DONUTS MIND IF I DO”/“PLASTIC LOVE” 7” AVAILABLE ON VINYL - Order now here.
Today, Japanese quartet CHAI are excited to share the official video for “Plastic Love,” their cover of Mariya Takeuchi’s 1984 city pop standard, which recently saw a resurgence of its own in 2018.
“Plastic Love” stars the group as “tour guides” of their beloved Tokyo, taking you through the city’s many districts in this exuberant visual. CHAI says: “THIS IS TOKYO! Everyone has their own perception of Tokyo, but many, at times, would say it can be sort of gloomy, sort of dark. With our version of ‘Plastic Love,’ we wanted to show you what Tokyo looks like from our point of view.
From Asakusa, to crepes in Harajuku, to the skyrise buildings and Tokyo Tower, to long night-time drives in Shibuya…we welcome you to our version of Tokyo! You also notice how we’re all wearing white? That’s because we are going to disrupt the gloomy Tokyo! We are the brightness amongst the darkness and we’ve come to illuminate! Just like Mariya Takeuchi did with this song in the 80’s, we’ve come to do this again with our version today!”
CHAI’s interpretation of the international cult hit is from their double A-side single, “Donuts Mind If I Do”/”Plastic Love,” out now on Sub Pop.
CHAI’s “Donuts Mind If I Do”/“Plastic Love” double A-side single is available as a limited edition 7,” which is available to purchase now from Bandcamp (on orange or turquoise colored vinyl), and Sub Pop Mega Mart (on lime green vinyl). All three options while supplies last. The “Donuts Mind If I Do”/“Plastic Love” 7” single will be available worldwide (excl. Japan and Asia) with an estimated ship date in late November.
[Photo Credit: Kodai Ikemitsu]
CHAI is a revolutionary four-piece, made up of miracle twins Mana and Kana, and the impeccable rhythm section of Yuuki and Yuna. Combining their powerhouse musical prowess with “pinkish punk” sensibilities, CHAI has managed to create a huge splash in the music scene in their homeland, Japan, and abroad. Now ready to build on their infectious sound and musical accolades, CHAI is gearing up with their new label to release even more new music into the world.
Toronto’s Kiwi Jr. will release Cooler Returns the group’s new album and the follow up to their acclaimed debut Football Money, on CD/LP/CD/DSPs January 22nd, 2021 worldwide through Sub Pop, with the exception of Canada through the band’s Kiwi Club imprint.
Today the band is sharing the official video for “Cooler Returns,” the album’s title track and new single, which was directed by Sean Egerton Foreman (who directed Kiwi Jr’s “Gimme More” in January 2020). Singer Jeremy Gaudet comments on the video: “No one is able to play live shows, so using the latest technology we have replicated the most accurate version possible of what Kiwi Jr. shows once looked like.
Buildings burning in every direction; macabre unknowns in your friendly neighbor’s basement; undecided voters sharpening their pencils: under pressure we could call Kiwi Jr.’s Cooler Returns“timely.” But what year is it, again? On their sophomoric smash-up released world-wide by Sub Pop Records, Kiwi Jr. cycle through the recent zigs & looming zags of the new decade, squinting anew at New Year’s parties forgotten and under-investigated small town diner fires, piecing together low-stakes conspiracy theories on what’s coming down the pike in 2021. Put together like a thousand-piece puzzle, assembled in flow state through the first dull stretch of quarantine, sanitized singer shuffling to sanitized studio by streetcar, masked like it’s the kind of work where getting recognized means getting killed, Cooler Returnsmaterializes as a sprawling survey from the first few bites of the terrible twenties, an investigative exposé of recent history buried under the headlines & ancient kings buried under parking lots.
[Photo credit: Warren Calbeck]
Not so long since their debut Football Money in archaeological time, unending gray eons later in the dog years of quaran-time, spiritually antipodean Canadians Kiwi Jr. return to disseminate this year’s annual report to the shareholders, burying the incriminating numbers in the endless appendices of a longform narrative record, a 3,000 word tract for stakeholders to pore over.
Cooler Returns - memories of Augusts past, unrepressed & transcribed fast - go down easier thanks to meaningful changes enacted in 2019’s KiwiCares Pledge: delivering on a promise to transition from Crunchy to Smooth by 2021, the caveman chug of Football Money has been steamed & pressed with the purifying air of a saloon piano - operated with bow-tie untied - and a spring green side-salad of tentatively up-tempo organ taps & freshly fluted harmonica.
A chronically detuned spin of the dial through swivel-chair distractions & WFH daydreams, an immersive ctrl-tab deluge cycling through popular listicle distractions like the unentombing of Richard III, or the deja vu destruction of the Glasgow School of Art, Kiwi Jr. sing this song to an indoor audience, crisscrossing canceled, every other prestige distraction source wrung dry, only songwriting remaining to deliver engrossing tales to the populace, just how I imagine it worked in the old days. Fixing loose ingredients into a sturdy whip, Kiwi Jr. beam in live from the 9-5, striding into 2021 with a mastered brainwave that comes equally from the back room of the record store as the penalty box. And how do we, left holding this box of deliberate entanglements, sign off to those as yet uninitiated, undecided, uncertain, unseen, absent return coordinates - Best Wishes, Warm Regards, Good Luck? Cooler Returns, Cooler Returns, C o o l e r R e t u r n s !
[North American Loser Edition]
Cooler Returns is now available for preorder through Sub Pop. LP preorders from megamart.subpop.com and select independent retailers in the US will receive the limited Loser edition on translucent gold colored vinyl (while supplies last). Preorders through select independent retailers in the UK and Europe will receive the Loser on white colored vinyl (while supplies last).
There is an additional limited edition version of Cooler Returns from participating Dinked retailers in the UK that will be available on yellow colored vinyl with a signed print and a sequentially numbered obi strip (while supplies last).
Kiwi Jr. Cooler Returns Tracklisting 1. Tyler 2. Undecided Voters 3. Maid Marian’s Toast 4. Highlights of 100 5. Only Here for a Haircut 6. Cooler Returns 7. Guilty Party 8. Omaha 9. Domino 10. Nashville Wedding 11. Dodger 12. Norma Jean’s Jacket 13. Waiting in Line
Stream the album in full here starting tomorrow, Friday, October 23rd, and watch the band’s Don’t Shy Away Sessions live performances October 23rd-29th.
★★★★ MOJO 8/10 Uncut 8/10 Exclaim! “Gorgeous, otherworldly music” Stereogum “Album of the Day” BBC 6 Music
Loma’s Don’t Shy Away, their incredible and absorbing second album, will be available on CD/LP/CS/DL tomorrow, Friday, October 23rd worldwide through Sub Pop. The eleven-track effort, which features lyric videos for “Homing” and “Ocotillo” and official videos for “Half Silences,” “Don’t Shy Away,” “I Fix My Gaze,” and “Elliptical Days,” was produced and recorded by the band at Dandysounds in Dripping Strings, Texas—except for “Homing” (featured above!), which was produced by Brian Eno.
MOJO says of Don’t Shy Away, “Loma’s music unspools in vivid panoramas - sometimes downbeat and rainy, sometimes splashy and urgent, reminiscent of the mid-‘90s school of Bowery Electric post-rock. Yet the trio ensure all the glitches and layers (clarinet, brass, guitar) add bright pin-sharp accents not blurry textural flab, Cross’s voice glinting through ‘Blue Rainbow’s’ electro-cabaret judder or the Morphine-like rumble of ‘Ocotillo’ (4/5).” Exclaim! says: “Don’t Shy Away is ultimately as gratifying as it is ambitious. Brian Eno was right: Loma are the real deal (8/10).”
Uncut praises the album’s’ “Atmospheric melodies” and how “Cross’ otherworldly vocals blend to absorbing effect (8/10,” while Secret Meeting raves, “Bigger in scope than the three piece’s self titled debut, Don’t Shy Away is on a whole other sonic level. It encourages us to not just exist in the spaces that we inhabit, but to find every possibility they could offer. As second records go, they don’t come much more mesmerically splendorous than this.” And Stereogum, in a glowing track review of “Elliptical Days,” says “Loma are making some gorgeous, otherworldly music.”
And today, BBC’s “6 Music” has made Don’t Shy Away its “Album of the Day.”
[Photo Credit: Bryan C. Parker]
In celebration of the album’s release, Loma is presenting the Don’t Shy Away Sessions, a week-long series of live performances of songs from the album (and an interview with the band). The sessions kick off tomorrow, October 23rd via IGTV and Loma’s YouTube channel and were recorded in June 2020 in Dripping Springs, Texas.
The performances run daily from October 23rd to October 29th and will be public every day at Noon PT / 7 pm GMT, and were all shot by the band’s friend and photographer, Bryan C. Parker. The schedule is as follows:
October 23: “Ocotillo” October 24: “Half Silences” October 25: “I Fix My Gaze” October 26: Loma Interview October 27: “Don’t Shy Away” October 28: “Elliptical Days” October 29: “Homing”
Loma’s Jonathan Meiburg has also announced the publication date of his first book, A Most Remarkable Creature: The Hidden Life and Epic Journey of the World’s Smartest Birds of Prey. It’s a wild and entertaining romp through our world’s deep history in the company of the caracaras—intelligent, crow-like South American falcons whose sharp minds and mischievous habits baffled and amused Darwin. The book will be published on March 30, 2021 by Knopf Doubleday in the US and The Bodley Head in the UK,and is available for pre-order now at jonathanmeiburg.com.
Sub Pop has signed musician Lael Neale [pron. l-ai-l n-EE-l] to release her songs into the world in 2021. In celebration of the announcement, we are pleased to share the video for her first single “Every Star Shivers in the Dark,” which features Lael’s crystalline voice poised above a drum machine and hypnotic church organ, with production by Guy Blakeslee and mastering by Chris Coady.
Lael says of the song: “This is my ode to Los Angeles, which always felt to me like the outskirts of Eden. I would walk a lot in the city, go from Dodgers Stadium into Downtown - along Alameda. Up in the hills, I’d look out at the vast sprawl and feel daunted. But Los Angeles is not as it appears. Even in moments of isolation, I have looked for communion with strangers and, almost always, found it. These were the scenes and feelings swirling around when I was challenging myself to write a song using only two chords.”
“In directing the video, I was aiming to reflect both the light and the shade I experienced in the city at the time I was writing the song. It was a nod to some of my favorite 60s films that marry the bright with the heavy, dark humor with dispassion.”
Lael grew up on a farm in Virginia among acres of clouds, fields, and woods. It was writing and writers close to nature - Ralph Waldo Emerson, John Steinbeck, and Mary Oliver - that she most connected with. In 2009, she moved to California with a rising devotion to music.
She continues, “As songs began to emerge, I spent years honing my writing, enjoying the solitude and the internal process. Performing frightened me, but I took it as an opportunity to face fear and put an end to its rule over other areas of my life.”
In early 2019, in the midst of a major transition, Lael discovered the Omnichord and in the span of 3 months wrote a torrent of songs, including “Every Star Shivers in the Dark.” She offers this: “In a liminal space between ending and beginning, I started recording these songs. Guy, who had been an advocate for years facilitated the process. He set up the 4-track in my bedroom and provided empathic guidance, subtle but deep accompaniment, and engineering prowess. Normally I’m a morning person, however, I made most of the recordings in the early darkening evening.”
Lael Neale ”Every Star Shivers in the Dark” Single Artwork (Photo credit: Jessa Hill)
Full details for worldwide album launch live stream announced - Covers will be out November 13th.
Listen to “Between The Bars” and “All Night” here now.
Marika Hackman recently surprised fans with details of a new album, Covers, and shared her interpretation of the beloved Grimes track “Realiti”. Covers is a darkly beautiful, self-produced album which showcases a more vulnerable side, out November 13th via Sub Pop in the Americas and Transgressive for the rest of the world.
Today, Hackman unveils two more tracks from the album. First up is her gorgeous cover of Elliott Smith’s beloved “Between the Bars.” “I’ve been playing ‘Between the Bars’ live for a while now, on the last few tours and in live streams. It’s been nice to play around with the arrangement, and I hope people enjoy what I’ve done with this recorded version,” offered Hackman about the track. In classic Marika style the opposing track couldn’t be more different - “All Night” sees her tackling one of the standouts from Beyonce’s Grammy-nominated Lemonade. Again, Hackman flips the song on its head. Joined by a choir of stacked vocal harmonies, Marika’s voice transcends to conjure a deep emotional resonance.
During the extended stay-at-home orders of the last few months, Marika felt that creating a covers record was a way of exploring new sound ideas and expressing herself without having the pressure of a blank page. She recorded and produced Covers between home and her parents’ house, then got David Wrench to mix it. In contrast to her last two albums (2019’s Any Human Friend & 2017’s I’m Not Your Man), this collection of songs is more akin in tone and feel to her debut We Slept At Last, with a darker and more introspective sound. On Covers, we hear Marika’s emotive voice set against sparse arrangements of guitars and strings with the occasional synth or scattered drum groove.
Breathing new life into the songs she’s chosen, Marika reimagines work by some of the world’s most beloved artists, such as Radiohead, Air, Sharon Van Etten and more. It’s a suitably varied collection, but Marika’s intimate delivery and soft, nuanced and atmospheric touch to production, thread them all together effortlessly.
Marika explains how she came to choose the material: “When it comes to covers, I like to pick songs which I have been listening to obsessively for a while. It gives me a natural understanding of the music, and lets me be more innovative with how I transform it.”
Adventurous and versatile, Covers continues Marika’s lineage in turning each body of work into a new take and perspective on her creative vision. She twists and turns, always surprises, and is never afraid to wear her heart on her sleeve. It remains anyone’s guess to imagine where she will head next.
Marika also has shared further details of her live stream taking place in an abandoned swimming pool that will take place on Covers release day. Tickets for the show will be available when fans pre-order the album. It occurs on November 13th at 8:30 pm GMT and 9 pm EST/6 pm PT.
The Downtown Boys have contributed their arrangement of communist anthem “L’Internationale” to the Italian film Miss Marx. Directed by Susanna Nicchiarelli, Miss Marx is a biopic about Karl Marx’s daughter, who was an important but often overlooked organizer and writer. She led many women to take up their/our rightful power in socialism. The band recorded this version of “L’Internationale,” as an ode to the global struggle and passion for a freedom bigger than themselves.
Miss Marx recently premiered at the Venice International Film Festival, where Downtown Boys and Gatto Ciliegia contro il Grande Freddo won the Soundtrack Stars Award for their work on the film.
About the song and film, Downtown Boys said:
“This year, we saw people throughout the globe come together amidst the pain of and struggle against police brutality, and the loss of Breonna Taylor and George Floyd. We have lost over 200k people in our country from a global pandemic exacerbated by greed. And, throughout this all, we have seen people collectively fight back. We hope this video is a reminder of the vessel that brings us together to scream, shout, cry, or rest. Miss Marx would rally women socialists against patriarchy and global capital, and this video shows outtakes of Miss Marx and her comrades singing. The upcoming election and these continuing moments of collective power need to be vessels for our voices. In the spirit of Eleanor Marx and the current moment, please please go anywhere you can to sign up to vote or support others in voting, both by the ballot box in a few weeks and by all the ways we see people picking the side of freedom.”
Go here to register to vote, find out how/where/when to vote, and to support free and fair elections in the US this November.
