For the Record is here again, (Our 8th installment! That’s 7 more than we wagered!), and this time out we have none other than Dean Spunt from No Age helping us out with a record recommendation. Dean’s a busy guy these days (with things like this, this and this to name a few) so we surely appreciate him takin’ some time out for FTR (thanks again, Dean!).
And just to re-cap, for those of you unfamiliar with For the Record, this is our semi-regular web feature wherein we (or a generous artist like Dean, Mat,Marty or Scott) reflect on one of our favorite records from the Sub Pop catalog and in turn, said record is dramatically discount for the following 48 hours.
Make Sense? Yes? Good. Now let’s hear about Wolf Eyes!
This record is fantastic! It’s not for the weak though, it starts and ends with a harsh noise ear assault courtesy of the the Wolf Eyes.
Parts remind me of Throbbing Gristle if they were pissed, other parts are like Man is the Bastard if they had no instruments, or Negative Approach with the guitars effected and the drums taken out of the mix and replaced with broken oscillators. Sound good? Then you should check it out – it may cause you to pick up a Behringer mixing board and some pedals and make a limited cassette.
For the next 48 hours, you can get Burned Mind at our FTR sale price of $6 CD/$4 Mp3 here!
Dean’s band, No Age, just released their fantastic EP, Losing Feeling, this month. We think you might enjoy it and heartily recommend you go HERE to check it out.
Avi Buffalo is the adopted name of Avigdor Zahner-Isenberg, an 18 year-old singer/songwriter and guitarist from Long Beach , CA. Avi Buffalo is also the name of the band he formed with friends and like-minded collaborators Sheridan Riley (drums), Arin Fazio (bass) and Rebecca Coleman (keyboards and vocals). Though Avi started recording songs 3 years ago, during his sophomore year in high school, amidst the dissolution of his previous band Monogram, it wasn’t until Bill Cutts of Outsider Folk asked Avi to play a show in 2007 that Avi Buffalo the band came to be. This first show was an acoustic set at the Zephyr Café in Long Beach. Through the following summer and a local music festival that fall, the band became an altogether more electric thing. And soon they were asked to play shows in Los Angeles. They did and then kept on doing it. A year later Avi and Aaron Embry (who has played with folks like Elliott Smith, Daniel Lanois, Emmylou Harris, Beth Orton, and a whole slew of others) began recording the songs that will become the band’s first record. At the prompting of early fan and Sub Pop A&R Head Tony Kiewel, the band toured up to Seattle, played a show, met folks at the label, and began what we all hope will be a very long and happy relationship.
Since then, Avi, Sheridan, Arin, and Rebecca have toured with and made fans of new label-mates Beach House, played the FYF Festival and the Monolith Festival, found unexpected, glowing response and airplay from Steve Lamacq at BBC1, and closer to home from KCRW and KXLU, and have received a whole lot of unsolicited press attention. All before putting out a record.
Because we at Sub Pop are (still…) in the increasingly anachronistic business of putting out records, we plan to change that. And so! On Dec. 8th, 2009 we will be releasing “What’s in It For?” b/w “Jessica” as a 7" vinyl single, recorded by the aforementioned and comprehensively associated Aaron Embry. You can pre-order this single now right here. One or both of these songs will also be found on the debut Avi Buffalo full-length that we are just ridiculously puffed-up about releasing in the spring of 2010.
This is the one and only Green River t-shirt (that we’re aware of, at least) and it has been reissued on high-quality, 180-gram, American Apparel cotton (the gram thing isn’t true, but it helps an otherwise needy metaphor). The front of the shirt features the band and the back boasts a six-pack paired with the term, “Ride the Fucking Six-Pack”. So if you’re wearing it to school, you may need to turn it inside-out when you get off the bus.
Carly and I are raising money for the Leukemia Lymphoma Society. We have decided to join the army to fight for a cure for cancer as well as honor a former co-worker and friend, Chris Takino. Chris was the mastermind behind Up Records and signed bands such as Modest Mouse, Built To Spill, 764-HERO, and so many other great bands. He worked at Sub Pop in the late 80’s and also worked as a part time employee in the mid to late 90’s. He did so much for so many artists on Up, Sub Pop, and even SST, where he worked before moving to Seattle. Carly and I are participating in a couple of upcoming triathlons that are fundraisers for this particular cause. If you’d like to make a donation, please click one of the links below. Jonathan’s cousin, Daniel, is participating as well! 100% of money raised goes straight to LLS.
There is no denying true love. Especially bi-coastal love between us and the Baltimore City based Beach House. The super talented duo, Alex Scally and Victoria Legrand, first fused their respective musical creativity in 2005, releasing their self-titled debut in February of 2006 and the second, Devotion, in August of 2007.
In July the band took a break from touring to head to upstate New York to record with Chris Coady at Dreamland Studios in Woodstock. They spent a solid month in solitude writing and recording in the church-converted-to-studio compound. What they emerged with is their greatest work to date! Beach House’s third album will be released on Sup Pop (and Bella Union overseas) in early 2010…WE CAN’T WAIT. Based on some of the reactions to previous works that are noted below, we think some other people might be pretty excited about it too.
Beach House never rests and soon will be on tour with Grizzly Bear this fall all over the USA (dates listed below). The band will be unveiling new tracks from their upcoming album at these shows, so please come visit.
“Slide guitars and steel drums seduce the listener into a world of gentle pain, making for a sophomore album that is, like its predecessor, a beautiful collection of songs and images seemingly constructed upon repulsion and ennui.”—Filter
“The melodies and arrangements take center stage, and they’re consistently stunning.”—Magnet
“These are crisper, brighter, bolder songs, retaining Beach House’s sense of elegant decay while sweeping up the debris.”—Pitchfork 8.5 Best New Music
9/6 – Dublin at the Electric Picnic
9/19 – Portland at the Berbati’s Pan-MUSICFEST NW
9/20 – Seattleat Nuemos
9/22 – Anacortes, WA at the Department of Safety
9/23 – Bellingham at The Nightlight
9/24 – Victoria BC at Rifflandia Festival
9/26 – Ann Arbor at Michigan Theatre w/ Grizzly Bear
9/27 – Chicago at the Metro w/ Grizzly Bear
9/28 – Chicago at the Metro w/ Grizzly Bear
9/30 – Minneapolis at First Avenue w/ Grizzly Bear
10/1 – Columbia, Missouri at Blue Note w/ Grizzly Bear
10/2 – Norman at the opolis
10/3 – Austin at EMOS
10/5 – Atlanta at Variety Playhouse w/ Grizzly Bear
10/6 – Norfolk at Norva w/ Grizzly Bear
10/7 – Philadelphia at Electric Factory w/ Grizzly Bear
10/8 – Boston at Orpheum Theatre w/ Grizzly Bear
10/9 – Poughkeepsie at Vassar College
10/19 – San Francisco at Bottom of the Hill
10/20 – LA at Hollywood Palladium w/Grizzly Bear
10/21 – San Diego Belly Up Tavern w/ Grizzly Bear
Please help us in welcoming our friend, Mat Brooke, lead singer from Seattle’s own Grand Archives, who has graciously agreed to guest edit our 7th installment of “For the Record”! “For the Record”, as you may recall, is our semi-regular web feature wherein we (or the kind people who we can convince to do so) reflect on a favorite record from the Sub Pop catalog and in turn we then drastically discount said record for the following 48 hours.
So now that you know how this all works, let’s get into it and see what Mat has to say about Chad VanGaalen’s Infiniheart!
Even though I’ve never lived in Canada, Chad VanGaalen’s Infiniheart has the comfort of home to me. The urgency of the jangly guitar intro in the opening track, “Clinically Dead”, starts the whole album with an immediate hook. From that point on the songs continue to ebb and flow with a perfect cinematic-like cohesion. The tales, narrated in a flawless wavering falsetto, create Infiniheart’s timeless sound. When Sub Pop re-released this album in 2005, the CD stayed in my player on repeat for days. So much, that now when re-visited, it’s almost like catching up on old times. “1000 Pound Eyelids” is the song that really sticks. The lyrics vaguely depict the terror of a car accident, with an innocent, almost calming charm. That is where Chad really prevails. His humble charm, blended with his style of hauntingly honest music. It just sounds like “home”. But don’t take my word for it, what the hell do I know? I’m not a record reviewer. Try buying it.
yours truly -mat
For the next 48 hours, you can get Infiniheart at our FTR sale price of $6 CD/$4 Mp3 here!
Mat’s band, Grand Archives, just released their second record, Keep in Mind Frankenstein this week. We think you should check that record out too. Here, we’ll help you: go HERE for more on Grand Archives.