News from 1/2020

NEWS : TUE, JAN 14, 2020 at 8:57 AM

Watch The Homesick’s “Male Bonding” a new song from ‘The Big Exercise,’ the group’s forthcoming Sub Pop debut

The Homesick take on the patriarchy in this trippy new video for “Male Bonding,” a standout from The Big Exercise, the group’s label debut, which will be released worldwide February 7th, 2020. The visual was directed by Karlos Rene Ayala (Low’s “Poor Sucker,” “Dancing and Blood”; Chelsea Wolfe’s “American Darkness”) with a hat tip to Skinner Illustration and Matt Brown 3D Animations.


 
The Big Exercise, which features the singles “I Celebrate My Fantasy,” the aforementioned “Male Bonding,” “Kaïn,” and the title track, was produced by The Homesick at Schenk Studio in Amsterdam, mixed by Casper van der Lans, and mastered by Mikey Young (Total Control, Eddy Current Suppression Ring).
 
The Big Exercise is available for preorder on CD/LP/DL from Sub Pop. Preorders of the album through megamart.subpop.com and select independent retailers in North America will receive the limited Loser edition on bright yellow vinyl (while supplies last). Meanwhile, preorders in the UK and Europe from select independent retailers will receive the limited Loser edition on opaque yellow vinyl (while supplies last).


 
The Homesick’s international tour schedule in support of The Big Exercise resumes February 21st, 2020 at Groningen at Vera and ends March 7th, 2020 in Utecht at Ekko. Additional live dates to be announced soon.
 
Feb. 21 - Groningen, NL - Vera
Feb. 28 -  Nijmegen, NL - Merleyn
Mar. 05 - Amsterdam, NL - Paradiso
Mar. 06 - Rotterdam, NL - WORM
Mar. 07 - Utrecht, NL - EKKO
 
About The Homesick’s The Big Exercise:
If their debut Youth Hunt marked The Homesick’s tryst with faith and pastoral life, the band’s upcoming second album The Big Exercise brings them to more grounded, tangible pastures. With its title ripped from a passage in the Scott Walker-biography Deep Shade Of Blue, the record is a concentrated effort by Jaap van der Velde, Erik Woudwijk and Elias Elgersma to explore the physicality of their music in fresh ways (read more at Sub Pop).


NEWS : TUE, JAN 14, 2020 at 7:30 AM

Orville Peck Announced As First 2020 Apple Music Up Next Artist

Social 1x1 upnext orville peck

Apple Music today announced masked country crooner Orville Peck will kick off the new year as the latest Up Next artist to join Apple Music’s monthly artist initiative geared towards identifying, showcasing and elevating rising talent. Peck embodies the program’s rising star status as a modern alt-country artist for the Instagram age, a burgeoning fashion and cultural icon who is breaking boundaries in the country music tradition.

Apple Music has fully supported the masked indie artist following the release of his critically acclaimed 2019 debut album, Pony. Since then, Peck has been celebrated as a guitar artist crossing genre bounds and showcased across Apple Music’s Pure Country Radio, Today’s Country, Indie Radio, Untitled, Up Next, Country Wide, Eclectic Rock, as well as Zane Lowe and Matt Wilkinson’s Beats 1 anchor shows.

“I’m thrilled to have been chosen as Apple’s newest Up Next artist,” said Peck. “They have been so supportive of me and it feels real nice to be able to bring y’all a little closer to who I am as a country musician and an artist.”

“Orville Peck is an enigma alright: a glorious mix of differing qualities that, on paper, really shouldn’t work,” said Apple Music host Matt Wilkinson. “Yet when you listen to his music, and hear his story, and watch how he connects with people on stages all over the world, there can be no denying that he’s hit upon something very special indeed. At his London show last October I saw stetson-wearing country old-timers stood shoulder-to-shoulder with drag queens, hipsters, indie kids, members of the fashion elite and sweet couples out on date night - all completely connected thanks to the music of one man who says he’s spent his entire life feeling disconnected. The irony of that!”

Peck’s Up Next short shot on iPhone 11 comes to Apple Music exclusively today and is available to watch HERE. In the film, Peck speaks to his trademark fringed mask, and tells Apple Music, “The point is combining ultra-sincerity with a heightened version of who you are at your core.”

On January 29th, Peck will perform on Jimmy Kimmel Live! as part of Apple Music’s Up Next program.

The latest music from Orville Peck, along with that of his Up Next peers, is available now on the Apple Music Up Next Playlist.



NEWS : WED, JAN 15, 2020 at 6:57 AM

Los Angeles’s Moaning Returns with Sophomore Full Length ‘Uneasy Laughter’ out March 20th; Watch Video for Lead Track “Ego”

North American Tour Dates To Be Announced Soon

Moaning, the musical effort from vocalist/guitarist Sean Solomon, bassist/keyboardist Pascal Stevenson and drummer Andrew MacKelvie, will follow-up their 2018 self-titled debut with Uneasy Laughter on Sub Pop Records this March 20th, 2020. What happens when an abrasive rock trio trades guitars for synths, cranks up the beats and leans into the everyday anxieties of simply being a functioning human in the 21st century? The answer is ​Uneasy Laughter​, the sensational second Sub Pop release from Los Angeles-based Moaning. Pre-order Uneasy Laughter HERE.

Uneasy Laughter is a collaborative breakthrough which significantly brightens Moaning’s once claustrophobic sound, again abetted by producer/engineer Alex Newport (At The Drive-In, Bloc Party, Melvins). The trio points to first single “Ego,” released today, which features a costume-heavy video directed by Ambar Navarro (Soccer Mommy, Oberhoffer, Anna Burch), as an embodiment of this evolution.

“The lyrics are about letting go of your own bullshit to help other people. Wanting to love yourself to love others. The ego can make you feel like you’re the greatest person in the world or the worst.” stated vocalist Sean Solomon. It makes you think your problems are abnormally different which is isolating and rarely true. The song is a reminder that listening to other perspectives is important and beneficial to both parties involved.”





“Musically, the song was started by repurposing a drum beat made for a different demo and putting it on top of a new synth loop. It was a digital collage where we passed Ableton files back and forth,” added bassist/keyboardist Pascal Stevenson. “We purposely avoided the impulse to add guitars to everything, letting the melodies of the synth and vocals be the focus. We wanted to embrace the songs ability to slip between genre lines.”

Solomon, Stevenson and MacKelvie have been friends and co-conspirators amid the fertile L.A. DIY scene for more than a decade. They are also immersed in other mediums and creative pursuits — Solomon is a noted illustrator , art director and animator, while Stevenson and MacKelvie have played or worked behind the boards with acts such as Cherry Glazerr, Sasami and Surf Curse. On ​Uneasy Laughter,​ they’ve tackled challenges both personal and universal the only way they know how: by talking about how they’re feeling and channeling those emotions directly into their music.

“We’ve known each other forever and we’re really comfortable trying to express where we’re at. A lot of bands aren’t so close,” says MacKelvie. Adds Solomon, who celebrated a year of sobriety during the ​Uneasy Laughter ​sessions, “Men are conditioned not to be vulnerable or admit they’re wrong. But I wanted to talk openly about my feelings and mistakes I’ve made.”


Photo Credit: Michael Schmelling ( Hi-Res )

Stevenson’s initial demo was slower and in what he calls “a strange time signature,” which stymied Solomon’s attempts to write vocal melodies. Borrowing a MacKelvie drumbeat from the demo of a different song, Stevenson found that it fit perfectly. The track was fleshed out further in practices and through passing demos back and forth, with the result “perfectly capturing every idea we wanted to play with,” says MacKelvie.

“I don’t think we would have been able to approach writing a song that way before,” adds Stevenson.

Several of the songs originated on acoustic guitar, and guitar can be heard in at least some form on nearly every album track. But the willingness to experiment with synths and loops greatly expanded Moaning’s sonic palette, particularly on the guitar-less album closer “Say Something.”

Recalls Solomon, “I wrote it as a folk song. When I brought it in, I told the guys, ‘I kind of hate this, but I like the melody and lyrics, so how do we turn it into a Moaning song?’” The answer turned out to be by stripping out guitar entirely and turning it into “a complete digital creation. It’s super weird and clubby. Now we just need to figure out how to play it live,” he says with a laugh. “When you hear Nirvana cover the Vaselines, it’s still the same song but it sounds completely different. Song structure can transcend style and genre. I wanted to write things I felt confident were good songs, regardless of whether it was on acoustic guitar or synths.”

“Guitars always sound like guitars, whereas with keyboards you have the ability to thin them out or thicken them up more dramatically, and then mold them to fit into whatever spot you need them to fit into,” says Stevenson. Flecked by patterns of neon synths and a rush of guitar, “Fall in Love” is both metronomic and completely human. “I would never play a bass line on an actual bass that’s so on the grid,” Stevenson offers. “But it does something major for the feel of the song.”

Elsewhere, distortion reverberates atop the pounding drums and earworm melody of “Make It Stop,” while “Saving Face” contrasts Solomon’s gauzy vocals with an undulating synth bass line, creating an off-kilter bliss. The restrained atmospherics and synth loops on “Connect the Dots” belie a tense revelation responsible for the new album’s title. “A lot of these songs wouldn’t have been this different and awesome without Pascal’s expertise with synths,” MacKelvie enthuses.

Solomon admits ​Uneasy Laughter​ could have gone in quite another direction had he not gotten sober and educated himself on such core subjects as gender and mental health. “I did a lot of reading in the tour van — ‘All About Love’ and ‘Ain’t I A Woman’ by bell hooks, ‘Capitalist Realism’ by Mark Fisher and ‘How Proust Can Change Your Life’ by Alain de Botton. I don’t want to be the guy who influences young people to go get high and become cliched tragic artists,” he says. “What I’d rather convey to people is that they’re not alone in what they think and how they feel.”

“We want to be part of a community,” he adds. “I wrote online about being sober for a year, and I had kids from all over writing and asking for advice. One of them said, ‘For the first time I can remember, I didn’t drink last night.’ I thought, for once, maybe we did something besides sell a record. That’s a win. That’s incredibly exciting.”

Uneasy Laughter will be available on CD/LP/CS/DL worldwide through Sub Pop right here. LP preorders through megamart.subpop.com and select independent retailers in North America will receive the limited Loser edition on clear w/blue and orange-colored vinyl (while supplies last).


Album Art by Aaron Jupin ( Hi-Res )

Moaning 
Uneasy Laughter
Tracklisting
1. Ego
2. Make It Stop
3. ///
4. Stranger
5. Running
6. Connect the Dots
7. Fall in Love
8. Coincidence or Fate
9. What Separates Us
10. //////////
11. Keep Out
12. Saving Face
13. Say Something

Now’s a very good time to follow Moaning on INSTAGRAM + FACEBOOK + TWITTER.



NEWS : WED, JAN 15, 2020 at 9:00 AM

Cartel Madras Announces First-ever US Performances in Support of ‘Age of the Goonda’

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Supports Sudan Archives March 3rd-13th, 2020 (select dates)

South Indian rap group Cartel Madras have just announced their first-ever U.S. shows in support of the Age of the Goonda EP, their Sub Pop debut, available now on all DSPs. The duo will support Stones Throw recording artist Sudan Archives beginning March 3rd in Minneapolis at 7th Street Entry and ending March 13th in Philadelphia at Johnny Brenda’s (select dates). Preceding the tour Cartel Madras will also headline Barboza in Seattle on January 16th. For updated information on tickets and live performances, please visit subpop.com/artists/cartel_madras/tours.
 
Jan. 16 - Seattle, WA - Barboza
Mar. 03 - Minneapolis, MN - 7th St. Entry *
Mar. 04 - Chicago, IL - Sleeping Village *
Mar. 05 - Detroit, MI - Deluxx Fluxx *
Mar. 06 - Toronto, ON - Longboat Hall *
Mar. 07 - Montreal, QC - Bar Le Ritz
Mar. 09 - Allston, MA - Great Scott *
Mar. 11 - Washington, DC - Union Stage *
Mar. 12 - New York, NY - Bowery Ballroom *
Mar. 13 - Philadelphia, PA - Johnny Brenda’s *
 
* w/ Sudan Archives



 
Cartel Madras’ Age of the Goonda EP, featuring the singles “Goonda Gold” and “Lil’ Pump Type Beat,” is available now worldwide through all DSPs from Sub Pop (with the exception of Canada through Royal Mountain Records).
 
What people are saying about Cartel Madras’ Age of the Goonda:
“They’ve got an absolutely wicked flow — think M.I.A. meets Cardi B. Hints of traditional Tamil music are sprinkled throughout.” [“Goonda Gold”] - Stereogum
 
Age of the Goonda is an invigorating five-track blast…More, please.” - The Wire
 
“At its core, Age of the Goonda is trap music: it’s brash, it’s rowdy and it’s fun. But laced throughout are nods to South Asian culture, Hinduism, race and queer identity that speak specifically to people who see themselves in one or more of those spaces.” - Exclaim!

“Comprised of six tracks, the EP possesses layered bass lines pumped with adrenaline, a range of Indian classical instruments weaved in and hooks that stay in your brain for days.” [Age of the Goonda] - NME
 
Age of the Goonda provides an electrifying burst of the duo’s live show energy in concentrated form.” - Loud & Quiet
 
“There’s a lot more to come from the duo, with Eboshi and Contra firing together trap and their South Indian heritage with an almost punk-like relish for DIY. New EP Age Of The Goonda..is an explosion that should resonate in all corners of the globe. The EP is led by fiery new hymn ‘Goonda Gold’ and it emphasizes their pan-continent mosaic of sound - ‘goonda’ means thug, a word used across India, Bangladesh, and Pakistan.”  [“Goonda Gold”] - CLASH
 
“In pop analogy, this hip-hop duo comprising Calgary-bred, Chennai-born siblings Bhagya and Priya Ramesh is somewhat like a Tamil Pulp Fiction-meets-MIA. With a carousel of bad-ass, no-fucks-given, brown girl anthems, Cartel Madras is brought to life by two sisters who don’t shy of braggadocio (you can’t miss their stack of gold jewelry) as they spout songs about feminism, empowerment and inclusivity.” [“12 New Musicians Set to Breakthrough in 2020”] - Vogue India


NEWS : WED, JAN 22, 2020 at 6:57 AM

Weyes Blood Announces “A Lot Has Changed” Tour in support of ‘Titanic Rising’

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[Photo credit: Eliot Lee Hazel]

Weyes Blood is announcing international tour dates for 2020 in support of Titanic Rising, her massively acclaimed album recently named one of the “Best Albums” of the 2010s and 2019.
 
Her “A Lot Has Changed Tour,” which includes new shows in the U.S., U.K., Europe, Australia, and New Zealand, spans February 23rd in Perth, AU as part of Perth Festival and runs through August 14th in Nashville, TN at The Basement East. 
 
A special fan presale for U.S. headlining dates begins Thursday, January 23rd at 10 am (local), with tickets on sale to the general public (all territories) this Friday, January 24th at 10 am (local). Please visit WeyesBlood.com for more info.
 
A Lot Has Changed Tour
Australia/New Zealand 2020 / Winter
Feb. 23 - Perth, AU - Perth Festival
Feb. 25 - Brisbane, AU - The Zoo
Feb. 26 - Melbourne, AU - Melbourne Recital Hall
Feb. 28 - Melbourne, AU - Melbourne Zoo Twilights **
Feb. 29 - Wollongong, AU - Farmer & The Owl Festival
Mar. 03 - Sydney, AU - The Factory Theatre
Mar. 04 - Hobart, AU - Odeon Theatre
Mar. 05 - Adelaide, AU - Adelaide Festival 
Mar. 07 - Castlemaine, AU - Theatre Royal
Mar. 08 - Victoria, AU - Golden Plains Festival
Mar. 13 - Wellington, NZ - New Zealand Festival of the Arts / Michael Fowler Centre *
Mar. 14 - Auckland, NZ - Auckland Town Hall *
Mar. 15 - Christchurch, NZ - Christchurch Town Hall *
* w/ Aldous Harding
** w/ Julia Jacklin
 
US 2020 / Spring
Apr. 11 - Indio, CA - Coachella
Apr. 18 - Indio, CA - Coachella
May 01 - Felton, CA - Felton Music Hall
May 02 - San Francisco, CA - Regency Ballroom
May 04 - Salt Lake City, UT - Urban Lounge
May 05 - Denver, CO - Bluebird Theater
May 08 - Dallas, TX - Trees
May 10 - Austin, TX - Scoot Inn
May 11 - Houston, TX - White Oak Music Hall (Downstairs)
May 12 - San Antonio, TX - Paper Tiger
May 14 - Albuquerque, NM - Launchpad
 
Europe 2020 / Spring
Jun. 03-07 - Barcelona, ES - Primavera Sound
Jun. 08 - Tourcoing, FR - Le Grand Mix
Jun. 10 - London, UK - O2 Shepherd’s Bush Empire
Jun. 14 - Hilvarenbeek, NL - Best Kept Secret Festival
Jun. 16 - Cork, IE - Cork Midsummer Festival
Jun. 17 - Dublin, IE - Vicar Street
Jun. 19 - Istanbul, TU - Zorlu PAC Jazz Festival
 
US 2020 / Summer
Jul. 31 - Louisville, KY - Headliners Music Hall
Aug. 01 - Milwaukee, WI - Pabst Theater
Aug. 04 - Columbus, OH - Skully’s Music Diner
Aug. 05 - Philadelphia, PA - Theatre of The Living Arts
Aug. 07 - Washington, DC - 9:30 Club
Aug. 08 - Carrboro, NC - Cat’s Cradle
Aug. 10 - Charlotte, NC - The Underground
Aug. 12 - Asheville, NC - The Orange Peel
Aug. 13 - Atlanta, GA - Variety Playhouse
Aug. 14 - Nashville, TN - The Basement East


 
Weyes Blood’s Titanic Rising appeared on over 100 “Best of 2019” lists and readers polls, earning “Album of the Year” honors from Brooklyn VeganFLOODMagic (France), PASTE, and Uncut, and additional placement from outlets including The AV ClubBBC NewsConsequence of SoundDazed, Double J (Australia), ExclaimGAFFA (Sweden), GeniusGod is in the TVGorilla vs. BearGQ (France), The GuardianIdolatorThe IndependentLes Inrocks (France), The Line of Best FitLoud & QuietMagnetMOJOMusikexpress (Germany), The Needle DropNMENorthern TransmissionsNo RipcordNPR MusicPassion of the WeissPitchforkQRecord CollectorRolling Stone (Germany), Rough TradeThe SkinnySlantStereogumThe IndependentThe ObserverThe Sunday Times CultureThe TimesThrillist, Treble ZineUnder the Radar, Uproxx, and ViceTitanic Rising also spent 4 weeks atop the NACC 200 College Chart.
 
Titanic Rising was also named one of the “Best of the Decade” from the likes of All Music, Aquarium DrunkardThe AV ClubBrooklyn VeganPitchforkPASTETreble Zine, and Uproxx.
 
Weyes Blood’s Titanic Rising, which features the highlights “Movies,” “Everyday,” “Andromeda,” “Something to Believe” and “Wild Time,” is available everywhere from Sub Pop.


NEWS : THU, JAN 23, 2020 at 7:00 AM

Watch Wolf Parade’s “Julia Take Your Man Home” video directed by Chad VanGaalen

Wolf Parade is sharing official video for “Julia Take Your Man Home,” directed by multi-disciplinary artist and Sub Pop labelmate Chad VanGaalen. The song is from Thin Mind, the group’s forthcoming fifth album available tomorrow, Friday, January 24th worldwide through Sub Pop, with the exception of Canada through Royal Mountain Records. 



Wolf Parade’s international headlining touring schedule in support of Thin Mind begins Monday, January 27th in Portland, Oregon at Crystal Ballroom and runs through Sunday, March 15th in Dublin, Ireland at The Button Factory. Support for these shows will come from Land of Talk (January 27th-February 11th), Sub Pop/Royal Mountain label mates Jo Passed (February 12th-24th), and Joensuu 1685 (March 2nd-15th). Preceding the tour, the band has scheduled an instore performance at Sonic Boom Records in Seattle on January 26th. For more information on tickets, please visit WolfParade.com.

Thin Mind, which features the singles “Forest Green,”  the aforementioned “Julia Take Your Man Home,” and “Against the Day,”  was produced by John Goodmanson at Risque Disque on Vancouver Island, BC, mixed by Goodmanson at Bogroll Studios in Seattle, and mastered by Noah Mintz at Lacquer Channel Mastering in Toronto. The album packaging features artwork from comic book artists Simon Roy and Hayleyglyphs throughout. 


LP orders through megamart.subpop.com and select independent retailers in the U.S. will receive the limited Loser edition on clear vinyl with red and green swirls (while supplies last). Meanwhile, LP orders in the UK and Europe through select independent retailers will receive the limited Loser edition on yellow vinyl (while supplies last). There will also be a new T-shirt design available. 

Wolf Parade Tour dates

Jan. 26 - Seattle, WA - Sonic Boom Records Instore
Jan. 27 - Portland, OR - Crystal Ballroom *
Jan. 29 - San Francisco, CA - The Fillmore *
Jan. 30 - Los Angeles, CA - The Regent Theater *
Jan. 31 - Solana Beach, CA - Belly Up Tavern *
Feb. 01 - Tucson, AZ - 191 Toole *
Feb. 03 - Austin, TX - Mohawk *
Feb. 04 - Dallas, TX - Trees *
Feb. 05 - Oklahoma City, OK - Tower Theatre *
Feb. 07 - Santa Fe, NM - Meow Wolf *
Feb. 08 - Englewood, CO - Gothic Theatre *
Feb. 09 - Salt Lake City, UT - Urban Lounge *
Feb. 11 - Seattle, WA - The Showbox *
Feb. 12 - Vancouver, BC - Commodore **
Feb. 16 - Chicago, IL - Thalia Hall **
Feb. 17 - London, ON - London Music Hall **
Feb. 18 - Toronto, ON - Mod Club ** [Sold Out]
Feb. 21 - Philadelphia, PA - Union Transfer **
Feb. 22 - Washington, DC - 9:30 Club **
Feb. 23 - Boston, MA - Paradise Rock Club **
Feb. 24 - Brooklyn, NY - Brooklyn Steel **
Mar. 02 - Utrecht, NL - Tivoli Vredenburg ^
Mar. 03 - Hamburg, DE - Knust ^
Mar. 04 - Berlin, DE - Gretchen ^
Mar. 06 - Cologne, DE - Club Volta ^
Mar. 07 - Zurich, CH - Bogen F ^
Mar. 08 - Luxembourg, LX - Rotondes ^
Mar. 09 - Paris, FR - Petit Bain ^
Mar. 10 - Brussels, BE - Orangerie @ Botanique ^
Mar. 11 - London, UK - The Dome ^
Mar. 13 - Bristol, UK - Thekla ^
Mar. 14 - Manchester, UK - YES (Pink Room) ^
Mar. 15 - Dublin, IE - The Button Factory ^

* w/ Land of Talk
** w/ Jo Passed
^ w/ Joensuu 1685