News for Rose Windows

NEWS : TUE, MAY 5, 2015 at 7:00 AM

Rose Windows’ Self-Titled, and Sadly, Final Record Out Now

Rose Windows, the self-titled, final album from the beloved Seattle sextet, is available now on CD/LP/DL worldwide via Sub Pop. The album, featuring the highlights “Glory, Glory,” and “Strip Mall Babylon,” was recorded in the fall of 2014 at Studio in the Country in Bogalusa, LA, and produced & mixed by Randall Dunn (Earth, Akron Family, Cave Singers).

You can now watch Rose Windows “In The Studio,” a documentary on the making of the album, filmed by Deep Dasgupta and on location in Bogulusa [http://u.subpop.com/1FLF4CQ].

Rose Windows is available now from Sub Pop Mega Mart, iTunes, Amazon and Bandcamp. All customers who pre-order the LP version of the album from megamart.subpop.com will receive the “Loser Edition” on red & black marbled vinyl, and a limited edition 7” which features the songs “Never Did Me Wrong” and a cover of Led Zeppelin’s “The Wanton Song” [listen here] while supplies last. Additionally, there will be a new T-shirt design available in two colors, both individually and as part of a bundle with purchases of the new record.
 
Rose Windows recently shared the news of their dissolution through their Facebook page (read more here / March 30th) and have canceled all scheduled live dates. With that said, we feel lucky and very proud to have released two albums with Rose Windows and wish them well in all of their future pursuits.
 
What people are saying about Rose Windows:
“With production supremo and Master Musicians Of Bukkake man Randall Dunn taking up desk duties, the band recorded the follow-up to their 2013 debut The Sun Dogs in Bogalusa, Louisiana, with the Deep South’s delta blues tradition feeding into the album. It moves from opener ‘Bodhi Song’, which finds the band concerning themselves with Buddhist enlightenment, shifting through ‘Glory Glory’, where evocative flute lines collide with fuzzy, gnarled bass, and the captivating groove of ‘Strip Mall Babylon’, before closing with a two-part coda, the cathartic, exquisite ‘A Pleasure To Burn’ and ‘Hirami’.” - The Quietus
 
“Rose Windows have the power to lift listeners far out of the everyday…” – Mojo
 
“Together, they’ve produced a nine-song set mining various vintage rock textures. “Blind” features a laid-back, funk-and-country appeal similar to Seed of Memory-period Terry Reid. “A Pleasure to Burn” is particularly desert-fried and is full of spacious wails, campfire guitar and rattlesnake percussion. “The Old Crow,” meanwhile, is a guns-raised anthem with bluesy, Wild Turkey-drenched vocals and a few Dr. Who-styled synth lines.” - Exclaim!
 
“Sumptuous” - Uncut

“Strip Mall Babylon” suggests the album is well worth hearing. The song starts deceptively with a slinky groove, before Qazi’s Joplin-esque roar explodes over thick, fuzzy guitars and searing organs. It’s a victorious sign-off for a band with a brief but impressive run.” - Stereogum

“Marked by a smashing rhythm section and gnarly, over-sized guitar riffs, the track finds the band operating in the the proto-metal tradition of a slightly grimier Black Sabbath.” [Glory, Glory] - Consequence of Sound

“‘Glory, Glory’ is at once the psych-rockers’ heaviest, most extroverted, and catchiest song to date.” - The Stranger



Posted by Sam Sawyer

NEWS : TUE, APR 14, 2015 at 7:00 AM

Listen to Rose Windows’ “Strip Mall Babylon” Now

You can now listen to Rose Windows “Strip Mall Babylon, a new offering from the group’s forthcoming, self-titled and final album, due out May 4th on Sub Pop.
 
Stereogum premiered the track and had this to say, ““Strip Mall Babylon” suggests the album is well worth hearing (we can attest to this suggestion). The song starts deceptively with a slinky groove, before Qazi’s Joplin-esque roar explodes over thick, fuzzy guitars and searing organs. It’s a victorious sign-off for a band with a brief but impressive run. Hear the track below.(see track premiere April 14th).”
 
Preorders for Rose Windows are available now from Sub Pop Mega Mart, iTunes, Amazon and Bandcamp. All customers who pre-order the LP version of the album from megamart.subpop.com will receive the “Loser Edition” on red & black marbled vinyl, and a limited edition 7” which features the songs “Never Did Me Wrong” and a cover of Led Zeppelin’s “The Wanton Song” (while supplies last). Additionally, there will be a new T-shirt design available in two colors, both individually and as part of a bundle with purchases of the new record.
 
Rose Windows recently shared the news of their dissolution through their Facebook page (read more here) and have canceled all scheduled live dates. With that said, we are very proud to have released two albums with Rose Windows, and wish them well in their future pursuits, both musically and otherwise.



Posted by Sam Sawyer

NEWS : MON, FEB 9, 2015 at 8:00 AM

Hear “Glory, Glory” from Rose Windows’ May 5th s/t Sophomore Record

Seattle’s psychedelic rock sextet Rose Windows will release their self-titled second album, the follow up to their acclaimed debut The Sun Dogs, on CD/DL/LP May 4th in Europe and May 5th in North America via Sub Pop. Rose Windows, featuring the highlights “Glory, Glory,” “Strip Mall Babylon,” and “Blind,” was recorded in the fall of 2014 at Studio in the Country in Bogalusa, LA, and produced & mixed by Randall Dunn (Earth, Akron Family, Cave Singers).  You can now listen to heavy rocker “Glory, Glory” via Consequence of Sound. 

CoS had this to say, “Marked by a smashing rhythm section and gnarly, over-sized guitar riffs, the track finds the band operating in the the proto-metal tradition of a slightly grimier Black Sabbath (see news story February 9th).”

Preorders for Rose Windows are available from Sub Pop Mega Mart, iTunes, Amazon and Bandcamp. All customers who pre-order the LP version of the album from megamart.subpop.com will receive the “Loser Edition” on red & black marbled vinyl, and a limited edition 7” which features the songs “Never Did Me Wrong” and a cover of Led Zeppelin’s “The Wanton Song” (while supplies last). Additionally, there will be a new T-shirt design available in two colors, both individually and as part of a bundle with purchases of the new record.

Rose Windows have scheduled a few headlining & festival dates in support of the release: February 20th in Seattle at Neumos; February 21st in Bainbridge Island, WA at Rolling Bay Hall; May 8th in Austin, TX for Austin Psych Fest’s Levitation 2015; And Memorial Day Weekend in George, WA for Sasquatch Festival. Please find a complete list of tour dates below.

About Rose Windows:
When Chris Cheveyo abandoned the finalized recording of his heavy instrumental post-rock band towards the end of 2010, it wasn’t out of a general cynicism towards expansive, heady music. There was just something about that specific palette of tones and the cut-and-dry melodrama of the songwriting that wasn’t satisfying anymore. So he culled his old habits and made a fresh start with Rose Windows, a Seattle-based sextet that drew upon everything from American folk to West Saharan guitar rock, from pentatonic proto-metal to traditional Persian music, from the darker corners of California’s early psych scene to the hazy atmospherics of contemporary drone artists.

It was a risky era for this sort of bold new venture—there was a lot of talk of austerity in 2010. People were upside-down on their mortgages. Gas prices were high. Not surprisingly, many of the new musicians of the Great Recession were solo bedroom artists, laptop producers, and lo-fi aficionados. It was a time to think small and live within one’s means. It was an inopportune time to create the kind of lavish, orchestral, spacious records that came out of the peak of album-oriented rock radio of the ‘70s. And yet that’s the kind of record Rose Windows made in the fall of 2011. Their debut album, The Sun Dogs, was a brave record—exploratory, diverse, and lush. It didn’t fit in with the escapist pulse of indie dance music, or the retrograde scuzz of garage rock, or the bucolic nostalgia of the breezy new folk scene. The Sun Dogs, with it’s bluesy dirge, exotic scales, and majestic sprawl, didn’t quite fit it anywhere. Yet its theme of “the everyday blues that capitalism and its hit man, religion, bring on all of us” was certainly apropos of the time (read more at Sub Pop).



Posted by Sam Sawyer