On April 7th, 2023 the inimitable, enduring, one and only Mudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters), will release their latest and greatest, Plastic Eternity, on Sub Pop. 2023 is the 35th anniversary of both Mudhoney and Sub Pop, and an incredible new album by the label’s flagship band is the perfect way to mark the occasion (well, that, and with an update on the progress of the sewage tunnel boring machine bearing the band’s name…). Recorded over nine days at Crackle & Pop! in Seattle, WA with longtime producer Johnny Sangster, Plastic Eternity is a heady run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020s.
Mudhoney has shared an official video for Plastic Eternity’s first offering “Almost Everything.” Frontman Mark Arm says the song “was originally known as ‘Gopal.’ It had been sitting in the recording device at our practice space for years and we avoided erasing it because we always loved its swinging Escalator groove.” Directed by Arturo Baston, the visual for “Almost Everything” is a surreal and interdimensional journey of a character that never stops transforming. You may even transcend the limits of space, time and form yourself while watching this video! WATCH NOW.
Mudhoney has scheduled a 14-date, Australian tour beginning Friday, April 14th and ending Friday, May 5th, 2023. The late-spring spring run will include shows in Byron Bay, Brisbane, Canberra, Melbourne, Adelaide, Perth, and more. Additional dates for non-Oceania fans and followers to be announced in the coming months. Please find a current list of dates below.
Fri. Apr. 14 - Coolangatta, AU - Coolangatta Hotel Sat. Apr. 15 - Byron Bay, AU - The Northern Sun. Apr. 16 - Brisbane, AU - The Zoo Thu. Apr. 20 - Marrickville, AU - Factory Theatre Fri. Apr. 21 - Belford, AU - Gumball Festival Sat. Apr. 22 - Wollongong, AU - AOW Uni Bar Sun. Apr. 23 - Canberra, AU - ANU Kambri Thu. Apr. 27 - Melbourne, AU - Corner Hotel Fri. Apr. 28 - Castlemaine, AU - Theatre Royal Sat. Apr. 29 - Torquay, AU - Torquay Hotel Sun. Apr. 30 - Melbourne, AU - Cherry Bar Wed. May 03 - Adelaide, AU - Lion Arts Factory Thu. May 04 - Perth, AU - The Rosemount Fri. May 05 - Margaret River, AU - The River
Plastic Eternity is now available for preorder on CD/LP/CS/DSPs from Sub Pop. LP preorders frommegamart.subpop.com, and select independent retailers in North America will receive the limited Loser Edition on “shiny gray matter” vinyl. In the UK, and in Europe the Loser Edition will be available on silver vinyl (both editions available while supplies last). There will also be a new T-shirt design available.
Even More On Mudhoney’s Plastic Eternity: The world is filling up with trash. Humanity remains addicted to pollution despite the planet getting hotter by the minute. People are downing horse dewormer because some goober on television told them it cured COVID. Tom Herman of pioneering avant garage band Pere Ubu still doesn’t have his own Wikipedia article. The apocalypse, it seems, is stupider than anyone could’ve predicted.
Fortunately, the absurdities of modern life have always been prime subject matter for Seattle-based band Mudhoney. The foursome take aim at all of them with barbed humor and muck-encrusted riffs on Plastic Eternity, their 11th studio album.
Mudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm’s sharply funny lyrics as potent a combination as they’ve been since the band’s formation in the late 1980s. From taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix (“Cry Me An Atmospheric River”) to a driving rock and roll song about taking drugs meant for livestock (“Here Comes the Flood”) to a classic punk attack on treating humans like livestock (“Human Stock Capital”), Plastic Eternity is a heady run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020’s.
The recording of Plastic Eternity delivered several firsts for the band. With Maddison planning on moving his family to Australia, Mudhoney was forced to work on a deadline, booking nine days at Crackle & Pop! in Seattle with longtime producer Johnny Sangster. Since the pandemic had made it impossible for them to convene in their practice space for nearly a year and a half, this meant they were going in to make a record with an assortment of half-forgotten riffs and nascent ideas rather than fully-fledged, well-rehearsed songs.
This was unusual for a band used to writing songs by “standing in a room and looking at each other and playing,” says Arm. “We had the time and space to think about things as we were doing them, and to make a kind of course correction—to use a fucking terrible cliche.” They built “Flush the Fascists” around a looping synth line, broke out a harmonizer on two tracks, added a vocoder to “Plasticity,” and even created a protest song out of a spontaneous jam on “Move Under,” the chorus of which Arm calls “something the Runaways might have come up with if they were us.” “Undermine the foundations/ Of the lies that they repeat,” implores Arm on the chorus. “You gotta move under/ Until it all comes down.”
Plastic Eternity also marks the first time Mudhoney has given writing credit to anyone outside the band, thanks to Sangster, whom Arm calls “a brilliant musician and way more adept at musical theory than any of us,” stepping in at times to offer advice on where the songs could go.
Also unusual for Mudhoney: Plastic Eternity contains two genuine love songs. The first is for the aforementioned Tom Herman, one Arm’s favorite guitarists and the protagonist of “Tom Herman’s Hermits.” Then there’s closing track “Little Dogs,” a paean to the simple joys of hanging out with tiny canines, and one in particular: Arm’s Pomeranian, Russell, whom he couldn’t bear to give up after fostering him, sure that any other owner wouldn’t allow the little fellow to “let his freak flag fly.” No irony here—just gratitude to a little pal in dark times.
So it seems, despite its mordant delivery and crusty exterior, Plastic Eternity is not just a rebuke to the constant attacks on our intelligence and our planet—it’s an ode to the connections we make with other living beings. What is the persistence of Mudhoney but a testament to that? When asked why they continue making records nearly four decades after forming, Arm’s answer is simple.
“We like each other and we like being in a band together,” says Arm. “Some people have poker night or whatever the fuck, and they have the excuse to get together with their friends. For us, this [band] is that. This is what we do.”
Mudhoney Plastic Eternity
Tracklisting: 1. Souvenir of My Trip 2. Almost Everything 3. Cascades of Crap 4. Flush the Fascists 5. Move Under 6. Severed Dreams in the Sleeper Cell 7. Here Comes the Flood 8. Human Stock Capital 9. Tom Herman’s Hermits 10. One or Two 11. Cry Me an Atmospheric River 12. Plasticity 13. Little Dogs
Today, Sub Pop will release the remastered and altogether deluxe 30th-anniversary edition of Mudhoney’s Every Good Boy Deserves Fudge, the Seattle group’s classic second full-length album. Originally released 30 years ago TO THE DAY, this expanded version includes the remastered original album in its entirety, as well as a 15-track bonus LP (or CD, your choice!) of additional material, with 7 previously unreleased songs The album also includes liner notes from Mudhoney biographer (Mudhoney: The Sound and the Fury from Seattle) and MOJO journalist Keith Cameron, as well as new cover art, archival band photos, and a full-color fold-out poster. The first run of LPs will be on colored vinyl.
Mudhoney has announced a 28-date UK & EU tour starting on September 7th, 2022 in Manchester, UK with shows in Bristol, London, Barcelona, Paris, Copenhagen, and Amsterdam, ending on Oct. 9th in Nijmegen, NL. See below for a full list of shows.
UK & EU Tour Dates Fall 2022: Wed. Sep. 07 - Manchester, UK - HMV- Ritz Thu. Sep. 08 - Glasgow, UK - SWG3 Fri. Sep. 09 - Nottingham, UK - Nottingham Rock City Sat. Sep. 10 - London, UK - Electric Ballroom Sun. Sep. 11 - Bristol, UK - O2 Academy Bristol Mon. Sep. 12 - Brighton, UK Concorde 2 Thu. Sep. 15 - Barcelona, ES - Razmatazz 2 Fri. Sep. 16 - Benidorm, ES - Visor Festival Sat. Sep. 17 - Seville, ES - Alhambra Monkey Day Sun. Sep. 18 - Madrid , ES - Mon Live Tue. Sep. 20 - NIMES, FR - La Paloma Wed. Sep. 21 - Clermont Ferrand, Fr - La Coopérative de Mai Thu. Sep. 22 - Bordeaux, FR - Rock School Barbey Fri. Sep. 23 - Joué-lès-Tours, FR - Le Temps Machine Sat. Sep. 24 - Besançon, FR - Festival Détonation Sun. Sep. 25 - Paris, FR - La Maroquinerie Tue. Sep. 27 - Düsseldorf, DE - Zakk Wed. Sep. 28 - Münster, DE - Gleis 22 Thu. Sep. 29 - Copenhagen, DK - Vega Club Fri. Sep. 30 - Berlin, DE - Hole44 Sat. Oct. 01 - Amsterdam, NL - Paradiso Noord - Tolhuistuin Sun. Oct. 02 - Leipzig, DE - UT Connewitz Tue. Oct. 04 - Prague, CZ - Lucerna Music Bar Wed. Oct. 05 - Ebensee, AT - Kino Ebensee Thu. Oct. 06 - Bologna, IT - TPO - Teatro Polivalente Occupato Fri. Oct. 07 - Fribourg, CH- Fri-Son Sat. Oct. 08 - Leuven, BE - Het Depot Sun. Oct. 09 0 - Nijmegen, NL - Doornroosje
Every Good Boy Deserves Fudge: Deluxe 30th Anniversary Edition is available now through Sub Pop. LP purchases from megamart.subpop.com, select independent retailers in North America, the UK, and Europe will receive the first pressing of this release on light blue (LP1) and red (LP 2) vinyl.
Mudhoney Every Good Boy Deserves Fudge: 30th Anniversary Deluxe Edition Tracklisting: 1. Generation Genocide 2. Let It Slide 3. Good Enough 4. Something So Clear 5. Thorn 6. Into the Drink 7. Broken Hands 8. Who You Drivin’ Now? 9. Move Out 10. Shoot the Moon 11. Fuzzgun ‘91 12. Pokin’ Around 13. Don’t Fade IV 14. Check-Out Time 15. March to Fuzz 16. Ounce of Deception 17. Paperback Life (alternate version) 18. Fuzzbuster 19. Bushpusher Man 20. Flowers for Industry 21. Thorn (1st attempt) 22. Overblown 23. March From Fuzz 24. You’re Gone 25. Something So Clear (24-track demo) 26. Bushpusher Man (24-track demo) 27. Pokin’ Around (24-track demo) 28. Check-Out Time (24-track demo) 29. Generation Genocide (24-track demo)
On July 23rd, 2021, Sub Pop will release the remastered 30th-anniversary deluxe edition of Mudhoney’s Every Good Boy Deserves Fudge, the Seattle group’s classic second full-length album. This expanded release will include the original album in its entirety as well as a 15-track bonus LP and CD of additional material, with 7 previously unreleased songs. The album also includes liner notes from Mudhoney biographer (Mudhoney: The Sound and the Fury from Seattle) and MOJO journalist Keith Cameron, as well as new cover art, archival band photos, and a full-color fold-out poster. The first run of LP’s will be on colored vinyl.
In celebration of this upcoming, momentous release, please enjoy the new video for “Ounce of Deception”! This track was previously released as the b-side to the 1991 “Let it Slide” 7”, and was also included on the 52-track compilation of Mudhoney smash hits and rarities, March to Fuzz (orig released in 2000 and now only available on the increasingly unpopular CD format). The video was directed by Duncan Sharp, and features wonderfully entertaining, vintage footage of the group performing live.
Preorders for Every Good Boy Deserves Fudge: Deluxe 30th Anniversary Edition are available now through Sub Pop. LP preorders from megamart.subpop.com, select independent retailers in North America, the UK, and Europe will receive the first pressing of this release on light blue (LP1) and red (LP 2) vinyl.
Mudhoney will also release a limited-edition split 7” single with Meat Puppets for Record Store Day 2021. This split single features two exclusive cover songs: “Warning,” performed by Mudhoney and originally by The Aynsley Dunbar Retaliation (and famously covered by Black Sabbath); and “One of These Days,” performed by Meat Puppets, originally written by Earl Montgomery and first popularized by George Jones. This release is a Record Store Day 2021 exclusive, and it is limited to 2,500 copies.
More about Every Good Boy Deserves Fudge: Deluxe 30th Anniversary Edition: “When in doubt, fudge it.” On September 19, 1990, perhaps with an eye on the daily news reports of US forces massing in Saudi Arabia in preparation for an assault on Iraq, Mark Arm recorded a version of Bob Dylan’s “Masters of War,” at Reciprocal Recording studio in Seattle. Mudhoney fans might have been surprised to learn that the voice of such mindblown anthems to oblivion as “If I Think” and “In ‘n’ Out of Grace,” was now taking on the definitive antiwar song. The times were indeed a-changin’ – both for the world, and for Mudhoney.
During the same Reciprocal session with engineer Jack Endino, some further work was done on a recording from earlier that same year. On May 19, Mudhoney had taped five songs at Music Source, a large studio in Seattle’s Capitol Hill district. Endino was behind the desk then – as he had been for 1988’s catalytic debut double-A side “Touch Me I’m Sick”/”Sweet Young Thing Ain’t Sweet No More,” the Superfuzz Bigmuff mini-album and 1989’s self-titled LP – and this session was notionally the start of the next Mudhoney album. But the fact that nothing had been done with these recordings after four months told its own story.
“We decided we didn’t much care for it,” Steve Turner says today. “It didn’t sound right to me, it sounded a little too fancy, too clean. It didn’t have the dirt.”
Mudhoney hadn’t gotten where they were by sounding a little too fancy. “Touch Me I’m Sick” made a virtue of its tactile grubbiness – and in so doing, ignited a generation aesthetically jaded by pop culture always equating sophistication with progress. Yet now Mudhoney were apparently acquiescing to the same principle. During the few months which separated “Touch Me”/”Sweet Young Thing” from Superfuzz Bigmuff, Reciprocal had upgraded from 8-track recording to 16, and it was on this higher spec machine that Mudhoney had recorded both their mini-album and debut long-player. Granted, in the context of songs like “Here Comes Sickness” and “Flat Out Fucked,” ‘sophistication’ was a relative term. But as Mark Arm subsequently observed: “There was a grittiness to that very first single that never quite got recaptured.”
The Music Source session utilised 24 tracks, distancing Mudhoney even further from their raw essence. Unhappy with the recordings, Steve Turner instigated a change of direction. He noted that Thrillsphere, the cool new album by Tacoma WA garage rockers Girl Trouble, had been released by PopLlama, a record label run by Conrad Uno out of his house in Seattle’s U-District. In the basement of that same house, Uno had a recording studio, named Egg after the cartons pasted on the walls in an optimistic attempt at sound-proofing, which also boasted a ’60s vintage 8-track Spectra Sonics recording console, originally built for Stax in Memphis.
In the two-plus years since Mudhoney’s official inception on January 1, 1988, Turner had become worn down by the routine of what increasingly felt like a career as a professional musician – something he’d never aspired to. One benefit of the band’s frequent visits to the UK in 1989/90, however, had been the ready availability of cheap original era punk singles, which Turner brought home by the box-load. He proposed a twin-pronged palate-cleansing operation.
“My idea was, why don’t we go check out Egg Studios, go in there for a day and record a bunch of punk covers, and see what it sounds like. I called Conrad, and said, ‘This is Steve from Mudhoney. We want to come in there and record with you.’ He started laughing, and just said, ‘Why?!’ I figured that bode well for Conrad! (read more at Sub Pop).
Mudhoney Every Good Boy Deserves Fudge: 30th Anniversary Deluxe Edition Tracklisting: 1. Generation Genocide 2. Let It Slide 3. Good Enough 4. Something So Clear 5. Thorn 6. Into the Drink 7. Broken Hands 8. Who You Drivin’ Now? 9. Move Out 10. Shoot the Moon 11. Fuzzgun ‘91 12. Pokin’ Around 13. Don’t Fade IV 14. Check-Out Time 15. March to Fuzz 16. Ounce of Deception 17. Paperback Life (alternate version) 18. Fuzzbuster 19. Bushpusher Man 20. Flowers for Industry 21. Thorn (1st attempt) 22. Overblown 23. March From Fuzz 24. You’re Gone 25. Something So Clear (24-track demo) 26. Bushpusher Man (24-track demo) 27. Pokin’ Around (24-track demo) 28. Check-Out Time (24-track demo) 29. Generation Genocide (24-track demo)
Mudhoney have just announced a 15-date 2020 tour, in support of their Morning In America EP, which is available now worldwide from Sub Pop. The dates begin April 30th in Vancouver, BC at the Imperial and end May 16th in Seattle, WA at the Crocodile. Along the way, the band will co-headline a string of shows with Meat Puppets (May 7th-13th).
Apr. 30 - Vancouver, BC - The Imperial + May 01 - Victoria, BC - Capital Ballroom + May 02 - Bellingham, WA - The Wild Buffalo + May 03 - Olympia, WA - Capitol Theater + May 05 - Sacramento, CA - Harlow’s May 06 - Visalia, CA - The Cellar Door May 07 - San Francisco, CA - The Fillmore * May 08 - Los Angeles - CA - El Rey Theatre * May 09 - Tucson, AZ - 191 Toole * May 10 - Santa Fe, NM - Meow Wolf * May 12 - Denver, CO - Summit Music Hall * May 13 - Salt Lake City, UT - Commonwealth Room * May 14 - Boise, ID - Neurolux May 15 - Portland, OR - Wonder Ballroom # May 16 - Seattle, WA - The Crocodile + ^
* w/ Meat Puppets + w/ The Tripwires ^ w/ Thee Deception # w/ Minus Five
Mudhoney’s Morning in America is a new 7-song EP of tracks recorded during the sessions for Digital Garbage, their acclaimed album of 2018 (“…an astute, politically relevant and commendably fired-up garage punk belter of an LP,” – The Quietus). The tracks include “Let’s Kill Yourself Live Again” (an alternate version of the Digital Garbage stand-out “Kill Yourself Live,” and the bonus track for the Japanese CD version of that album), “One Bad Actor” (a new version of Mudhoney’s track on the limited-edition, and now very sold-out, SPF30 split 7” single w Hot Snakes), album outtakes “Snake Oil Charmer,” “Morning in America” and “Creeps Are Everywhere,” plus “Ensam I Natt” (“So Lonely Tonight,” a Leather Nun cover) and “Vortex of Lies” from a very limited, European tour 7”.
Morning in America has been released on 12” vinyl and through digital services, and is available from the Sub Pop Mega Mart now. The limited Loser Edition is on white vinyl marbled with black is available from megamart.subpop.com and select independent retailers in North America, UK and Europe (the Loser Ed is silver vinyl in the UK/EU), while supplies last.
“Yeah, the world sucks. But 30 years in, Mudhoney does not.” [Digital Garbage] - Seattle Times
“They simply sound like a better, defter, maybe even snottier version of their younger selves on their 10th album.” [Digital Garbage] - Rolling Stone
“The Seattle scuzz-punk pioneers deliver a grave diagnosis of a festering societal condition.” [Digital Garbage] - Pitchfork
Today, Sep 20th, Sub Pop Records is releasing Morning in America, a new 7-song EP of tracks recorded during the sessions for Mudhoney’s 2018 album,Digital Garbage (“…an astute, politically relevant and commendably fired-up garage punk belter of an LP,” – The Quietus). The tracks include “Let’s Kill Yourself Live Again” (an alternate version of the Digital Garbage stand-out “Kill Yourself Live,” and the bonus track for the Japanese CD version of that album), “One Bad Actor” (a new version of Mudhoney’s track on the limited-edition, and now very sold-out, SPF30 split 7” single w Hot Snakes), album outtakes “Snake Oil Charmer,” “Morning in America” and “Creeps Are Everywhere,” plus “Ensam I Natt” (“So Lonely Tonight,” a Leather Nun cover) and “Vortex of Lies” from a very limited EU tour 7”.
The songs were mixed at Johnny Sangster’s studio Crackle & Pop! The release of this EP coincides with Mudhoney’s fall 2019 US tour which finds the band playing the Ohana Festival in Dana Point, CA, and then Boston, Philadelphia, Durham, Atlanta, Detroit, Pittsburgh, and several other cities, ending on Oct 19th in Brooklyn, NY. See below for a full list of dates and supporting artists.
Morning in America will only be available on 12” vinyl and through digital services. This new Mudhoney EP is available from Sub Pop starting now. And, the limited Loser Edition of Morning in America, on white vinyl marbled with black in the US and Silver in (UK/EU), is available from megamart.subpop.com and select independent retailers in North America, UK, and Europe, while supplies last.
Morning in America Tracklisting
1.Vortex of Lies 2. Creeps Are Everywhere 3. Ensam I Natt 4. Morning in America 5. Let’s Kill Yourself Live Again 6. Snake Oil Charmer 7. One Bad Actor
[Photo Credit: Niffer Calderwood]
Mudhoney will be touring the US following the release of this EP: Sept. 28 - Dana Point, CA - Ohana Festival Oct. 04 - Jersey City, NJ - White Eagle Hall @ Oct. 05 - Boston, MA - Brighton Music Hall * Oct. 06 - Philadelphia, PA - Union Transfer * Oct. 07 - Richmond, Virginia - The Broadberry * Oct. 08 - Pinhook, Durham - NC * Oct. 09 - Atlanta, GA - Terminal West * Oct. 10 - Asheville, NC - Grey Eagle Tavern & Music Hall * Oct. 11 - Birmingham, AL - Saturn # Oct. 12 - Nashville, TN - Basement East $ Oct. 14 - St Louis, MO - Off Broadway % Oct. 15 - Detroit, MI - El Club % Oct. 16 - Cleveland, OH - Grog Shop % Oct. 17 - Pittsburgh, PA - Mr. Smalls % Oct. 18 - Baltimore, MD - Baltimore Soundstage % Oct. 19 - Brooklyn, NY - Market Hotel % Nov. 16 - Yakima, WA - Seasons Performance Hall
@ w/ Shut Up * w/ Pissed Jeans # w/ Pissed Jeans, Kings of the Fucking Sea $ w/ Porcupine & Kings of the Fucking Sea % w/ Kid Congo Power + the Pink Monkey Birds
On Sep 20th, Sub Pop will release Morning in America, a new 7-song EP of tracks recorded during the sessions for Mudhoney’s 2018 album, Digital Garbage (“…an astute, politically relevant and commendably fired-up garage punk belter of an LP,” – The Quietus). The tracks include “Let’s Kill Yourself Live Again” (an alternate version of the Digital Garbage stand-out “Kill Yourself Live,” and the bonus track for the Japanese CD version of that album), “One Bad Actor” (a new version of Mudhoney’s track on the limited-edition, and now very sold-out, SPF30 split 7” single w Hot Snakes), album outtakes “Snake Oil Charmer,” “Morning in America” and “Creeps Are Everywhere,” plus “Ensam I Natt” (“So Lonely Tonight,” a Leather Nun cover) and “Vortex of Lies” from a very limited EU tour 7”.
The songs were mixed at Johnny Sangster’s studio Crackle & Pop! The release of this EP coincides with Mudhoney’s fall 2019 US tour – see below for dates.
Morning in America will only be available on 12” vinyl and through digital services. Pre-orders for this new Mudhoney EP are available from Sub Pop now. And, the limited Loser Edition of Morning in America, on white vinyl marbled with black, is available frommegamart.subpop.com and select independent retailers inNorth America, UK, and Europe, while supplies last.
Morning in America Tracklisting 1.Vortex of Lies 2. Creeps Are Everywhere 3. Ensam I Natt 4. Morning in America 5. Let’s Kill Yourself Live Again 6. Snake Oil Charmer 7. One Bad Actor
Mudhoney will be touring the US following the release of this EP: Sep. 27 – Sep. 29 - Dana Point, CA - Ohana Festival Oct. 4 - Jersey City, NJ - White Eagle Hall @ Oct. 5 - Boston, MA - Brighton Music Hall * Oct. 6 - Philadelphia, PA - Union Transfer * Oct. 7 - Richmond, Virginia - The Broadberry * Oct. 8 - Pinhook, Durham - NC * Oct. 9 - Atlanta, GA - Terminal West * Oct. 10 - Ashville, NC - Grey Eagle Tavern & Music Hall * Oct. 11 - Knoxville, TN - Concourse # Oct. 12 - Nashville, TN - Basement East $ Oct. 14 - St Louis, MO - Off Broadway % Oct. 15 - Detroit, MI - El Club % Oct. 16 - Cleveland, OH - Grog Shop % Oct. 17 - Pittsburgh, PA - Mr. Smalls % Oct. 18 - Baltimore, MD - Baltimore Soundstage % Oct. 19 - Brooklyn, NY - Market Hotel %
@ w/ Shut Up * w/ Pissed Jeans # w/ Pissed Jeans, Kings of the Fucking Sea $ w/ Porcupine & Kings of the Fucking Sea % w/ Kid Congo Power + the Pink Monkey Birds
