On January 16, 2026, Ya Tseen (pronounced Yacht Seen) will return with their new album, Stand
on My Shoulders, digitally available worldwide from Sub Pop. Led by multi-disciplinary artist Nicholas Galanin,
Stand On My Shoulders is an incandescent exploration of existence, a celebration of love and connection to Land.
Stand On My Shoulders features guest performances from Portugal. The Man, Meshell Ndegeocello, dreamcastmoe, Anel Figueroa, Jahon Mikal, Pink Sifu, Sidibe, Hanna Ben, and Ashley Young. The album builds on the group’s 2020 Sub Pop debut,
Indian Yard, with revolutionary love as the foundation for collective liberation, centering connection, longing, and resistance
. The cover art for
Stand On My Shoulders is one of Galanin’s monoprints, referencing a photo of his father, who passed away in 2021. His father’s Tlingit regalia remains, but the wearer isn’t visible, highlighting the space to be filled by future generations. With
Stand On My Shoulders, Ya Tseen uplifts the gifts given to us by our ancestors and the collective responsibilities we have to future generations.
Today, the group has shared an official video for their debut offering “Taste On My Lips” feat. Portugal. The Man, Meshell Ndegeocello, & Sidibe.
Galanin shares of the track “Taste on my lips is a love note written for the dance floor, inspired by connections made possible on those floors for generations.”
You can watch the video, which was directed by Stephen Gray,
here. Galanin is a musician and visual artist who has been creating music, customary Tlingit carving, and interdisciplinary art for over two decades. His sculpture and video work have been shown at the Public Art Abu Dhabi Biennial, Whitney Biennial, Sydney Biennial, Desert X, Art Week Miami Beach, and by the New York Public Art Fund. Galanin’s visual and sonic work are interconnected streams of creative flow, integral to the watershed of work he creates.
Ya Tseen has confirmed a 7-date run supporting Portugal. The Man. These dates will begin on November 6th in Portland, OR, and end on November 19th in Denver, CO. See below for a complete list of shows.
Thu. Nov. 06 - Portland, OR- Revolution Hall #
Fri. Nov. 07 - Portland, OR - Revolution Hall #
Sun. Nov. 09- Seattle, WA - Showbox (SoDo) #
Tue. Nov. 11 - Oakland, CA - Fox Theater (OAK) #
Sat. Nov. 15 - Pomona, CA - Glass House, #
Sun. Nov. 16 - Los Angeles, CA - Wiltern #
Wed. Nov. 19 - Denver, CO - Mission Ballroom #
# w/ Portugal. the Man
Stand On My Shoulders is now available for pre-save on all participating DSPs. Click here to pre-save the entire album.
More about Ya Tseen
Ya Tseen is a continually evolving musical collaboration guided by Nicholas Galanin/Yeil Ya Tseen. Born into the Sitka Tribe of Alaska (Tlingit) Galanin is L’uknax.ádi (Raven Coho clan). He began learning music from his father, Dei Kee Tla Tin (Dave Galanin, 1955-2021), an accomplished Blues guitarist who performed under the name Strummin’ Dog. In 2013 Galanin was in a serious boat accident while returning home from a hunting trip that broke his back and ribs. He recalls the stars overhead as he was airlifted from the boat, connecting him to his earliest memory of looking up at the night sky, and his connection to Land. Galanin has returned to this experience of intense connection to Land throughout his career, in many ways it guides his creative practice. Following the accident, his father gave him the name Yeil Ya Tseen, meaning Raven be alive, an affirmation of Galanin’s survival and an acknowledgment of his experience. After his father’s passing, Galanin renamed his musical project Ya Tseen (to be alive) as a connection to his lineage and responsibility to live and create as a part of Lingit cultural continuum.
Yeil Ya Tseen/Galanin has been creating music, customary Tlingit carving, and interdisciplinary art for over two decades. Galanin’s sculpture and video work have been shown at the Public Art Abu Dhabi Biennial, Whitney Biennial, Sydney Biennial, Desert X, Art Week Miami Beach, and by the New York Public Art Fund. Galanin is a member of the artist collective Black Constellation. In 2018 Galanin raised his first Kooteeya (totem pole) as lead carver in Juneau Alaska, followed by a second in 2023. Galanin’s visual and sonic work are interconnected streams of creative flow, each integral to the watershed of work he produces and contributes to.
Ya Tseen (previously Indian Agent, Silver Jackson) has performed across North America, Europe, and Australia, most recently with Portugal the Man and Samantha Crain to fund the rebuilding of a Tlingit clan house in Sitka. As Ya Tseen, the band has expanded into a musical project, a fluid collective woven from numerous voices and sonic signatures.
Ya Tseen’s first album with Sub Pop Indian Yard included collaborations with Shabazz Palaces, Stas THEE Boss, Nick Hakim and continued his long term collaborations with O.C.Notes, Zak D. Wass, Tunia, Jesse Hughey, supported by Derek Haukaas (drums), Nikko Van Wycke (Bass), Jase Ihler (drums).
With their second release on Sub Pop Ya Tseen expands their collaborative approach, featuring Portugal The Man, Meshell Ndegeocello, dreamcastmoe, Anel Figueroa, Jahon Mikal, Pink Sifu, Sidibe, Hanna Ben, and Ashley Young.
Ya Tseen’s newest album, Stand On My Shoulders, builds on connection and revolutionary love as the foundation for collective liberation that ran throughout Indian Yard. The album cover art is a monoprint created by Galanin, based on a photograph of his father in Tlingit regalia. The regalia remains, but the wearer isn’t visible, leaving space to be filled by future generations. With Stand On My Shoulders, Ya Tseen uplifts the gifts given to us by our ancestors and the collective responsibilities we have to future generations. The album is an incandescent exploration of existence and a celebration of the persistence of love and connection to Land.
Ya Tseen
Stand On My Shoulders
1. Ircenrraat (feat. Ashley Young)
2. Twilight (feat. Pink Siifu, Sidibe)
3. Perfect Combo (feat. dreamcastmoe)
4. Taste On My Lips (feat. Portugal. The Man, Meshell Ndegeocello, Sidibe)
5. Like Honey (feat. Anel Figueroa)
6. Dei Kee Tla Tin
7. Us When We Fell In (feat. *Jahon Mikal)
8. Ixwsiteen (I See You)
9. Katlian’s Hammer
10. I’ve Known (feat. Pink Siifu, Hanna Benn)
11. Digital Winter
On September 26th, Dublin band SPRINTS will release their sophomore record
All That Is Over on
Sub Pop for North America and
City Slang for the rest of the world.
All That Is Over is a remarkable second effort that pushes the band’s dynamics into richer territory, finding new space and nuance while also going harder than ever.
Following the release of their debut single,
“Descartes,“ which Stereogum calls “… a feverish slasher,” comes the release of two new singles,
“Rage” and
“Beg” SPRINTS frontperson, Karla Chubb, says of both singles:
“Rage”: “I think in the world today, it’s a lot easier to be angry than it is to help facilitate change. People are fatigued, disillusioned - it’s understandable, but we shouldn’t be pointing the finger at those already marginalised and making them shoulder the blame. The world is full of false prophets and false promises; it’s time we call them out. Don’t let the rage bait fuel the fire and burn us all in the process. Sonically, I was pretty consumed by Dandy Warhols and Viagra Boys during the writing of this album so I feel like that’s seeped its way into the subconscious of the song. The rumbling, desert, garage influence that almost feels like a tumbleweed of chaos blowing across the track in the guitars.” “Beg:” “‘Beg’ is a track that represents a lot of the key motifs, themes and topics we explore across the album. Sonically, it’s a sum of all of the parts, new and old, that make up the sound of All That Is Over. Inspired originally by a line in a Vladimir Holan poem, “Beg” is written in part as a joke, a call and response to the question, “Is Karla Jesus?” that was written atop a moodboard when we were brainstorming ideas for a music video. It’s tongue in cheek, it’s satirical, and it pokes fun at the idea that often it’s those in positions of power that preach their moral codes and judgments, while committing the most heinous crimes themselves. Meanwhile, the communities often under attack are just aiming to exist and to live. It’s an exploration of the self, sexuality, lust, ambition, but also my own shortcomings and the constant battle to be better.” As previously announced, SPRINTS have shared EU & UK dates in support of their forthcoming
All That Is Over this summer and fall, including a standout festival appearance at Glastonbury and opening performances with Bloc Party and Fontaines D.C. See below for a complete list of shows—more International dates to be announced.
Summer 2025
Fri. Jul. 25 - Suffolk, UK - Latitude
Sat. Jul. 26 - Huddersfield, UK - The Parish
Sun. 27 - Thirsk, UK - Deer Shed
Mon. Aug. 04 - Leipzig, DE - Parkbühne @
Tue. 05 - Berlin, DE - Zitadelle Spandau @
Thu. Aug. 14 - Charleville Mezieres, FR - Cabaret Vert
Fri. Aug. 15 - Rotondes, LU - Congés Annulés
Tue. Aug. 19 - Bonn, DE - Kunst!Rasen @
Fri. Aug. 20 - Stuttgart, DE - Freilichtbühne Killesberg @
Sat. Aug. 21 - Freiluftarena, AT - Graz - Freiluftarena @
Sun. Aug. 22 - Portsmouth, UK - Victorious Festival
Fall 2025
Thu. Sep. 25- Dublin, IE - Tower Records
Sat. Sep.27 - Liverpool, UK - Jacaranda (Outstore at Baltic)
Sun. Sep. 28 - Manchester, UK - Piccadilly (Outstore at Night & Day)
Mon. Sep. 29 - Brighton, UK - Resident (Outstore at Chalk),
Tue. Sep. 30 - London, UK - Rough Trade East
Wed. Oct. 01 - Bristol, UK - Rough Trade
Thu. Oct. 02 - Kingston, UK - Banquet (Outstore at Fighting Cocks)
Fri. Oct. 03 - Berlin, DE - Rough Trade (Outstore at Mikropol)
Fri. Oct. 17 - Saint Brieuc, FR - Carnavalorock Festival
Sat. Oct. 18 - Le Havre, FR - Ouest Park Festival
Sun. Oct. 19 - Joué-lès-Tours, FR - Le Temps Machine
Tue. Oct. 21 - Nimes, FR - Paloma
Wed. Oct. 22 - Lyon, FR - Marché Gare
Thu. Oct. 23 - Etagnières VD, CH - Croc the Rock Festival
Sun. Nov. 02 - Belfast, UK - Empire
Thu. Nov. 06 - Glasgow, UK - SWG3
Fri. Nov. 07 - Leeds, UK - Leeds Beckett Student Union
Sat. Nov. 08 - Manchester, UK - Albert Hall
Mon. Nov. 10 - Newcastle Upon Tyne, UK - Newcastle University Student Union (NUSU)
Tue. Nov. 11 - Sheffield, UK - The Fondry
Wed. Nov. 12 - Nottingham, UK - Rock City
Sat. Nov. 15 - Bristol, UK - O2 Academy Bristol
Tue. Nov. 18 - Oxford, UK - O2 Academy 1 Oxford
Thur. Nov. 20 - Dublin, IE - Vicar Street
March 2026
Tue. Mar. 10 – Tourcoing, FR - Grand Mix
Wed. Mar. 11 – Brussels, BE - Botanique
Thu. Mar. 12 – Amsterdam, NL -Melkweg
Tue. Mar. 17 – Copenhagen, DK - Loppen
Thu. Mar. 20 – Warsaw, PL - Voodoo
Fri. Mar. 21 – Prague, CZ - Akropolis
Mon. Mar. 24 – Zürich, CH -Bogen F
Tue. Mar. 25 – Milan, IT -Arci Bellezza
Sat. Mar. 28 – Paris, FR -Cabaret Sauvage
@ w/ Fontaines D.C
SPRINTS
All That Is Over is now available to preorder on CD/LP/DSPs from
Sub Pop in North America and
City Slang for the rest of the world. LP orders from both labels will receive the album on limited-edition marbled coral pink vinyl (while supplies last).
SPRINTS
All That Is Over
Tracklisting:
1. Abandon
2. To The Bone
3. Descartes
4. Need
5. Beg
6. Rage
7. Something’s Gonna Happen
8. Pieces
9. Better
10. Coming Alive
11. Desire
I did not enter this world afraid
And I refuse to leave it this way.
Flock of Dimes – the solo project of multi-instrumentalist and producer Jenn Wasner – releases her third album, The Life You Save, worldwide on October 10th, 2025, on Sub Pop Records.
Across the last few decades – whether it be as Flock of Dimes, as half of beloved duo Wye Oak, or via one of her many collaborations with Bon Iver, Sylvan Esso, and a sprawling list of other musical juggernauts – Wasner’s extensive catalog displays her gift for balancing authenticity and directness with an unmistakable left-of-center sensibility. Her songwriting has always found her as a keen-eyed observer, a deeply empathetic and thoughtful storyteller with a skill for probing memory, heartbreak, and unhealed trauma, a shroud of syncopation or off-kilter guitar taking a song somewhere quietly prodigious.
Her last solo album, the critically-lauded Head of Roses, took on heartbreak from a dualistic perspective, following a winding thread of intuition into the unknown and into healing. Her new album, The Life You Save, takes that a step further; put simply, it’s the most honest, intimate and personally revealing record of Wasner’s career. As heart-wrenching as they are hopeful, its twelve tracks delve the depths of addiction and codependency, inherited and experienced trauma, and the process of finding peace in the face of others’ suffering. The Life You Save is resonant, unflinchingly exposed – like a missive from the eye of a storm. But while it somehow manages to feel both viscerally raw and vulnerable, above it floats a sense of quiet peace, a sheen of hindsight, or perhaps of acceptance. It is the story of how it feels to be trapped between two worlds—the one you came from, and the one you’ve escaped to; about the belief that somehow, you can take the ones you love with you to this place; about the grief of realizing that the only person you can save is yourself.
The Life You Save was produced by Jenn Wasner and recorded at Betty’s in Chapel Hill, NC, and Montrose Recording in Los Angeles, CA. The Life You Save also features additional production from Nick Sanborn (tracks 2, 3, 4, 7, 8, 11), is engineered by Adrian Olsen & Alli Rogers, mixed by Adrian Olsen, and mastered by Huntley Miller.
Jenn writes on The Life You Save:
“My previous records, generally, have been a summary of things I had already been through— experiences I had observed and reflected upon, reporting back from some amount of distance. But this record is different. It is an attempt to report from inside of a process that is ongoing and unfinished, from which I will likely never fully emerge as long as I am alive: my struggle within the cycles of addiction and co-dependency.
“I set out trying to make a record about other people.
“Their problems, their struggles, their addictions.
“I struggled for many years to give myself permission to write about this subject–worried that I was telling someone else’s story, a story that was not mine to tell. The work felt hazy and obscured; I was confused, and I struggled. The beauty of songwriting, at its best, is that it puts you in touch with your subconscious–a place where you can only tell the truth. Many of those truths were hard to accept. Some I don’t, even now, feel fully ready to say. But through this process, I came to understand that I was struggling with this record because I wasn’t being honest with myself. I was so deeply entrenched in the system in which I was raised that I thought I was outside of it, and the ways in which I continued to participate remained invisible to me.
“But slowly, painstakingly, through this work I began to realize—I am not apart from all of this. I have been performing my role from a distance, but I am still engaged, still connected:
“I’m inside it, after all.
“As it turns out, this record is not someone else’s story–it is mine, the story of my life. A life spent believing I had escaped, and that I deserved to feel guilty for doing so. A life in which I believed that the right combination of words, actions, effort, and expense could somehow change others’ behavior. And a life in which blindness to my own patterns caused me to hurt others, and prevented me from finding the true love and acceptance I yearned for.
“The belief that you can rescue others comes from more than one place, internally speaking. The part that is easiest to see and acknowledge is the one that stems from love, good intentions, and a genuine desire to offer care and support. But there’s an uglier side, and that part is harder to look at—the ego, the pridefulness, the belief that you are better, stronger, somehow more deserving than all the rest. That through your attempts to control others’ behavior, you can somehow secure a sense of safety for yourself.
“I know the rules, but I ignore them,
I think I’m good enough to pull this off.
“Or, more simply:
“I think I’m god; I know I’m not.
“For me, that was the puzzle piece that finally made it all make sense. But it was also the piece that was the hardest to hold. It took a long time for me to build up enough love—not for others, but for myself—that acknowledging this truth would not break me. I understand now that I’m not the savior, not the hero, not the chosen one. I’m spinning in my own wheel, a bundle of addictions and adaptations and blind spots, just like everybody else. And there is a beauty to that, along with a kind of freedom.
“In the end, it is my hope that this record exists as a testament to the depth of my love for those I cannot save, and that it might provide some comfort for anyone who is still learning how to love and live for themselves.”
—---------------------
On Friday, October 10th, Flock of Dimes will release The Life You Save, her stunning new album, worldwide from Sub Pop. The 13-track longplayer features the highlights “Afraid,” “Keep Me In The Dark,” “Defeat,” and today’s offering, its lead single and official video for “Long After Midnight.” The tender, single-take visual stars Jenn, and is directed by Spence Kelly.
The Life You Save is available to preorder now on CD/LP/all DSPs from Sub Pop. LP purchased from megamart.subpop.com in North America, MegaMart Europe in the UK + EU, and your local record store, will receive the limited Loser Edition on Citrus (NA) or Pearl (UK/EU) vinyl (all vinyl color editions whilst stock lasts!)
Flock of Dimes will support The Life You Save with headlining US tour dates in November and December. The east coast run begins Thursday, November 6th, in Philadelphia at Johnny Brenda’s and ends Wednesday, November 12th in Saxapahaw, NC at Haw River Ballroom. The west coast run will start Monday, December 1 in Seattle, WA at Barboza and runs through Friday, December 5th in Los Angeles, CA at Zebulon.
Presales begin tomorrow, Thursday, July 24, at 10 am ET, and on-sale to the general public opens on Friday, July 25th, at 10 am local. Please find a list of tour dates below.
Thu. Nov. 06 - Philadelphia, PA - Johnny Brenda’s
Fri. Nov. 07 - New Haven, CT - Space Ballroom
Sat. Nov. 08 - Brooklyn, NY - National Sawdust
Sun. Nov. 09 - Somerville, MA - The Rockwell
Tue. Nov. 11 - Washington, DC - The Atlantis
Wed. Nov. 12 - Saxapahaw, NC - Haw River Ballroom
Mon. Dec. 01 - Seattle, WA - Barboza
Tue. Dec. 02 - Portland, OR - Mississippi Studios
Thu. Dec. 04 - San Francisco, CA - Rickshaw Stop
Fri. Dec. 05 - Los Angeles, CA - Zebulon
Flock of Dimes
The Life You Save
Tracklisting:
1. Afraid
2. Keep Me in the Dark
3. Long After Midnight
4. Defeat
5. Close to Home
6. The Enemy
7. Not Yet Free
8. Pride
9. Theo
10. Instead of Calling
11. River in My Arms
12. I Think I’m God
Today, Tuesday, July 22nd, Nation of Language is sharing the pulsating and gorgeous track “Under the Water,” a new offering from Dance Called Memory, their forthcoming Sub Pop debut.
Nation of Language’s Ian Devaney offers this on the song, “This was the last one to make the cut before we turned the record in. We’d always had a lot of enthusiasm for the track, but the studio schedule had gotten a bit unwieldy over the holidays and an arbitrary deadline had been set to be done with LP4 prior to leaving for a January tour in Australia supporting IDLES. As such we’d turned in the final album mixes for mastering before getting on the plane and I’d resigned myself to saving ‘Under the Water’ for some subsequent release down the line. But somewhere over the Pacific Ocean while trying to sequence the album clarity set in that despite our love for rigid adherence to the production calendar, we wanted it on there. So before soundchecks on the other side of the planet we hooked up all the synths we’d brought with us in the greenroom, remotely concocting the version you hear now. If it somehow sounds distinctly of the southern hemisphere, now you’ll all know why.”
Nation of Language’s previously announced international headlining tour dates in North America, the EU, and the UK for the fall of 2025 begin on Wednesday, August 20th in Brattleboro, VT at The Stone Church and currently run through Friday, November 28th in Lisbon, PT at LAV. Highlights for this tour include Nation of Language’s three hometown album release shows at the Warsaw in Brooklyn, NY (Sep. 18th-20th), and their largest UK and EU headline appearances to date at The Roundhouse in London (Nov.8th) and Columbiahalle in Berlin (Nov. 21st).
Support for the North American and UK/EU shows will come from Safe Mind (Aug. 21st-23rd), Deathwish Inc.’s Greet Death (Sep. 20th-Oct. 5th), Sub Pop labelmates Deeper (Oct.16th-30th), and Partisan Records act Westerman (Oct. 8th-16th + Nov. 8th-22nd).
Preceding the late summer/fall headline run, Nation of Language will also support Death Cab For Cutie on its Plans: 20th Anniversary Tour in Seattle at the Climate Pledge Arena (Thu. Jul. 31st + Sat. Aug. 2nd) and in Chicago at Chicago Theatre (Tue. Aug. 5th + Wed. Aug. 5th).
Nation of Language
Summer 2025 Support Shows w/ Death Cab for Cutie
Thu. Jul. 31 - Seattle, WA - Climate Pledge Arena **
Sat. Aug. 02 - Seattle, WA - Climate Pledge Arena ** [Sold Out]
Tue. Aug. 05 - Chicago, IL - Chicago Theater ** [Sold Out]
Wed. Aug. 06 - Chicago, IL - Chicago Theater ** [Sold Out]
August - October 2025
North American Headline Shows
Wed. Aug. 20 - Brattleboro, VT - The Stone Church
Thu. Aug. 21 - Hamden, CT - Space Ballroom !
Fri. Aug. 22 - Woodstock, NY - Bearsville Theater !
Sat. Aug. 23 - Portland, ME - State Theatre !
Thu. Sep. 18 - Brooklyn, NY - Warsaw %
Fri. Sep. 19 - Brooklyn, NY - Warsaw +
Sat. Sep. 20 - Brooklyn, NY - Warsaw #
Sun. Sep. 21 - Boston, MA - Royale #
Tue. Sep. 23 - Detroit, MI - The Majestic #
Wed. Sep. 24 - Chicago, IL - Thalia Hall #
Fri. Sep. 26 - Minneapolis, MN - First Avenue #
Sat. Sep. 27 - Milwaukee, WI - Turner Hall Ballroom #
Mon. Sep. 29 - Omaha, NE - Slowdown #
Tue. Sep. 30 - Kansas City, MO - The Truman #
Thu. Oct. 02 - Denver, CO - The Gothic Theatre #
Sat. Oct. 04 - Boise, ID - Knitting Factory #
Sun. Oct. 05 - Missoula, MT - Top Hat #
Wed. Oct. 08 - Vancouver, BC - The Pearl ^
Sun. Oct. 11 - Portland, OR - Revolution Hall ^
Mon. Oct. 13 - San Francisco. CA - The Fillmore ^
Wed. Oct. 15 - Los Angeles, CA - The Fonda Theater ^
Thu. Oct. 16 - Los Angeles, CA - The Fonda Theater *
Fri. Oct. 17 - San Diego, CA - Music Box *
Tue. Oct. 21 - Austin, TX - Mohawk *
Wed. Oct. 22 - Dallas, TX - The Studio at The Bomb Factory *
Thu. Oct. 24 - Houston, TX - White Oak Music Hall *
Sat. Oct. 25 - Atlanta, GA - Variety Playhouse *
Sun. Oct. 26 - Chapel Hill, NC - Cat’s Cradle *
Mon. Oct. 27 - Richmond, VA - The Broadberry *
Wed. Oct. 29 - Philadelphia, PA - Union Transfer *
Thu. Oct. 30 - Washington, DC - 9:30 Club *
November 2025
UK/EU Headlining Shows
Thu. Nov. 06 - Dublin, IE - Opium $
Fri. Nov. 07 - Dublin, IE - Opium $ [Sold Out]
Sat. Nov. 08 - Manchester, UK - O2 Ritz Manchester ^
Sun. Nov. 09 - Glasgow, UK - St. Luke’s ^
Tue. Nov. 11 - Cardiff, UK - Tramshed ^
Wed. Nov. 12 - London, UK - The Roundhouse ^
Fri. Nov. 14 - Paris, FR - Elysee Montmartre ^
Sat. Nov. 15 - Amsterdam, NL - Melkweg ^
Sun. Nov. 16 - Nijmegen, NL - Doornroosje ^
Tue. Nov. 18 - Cologne, DE - Gloria ^
Wed. Nov. 19 - Hamburg, DE - Uebel & Gefährlich ^
Fri. Nov. 21 - Berlin, DE - Columbiahalle ^
Sat. Nov. 22 - Munich, DE - Technikum ^
Sun. Nov. 23 - Milan, IT - Magazzini Generali
Wed. Nov. 26 - Barcelona, ES - Razzmatazz
Thu. Nov. 27 - Madrid, ES - La Riviera
Fri. Nov. 28 - Lisbon, PT - LAV
** w/ Death Cab For Cutie
! w/ Safe Mind
# w/ Greet Death
* w/ Deeper
^ w/ Westerman
+ w/ Horse Jumper of Love
% w/ A. Savage
$ w/ Telekura
Nation of Language previewed the release of Dance Called Memory with current radio single “Inept Apollo” in April by sharing the dioramic official video, also directed by John MacKay. The song recently hit #18 on the Billboard AAA chart (week of July 19th).
Nation of Language’s Dance Called Memory was recorded, produced, and mixed by returning producer and collaborator Nick Millhiser in New York City and was mastered by Heba Kadry in Brooklyn. Dance Called Memory also features the previously mentioned “Inept Apollo” and “Under the Water,” along with highlights “In Your Head,” “Silhouette,” and “I’m Not Ready for the Change.”
Dance Called Memory is available to preorder on CD/LP/all DSPs from Sub Pop. LP purchases from Nation of Language’s Offical Webstore, megamart.subpop.com in North America, MM2 in the UK + EU, your local record store, and directly from the band at their live shows will receive the limited “Loser” Edition on Clear + Black & Blue Hi-Melt (NA), Clear Blue w/ White Hi-Melt (Band Web Exclusive) or Corona Red/White (UK/EU) vinyl. There will also be special color variants available, including Rough Trade (UK) and Urban Outfitters (US) (all vinyl color editions whilst stock lasts!).
What People Are Saying About Nation of Language:
“An instantly appealing synthpop track, melodic and understated. It’s a grower.” [“Inept Apollo”] BROOKLYN VEGAN
“The New York trio capture the tension between the need for creative expression and its futility by offering some romantic, rejuvenating synth pop.” [“Inept Apollo”] “100 Best Songs of 2025 (So Far),” Consequence of Sound
“‘Inept Apollo’ feels like a Gary Numan-meets-Devo-meets-A.G. Cook fever dream. The synths are punchier than ever, the melodies danceable, the vocals mysterious and enticing. The song shapeshifts as it unfolds, becoming its own reflection of the creative process.” “Best New Songs,” PASTE
“There is something instantly transportive about Ian Richard Devaney’s voice, which leaps with an operatic ease, yet maintains a soft-focus diaphanousness as it curls around lyrical transmissions just vague enough to feel applicable to any situation.” [“Inept Apollo”] “Staff Pick,” EXCLAIM!
“It’s a blinky synth track with a rickety drum-machine beat and a whole lot of dreamy effects on the vocals and guitars. I’d say it fills up a room quite pleasantly.” [“I’m Not Ready for the Change”] STEREOGUM
“…shades of my bloody valentine adorn the guitars, while the jagged post-punk aspects are illuminated with Human League style synths.” [“I’m Not Ready for the Change”] CLASH
Nation of Language
Dance Called Memory
Tracklisting:
1. Can’t Face Another One
2. In Another Life
3. Silhouette
4. Now That You’re Gone
5. I’m Not Ready for the Change
6. Can You Reach Me
7. Inept Apollo
8. Under the Water
9. In Your Head
10. Nights of Weight
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