International tour dates for October, November, and December also announced.
Please join us in welcoming Corridor, the Montreal-based, Francophone-band that will release their label debut in 2019. While we await their label debut, check out the band’s official video for“Coup d’épée” from Supermercado, the group’s acclaimed album from 2017.
Corridor is also sharing international dates for 2019, which span October 23rd in Philadelphia at Boot & Saddle and currently end December 13th in Los Angeles at Morrocan Lounge. The tour dates will include stops in Amsterdam, Paris, London, Hamburg, Berlin, Toronto, Montreal, Quebec City, New York, DC, San Francisco, Portland, Seattle, and Los Angeles. For more information on tickets, visit Corridor’s Sub Pop tour dates page.
Oct. 23 - Philadelphia, PA - Boot & Saddle Oct. 25 - Washington, DC - Comet Ping Pong Oct. 29 - Amsterdam, NL - Paradiso (Upstairs) Nov. 04 - Paris, FR - Point Ephemere Nov. 06 - London, UK - The Waiting Room Nov. 08 - Hamburg, DE - Hafenklang Nov. 09 - Berlin, DE - Westgermany Nov. 10 - Kortrijk, BE - Sonic City Music Festival Nov. 20 - Toronto, ON - The Garrison* Nov. 22 - Montreal, QC - M for Montreal Festival (Le National) Nov. 28 - Quebec City, QC - l’Anti Dec. 04 - San Francisco, CA - Milk Bar Dec. 07 - Portland, OR - Bunk Bar Dec. 10 - Seattle, WA - Barboza Dec. 13 - Los Angeles, CA - Moroccan Lounge * w/ Absolutely Free
About Corridor: Corridor began when Jonathan Robert, Julian Perreault, & former drummer Marc-andré Chapdelaine started jamming together in 2012. Though it wasn’t until bassist & longtime friend Dominic Berthiaume joined the band later that year that they began calling the band Corridor. In November 2013 the band delivered Un Magicien En Toi (tr. “A Magician in You”), a motorik guitar-pop record.
On the heels of this first EP, Corridor re-entered the studio in June of 2014 to work on their first full-length record. Collaborating with producer Emmanuel Ethier, the band spent nearly a year perfecting what would be their structured and assertive LP, Le Voyage Éternel(tr. The Eternal Voyage). While they labored on the record, they were also each invested in their own creative pursuits. Singer and guitarist Jonathan dove into his animation and illustration work (This would later prove useful as he has assumed the role of the band’s creative director, setting the tone for the visual aesthetic of their records and videos); Dominic began writing as a music journalist and photographer for outlets in Canada; And Julian continued pursuing an environmental design career, working on installations for well-known music festivals.
In the spring of 2015, the group released Le Voyage Éternel via L’oeil du Tigre Records, and plans for their first European tour began to take shape. Marc-André departed the band shortly after the record’s release and was replaced by current drummer Julien Bakvis. Julien, like his bandmates, works in visual arts as a co-owner of a screen-printing shop in Montreal. This group (Jonathan Robert, Julian Perreault, Dominic Berthiaume, and Julien Bakvis), has become the permanent lineup of the band. That year Corridor toured Europe for the first time, including a show in Paris, promoted by “La Souterraine,” where they met the mystic psych-pop outfit Halo Maud (with whom they would later collaborate on the singleDeux Coeurs (tr. Two Hearts).
2016 was predominantly spent writing and recording. Corridor returned to the studio with Emmanuel Ethier to record their follow-up LP Supermercado (tr. Supermarket). Repetition, progression, and minimalist rhythms would be the core of Supermercado, with melodic counterpoints coming together to form exhilarating sonic mosaics. The cult success of the album allowed Corridor to return to Europe, as well as make their first foray into the United States at SXSW 2018. That year in Austin they played notable showcases forBrooklyn Vegan, Margin Walker, Felte/Part-time Punks, and M for Montreal.
In 2018 Corridor also appeared at Northside Music Festival in Brooklyn, where they performed with the likes of Snail Mail, Deerhoof, and Protomartyr. Shortly thereafter, they returned to the U.S. supporting U.K. post-punks Shame. They even found a fan in actor Michael Shannon who attended the show in Chicago and he requested a CD from the band. In April of 2019, Corridor accompanied the band Crumb on a sold-out American tour. Then in May of 2019, they followed with performances at London Calling Festival in Amsterdam and La Villette Sonique Festival in Paris.
Corridor will release their Sub Pop debut later this year.
What “The People” are saying about Corridor: “The Montreal band Corridor knows how to highlight its strengths while getting in and out of a song with maximum efficiency: Sung in French, “Coup d’épée” only needs a little more than two minutes to let its robust guitar sound — a kind of weaponized jangle — fully worm its way in your head.” [“Coup d’épée” / Supermercado] - NPR Music
“Supermercado is the best French record of 2017, 2018, 2019, 2020, 2021, and even 2022 (for all we know, at least, since I doubt the Earth will explode exactly at midnight on January 1, 2022, even if it’s a possibility we shouldn’t ignore).” - Vice
“Their jangly, synth-pop-tinged sound will entrance fans of the genre and post-punk newbies alike. On their latest LP, Supermercado, post-punk fans will gravitate towards their tight, neat percussion and spasmodic guitars while others will get lost in their bright vocals and spellbinding soundscapes.” [Supermercado] - PASTE
“Corridor sing entirely en Français. Don’t let that put you off though: the creativity and abundance of killer tunes found on their acid-baked 2017 album Supermercado break through the language barrier. Corridor are even better live, with a real joie de rock that knows no borders — guitars slash, harmonies soar, bodies a constant blur.” [Supermercado] - Brooklyn Vegan
The current and fourth edition of the Sub Pop Singles Club will close at 11:59 pm PST on Sunday, March 3rd.
The series of 12 limited-edition 7” singles will now include a single by the almost-unspeakably good singer-songwriter Julien Baker, along with records including previously announced artists OCnotes, HIDE, Pallbearer, Uranium Club, Kikagaku Moyo, Man Man, Shannon Lay, Omni, Dream Decay, and more.
Subscribe here now - or at least by March 3rd - to ensure you don’t miss out!
And, if you need evidence of past glory to convince you to hit that buy button, you can now see the entire discography of Sub Pop’s prior Singles Clubs here.
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Singles Club Vol. 4 Overview ATTENTION RECORD NERDS AND MUSIC FANS! We are now taking subscriptions for the fourth – and, who knows, perhaps the best! –incarnation of the legendary Sub Pop Singles Club. Are you desperate to hear new and exciting music? Do you pine for exquisitely packaged, colored-vinyl artifacts? Do you break into a sweat at the thought of missing out on limited-edition tchotchkes to hold over your friends’ heads? Well, subscribe by March 3rd, 2019 to feed your need!
Attentive oldsters may recall the first edition of the Singles Club, which coincided with the launch of Sub Pop as a semi-functioning (and we do mean semi) record label, and featured Nirvana, Soundgarden, Sonic Youth, Fugazi, L7, and countless (ok, around 75, to be more precise) other era-defining artists from the late ‘80s and early ‘90s. Fans of a more youthful age may remember the second and third editions, which ran from 1998-2002 and 2008-2009, respectively, and together included hitmakers like Iron and Wine, Bright Eyes, The White Stripes, Death Cab for Cutie, Jesus and Mary Chain, The Get Up Kids, The Dutchess and the Duke, Om, Thee Oh Sees, and many more.
All of this ancient history is to say: 1. WE INVENTED THIS SHIT! 2. We’ll get you lots of great music, and there’s a good chance you’ll wind up with some highly sought-after rarities. And, 3. We’re seasoned pros at this and we’ll definitely probably get all your records delivered to the correct address right on time.
For the eminently reasonable postpaid (meaning shipping is included in the price; tax is not) price of $130 for the U.S., $170 for Canada, $185 for Mexico, and $195 for the rest of the world, you will receive twelve (12) 7” singles, shipped directly from Sub Pop HQ in Seattle to you, starting in April of 2019. These singles will feature exclusive tracks by artists from all over the map, both literally and figuratively, but tied together by the common thread of being great at what they do and inspiring to us. We hope you’ll feel the same. This offer is valid until11:59 pm PST, Sunday, March 3rd, 2019.
Things to know:
Subscribing by March 3rd, 2019 is the only way to get the physical 7”s. They will not be available in stores.
You can subscribe from anywhere in the world.
You can purchase a subscription as a gift – simply enter the recipient’s name and address in the delivery address fields for your order.
Each single will be available for streaming and digital purchase two weeks after that single ships. But by then you will not be able to go back in time, subscribe, and get that single. So sign up now if you want vinyl!
Subscriptions are exempt from any Mega Mart sale discounts.
You can buy a subscription in the same order as other items you wish to purchase from us. We will ship the rest of your order as soon as possible, but no Singles Club 7”s will ship until April 2019, when you’ll get the first two, with successive singles to follow in pairs every other month thereafter. (We are shipping two singles at a time, every other month, because shipping is expensive and we want this subscription to be relatively affordable.)
Singles Club subscriptions cannot be sent to your local store and are not part of the Sub Pop Local program. As such, there is no free-shipping option for the Singles Club.
If you need to change your address at any point during your subscription, please email websales@subpop.com.
Rolling Blackouts Coastal Fever have delivered an intense new video for “Read My Mind” from their “In the Capital” b/w ‘Read My Mind” 7” single out today on Sub Pop.
The sobering visual was directed by Warwick Baker and edited by Bill Irving. The band had this to say, “We gave the song to our close friend Baker, a respected Australian photographer, to interpret visually.”
And Baker elaborates, “I hoped to observe and document the spectacle of the rodeo, focusing on the performers rather than the audience. Being a vegetarian I found the event confronting, but wanted to document the theater and ritual of the rodeo without glorifying or condemning it.”
Rolling Blackouts C.F’s North American shows in support of Hope Downs and “In the Capital” / “Read My Mind” single begin May 26th in Boston for Boston Calling and end June 13th in Manchester, TN at Bonnaroo. The group’s European and the UK run begins July 3rd at in Roskilde, DK’s Roskilde Festival and ends July 27th in Thirsk, UK at the Deer Shed Festival. Additional international festival highlights for the May-July timeframe include Governors Ball (May 31st), Lattitude Festival (May 31st), Down the Rabbit Hole (July 5th), and Mad Cool Festival (July 12th).
May 03 - Castlemaine, AU - Theatre Royal May 04 - Melbourne, AU - Croxton May 10 - Sydney, AU - Manning Bar May 26 - Boston, MA - Boston Calling May 28 - Philadelphia, PA - Underground Arts May 29 - Washington, DC - U Street Music Hall May 31 - New York, NY - Governors Ball (early) May 31 - Brooklyn, NY - Warsaw (late) Jun. 02 - Toronto, ON - The Mod Club Jun. 04 - Chicago, IL - Thalia Hall Jun. 06 - Seattle, WA - The Crocodile Jun. 07 - Vancouver, BC - Rickshaw Theatre Jun. 08 - Portland, OR - Doug Fir Lounge Jun. 10 - San Francisco, CA - Great American Music Hall Jun. 11 - Los Angeles, CA - The Lodge Room Jun. 13 - Manchester, TN - Bonnaroo Jul. 03 - Roskilde, DK - Roskilde Festival Jul. 05 - Ewijk, NL - Down the Rabbit Hole Festival Jul. 07 - Paris, FR - Le Point Ephémère Jul. 09 - Liverpool, UK - Invisible Wind Factory Jul. 11 - Dublin, IE - The Iveagh Gardens Jul. 12 - Madrid, ES - Mad Cool Festival Jul. 13 - Lisbon, PT - NOS Alive Jul. 15 - Glasgow, UK - St. Luke’s Jul. 16 - Sheffield, UK - The Leadmill Jul. 18 - Cardiff, UK - Clwb Ifor Bach Jul. 19 - Bedford, UK - Esquires Jul. 21 - Suffolk, UK - Latitude Festival Jul. 22 - Birmingham, UK - Mama Roux’s Jul. 23 - Reading, UK - Sub89 Jul. 25 - Nyon, CH - Paleo Nyon Festival Jul. 27 - Thirsk, UK - Deer Shed Festival
[Photo Credit: Pooneh Ghana]
What people are saying about Rolling Blackouts Coastal Fever: “Hope Downs more than delivers on the promise of the Melbourne quintet’s two early EPs, doubling down on the melancholy pop it forged on 2015’s Talk Tight and last year’s The French Press while also polishing its sound.” - [Hope Downs, Grade: A-] - The AV Club
“Rolling Blackouts Coastal Fever have more tricks up their sleeves, it seems. For a debut, though, a couple tricks are enough, especially when you’ve already mastered them. [Hope Downs, 8.9/10] -PASTE
“A three-guitar front line — plucked, sustained and most often busily strummed — gives this Australian band its brisk pacing. Topped with semi-spoken, Dylan-tinged vocals and lyrics that switch between candor and drollery, its music is like folk-rock wrapped around a post-punk armature.” [SXSW Review] - NY Times
“Sophisticated and subversive in equal measure, their staccato sing-alongs come on pristine and precise, then unspool in surprising directions as decorum gives way to abandon.” [Hope Downs, 8.1/10] - Pitchfork
“Every amp tone on this album is just sweet enough, every jangling rhythm hits exactly where it should. Rolling Blackouts are playing an old game, but they’re damned good at it.” [Hope Downs, 4/5] - Rolling Stone
“Even at their most fervent, the characters of Hope Downs remain soaked in sun, able to convince themselves that one great night could be enough to set them straight again. At about 35 minutes, Hope Downs is a brief vacation, and so are many of its songs.” [Hope Downs, 4/5] - SPIN
Seattle band Tacocat will release This Mess Is a Place, their new full-length album on LP/CD/Digital and Cassette tomorrow, Friday, May 3rd. The album is their first for Sub Pop, and heralds a more pop-driven and ebullient direction in their sound. Critics are calling it “as effervescent as ever” (Paste) and “the band’s most polished record to date” ( The Seattle Times). Today, NYLON premiered the band’s trippy music video for “New World” alongside an interview with the band’s lead singer Emily Nokes. This visual was made by director Sean Downey.
Tacocat will be touring the US this summer. See below for a full list of performances. Tickets for all shows are on sale now and available here.
May 09 - St. Paul, MN - Turf Club May 10 - Milwaukee, WI - Cactus Club May 11 - Chicago, IL - Lincoln Hall May 12 - Grand Rapids, MI - The Pyramid Scheme May 13 - Pittsburgh, PA - Club Cafe May 15 - Cambridge, MA - The Sinclair May 17 - Brooklyn, NY - Music Hall of Williamsburg May 18 - Philadelphia, PA - Boot & Saddle May 19 - Washington, D.C. - U Street Music Hall May 21 - Durham, NC - The Pinhook May 22 - Atlanta, GA - The Drunken Unicorn May 23 - Nashville, TN - The High Watt May 24 - St. Louis, MO - Off Broadway May 25 - Kansas City, MO - The Record Bar Jun. 08 - Seattle, WA - The Showbox at the Market Jun. 12 - Spokane, WA - The Bartlett Jun. 13 - Boise, ID - Neurolux Jun. 14 - Salt Lake City, UT - Kilby Court Jun. 15 - Denver, CO - Larimer Lounge Jun. 17 - Dallas, TX - Club Dada Jun. 18 - Houston, TX - White Oak Music Hall Jun. 19 - Austin, TX - Barracuda Jun. 21 - Sante Fe, NM - Meow Wolf Jun. 22 - Phoenix, AZ - Valley Bar Jun. 23 - San Diego, CA - The Casbah Jun. 25 - Los Angeles, CA - The Bootleg Theater Jun. 26 - San Francisco, CA - The Chapel Jun. 28 - Portland, OR - Aladdin Theater
What “The People” are saying about Tacocat:
“…lyrically colorful in both description and execution.” - Stereogum
“… an ode to the absurdity of forging meaning and the bittersweet quest for stability…” - Under the Radar
“…a buoyant reminder of the illusory nature of power and reality.” - Paste
Seattle band Tacocat are set to release This Mess Is a Place, their new full-length album on LP/CD/Digital and Cassette on Friday, May 3rd. The sparkly new album is their first for Sub Pop, and heralds a more pop-driven and ebullient direction in their sound. Today, Under the Radar premiered ”The Joke of Life,” the third and final pre-release single from the highly-anticipated record.
Of the track, lead singer Emily Nokes says, “I love how this song turned out. This is also one of my favorite concepts on the album — the joke is that the joke is already a joke. You know when something is so unbelievable, in a bad way, that it can’t even be satirized because irony falls short of the real thing? Like we’ve entered a twilight zone of perpetual horror and now we’re just… adapting to it. Because what else are you going to do?”
Advance review copies of This Mess Is a Place are available upon request. Pre-orders are available now from u.subpop.com/thismess.
Tacocat will be touring the US this summer. See below for a full list of performances. Tickets for all shows are on sale now and available here.
May 09 - St. Paul, MN - Turf Club May 10 - Milwaukee, WI - Cactus Club May 11 - Chicago, IL - Lincoln Hall May 12 - Grand Rapids, MI - The Pyramid Scheme May 13 - Pittsburgh, PA - Club Cafe May 15 - Cambridge, MA - The Sinclair May 17 - Brooklyn, NY - Music Hall of Williamsburg May 18 - Philadelphia, PA - Boot & Saddle May 19 - Washington, D.C. - U Street Music Hall May 21 - Durham, NC - The Pinhook May 22 - Atlanta, GA - The Drunken Unicorn May 23 - Nashville, TN - The High Watt May 24 - St. Louis, MO - Off Broadway May 25 - Kansas City, MO - The Record Bar Jun. 08 - Seattle, WA - The Showbox at the Market Jun. 12 - Spokane, WA - The Bartlett Jun. 13 - Boise, ID - Neurolux Jun. 14 - Salt Lake City, UT - Kilby Court Jun. 15 - Denver, CO - Larimer Lounge Jun. 17 - Dallas, TX - Club Dada Jun. 18 - Houston, TX - White Oak Music Hall Jun. 19 - Austin, TX - Barracuda Jun. 21 - Sante Fe, NM - Meow Wolf Jun. 22 - Phoenix, AZ - Valley Bar Jun. 23 - San Diego, CA - The Casbah Jun. 25 - Los Angeles, CA - The Bootleg Theater Jun. 26 - San Francisco, CA - The Chapel Jun. 28 - Portland, OR - Aladdin Theater
The legendary Preservation Hall Jazz Band will re-release So It Is and That’s It! on CD / LP worldwide June 28th through Sub Pop. You can preorder both albums now through Sub Pop Mega Mart and select independent retailers in North America, UK and Europe. Both albums are also available digitally now from Sub Pop.
So It Is was originally released in 2017, and finds the classic Preservation Hall Jazz Band sound invigorated by a number of fresh influences, not least among them the band’s 2015 life-changing trip to Cuba. A visit to the island, so integral to the evolution of jazz and New Orleans culture in general, had long been in the works when President Obama’s diplomatic opening suddenly allowed for a more extensive journey than had originally seemed possible. Producer David Sitek, a founder of art rock innovators TV on the Radio who has helmed projects by Kelis, the Yeah Yeah Yeahs and Santigold among others, offered both a keen modern perspective and a profound respect for the band’s storied history.
So It Is Tracklisting
1. So It Is 2. Santiago 3. Innocence 4. La Malanga 5. Convergence 6. One Hundred Fires 7. Mad
Released in 2013, That’s It! is an eclectic album that draws on the collective experience of players nurtured in the New Orleans tradition but determined to build something fresh and exciting on that foundation. It marks an important milestone in PHJB Creative Director Ben Jaffe’s crusade to carry forward the Hall’s original mission while making it relevant to today’s audiences. For his part, co-producer Jim James is convinced that the PHJB has a future as vibrant as its past: “The music will speak forever,” he says. “Will people stop listening to Beethoven? Will people stop listening to Bob Dylan? Will people stop listening to the Preservation Hall Jazz Band?”
That’s It! Tracklisting
1. That’s It! 2. Dear Lord (Give Me The Strength) 3. Come With Me 4. Sugar Plum 5. Rattlin’ Bones 6. I Think I Love You 7. August Nights 8. Halfway Right 9. Halfway Wrong 10. Yellow Moon 11. The Darker It Gets 12. Emmalena’s Lullaby
Preservation Hall Jazz Band Tour Dates
Preservation Hall Jazz Band’s touring schedule for 2019 resumes May 16th in New Orleans at the Fillmore and currently ends with a three-night stand November 29th-December 1st in Baltimore at the Joseph Meyerhoff Symphony Hall.
May 16 - New Orleans, LA - The Fillmore ^ Jul. 05 - Elkhorn, WI - Alpine Valley Music Theatre* Jul. 06 - Elkhorn, WI - Alpine Valley Music Theatre* Jul. 28 - Newport, RI - Newport Folk Festival Aug. 02 - Happy Valley, OR - Pickathon Aug. 03 - Happy Valley, OR - Pickathon Aug. 05 - Folsom, CA - Harris Center For The Arts Aug. 06 - Folsom, CA - Harris Center For The Arts Aug. 08 - San Francisco, CA - SFJAZZ Aug. 09 - San Francisco, CA - SFJAZZ Aug. 10 - San Francisco, CA - SFJAZZ (7:00PM) Aug. 10 - San Francisco, CA - SFJAZZ (9:30PM) Aug. 11 -San Francisco, CA - SF Jazz Center - Miner Auditorium Aug. 15 - Philadelphia, PA - Old Pool Farm Aug. 16 - Philadelphia, PA - Old Pool Farm Aug. 17 - Philadelphia, PA - Old Pool Farm Aug. 18 - Philadelphia, PA - Old Pool Farm Aug. 24 - Arrington, VA - Lockn’ Music Festival Sep. 20 - Louisville, KY - Bourbon & Beyond Festival Sep. 21 - Franklin, TN - Pilgrimage Music Festival Sep. 22 - Franklin, TN - Pilgrimage Music Festival Nov. 29 - Baltimore, MD - Joseph Meyerhoff Symphony Hall Nov. 30 - Baltimore, MD - Joseph Meyerhoff Symphony Hall Dec. 01 - Baltimore, MD - Joseph Meyerhoff Symphony Hall *with Dave Matthews Band ^with Foo Fighters
Recently, Preservation Hall Jazz Band released “Kreyol,” a spirited tune from “A Tuba To Cuba,” the forthcoming soundtrack to the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch. The song is available now worldwide on all DSPs from Sub Pop.
“A Tuba To Cuba” follows Ben Jaffe of New Orleans’ famed Preservation Hall Jazz Band as he seeks to fulfill his late father’s dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. “A Tuba To Cuba” celebrates the triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls. The film is available through Amazon Video, iTunes, DirecTV, Google Play, YouTube Movies and more. Check your local service provider for additional listings.
The New York Times says of the film, “This joyous, wide-ranging account of a New Orleans jazz band’s 2015 visit to Cuba is crammed with fascinating facts and toe-tickling tunes.” And the LA Times offers this, “Jaunty, at times poetic chats and drop-ins with many Big Easy and Cuban jazz artists, discussion of their music’s African lineage (the Atlantic slave trade factored in), stirring examples of native instrumentation, and pulsating performances combine with colorful, travelogue-type shots (love those old Cuban theaters) and vivid archival footage to create a vibrant and joyous portrait.”
