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News for Rose Windows

NEWS : TUE, MAY 5, 2015 at 12:00 AM

Rose Windows’ Self-Titled, and Sadly, Final Record Out Now

Rose Windows, the self-titled, final album from the beloved Seattle sextet, is available now on CD/LP/DL worldwide via Sub Pop. The album, featuring the highlights “Glory, Glory,” and “Strip Mall Babylon,” was recorded in the fall of 2014 at Studio in the Country in Bogalusa, LA, and produced & mixed by Randall Dunn (Earth, Akron Family, Cave Singers).

You can now watch Rose Windows “In The Studio,” a documentary on the making of the album, filmed by Deep Dasgupta and on location in Bogulusa [http://u.subpop.com/1FLF4CQ].

Rose Windows is available now from Sub Pop Mega Mart, iTunes, Amazon and Bandcamp. All customers who pre-order the LP version of the album from megamart.subpop.com will receive the “Loser Edition” on red & black marbled vinyl, and a limited edition 7” which features the songs “Never Did Me Wrong” and a cover of Led Zeppelin’s “The Wanton Song” [listen here] while supplies last. Additionally, there will be a new T-shirt design available in two colors, both individually and as part of a bundle with purchases of the new record.
 
Rose Windows recently shared the news of their dissolution through their Facebook page (read more here / March 30th) and have canceled all scheduled live dates. With that said, we feel lucky and very proud to have released two albums with Rose Windows and wish them well in all of their future pursuits.
 
What people are saying about Rose Windows:
“With production supremo and Master Musicians Of Bukkake man Randall Dunn taking up desk duties, the band recorded the follow-up to their 2013 debut The Sun Dogs in Bogalusa, Louisiana, with the Deep South’s delta blues tradition feeding into the album. It moves from opener ‘Bodhi Song’, which finds the band concerning themselves with Buddhist enlightenment, shifting through ‘Glory Glory’, where evocative flute lines collide with fuzzy, gnarled bass, and the captivating groove of ‘Strip Mall Babylon’, before closing with a two-part coda, the cathartic, exquisite ‘A Pleasure To Burn’ and ‘Hirami’.” - The Quietus
 
“Rose Windows have the power to lift listeners far out of the everyday…” – Mojo
 
“Together, they’ve produced a nine-song set mining various vintage rock textures. “Blind” features a laid-back, funk-and-country appeal similar to Seed of Memory-period Terry Reid. “A Pleasure to Burn” is particularly desert-fried and is full of spacious wails, campfire guitar and rattlesnake percussion. “The Old Crow,” meanwhile, is a guns-raised anthem with bluesy, Wild Turkey-drenched vocals and a few Dr. Who-styled synth lines.” - Exclaim!
 
“Sumptuous” - Uncut

“Strip Mall Babylon” suggests the album is well worth hearing. The song starts deceptively with a slinky groove, before Qazi’s Joplin-esque roar explodes over thick, fuzzy guitars and searing organs. It’s a victorious sign-off for a band with a brief but impressive run.” - Stereogum

“Marked by a smashing rhythm section and gnarly, over-sized guitar riffs, the track finds the band operating in the the proto-metal tradition of a slightly grimier Black Sabbath.” [Glory, Glory] - Consequence of Sound

“‘Glory, Glory’ is at once the psych-rockers’ heaviest, most extroverted, and catchiest song to date.” - The Stranger



Posted by Sam Sawyer

NEWS : TUE, APR 14, 2015 at 12:00 AM

Listen to Rose Windows’ “Strip Mall Babylon” Now

Rosewindows 560x560

You can now listen to Rose Windows “Strip Mall Babylon, a new offering from the group’s forthcoming, self-titled and final album, due out May 4th on Sub Pop.
 
Stereogum premiered the track and had this to say, ““Strip Mall Babylon” suggests the album is well worth hearing (we can attest to this suggestion). The song starts deceptively with a slinky groove, before Qazi’s Joplin-esque roar explodes over thick, fuzzy guitars and searing organs. It’s a victorious sign-off for a band with a brief but impressive run. Hear the track below.(see track premiere April 14th).”
 
Preorders for Rose Windows are available now from Sub Pop Mega Mart, iTunes, Amazon and Bandcamp. All customers who pre-order the LP version of the album from megamart.subpop.com will receive the “Loser Edition” on red & black marbled vinyl, and a limited edition 7” which features the songs “Never Did Me Wrong” and a cover of Led Zeppelin’s “The Wanton Song” (while supplies last). Additionally, there will be a new T-shirt design available in two colors, both individually and as part of a bundle with purchases of the new record.
 
Rose Windows recently shared the news of their dissolution through their Facebook page (read more here) and have canceled all scheduled live dates. With that said, we are very proud to have released two albums with Rose Windows, and wish them well in their future pursuits, both musically and otherwise.



Posted by Sam Sawyer

NEWS : MON, FEB 9, 2015 at 12:00 AM

Hear “Glory, Glory” from Rose Windows’ May 5th s/t Sophomore Record

Seattle’s psychedelic rock sextet Rose Windows will release their self-titled second album, the follow up to their acclaimed debut The Sun Dogs, on CD/DL/LP May 4th in Europe and May 5th in North America via Sub Pop. Rose Windows, featuring the highlights “Glory, Glory,” “Strip Mall Babylon,” and “Blind,” was recorded in the fall of 2014 at Studio in the Country in Bogalusa, LA, and produced & mixed by Randall Dunn (Earth, Akron Family, Cave Singers).  You can now listen to heavy rocker “Glory, Glory” via Consequence of Sound. 

CoS had this to say, “Marked by a smashing rhythm section and gnarly, over-sized guitar riffs, the track finds the band operating in the the proto-metal tradition of a slightly grimier Black Sabbath (see news story February 9th).”

Preorders for Rose Windows are available from Sub Pop Mega Mart, iTunes, Amazon and Bandcamp. All customers who pre-order the LP version of the album from megamart.subpop.com will receive the “Loser Edition” on red & black marbled vinyl, and a limited edition 7” which features the songs “Never Did Me Wrong” and a cover of Led Zeppelin’s “The Wanton Song” (while supplies last). Additionally, there will be a new T-shirt design available in two colors, both individually and as part of a bundle with purchases of the new record.

Rose Windows have scheduled a few headlining & festival dates in support of the release: February 20th in Seattle at Neumos; February 21st in Bainbridge Island, WA at Rolling Bay Hall; May 8th in Austin, TX for Austin Psych Fest’s Levitation 2015; And Memorial Day Weekend in George, WA for Sasquatch Festival. Please find a complete list of tour dates below.

About Rose Windows:
When Chris Cheveyo abandoned the finalized recording of his heavy instrumental post-rock band towards the end of 2010, it wasn’t out of a general cynicism towards expansive, heady music. There was just something about that specific palette of tones and the cut-and-dry melodrama of the songwriting that wasn’t satisfying anymore. So he culled his old habits and made a fresh start with Rose Windows, a Seattle-based sextet that drew upon everything from American folk to West Saharan guitar rock, from pentatonic proto-metal to traditional Persian music, from the darker corners of California’s early psych scene to the hazy atmospherics of contemporary drone artists.

It was a risky era for this sort of bold new venture—there was a lot of talk of austerity in 2010. People were upside-down on their mortgages. Gas prices were high. Not surprisingly, many of the new musicians of the Great Recession were solo bedroom artists, laptop producers, and lo-fi aficionados. It was a time to think small and live within one’s means. It was an inopportune time to create the kind of lavish, orchestral, spacious records that came out of the peak of album-oriented rock radio of the ‘70s. And yet that’s the kind of record Rose Windows made in the fall of 2011. Their debut album, The Sun Dogs, was a brave record—exploratory, diverse, and lush. It didn’t fit in with the escapist pulse of indie dance music, or the retrograde scuzz of garage rock, or the bucolic nostalgia of the breezy new folk scene. The Sun Dogs, with it’s bluesy dirge, exotic scales, and majestic sprawl, didn’t quite fit it anywhere. Yet its theme of “the everyday blues that capitalism and its hit man, religion, bring on all of us” was certainly apropos of the time (read more at Sub Pop).



Posted by Sam Sawyer

NEWS : THU, JUL 3, 2014 at 12:00 AM

#TBT: Earth “Tallahassee”

In continuation of Sub Pop’s grand tradition of piggy-backing our agenda on to existing cultural trends, we’d love to share with you this week’s Throw Back Thursday (#TBT), or, because we are old and bad at the jokes, “Throwing out Backs Thursday” (again, because we are old and our backs aren’t what they used to be). This week, we’re dusting off “Tallahassee”, an absolute gem from former Sub Pop drone masters, Earth. The track comes from 1996’s heavy Pentastar: In the Style of Demonsyou can pick that up from the Mega Mart here.

Earth recently teamed up with current Rabia Shaheen Qazi, the magical front-woman of current Sub Pop psych outfit Rose Windows, and recorded “From the Zodiacal Light”, which you can and should listen to over at Pitchfork now. Go. Listen.



Posted by Sam Sawyer

NEWS : TUE, JUN 10, 2014 at 9:00 AM

clipping.’s ‘CLPPNG’, Constantines’ ‘Shine a Light’, and Rose Windows’ “There’s Is A Light” All Out Today!

Today’s a very heavy release day for us here at Sub Pop HQ. We’ve got people hustling around the warehouse shipping and receiving, publicists on the horn (industry speak for phone) with press, and metadataists metadataing. Which is to say, it’s a wild scene around here, but one we’ve been preparing for.

First and foremost, clipping., the most disruptive and abrasive yet remarkably welcoming hip hop we’ve ever heard, are making their debut with the nearly eponymous CLPPNG. It’s a collection of disorienting and challenging hip hop tracks that equate to a pretty perfect debut record. Listen to “Body & Blood” in the embedded player for example. Pick up CLPPNG here, or wherever fine records are sold.

Tragically long-out-of-print on the coveted vinyl formatway, ConstantinesShine A Light is back in record bins wherever you dig for them. There’s still time to get yourself a copy of the limited, colored-vinyl Loser Edition of the LP from us here. But they’re going to go quickly, so order SOON. Listen to the epic ”Young Lions” from the record here.

Rose Windows are back with their single, ”There Is A Light” b/w “Fix Me Another One”, out today digitally, and out soon on 7”. Pick up the 7” single or a two song digital single here. Listen to the beautiful psych dream that is ”There Is A Light”.



Posted by Sam Sawyer

NEWS : TUE, MAR 25, 2014 at 12:00 AM

Sub Pop At the Katowice, Poland OFF Festival!

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Sub Pop is very pleased to announce our involvement with this year’s OFF Festival, to be held August 1st-3rd in Katowice, Poland.  Now in its 8th year, the lineup features the likes of Belle & Sebastian, Neutral Milk Hotel, Deafheaven, Glenn Branca, Fuck Buttons, Loop, Earth, Dean Wareham, Dirty Beaches, Chelsea Wolfe, Perfume Genius, Perfect Pussy and more to be announced.

On Friday, August 1st Sub Pop will curate the Experimental Stage, with a lineup that includes artists from the labels roster, past and present, our sister label Hardly Art, and a few Polish bands. Artists performing include: Wolf Eyes, Rose Windows, clipping., Lyla Foy, Protomartyr, Kaseciarz (Krakow, PL) and Wild Books (Warszawa, PL).   

Please find additional information about each of the performers below.

Wolf Eyes
“Choking Flys” (From No Answer - Lower Floors / Destijl)  
https://www.youtube.com/watch?v=qbgI-DEk4U4

Some say Rock N Roll will never reach the same primitive raw vein hit of Bo Diddley at his more subhuman lurch, or that no unit could ever scramble the marbles left of what brain-boiling suburban electronic punk outsiders did in the mid-’70s: Whatever you think, there is no denying the homemade nuclear war Wolf Eyes has declared on music. Wolf Eyes was birthed in the shadows of late-’90s Michigan. However, Wolf Eyes has grown beyond a band into a collective mutant ensemble, an art abstraction unit: musicians, print makers, photographers and more, all sharing a primal vision of decoding the wilderness of the humanoid soul using their deep audio arsenals. 

clipping.
“Work Work” feat. Cocc Pistol Cree (From CLPPNG / Sub Pop)
https://www.youtube.com/watch?v=8WBYzu1_OqM


Before the release of clipping.’s debut, 2013’s Midcity, the trio of rapper Daveed Diggs and producers Jonathan Snipes and William Hutson did not expect to find an audience for their abrasive brand of rap music. But since the formation of clipping. and the release of their debut album, the field of commercial music enlarged ever so slightly, making room again for noisier, more adventurous elements in electronic production. Examples of this have been incremental, mere baby steps, so far. And despite clipping.’s insistence that they’re really just making rap— not noise-rap, industrial-rap, or any other mashup genre— their music might be more sonically challenging than that of the punkish rap rockers, lo-fi bedroom producers, and street goth hybridist’s they’ve been lumped with so far. The band will release their Sub Pop debut, CLPPNG, this June.
 

Lyla Foy
“Feather Tongue” (From Mirrors the Sky / Sub Pop)
https://www.youtube.com/watch?v=PEfG15s9xU8


Lyla Foy (formerly known as WALL) released Mirrors the Sky, her Sub Pop debut in March. The London singer and producer specializes in intimate vocals effortlessly intertwined with delicate, emotive instrumentation. The production is an integral part of her writing process, capturing not only the intended notes but also the incidental and accidental sounds that bring the recordings to life and provide endless intrigue. While the patter of keyboards, guitars and pulsing bass lines create a beguiling backdrop, it’s Foy’s sense of melody and turn of phrase that takes centre stage. Subtle nods to classic refrains, mingled with her own inflection, suggest a writer who draws from many different eras, resulting in a sound that is both timeless yet modern.

Protomartyr
“Scum Rise” (from Under Color of Official Right / Hardly Art)
https://www.youtube.com/watch?v=nsSBZ1mpQpI

Protomartyr’s taut, austere rock was incubated in a freezing Detroit warehouse littered with beer cans and cigarette butts and warmed, feebly, by space heaters. Despite the cold, Protomartyr emerged with a sound that is idiosyncratic but relatable, hooky but off-kilter. Protomartyr’s economical rock elicits comparisons to possible antecedents like Pere Ubu or The Fall as well as local contemporaries like Frustrations or Tyvek (whose frontman Kevin Boyer played bass in an early iteration of Protomartyr). Singer Joe Casey’s dry declarative snarl serves as a reliable anchor, granting his bandmates — guitarist Greg Ahee, drummer Alex Leonard and bassist Scott Davidson — the opportunity to explore textures and reinforce the rhythm section. This is never more apparent than on the band’s sophomore LP and Hardly Art debut, Under Color of Official Right.

Rose Windows
“Heavenly Days” (From The Sun Dogs / Sub Pop)
https://www.youtube.com/watch?v=ZLb68QxivnA


Rose Windows began in late 2010 in Seattle. On their debut album, The Sun Dogs, the band incorporates elements of The Band, The Doors’ organ-driven psychedelia, and Black Sabbath’s dirges, along with Persian, Indian, and Eastern European music.  Rose Windows have toured the West Coast several times, fluidly sharing the stage with underground art-metal bands one night and popular indie Americana acts the next. The Sun Dogs was recorded and produced by Randall Dunn (SunnO))), Boris, Earth) at Avast! in Seattle.

Wild Books
“Oranges & Lemons” (from Wild Books / Instant Classic)
https://www.youtube.com/watch?v=2pEmRtPpCro


Who said you could only play rootsy, dirty, sunburned rock in Texas or Tennessee? The duo Wild Books proves that you set out from a Polish garage to follow in the footsteps of Jack White and The Black Keys. Wild Books’ self-titled 2014 debut record showcases retro-rock in its whole ass-kicking glory.

Kaseciarz
“Dance” (from 
Motörcycle Rock and Roll / Instant Classic)
https://www.youtube.com/watch?v=8NNJE4tVdPk

Three years ago, this guy proved you could be a surfer in southern Poland. This year he’s back with Motörcycle Rock and Roll, a mix of psychedelia, garage, and surf, or as he likes to call it, “garbage rock.” Fortunately the sound quality is inversely proportional to its aesthetic value. Maciej Nowacki’s music will blow your socks off, even though he himself admits that the only reason he got into music in the first place was to prove he was in the arts at parties.




Posted by Sam Sawyer