Today is finally the day in which Low’s brand new and true-to-form, very excellent 10th full-length record, The Invisible Way, is available in record bins, virtual or otherwise! We’re all celebrating at Sub Pop HQ by blasting it loudly from our individual cubicles. Join us.
March 19th, the release date for Low’s new album The Invisible Way, is still a few long, tedious, new Low record-less weeks away. A confusing, depressing journey through time and space for any Low fan drowning in anticipation (we can certainly relate). Well, we’re in the business of throwing Low fans who are drowning in anticipation a (proverbial) life preserver in the form of “So Blue”, a new track off the forthcoming full-length.
While we’re talking Low stuff, it seems worth reminding you that if you pre-order The Invisible Way from Sub Pop you’ll receive a bonus CD, The Visible End, which features three demos of tracks from the new album and an instrumental version of the song “Clarence White”—these are while supplies last of course.
Lastly, Low are creating a video for the song “So Blue”, and mean to do so by compiling photos taken by you, Low fans, inspired by the song. So, listen to the song, upload a photo to Twitter or Instagram and use the tag #LowSoBlue and tag the band @lowtheband. You can also submit photos to Low’s Facebook page. We’re all very excited to see the variety of interpretation and creativity from y’all. Photos need to be submitted by March 12th in order to be considered.
Low, our favorite Duluth Minnesotans have been at it again, and we’re releasing The Invisible Way on March 19th—the fruits of them having been “at it again”. Furthermore, in accordance with the way we usually do things around here, we’re going to, for free, include a limited-edition four-song CD called The Visible End featuring alternate versions of album tracks as well as offer the limited, colored-vinyl Loser Edition of the vinyl LP to pre-orders on SubPop.com* as well as select independent record stores (call your local record store for availability). But, such as the nature of limited things, you have to act quickly to ensure your future ownership of the aforementioned things.
A download of the song “Just Make It Stop”, which Pitchfork claimed " is more ample proof that Low are excellent at turning out a song with a simple architecture and deceptively complex emotions," is available for download here.
Complete tour dates are below:
16 – Toronto, ONT – The Great Hall
20 – New York, NY – Society for Ethical Culture
22 – Chicago, IL – Metro
23 – St. Paul, MN – Fitzgerald Theatre
29 – Denver, CO – Larimer Lounge
30 – Provo, UT – Velour
2 – Los Angeles, CA – Troubadour
3 – San Francisco, CA – Great American Music Hall#
5 – Portland, OR – Mississippi Studios
6 – Seattle, WA – The Crocodile
24 – Birmingham, UK – Glee Club
25 – Manchester, UK – Central Methodist Hall
26 – Gateshead, UK – The Sage Gateshead
27 – Glasgow, UK – Classic Grand
29 – Bristol, UK – Trinity
30 – London, UK – Barbican Centre
2 – Copehnhagen, Denmark – Loppen
3 – Stockholm, Sweden – Debaser
4 – Oslo, Norway – Bla
7 – Paris, France – La Maroquinerie
8 – Brussels, Belgium – Cirque Royal – Nuits Botanique
9 – Amsterdam, The Netherlands – Paradiso De Duif
10 – Frankfurt, Germany – Zoom
11 – Bologna, Italy – Teatro Antoniano
13 – Barcelona, Spain – Casino de la Alianca
14 – Valencia, Spain – Teatro La Rambleta
15 – Zaragoza, Spain – Teatro de las Esquina
16 – Madrid, Spain – Joy Eslava
17 – Valladolid, Spain – Lava
18 – Biarritz, France – Atabal
We are just beside ourselves with excitement that the singularly talented and also Duluth-based Low will be releasing their 10th record, The Invisible Way, on March 19, 2013 (the 18th in the UK). We are then beside the ourselves that was already standing there, excited, beside ourselves with excitement that The Invisible Way is coming out on Sub Pop Records. Because, THAT’S US! This new record was produced by Wilco’s Jeff Tweedy, engineered by Tom Schick and recorded in Wilco’s studio in Chicago, IL, during the fall of 2012. Coincidentally, the release marks Low’s 20th anniversary as a band. This is a short trailer for the new record.
“While driving through Chicago on tour, we finally stopped to visit Wilco at their studio, The Loft,” says guitarist/vocalist Alan Sparhawk. “They had invited us to come check it out several times over the years, but this would finally be the day…What really converted us was hearing the new Mavis Staples tracks they were working on – big, simple, raw and intimate. Plans were made then and there.”
The Invisible Way finds Low’s majestic melancholy in full bloom yet distinguishes itself with its starker, unadorned soundscapes, layered harmonies and drummer/vocalist extraordinaire Mimi Parker singing lead on five of the 11 songs. The album tackles large issues (“the songs are about intimacy, the drug war, the class war, plain old war war, archaeology and love,” says Sparhawk) in a manner that plays a stunning counterpoint to the sublime hush of the music.
In the blatant widgetry above, Low are also now making available a fantastic six-song live set they are calling Low—Plays Nice Places. This set collects five previously-released tracks, as well as a new song called “Waiting,” all of which were recorded at various historic theaters on the bands’ April 2012 tour supporting Death Cab for Cutie. Additionally, the live version of “Words” here features Benjamin Gibbard on bass and vocals. The tracklisting goes like this…
Words (featuring Benjamin Gibbard)*
*Benjamin Gibbard appears courtesy of Atlantic Records.
A European tour has been confirmed to begin April 24, 2013 in the UK at the Glee Club in Birmingham and finishes May 18 in Biarritz, France at Atabal. The complete tour dates can be found here
Bands play shows all the time, and though we often try to convince you otherwise (and will, let’s just go ahead and admit, continue to do so), almost any one of these shows is not really “news,” exactly.
Tomorrow night’s Low performance at London’s Royal Festival Hall strikes us as an exception, despite our many biases, both personal and professional.
Added on to the fact that Low will be playing a venue typically occupied by groups with the word “Philharmonic” in their name, the band has invited the artist Peter Liversidge to produce backdrops for their performance. Here’s some more info on Peter and his plans with Low…
Peter Liversidge has begun a year-long collaboration with the band Low from Duluth, Minnesota. The partnership will culminate in a new set of proposals written for the musicians.
To inaugurate this partnership, Liversidge was invited to produce a backdrop for Low’s concert at the Royal Festival Hall of the Southbank Centre in London on April 3, 2012 at 7:30 pm. As detailed in a proposal from Liversidge, the backdrop will consist of three video projections, lighting, mirror balls, festoon lighting and shadows. The work designed for the show is born of a fascination with the relationship between the audience and performer as it has evolved with the technological innovations of the past century, as well as Liversidge’s personal relationship with the band and appreciation of their music.
The first 500 people to arrive at the concert will receive an embossed facsimile of Liversidge’s proposal related to the performance.
In the parlance of our times, it looks like this show will really be “something else.”
No doubt you guys are all familiar with the very excellent “Undercover” series that the folks over at The A.V. Club put together. Of course you are. It is, after all, one of the 10 or 11 best things on the internet (somewhere just after this).
While on tour together not long ago, Sharon Van Etten (not on Sub Pop, still great) and Shearwater (Animal Joy very recently released on Sub Pop, also great) performed a cover of Stevie Nicks and Tom Petty’s duet “Stop Draggin’ My Heart Around” for those guys under the very reasonable name of Shearon Van Ettenwater. We like it a whole lot and maybe you will, too.
We have done a not altogether awesome job of telling you guys about the Undercover performances our bands have done. There have been a bunch of them and all of them are really great. F’rinstance…
Fruit Bats did the Hall and Oates song One on One.
And, they came back later and did Loretta Lynn’s The Other Woman.
Dum Dum Girls did a terrific cover of Big Star’s terrific song September Gurls.
Here’s Low doing the Toto song Africa.
And then here Retribution Gospel Choir does Kokomo by the Beach Boys on what we’re going to go ahead and say was the very first installment of Undercover.
I’m sure there are more…
And there are!