News for Mark Arm

NEWS : TUE, JUL 10, 2018 at 6:57 AM

Listen: “Paranoid Core” Is The First Single From ‘Digital Garbage,’ The Roaring, Incisive New Album From Mudhoney

Digital Garbage will be available worldwide September 28th, 2018 on Sub Pop.

On September 28th, the beloved, PNW rock and roll institution Mudhoney will release Digital Garbagethe 10th album from the band in 30 years, a barbed-wire-trimmed collection of sonic brickbats. You can listen to the new album’s premiere offering, “Paranoid Core” by clicking that play button up there.

Pre-orders of the album through megamart.subpop.comMudhoney.org, and select independent retailers will receive the limited Loser edition on seafoam green vinyl (while supplies last).


Digital Garbage
Tracklisting
1. Nerve Attack
2. Paranoid Core
3. Please Mr. Gunman
4. Kill Yourself Live
5. Night and Fog
6. 21st Century Pharisees
7. Hey Neanderfuck
8. Prosperity Gospel
9. Messiah’s Lament
10. Next Mass Extinction
11. Oh Yeah


[Photo Credit: Emily Reiman]

Since the late ’80s, Mudhoney – the Seattle-based foursome whose muck-crusted version of rock, shot through with caustic wit and battened down by a ferocious low end – has been a high-pH tonic against the ludicrous and the insipid.
 
Thirty years later, the world is experiencing a particularly high-water moment for both those ideals. But just in time, vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters are back with Digital Garbage, a barbed-wire-trimmed collection of sonic brickbats. Arm’s raw yawp and his bandmates’ long-honed chemistry make Digital Garbage an ideal release valve for the 2018 pressure cooker, its insistent rhythms forcing movement and Arm’s sardonic lyrics offering a funhouse-mirror companion to the ever-more-ridiculous news cycle. “My sense of humor is dark, and these are dark times,” says Arm. “I suppose it’s only getting darker.”
 
Digital Garbage opens with the swaggering “Nerve Attack,” which can be heard as a nod both to  modern-life anxiety and the ever-increasing threat of warfare. The album’s title comes from the outro of “Kill Yourself Live,” which segues from a revved-up Arm organ solo into a bleak look at the way notoriety goes viral. “I’m not on social media, so my experience is somewhat limited,” says Arm. “But people really seem to find validation in the likes—and then there’s Facebook Live, where people have streamed torture and murder, or, in the case of Philando Castile, getting murdered by a cop.”
 
“In the course of writing that song,” he adds, “I thought about how, once you put something out there online, you can’t wipe it away. It’s always going to be there—even if no one digs it up, it’s still out there floating somewhere.”
 
Appropriately enough, bits of recent news events float through the record—”Please Mr. Gunman,” on which Arm bellows “We’d rather die in church!” over his bandmates’ careening charge, was inspired by a TV-news bubblehead’s response to a 2017 church shooting, while the ominous refrain that opens the submerged-blues of “Next Mass Extinction” calls back to last summer’s clashes in Charlottesville, although Arm’s brutal delivery helps twist it into an indictment. Arm also went back to the pre-Mudhoney era for the titular insult of the stinging “Hey Neanderfuck.” ”National Lampoonmade several comedy records in the 70s, and in one skit  someone gets called a ‘Neanderfuck,’” Arm laughs. “I’ve always loved that insult and wondered why it never became a part of the American lexicon—it’s so brutal. It was high time to use that.”
 
Mudhoney’s core sound—steadily pounding drums, swamp-thing bass, squalling guitar wobble, Arm’s hazardous-chemical voice—remains on Digital Garbage, which the band recorded with longtime collaborator (and Digital Garbage pianist) Johnny Sangster at the Seattle studio Litho. The anti-religiosity shimmy “21st Century Pharisees” builds its case with Maddison’s woozy synths. “It adds a really nice touch to the proceedings,” Arm says of Maddison’s synth parts. “And Guy has really learned his way around his machines playing in a synth trio the past few years.”
 
The shuffling “Messiah’s Lament” is the band’s first song in 6/8—and it’s told from the point of view of a world-weary Jesus. And Digital Garbage closes with “Oh Yeah,” a brief celebration of skateboarding, surfing, biking, and the joy provided by these escape valves. “I would’ve really just loved to write songs about just hanging out on the beach, and going on a nice vacation,” says Arm. “But, you know, that probably doesn’t make for great rock.”
 
Mudhoney, however, know what does make great rock—and the riffs and fury of Digital Garbage will stand the test of time, even if the particulars fade away. “I’ve tried to keep things somewhat universal, so that this album doesn’t just seem like of this time—hopefully some of this stuff will go away,” Arm laughs. “You don’t want to say in the future, ‘Hey, those lyrics are still relevant. Great!’”

Mudhoney Tour Dates + Ticket Links

Mudhoney will embark on a world tour beginning on Aug. 11th at SPF30, Sub Pop’s FREE 30th Anniversary Festival and Party at Alki Beach in West Seattle. They will then play a string of dates in the Pacific Northwest starting Sep. 15th in Vancouver, with shows in Portland and Seattle before heading to Europe on Nov. 11th.
 
Tour Dates:
Aug. 11 - Seattle, WA - SPF30 (Sub Pop’s FREE 30th Anniversary Festival and Party at Alki Beach! From noon to 10pm.)
Sep. 15 - Vancouver, Canada - Rickshaw Theater (Westward Music Festival)
Sep. 28 - Portland, OR - Dante’s @
Sep. 29 - Seattle, WA - Neptune Theatre %
Oct. 13 - Brooklyn, NY - Warsaw ^
Nov. 11 - Utrecht, NL - Le Guess Who Festival
Nov. 12 - Groningen, NL - Vera *
Nov. 13 - Berlin, DE- Festaal Kreuzberg &
Nov. 14 - Hamburg, DE - Fabrik &
Nov. 15 - Koln, DE - Gebaude 9  &
Nov. 16 - Luzern, SZ - Schuur &
Nov. 17 - Vevey, SZ - Rocking Chair &
Nov. 19 - Frankfurt, GE - Zoom Club &  
Nov. 20 - Munchen, GE - Strom &  
Nov. 21 - Bologna, IT - Locomotiv &
Nov. 22 - Roma, IT - Largo (IT)  &
Nov. 23 - Milan, IT - Santeria Social Club &
Nov. 24 - Zagreb, HR - Mochvara &
Nov. 25 - Vienna , AT - Arena Big Hall *
Nov. 27 - Paris, FR - Le Trabendo &
Nov. 28 - Brighton, UK - Concorde 2 #
Nov. 29 - London, UK - Electric Ballroom #
Nov. 30 - Leeds, UK - Leeds Beckett University !
Dec. 1St - Glasgow, UK - Lukes Church !

@ The Scientists and Eat Skull
% The Scientists and Tom Price Desert Classic
^ Pissed Jeans and Art Gray Noizz Quintet
* w/Zeke and Please the Trees
& Please the Trees
# Masonics and Thee Hypnotics
! Wildebeests and Thee Hypnotics


Posted by Rachel White

TUE, FEB 5, 2008 at 8:08 AM

Mark Arm Wears Gravity Boots

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Well, this is it, folks. I am pulling out all the stops and bringing you what you’ve all been waiting for, and it can only go down hill from here. Ladies and Germs, it is with much pleasure that I bring you People Who Work Here’s exclusive interview with the man, the myth, Mark Arm! (wait for applause) Mark Arm is the Warehouse Manager here at Sub Pop Records, and that means that if you order anything from our store, especially a big package that has to be sent via UPS, Mark will have, most likely, put those golden hands of his upon your box. I mean, package. Whatever. Some things I’ve learned about Mark since working with him are: he is super into politics, he has to listen to NPR really loud because his ears are not what they used to be, he can stand fully upright on a yoga ball, his wife cuts his hair, and he’s a funny/fun dude. Let’s meet Mark!

L: Contrary to popular belief your real last name is not Arm. Please discuss how you got this name and how you feel about having a “punk name” at 40+.

M: My friend Smitty and I were deep into a fake argument using non-offensive body parts as swear words. The argument culminated with him yelling “arm arm” at me. I had no response to this attack and we both broke down laughing. Then when Mr. Epp became a real band, complete with instruments, we adopted non-sequitur punk names. Jeff Smith became Jo Smitty and I became Mark Arm. I never thought it’d stick. Luckily, I’m more comfortable with my “punk name” than the easily garbled Scottish name I was born into. [This version seems a lot more tame than what I was led to believe. –ed.]

L: You are most famous for being the front dude of Mudhoney, but you’ve also been in many other bands, including Green River, Mr. Epp & the Calculations, Bloodloss, Monkeywrench, as well as the new incarnation of the MC5 from time to time. Which of these other bands is your favorite and why?

M: Of all these bands, the MC5 is my favorite. It’s not my band, so it’s much easier for me to embrace. The MC5 is one of the best bands ever and they helped lay the foundation for what would become punk rock. Getting to play with the DKT/MC5 was such a fantastic mindfuck. That said Bloodloss was most satisfying musically. After playing together for a few months I realized that we were able to effortlessly pull cool shit out of thin air with everyone playing around each other instead of following the same riff (and no, we weren’t “jamming”). The downside was going on tour with a dude who was in a constant state of withdrawl. The rest of us felt like we were dragging around a whiny corpse and propping it up for shows. [Weekend at Bernie’s! –ed.] Monkeywrench is a total hoot and getting to play with Tim Kerr, Tom Price and Martin Bland is a total treat that happens way too rarely. Shameless plug: our third album (Gabriel’s Horn) in 17 years comes out in February on the Birdman record label.

L: When Mudhoney was getting going you were relatively old (26-ish, right?). How do you think that being more, ahem, mature helped your band achieve the dizzying success that it did?

M: Maturity had nothing to do with Mudhoney. It still doesn’t. [Whatever you say, old man. -ed.] The dizziness was usually bedspins. We were old enough that we had a pretty firm idea of what we wanted Mudhoney to be when we started. I was well aware of the glass ceiling we’d encounter with our brand of entertainment. I just figured it would be lower. We weren’t dazzled by the brass ring and we never bothered to reach for it. [I smell lyrics a brewin’. –ed.] We achieved more than I ever anticipated and I feel incredibly lucky that I still get to muck around in this shit.

L: Major label vs. Sub Pop. Pros and cons of each, please.

M: Major Labels have giant warehouses all over the country. I don’t think I’d be able to wrap my head around their inventory, but I would probably get to drive a forklift. Sub Pop is blessed with a pretty swank warehouse, but since T-shirts have become a major part of our inventory, I wish it was bigger. [Touche, Mr. Arm. -ed.] Perhaps I can expand into the Art and Hardly Art departments. One of the odd side effects of working in the warehouse and getting to know our inventory is that item numbers are seared into my brain. So when the clock strikes 6:47 or 7:04 I flash on Comets On Fire.

L: You have remarkable posture. How do you do that?

M: Why thank you Lacey, how nice of you to notice! Emily & I invested in a matching set of gravity boots nine years ago. We have a wall mounted TV that rotates so we can watch it when we’re upside down. We try to do this at least 3 hours every evening. That’s why I don’t go out that much. The first time I tried this I nearly choked on popcorn and mountain dew poured out my nose. After years of dedicated practice I’ve gotten pretty good at snacking upside down.

L: Who in Mudhoney do you spend the most time with? Who in Mudhoney knows your deepest, darkest secrets? What is your favorite Mudhoney record?

M: I probably see Guy [Male Nurse! –ed.] more than anyone else these days, Dan is a close second. I don’t see Steve that much since he moved to Portland. Steve & I started hanging out in 1983 so I guess he knows more about me than the others, but he doesn’t know much. I refuse to let anyone past these walls, no one get’s in…Get Out! As far as favorite record goes, I don’t have one. I don’t listen to our records unless we’re putting together a comp or trying to relearn a forgotten song. At this point I’m most familiar with The Lucky Ones since that’s the one we’ve been working on and you know what that means, it’s the best one yet. [Available May 20th on Sub Pop brand Records. –ed.]

L: I heard there will be a Green River reunion this summer, true? Tell me how the whole thing went down and how you think your performance will be.

M:True, we are slated to play Sub Pop’s 20th Anniversary this July. I’m not sure how it went down since nothing’s happened yet. Everyone is psyched to get together again so I think it’ll be great (for us at least).

L: Please name your five top rock performers, in order, and let me know why you like them.

M: This is tough, Lacey. Since you asked about performers and not musicians, I’ll talk about folks who”make good show”.
I’ve been going to Nick Cave shows since the first time the Bad Seeds came to the Northwest (’86 in Vancouver) and I’ve seen them in Europe, the UK and Australia. After all of these performances I’ve concluded that Nick is always on fire and will stop at nothing to put on a good show. I would have loved to have seen the Birthday Party in LA & SF in ’83, but I didn’t have money or a car.
John Brannon is super sweet in real life, but on stage he exudes more heartfelt distain, hatred and contempt than anyone I can think of. I’ve seen Negative Approach play to 3000 people, Easy Action play to less than 20 as well as a bunch of Laughing Hyenas shows and despite the audience, he’s always super intense.
The Butthole Surfers were brilliant performers. No one could touch these guys in the mid 80s. They hung out in Seattle for about 3 weeks in December of ’83 and their special effects amounted to little more than a couple of Radio Shack strobes and flying safety pins. They were mind-blowing. They kept adding to their shows, lights, films, naked dancers, etc. When they played Reading in ’89 they opened by smashing their gear (no, I didn’t see that). It all went south when they started hanging around Ministry though.
Iggy Pop puts everything into each performance, even if he’s touring on a crappy record and is backed by a bunch of hacks. I wish he had a better sense of who to play with. I’m glad the Stooges got back together. That’s something I never thought I’d see. I wish I could have seen them in the late 60s/early 70s when no one understood what they were doing or how to react to them. I would love to watch them confront a crowd of indignant Crosby Stills and Nash fans in some Midwestern college auditorium. I hope I can still hop around like Iggy in 15 years, well not exactly like that, I hope my back and hips don’t get as fucked up. That shit looks painful.
Jimi Hendrix died well before I was going to rock shows, but I’ve seen him preserved on film and no one plays guitar like that. He’s astounding to watch, he makes the craziest shit fluid and effortless. He didn’t just play guitar, he played electricity. He’s even amazing when he’s sleepwalking, like the first part of the set at the Isle of Wight Festival. He wakes up mid-set after going behind the amps to get a boost and blows doors. Sadly, he died a week later.

L: Please tell me a funny story about when Mudhoney was in that Chris Farley movie! Also, your wikipedia entry says you were in Velvet Goldmine which I did not know. What was that like? (PS Dean Hudson HATES that movie!)

M: We were only on the set of Black Sheep for one day, but we did hang out a bit with Chris Farley. Steve was totally star-struck and offered him some blow, which took us all by surprise since the rest of us had never seen Steve near the white lady. Anyway, Chris had only been clean for two months or so. Apparently he never got clean again. Steve still feels guilty about it, but we tell him it’s not really his fault because Chris Farley would have been offered drugs from some other sycophant. I’m not in Velvet Goldmine. My name is on the soundtrack recording, but my voice got erased in favor of Ewan McGregor’s. I did get a chance to write two songs with Ron Asheton (another happy mindfuck) and record them with Ron, Mike Watt (this is how he ended up in the Stooges), Thurston Moore and Steve Shelly as the Wylde Ratttz. Due to the Ewan McGregor crap, it’s hard for me to be objective about the movie. What’s Dean’s problem, is it too gay for him? I like Todd Haynes stuff, especially Safe and Far From Heaven. I just saw I’m Not There and really liked the Fellini homage in the Cate Blanchett part. The Christian Bale segment was straight out of hack biopic 101 though.

L: Tell me how your met your lovely wife Emily, Pet Photographer. What do you guys do in your free time?

M: We met in ’85 probably at a party or a show. I don’t remember the exact circumstance, but there was a lot of beer and MDA around at the time. We went out for about three weeks. She moved to NY for awhile, came back to town for a summer and we hung out as friends. Then she moved to L.A. Mudhoney would stay at her place. I had a girlfriend so Emily wouldn’t make out with me. [What a prick tease! –ed.] She moved back to Seattle in ’91 with a boyfriend in tow. Then in ’93 they broke up, I stopped with the opiates and we started going out. We got hitched a year later. By the way, I hear Ruben finally proposed to you,congratulations! [Why thank you! –ed.]When we have enough free time, we like to travel. Our last two big trips were to Brazil and Burma. We’re going to Costa Rica when the rest of Sub Pop goes to SxSW.

L: If you were to have kids what would you tell them about drugs?

M: That’s another reason to not have children, it’s a conversation I’d rather not have. I like drugs. I just don’t like people on drugs. [But what about kids on drugs? That’s fun, right? –ed.]

L: And finally, what is Mark Arm’s favorite place to eat in Seattle and why?

M: Except for lunch, which is usually just sandwiches, I don’t go out to eat that much. I always enjoy the Boat Street Café, Matt’s in the Market, Machiavelli, The Tamarind Tree and a place right next to it that’s simply called Schezwanese Cuisine. A couple of default places in West Seattle I enjoy are Taqueria Guaymas and the West 5. That didn’t really answer your question, did it? [That’ll do, I suppose. –ed.]

PS Mark, don’t try to get all clever in the photo booth. I won’t allow it.


Posted by Lacey Swain

MON, FEB 5, 2007 at 9:43 AM

PANDERING TO THE LOCALS: FEB. ‘07

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“Sub Pop: The new thing; the God thing; a mighty multinational entertainment conglomerate based in the Pacific Northwest”

This quote is printed along the spine of the compilation pictured above, Sub Pop 100_. The other day Sub Pop’s long-departed founder Bruce Pavitt came by and, with the help of Green River’sriver Mark Arm and the tremendously amiable and funny Tad, chatted us all up on the label’s beginnings. He brought some records with him to pass around, and Sub Pop 100 was one of them. It was really fun; grunge was pretty bitchen’.

Also of note around the HQ of our multinational entertainment conglomerate this month: the upcoming, February 6th, release of our first record with Sweden’s Loney, Dear! The record is called Loney, Noir, and it’s been aptly described as “soulful indie folk with a powerful mini orchestra.” If you’d like to read/learn more, there’s a Loney, Dear “Track Marks” feature on Idolator, a new Pitchfork review of the record, and a Stereogum piece on the video for the song I Am John. They were also the ‘Band of the Day’ for Feb. 6 on Spin.com. And, AND! If you order the record by February 6th, we will throw in, free of charge one copy of the UK import 7" single “The City, The Airport” b/w “Ignorant Boy, Beautiful Girl”! “Skiv-Slapp” means “Record Release” in Swedish! We think!

We faced some “challenges” in the production and assembly of the Loney, Noir record that you can read more about here, if you enjoy making fun of us as much as we seem to.

Also, welcome to the new website.

S>P: we love you.


Posted by Chris Jacobs