News from 10/2021

NEWS : WED, OCT 13, 2021 at 7:00 AM

Hear Lael Neale’s “For No One For Now” remixed by U.S. Girls

Lael Neale’s “For No One For Now,” which Under the Radar calls “strangely haunting and hypnotic,” is a standout from Acquainted With Night, her acclaimed Sub Pop debut from earlier this year. Today, we’re sharing a remix of the song by experimental pop act U.S. Girls, which amplifies Lael’s vocal and recreates the song’s backbeat with finger snaps, percussive and electronic elements into a minimal glitched out, bassy track.
Lael Neale is also sharing new, European and UK dates for 2022 in support of Acquainted With Night which begin Saturday, January 29th in Aalborg, Denmark at Northern Winterbeat Festival  and ending on  Saturday, February in Manchester, UK at Gullivers. Tickets for these shows are on sale now.
Preceding these shows are Lael’s California and European festival shows for 2021, which resume this Saturday, October 16th in Sonoma, CA at Huichica Festival and run through Friday, November 19th in Paris, France at Pitchfork Music Festival Paris.
Fall 2021
Sat. Oct 16 - Sonoma, CA - Huichica Festival
Sun. Oct. 17 - Mill Valley, CA - Sweetwater Music Hall
Tue. Oct. 19 - Santa Ana, CA - The Constellation Room ^
Wed, Oct. 20 - Los Angeles, CA - The Lodge Room ^
Thu. Oct. 21 - Los Angeles, CA - Zebulon **
Wed. Nov. 10 - Lorient, FR - Les IndisciplinéEs Festival
Fri. Nov. 12 -  Utrecht, NL - Le Guess Who? Festival
Sat. Nov. 13 - Kortrijk, BE - Sonic City Festival
Tue. Nov. 16 - Katowice, PL - Ars Cameralis Festival
Fri. Nov. 19 - Paris, FR - Pitchfork Music Festival Paris
Winter 2022
Sat. Jan. 29 - Aalborg, DK - Northern Winterbeat Festival
Sun. Jan. 30 - Copenhagen, DK - Huset-KBH
Tue. Feb. 01 - Hamburg, DE - Aalhaus
Wed. Feb. 02 - Berlin, DE  - Monarch
Thu. Feb. 03  - Munich, DE  - Heppel & Ettlich
Fri. Feb. 04  - Baden, CH - One of A Million Festival
Sat. Feb. 05 - Düdingen, CH  - Bad Bonn
Mon. Feb. 07 - Luxembourg, LU - Rotondes *
Wed. Feb. 09 - Lille, FR - Le Grand Mix *
Thu. Feb. 10 - Nantes, FR - Stereolux
Fri. Feb. 11 - Orleans, FR - L’Astrolabe *
Sat. Feb. 12 -  Rouen, FR - Le 106 *
Mon. Feb. 14 - Amsterdam, NL - Paradiso Noord (Tuinzaal)
Tue. Feb. 15 - Brussels, BE - Le Botanique (Witloof Bar)
Thu. Feb. 17 - London, UK -  St. Pancras Old Church
Sat. Feb. 19 -  Manchester, UK - Gullivers
* w/ Anna B Savage
** w/ Entrance Band
^ w/ Wet
Acquainted With Night features ten tracks and includes the standouts “Blue Vein,”“Every Star Shivers in the Dark,” “For No One For Now,” and the title cut. The album was composed and arranged by Neale, produced and mixed by Guy Blakeslee, and mastered by Chris Coady.
Acquainted with Night is available on CD/LP/CS/DSPs through Sub Pop.

What people are saying about Lael Neale Acquainted With Night:
“Who knew the world was lacking a country-folk version of Broadcast until now?” - ★★★★ MOJO
a beautiful, otherworldly record.” - Aquarium Drunkard
“With her Omnichord, the singer/songwriter exposes the nerve endings of her songs.”  ★★★★★ - Musikexpress
“This album reminds listeners that life is full of beauty not in spite of, but because of, the ordinary details of every day.” [8/10] Loud & Quiet
“…an intimate, lo-fi set of songs that seem unearthed from the dusty vaults of time.”  ★★★★ - The Forty Five
“The simplicity is part of what makes her record so beautiful; just her voice, her words, her electric guitar, and her omnichord are enough to put the listener in a trance.” - SPIN
“The result is the urgent melodies and unadorned instrumentals on Acquainted With Night, a collection of songs that’s disarmingly poetic in its simplicity.” - The AV Club
“Her lyrics are intuitive, meandering between memory and fantasy. As she ponders the rituals of the mundane – folding sheets, making toast, watching strangers in the street – her old-timey vocals and country-folk melodies make gorgeous, placid trails, gently crackling on the four-track tape.” - The Guardian
“Stripped of frills, young Lael Neale sings the starry nights of her native Virginia. With grace and grit. And the soul of an old bluesman. Lael Neale confirms her talent with an intense second album.” - ffffTélérama
“With a celestial voice stripped of any artifice, Lael Neale skillfully blends romance and the banality of life with brilliant songs of drama and humor.” - Les Inrocks
“…There is a raw, unvarnished energy screaming throughout these 10 tunes.” [8/10], Northern Transmissions
“Lael Neale’s second album weaves intimacy with dreamy, Omnichordal magic.”  - Secret Meeting
“A collection of intimate, powerful, and incredibly relatable songs, Acquainted with Night paints a portrait of solitude that resonates with the current state of the world.“ - Monster Children
“She’s back with another new track, the entrancing “For No One For Now.’ Like Neale’s prior single, this one is minimal and reflective while maintaining a strong backbeat. But rather than build to a cathartic breakthrough, ‘For No One For Now’ lingers in the unresolved tension, less a song than an atmosphere to exist inside.” - Stereogum
“‘For No One For Now’ was inspired by Joan Didion’s imagery of the San Fernando Valley, but recrafted beautifully through Neale’s poetic songwriting and Omnichord instrumental.” - PASTE


Lael Neale
Acquainted With Night

1. Blue Vein   
2. Every Star Shivers in the Dark 
3. Acquainted with Night    
4. White Wings      
5. How Far Is It to the Grave         
6. For No One For Now      
7. Sliding Doors & Warm Summer Roses          
8. Third Floor Window       
9. Let Me Live by the Side of the Road   
10. Some Sunny Day

Posted by Abbie Gobeli

NEWS : TUE, OCT 19, 2021 at 10:05 AM

CHAI Announce WINK TOGETHER NORTH AMERICA TOUR; Supporting Mitski on West Coast Tour

Earlier this year, CHAI released WINK, their Sub Pop debut that “maintain[s] the unwavering commitment to self-love and community that makes their music so endearing” (Pitchfork). This embracement of community is often found in their electric live shows, and today, CHAI announce their WINK TOGETHER NORTH AMERICA TOUR, plus a sold-out west coast run supporting Mitski. Tickets for their headline dates are on sale this Friday at 10am local time here. For a preview of what to expect at one of CHAI’s fun, aesthetic driven shows, watch the tour trailer below.


Fri. Feb. 4 - Chicago, IL @ Lincoln Hall

Sat. Feb. 5 - Milwaukee, WI @ Cactus Club

Sun. Feb. 6 - Minneapolis, MN @ 7th Street Entry

Wed. Feb. 9 - Toronto, ON @ Lee’s Palace

Fri. Feb. 11 - Cambridge, MA @ The Sinclair

Sat. Feb. 12 - Philadelphia, PA @ The Foundry

Sun. Feb. 13 - Washington, DC @ Union Stage

Tue. Feb. 15 - Brooklyn NY @ Elsewhere

Thu. Feb. 17 - Asheville, NC @ The Orange Peel *  - SOLD OUT

Fri. Feb. 18 - Raleigh, NC @ The Ritz * - SOLD OUT

Sat. Feb. 19 - Atlanta, GA @ The Eastern * - SOLD OUT

Mon. Feb. 21 - Birmingham, AL @ Iron City * - SOLD OUT

Tue. Feb. 22 - New Orleans, LA @ Civic Theatre * - SOLD OUT

Thu. Feb. 24 - Houston, TX @ White Oak Music Hall (Outside Lawn) * - SOLD OUT

Fri. Feb. 25 - Dallas, TX @ The Bomb Factory * - SOLD OUT

Sat. Feb. 26 - Austin, TX @ Austin City Limits Live at the Moody Theater * - SOLD OUT

Mon. Feb. 28 - Phoenix, AZ @ The Van Buren * - SOLD OUT

Wed. March 2 - Los Angeles, CA @ Shrine Expo Hall * - SOLD OUT

Thu. March 3 - Los Angeles, CA @ Shrine Expo Hall * - SOLD OUT

Fri. March 4 - Oakland, CA @ Fox Theater * - SOLD OUT

Sat. March 5 - Oakland, CA @ Fox Theater * - SOLD OUT

Mon. March 7 - Portland, OR @ Arlene Schnitzer Concert Hall * - SOLD OUT

Wed. March 9 - Seattle, WA @ Moore Theatre * - SOLD OUT

Thu. March 10 - Seattle, WA @ Moore Theatre * - SOLD OUT

Sat. March 12 - Seattle, WA @ The Crocodile

Sun. March 13 - Portland, OR @ Doug Fir Lounge

Tue. March 15 - San Francisco, CA @ Bimbo’s 365 Club 

Thu. March 17 - Los Angeles, CA @ Teragram Ballroom

*= supporting Mitski


“Chai is a professional purveyor of whimsy.” - New York Times

“[CHAI] have reimagined their songcraft for cozy dance music. With their creative process reduced to Zoom and phone calls, they traded in their maximalist pop for a more groove-friendly sound, inverting the CHAI formula to great effect.” - New Yorker

“challenging your expectations is a key tenet of this band.” - NPR Music

“Inspired by the varied genres they were listening to at home, WINK injects the effervescent energy of their past dance-punk work into funk, chiptune, and more.”

 - Pitchfork

“This is the year CHAI breaks through like never before.” - Complex

“WINK looks to possess a glitzy, glossy appeal all its own, incorporating EDM and R&B in gleefully idiosyncratic ways.” - AV Club

Posted by Abbie Gobeli

NEWS : TUE, OCT 19, 2021 at 7:15 AM

Aeon Station featuring Kevin Whelan of The Wrens releases “Leaves” Debut Album Observatory out December 10 via Sub Pop

“Whelan is as equally expressive and in command on the minimalist piano ballads as on the full-blown rockers… the best music Whelan has ever made.”
– New York Times

“This is exciting, dynamic, hooky indie rock and if it’s not quite a Wrens song, that doesn’t make it any less great.” – Brooklyn Vegan
“… a heartening return to form from Whelan.” – Consequence of Sound
Following his return to music after more than a decade, Kevin Whelan of AEON STATION is offering another look into his upcoming debut album Observatory (release date: December 10, 2021 via Sub Pop) with the release of the second single “Leaves”.  Premiering today on Pitchfork, the track is a very special piece for one of the main songwriters of iconic indie rock band The Wrens. “‘Leaves’ is about finding the courage to leave negative people or situations behind. It is not about giving up or feeling defeated. It’s about learning self-love, finding your voice, and setting on a path for a chance at something better.”

After roughly 18 years since The Wrens’ Meadowlands (2003) left the indie rock world in a daze, Whelan surprised last month with the release of “Queens,” the first single from Observatory. Pitchfork points out that its “reliable Pixies-indebted soft-loud dynamic roars to life in thrilling distorted guitar riffs that remind me of old Weezer B-sides, and just as the song comes to a close, Whelan bursts into a barroom acoustic strummer that slowly fades.” UPROXX added, “The five-minute single starts off slowly but locks into place with crashing percussion and hard-driving guitar. From a sonic perspective, it’s quite the ‘we’re back’ proclamation.” Stereogum called the track “exhilarating” while MXDWN lauded it as “a hypnotic rock song that features an explosive chorus, ripping guitars and ethereal vocal lines creating a mesmerizing wall of sound.”

More than a decade in the making, Observatory is an album about the perseverance of the soul, not scared of vulnerability but not backing down to adversity either. The album pushes Whelan forward from his previous band’s sound, highlighting the gorgeous music pastiches he layered into those songs and amplifies them to soaring heights. With help on assorted tracks from his Wrens bandmates Jerry MacDonald (drums) and Greg Whelan (guitar) and producer/guitarist Tom Beaujour, this collection of tracks shines a bright light on his songwriting. “It’s the best I’ve done and may ever do frankly,” Whelan states. “It’s written over such a long period of my life. Music I did in the past was tinged with expectations or presumptions, but this time, it was just for me.”

Observatory is now available for preorder on CD/LP/DSPs from Sub Pop. LP preorders from, select independent retailers in North America, in the UK, and in Europe will receive the album on cloudy blue.


About Observatory:
Aeon Station’s Observatory is an epic statement more than a decade in the making, with miles of timeless melodies and the kind of overpowering songwriting that will reaffirm your belief in life itself. Longtime Wrens member Kevin Whelan’s first solo album draws heavily from the perseverance of the soul, resulting in rock music possessing an infectious and inspiring sonic uplift. If you’re familiar with Whelan’s past work, these ten tracks bear a certain and unmistakable familiarity—but they also mark an exciting new chapter in Whelan’s musical career, as he steps out with more vulnerability than ever before.
Observatory came together carefully for Whelan—over the course of 14 years, specifically, as clusters of demos and sketches were eventually assembled and recorded largely by Whelan himself, with assistance from Wrens’ bandmate Jerry MacDonald and Greg Whelan as well as Tom Beaujour in his Union City recording space. Additionally, his wife Mary Ann provided backup vocals. “It’s the best I’ve done and may ever do frankly,” Whelan states. “It’s written over such a long period of my life. Music I did in the past was tinged with expectations or presumptions, but this time, it was just for me.”
The long gestation of Observatory means that a lot of lived experience went into making this album. As time passed, Whelan got married, started a family, and moved to the Asia Pacific region for a period of time; at 15 months old, his son (now eight) was also diagnosed with autism, and the title of Observatory itself is inspired by Whelan’s own relationship with his son.
“The moment you’re told your child is not ‘neurotypical,’ your whole world expands in ways you never imagined,” he explains. “Even though he doesn’t speak much at all, or look at anyone directly, you can see him observing everything around him. The album title reflects upon the stories within the songs — each one observing a certain situation or feeling.”
Whelan’s scope of musical vision on Observatory is wide open and free with possibilities—at once recalling the reflective wisdom of Bruce Springsteen, Broken Social Scene’s huge anthemic burn, and the Wrens’ own pulsing-with-life take on rock music. Above all, this is music not only for dreamers but for those who realize and appreciate the enormity of every moment. “It’s about never letting go about those dreams and your passion,” he states. “The album starts from a place of realizing that everything is temporary, what we love eventually changes or leaves us, and regardless we continue to search and find our way back home.”
The pounding “Queens” builds to a truly thrilling climax of huge guitars and frantic drumming, while the steady build of “Leaves” is accompanied by Whelan’s reflections on “Being lost and then found”: “It musically captures the album as it starts small and intimate, crescendos into a peak both musically and lyrically, and then settles down into a repeating mode of a hopeful but uncertain mantra about the future,” he explains while discussing the song’s themes and creation.
Then there’s the gleaming harmonies of “Fade,” a song about breaking past your own insecurities to discover what’s on the other side. “Whether you limit yourself because of your own fears and insecurities, or because what others think and say,” Whelan says, “The song is about when you stop waiting and start believing deeper in your own path.” Observatory ends with the hushed and lush “Alpine Drive,” with Whelan’s voice lit by pinwheel plucked piano strings—a tender moment that packs as much power as the nine songs that come before it.
“I hope people feel a sense of strength when they hear this album,” he states while discussing his artistic aims as a whole. “Most importantly, I hope that it connects to them in some personal way.” And if you’ve ever caught air in your lungs or felt your heart beating in your chest, there’s no doubt that you’ll find some level of connection with Observatory’s open-hearted, instantly classic-sounding rock.

Aeon Station - Observatory

1. Hold On
2. Leaves
3. Fade
4. Everything at Once
5. Move
6. Queens
7. Empty Rooms
8. Air
9. Better Love
10. Alpine Drive 

Posted by Abbie Gobeli

NEWS : THU, OCT 21, 2021 at 9:00 AM


Sub Pop is currently accepting resumes from energetic, responsible, detail-oriented, and dependable candidates for a part-time/weekend/holiday Sales Associate position for November through January at our terribly impressive store at the Seattle-Tacoma International Airport. This guy.

Responsibilities include:

 • Greeting and assisting customers in a friendly manner. 
 • Full compliance with Sea-Tac operation rules and strict TSA regulations and restrictions. 
 • Efficient handling of cash and credit card transactions. 
 • Ability to work collaboratively and communicate effectively. 
 • Availability to work nights, weekends, and holidays. 
 • Assisting in organizing and restocking the store. 
 • Maintaining the general appearance of the store. 
 • Contributing to the team retail effort by accomplishing related tasks as needed. 

Qualified candidates will have: 

 • Previous experience in the retail environment. 
 • Knowledge of the Sub Pop catalog, Pacific Northwest music, the Seattle music community, and the City of Seattle.
 • A friendly and enthusiastic disposition with customers and staff. 
 • Strong and clear communication skills. 
 • A general understanding of retail Point of Sale systems. 
 • Flexibility in schedule and willingness to work early or late hours. 

The Sub Pop Airport Store at Sea-Tac is open unusually long hours, generally, 6am - 10pm, and 365 days a year. 

Please send your resume to

Posted by Abbie Gobeli