at CHALK, and Monday, April 11th in Bristol, UK for Rough Trade Bristol at St. George’s Church (6:30 pm + 9:30 pm).  All of these performances are sold out, however a few tickets are still available for the early show at PRYZM on April 8.

The following week, Father John Misty will perform two shows at Rainbow Room at Rockefeller Center on Thursday, April 14th (7pm + 9:30 pm). 

Please find a full list of dates below.

2022: Spring (International)

Thu. Apr. 07 - London, UK - The Barbican w/ The Britten Sinfonia conducted by Jules Buckley [SOLD OUT]

Fri. Apr. 08 - Kington Upon Thames, UK - Banquet Records at PRYZM (5 pm) 

Fri. Apr. 08 - Kington Upon Thames, UK - Banquet Records at PRYZM (8 pm) [SOLD OUT]

Sat. Apr. 09 - London, UK - Rough Trade East (4 pm) [SOLD OUT]

Sat, Apr. 09 - London, UK - Rough Trade East (8 pm) [SOLD OUT]

Sun. Apr. 10 - Brighton, UK - Resident at CHALK [SOLD OUT]

Mon. Apr. 11 - Bristol, UK - Rough Trade Bristol at St. George’s Church (6:30 pm)  [SOLD OUT]

Mon. Apr. 11 - Bristol, UK - Rough Trade Bristol at St. George’s Church (9:30 pm) [SOLD OUT]

Thu. Apr. 14 - New York, NY - The Rainbow Room at Rockefeller Center (7 pm) [SOLD OUT]

Thu. Apr. 14 - New York, NY - The Rainbow Room at Rockefeller Center (9:30 pm) [SOLD OUT]

2022: Summer/Fall (North America)

Sat. Jun. 26 - Greenfield, MA - Green River Festival

Fri. Jul 08 - Des Moines, IA - 80/35 Music Festival

Sun. Jul. 31 - Morrison, CO - Red Rocks Amphitheatre w/ The Colorado Symphony *

Wed. Aug. 03 - San Diego, CA - Humphreys Concerts By The Bay *

Fri. Aug. 05 - Las Vegas, NV - The Theater at Virgin Hotels Las Vegas *

Sat. Aug. 06 - Phoenix, AZ - The Van Buren *

Mon. Aug. 08 - Oklahoma City, OK- The Criterion *

Tue. Aug. 09 - Kansas City, MO - Arvest Bank Theatre at The Midland *

Thu. Aug. 11 - Houston, TX - White Oak Music Hall *

Fri. Aug. 12 - Austin, TX - Moody Amphitheater *

Sat. Aug. 13 - New Orleans, LA - Orpheum Theater *

Sun. Aug. 14 - Dallas, TX - The Factory in Deep Ellum *

Thu. Aug. 18 - Los Angeles, CA - Hollywood Forever Cemetery *

Sat. Aug. 20 - Oakland, CA - Fox Theater *

Tue. Aug. 23 - Eugene, OR - McDonald Theatre *

Thu. Aug. 25 - Vancouver, BC - Orpheum *

Fri. Aug. 26 - Port Townsend, WA - THING Festival 

Sat. Aug. 27 - Portland, OR - Pioneer Square *

Mon. Sep. 12 - Columbus, OH - KEMBA Live! *

Tue. Sep. 13 - Philadelphia, PA-  The Met Philadelphia *

Fri. Sep. 16 - Richmond, VA - Brown’s Island *

Sat. Sep. 17 - Asheville, NC - Rabbit Rabbit *

Mon. Sep. 19 - Charleston, SC - The Riviera Theater *

Tue. Sep. 20 - Washington, DC - The Anthem *

Thu. Sep. 22 - New York, NY - Radio City Music Hall w/ The New York Pops *

Fri. Sep. 23 - Boston, MA - Leader Bank Pavilion *

Sat. Sep. 24 - Bridgeport, CT - Sound on Sound Festival

Mon. Sep. 26 - Montreal, QC - MTELUS *

Tue. Sep. 27 - Toronto, ON - Roy Thomson Hall *

Thu. Sep. 29 - Chicago, IL - Chicago Theatre *

Fri. Sep. 30 - Saint Paul, MN - Palace Theatre *

Sat. Oct. 01 - Saint Paul, MN - Palace Theatre *

Mon. Oct. 03 - Milwaukee, WI - Riverside Theater *

Tue. Oct. 04 - Indianapolis, IN - Clowes Memorial Hall *

Thu. Oct. 06 - Nashville, TN - Ryman Auditorium *

Fri. Oct. 07 - Atlanta, GA - The Eastern *

Sat. Oct. 08 - Durham, NC - DPAC *

* w/ Suki Waterhouse

2023: Late Winter/Spring (Europe)

Sat. Feb. 25 - Oslo, NO - Sentrum Scene

Tue. Feb. 28 - Stockholm, SE - Cirkus

Thu. Mar. 02 - Denmark, DK - KB Hallen

Fri. Mar. 03 - Berlin, DE - Columbiahalle

Sat. Mar. 04 - Amsterdam, NL - AFAS Live

Mon. Mar. 06  - Brussels, BE - Ancienne Belgique

Tue. Mar. 07 - Paris, France - Salle Pleyel

Thu. Mar. 09 - London, UK- O2 Academy Brixton

Mon. Mar. 13 - Gateshead, UK - Sage Gateshead

Wed. Mar. 15 - Glasgow, UK - Barrowlands

Fri. Mar. 17 - Manchester, UK - O2 Apollo Manchester

For those living in or traveling to Seattle, Father John Misty’s Chloë and the Next 20th Century pop-up/installation at Sub Pop on 7th in the city’s Belltown neighborhood opens this Friday, April 8th.

Fans can find Chloë and the Next 20th Century-related merchandise, including a new T-shirt design, poster and 2-sided puzzles that are exclusively available at the store. A limited selection of Father John Misty’s official tour merchandise will also be available, including diner sets, limited edition “Funny Girl” posters, enamel pins, slip mats, and embroidered trucker hats (while supplies last). There will be a giveaway its first week open where fans can enter to win a Superfan Starter Kit featuring incredibly rare, out of print colored LP variants and merchandise from Father John Misty’s catalog.

Chloë and The Next 20th Century is available to preorder now from Sub Pop, Bella Union (UK/Europe), and select independent retailers in North America. 

What People Are Saying About Father John Misty’s Chloë and the Next 20th Century:

“Stunningly melodic… Tillman’s voice sounds fantastic throughout… It feels like an artist who’s spent time wondering what the point was, making peace with what he does, even – or especially – if it involves escapism. Sinking into Chloë and the Next 20th Century’s lush, sepia-toned arrangements, escaping with him is a pleasure (“Album of the Week”).” ★★★★ The Guardian

“Tillman’s writerly skills would have shone in any era… He offers a moving reminder of the beauty of life’s impermanence…As Chloë and the Next 20th Century sees Father John Misty escaping into his own parallel Hollywood reality, it’s highly entertaining to slip in alongside him.” ★★★★ MOJO

“Chloë.. is maximum Misty from tip to twinkly toe… As woodwinds flutter and strings swoon, Tillman’s voice rises to the occasion: his rich, warm delivery pulls you into the songs, barbed asides and beautiful melancholy impeccably balanced… Tillman’s writing brims with story-song riches, countering 21st-century cynicism with old-school romanticism.”★★★★ - Record Collector 

“Singles “Funny Girl,” “Q4” and “Goodbye, Mr. Blue” are sprawling and ornate, like novellas set to instrumentation that spans FJM’s many styles, widescreen baroque pop that folds in both Old Hollywood and Americana. After the painfully personal “God’s Favorite Customer, there’s a distinct comfort in Tillman’s return to spinning detailed fictions at scale—and, as ever, spotting the truths wrapped up in it all is just part of the fun (“10 Albums We’re Most Excited About For April).” - PASTE

“Josh Tillman’s sharp lyricism often aims for the head…but here he goes straight for the heart. ‘Goodbye Mr. Blue’…is a simulacrum of the ’70s singer-songwriter sound; Harry Nilsson is an obvious touch point, but there are also shades of Jim Croce and even John Denver in the song’s fingerpicked guitars and chatty warmth. ‘That Turkish Angora is ’bout the only thing left of me and you,’ Tillman croons, filtering a story of a relationship’s slow, inevitable end through the death of the titular pet cat. It’s sweet, a little funny, and then ultimately devastating, as Tillman repeats an increasingly elegiac refrain, ‘Don’t the last time come too soon?” [“Goodbye Mr. Blue”] - New York Times

“Gorgeous and absurd; in other words, it’s quintessential Father John Misty.” [“Q4”] - PASTE

“A lovely, languid gem that shows Tillman quietly reintroducing himself  — with a little help from an orchestral arrangement that echoes old Hollywood…in classic Misty fashion, leaves us quizzically charmed (“Song You Need To Know”).” [“Funny Girl”] - Rolling Stone

“[A] lush and romantic ballad…and shows that there’s much more to Josh Tillman… (‘20 Best Rock Songs Right Now’).” [“Funny Girl”] - The FADER

“Brilliant and moving… His vivid, imaginative fifth album swerves between lounge jazz and romantic reveries.” - PROG

“Unmistakably a Father John Misty record, he ranges across a number of styles with panache… It’s great to have Tillman back in all his grandiose brilliance.” ★★★★ - Morning Star

Suki Waterhouse released a new video for her newest track, “Devil I Know,” off the upcoming debut album, I Can’t Let Go, which will be released Friday, April 22nd via Sub Pop Records. “Devil I Know” and I Can’t Let Go are both produced by Grammy-Nominated Producer & Songwriter Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee). “Devil I Know” is the fourth release off I Can’t Let Go; “Moves, “My Mind,” and “Melrose Meltdown” were the album’s first three tracks.

“Devil I Know” has previously appeared on numerous television shows including “The L Word” and “YOU,” and is due to be featured on the upcoming season of “Riverdale” as well. In the sultry song, Suki’s vocals are paired with synthesized guitar strums as she repeatedly dedicates herself to “staying faithful to the devil I know.” Suki mournfully sings “I’m okay with history repeating, tell me I’m the one you can’t forget,” an ode to someone she finds herself tied to with no means of extricating herself from.
 
”Devil I Know” is about the twisted pleasures of going back to someone who you’re addicted to & the joy you feel in that moment of breaking your own promises,” Suki says about the track. “It’s a beautiful and sad song about being constrained to a relationship that may not be the most healthy.”

Suki Waterhouse catalogs the most intimate, formative, and significant moments of her life through songs. You might recognize her name or her work as singer, songwriter, and actress, but you’ll really get to know the multi-faceted artist through her music. Growing up in London, Suki gravitated towards music’s magnetic pull and always saw the medium as a way of expressing creativity and telling stories. Previous singles “Brutally”, “Good Looking” and “Valentine” drew comparisons to the Paisley Underground sound of Mazzy Star and to the 60s influenced girl group reimagining of bands like Stockholm’s The Concretes and Glasgow’s Camera Obscura.
 
Earlier this year, Suki was named by both NPR and Atwood Magazine as a 2022 Artist to Watch.

Previous Praise for Suki Waterhouse:
 
“…add to the mix her vocal style – calling to mind the exquisite tones of Elizabeth Fraser or Hope Sandoval – and a solid collection of early work that caught the ear of Sub Pop, and you’ve got a welcome addition to your 2022 playlist.” - NPR
 
“The resulting smoky, cinematic, guitar-rock got her signed to Sub Pop, the indie record label that first signed Nirvana and is now home to Beach House and Sleater-Kinney.“
 - Vogue
 
“..sounds like what a Lana Del Rey deep cut mixed with Joni Mitchell’s “Both Sides, Now” would sound like…Here’s to more pleasant surprises like this from her book of talents.” - NYLON

Track Listing:
1. Moves
2. Devil I Know
3. Melrose Meltdown
4. Put Me Through It
5. My Mind
6. Bullshit on the Internet
7. Wild Side
8. On Your Thumb
9. Slip 
10. Blessed

Suki Waterhouse today released her newest track, “Devil I Know,” off upcoming debut album, I Can’t Let Go, which will be released Friday, April 22nd via Sub Pop Records. “Devil I Know” and I Can’t Let Go are both produced by Grammy-Nominated Producer & Songwriter Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee). “Devil I Know” is the fourth release off I Can’t Let Go; “Moves, “My Mind,” and “Melrose Meltdown” were the album’s first three tracks.

Suki Waterhouse has announced her upcoming full-length debut album, I Can’t Let Go, will be released Friday, April 22nd via Sub Pop Records. Additionally, she has released a brand-new single from the album, “Melrose Meltdown,” accompanied by a stylized and gorgeous music video directed by Sofia Malamute. Both “Melrose Meltdown” and I Can’t Let Go are produced by Grammy-Nominated Producer & Songwriter Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee). “Melrose Meltdown” is the third release off I Can’t Let Go; “Moves” and “My Mind,” the album’s first two songs, were released in October 2021.

“Melrose Meltdown” puts Suki’s evocative vocals on display and features her signature style of singing in haunting refrains. Suki welcomes listeners into her Melrose Meltdown where “nobody ever breaks up, we just break down.” The music video highlights the beautiful loneliness Suki croons about by showcasing her dancing solo in fragmented light. Later in the video, Suki is seen singing to the camera in the back of a pickup truck with palm trees overhead, cruising down what we can only assume must be Melrose Avenue in Los Angeles.

Suki Waterhouse catalogs the most intimate, formative, and significant moments of her life through songs. You might recognize her name or her work as singer, songwriter, and actress, but you’ll really get to know the multi-faceted artist through her music. Growing up in London, Suki gravitated towards music’s magnetic pull and always saw the medium as a way of expressing creativity and telling stories. Previous singles “Brutally”, “Good Looking” and “Valentine” drew comparisons to the Paisley Underground sound of Mazzy Star and to the 60s influenced girl group reimagining of bands like Stockholm’s The Concretes and Glasgow’s Camera Obscura.

Earlier this month, Suki was named by both NPR and Atwood Magazine as a 2022 Artist to Watch.

Previous Praise for Suki Waterhouse:

“…add to the mix her vocal style – calling to mind the exquisite tones of Elizabeth Fraser or Hope Sandoval – and a solid collection of early work that caught the ear of Sub Pop, and you’ve got a welcome addition to your 2022 playlist.” - NPR

“..sounds like what a Lana Del Rey deep cut mixed with Joni Mitchell’s “Both Sides, Now” would sound like…Here’s to more pleasant surprises like this from her book of talents.” - NYLON

“…perfectly captures the liminal moments of heartbreak, reminding us that it’s never exactly good or bad — in the words of Waterhouse, “It just is.” - Refinery29

I Can’t Let Go tracklisting

Suki Waterhouse has released a brand-new single, “Moves” which comes with a visually stunning video directed by Cameron McCool. The track is the first to be released off her forthcoming full-length album, due out in 2022 via Sub Pop. “Moves” is Executive Produced by Grammy-Nominated Producer & Songwriter Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee). “Moves” is accompanied by companion track “My Mind,” a song that shows off Suki’s beautiful, airy vocals. 

“…songs that linger with you long after they’re over” - NME

“[Moves is] a hazed out, guitar-heavy daydream” – NYLON

Suki Waterhouse catalogs the most intimate, formative, and significant moments of her life through songs. You might recognize her name or her work as a singer, songwriter and  actress, but you’ll really get to know the multi-faceted artist through her music. Growing up in London, Suki gravitated towards music’s magnetic pull and always saw the medium as a way of expressing creativity and telling stories. Previous singles “Brutally”, “Good Looking” and “Valentine” drew comparisons to the Paisley Underground sound of Mazzy Star and to the 60s influenced girl group reimagining of bands like Stockholm’s The Concretes and Glasgow’s Camera Obscura. 

Megan Jasper, CEO of Sub Pop said, “Suki’s songs are smart, radiant, and incredibly engaging, much like her personality. We knew the minute we heard them that they were important and needed to be out in the world. Sub Pop is over the moon to be working with her!”

“Moves” illuminates the nuances of her sound. With gentle guitar strumming throughout the verses and a rhythmic bass permeating the chorus, Waterhouse warns she might “put some goddamn moves on you” with beautiful, haunting vocals. “Moves” is a song that dreams about the impossibility of, one day, being struck by a person who changes the course of your life.

“Moves” is a song I first started writing one night on the couch, picking up the guitar and seeing what came out,” writes Suki. “It was a moment where I felt the urge to both sever a bond of connection with somebody and yet at the same time pursue and put my trust back in love.”

Previous Praise for Suki Waterhouse:

“..sounds like what a Lana Del Rey deep cut mixed with Joni Mitchell’s “Both Sides, Now” would sound like…Here’s to more pleasant surprises like this from her book of talents.” - NYLON 

“…perfectly captures the liminal moments of heartbreak, reminding us that it’s never exactly good or bad — in the words of Waterhouse, “It just is.” - Refinery29

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