Speaking of exciting news: Up Records (via Sub Pop) will reissue Built To Spill’s much loved classic There’s Nothing Wrong with Love, the second full-length album released by the legendary indie rock band. It was originally released September 13, 1994 on the Up Records label with the stellar line-up of Doug Martsch, bassist Brett Nelson, and drummer Andy Capps, with Phil Ek producing. The album features enduring singles “In the Morning,” “Car,” and “Distopian Dream Girl.”
There’s Nothing Wrong With Love will be available October 30th from Up Records - distributed through Sub Pop - and is now available for preorder from Sub Pop Mega Mart.
On a related note, theThere’s Nothing Wrong With Love playlist is also available for your audio visual consumption, featuring official videos for “In The Morning,” “Car,” “Fling,” and “Big Dipper” via Up Records YouTube channel [view it here]
There’s Nothing Wrong with Love was exceptionally well received by critics upon its release. It went on to earn “Best Albums of 90’s” notices from the likes of Pitchfork, PASTE, SPIN, and has sold nearly 140k copies to date. This new, vinyl edition is the first time the album has been available on vinyl since its original run. Let the rejoicing commence!
What people have said about There’s Nothing Wrong With Love:
“Built To Spill’s Doug Martsch put Boise, Idaho, on the musical map with sprawling guitars, nasally vocals and heartfelt lyrics. Before the group fleshed out their sound with the guitar bits, BTS won over listeners with these straightforward, poignant songs. It’s an intimate glimpse inside one of indie rock’s great songwriters before he found himself.” [90 Best Albums of the 90’s] - PASTE
“The second album by Doug Martsch’s long-running band is a declaration of his awesome powers as a songwriter and guitarist…There’s Nothing Wrong With Love is the work of an artist who gets to treat Boise, Idaho, as a rock capital because he can outplay anyone: The sheer variety of instrumental textures Martsch crams into these songs’ riffs and fills and raw solos is amazing on its own.” - Wondering Sound
“True or false: Doug Martsch is the Peter Frampton of 1990s indie? Sure, he might not have the hair, the tight pants, or the voice box, but it’s difficult to think of another soul more worthy of resident guitar god; maybe J Mascis, but he never brought the pop side like King Framp. That’s the side most in evidence on There’s Nothing Wrong With Love, before Martsch started bringing the sprawl in spades. Humble, wry song-tales about heads-up-seven-up, Albertson’s stir-fry, and Bowie-hating stepdads abound, while earnest tracks like “Twin Falls” and “Big Dipper” set the pace for the entire Northwestern indie-pop scene.” [Top 100 Albums of the 1990’s”] - Pitchfork
“…Their second full-length and first genuinely great record…There’s Nothing Wrong With Love is the sound of scrappy mountain manchildren toying with their powers, pushing the limits of their form, setting the table for future tours de force.” - STEREOGUM
“The second album by Boise, Idaho’s Built to Spill was the cuddliest little guitar epic of the decade. Just as the luster was wearing off the grunge gold rush, singer guitarist Doug Martsch challenged slacker cynicism with basement-band symphonies that turned his own private Idaho into indie rock’s last unknown territory.” [Greatest Albums of the 90’s] - SPIN
“…Love is an absolute classic from the decade..” [“Dusting ‘Em Off”] - Consequence of Sound
Melbourne’s mighty Deaf Wish will bring their thunderous live show stateside this October in support of Pain. The tour begins October 6th in Chicago at Township and ends October 24th in Seattle at Black Lodge.
In case you missed it: We suggest you experience the visual odyssey for “On” directed by Vincenzi Vandella, who describes it thusly: “Rainbows, Snakes, Chrome, Champagne. A live broadcast from the Deaf Wish cathedral.”
Allow us to also mention that Pain is available for purchase on CD / LP / DL from Sub Pop Mega Mart, iTunes, Amazon, and Bandcamp. LP orders from megamart.subpop.com will receive the limited Loser edition on clear, black marbled vinyl (while supplies last).
Tour Dates Oct. 06 - Chicago, IL - Township Oct. 07 - Columbus, OH - Double Happiness Oct. 08 - Cleveland, OH - Now That’s Class Oct. 09 - Detroit, MI - Marble Bar Oct. 10 - New York, NY - Cakeshop Oct. 11 - Brooklyn, NY - Alphaville Oct. 12 - Washington, DC - DC9 Oct. 13 - Asheville, NC - Lazy Diamond Oct. 14 - Atlanta, GA - Eyedrum Oct. 15 - Memphis, TN - Murphy’s Oct. 16 - New Orleans, LA - Sidney’s Saloon Oct. 17 - Austin, TX - Sidewinder Oct. 18 - Austin, TX - Trailer Space Records Oct. 19 - Phoenix, AZ - The Rebel Lounge Oct. 20 - Los Angeles, CA - House of Gods Oct. 21 - Oakland, CA - 1-2-3-4 Go! Records Oct. 22 - San Francisco, CA - Hemlock Oct. 23 - Portland, OR - They Know Oct. 24 - Seattle, WA - Black Lodge
For more information + ticket links, please go here.
Release day has arrived for Goat’s 7” single, “It’s Time For Fun,” one of the first batch of new tunes from the group since their critically-acclaimed second album Commune was released last September.
Goat have scheduled a handful of live appearances this fall, taking their legendarily earth-shaking live show to Greece and Australia. (tour dates below)
“It’s Time For Fun” is now available digitally and on 7” vinyl in North America from Sub Pop Records, iTunes, and Amazon. [It’s also available in Scandinavia via Stranded Rekords, and via Rocket Recordings in the rest of the world.]
About Goat’s “It’s Time For Fun” single:
The winter months following that release saw the band return to their village of Korpilombolo in Sweden to start anew on fresh material, and this two-track single collects the first fruits of this work.
However, these two songs were not recorded in their native land - instead Goat decided to hit the studio on a recent excursion to the Americas. The A-side ‘It’s Time For Fun’ was recorded in New York whilst B-side ‘Relax’ was committed to posterity in Sao Paolo.
New York seems a fitting location for the recording of ‘It’s Time For Fun’ as the spirit of ESG and early ‘80s No Wave runs through the skittering drum machines, dubby basslines, fuzzy synth and the haunted chants of the vocals.
Its flip-side ‘Relax’ mainlines a similar vibe, yet this reflective instrumental marries ‘Future Days’ like drum machine, tribal percussion, grooved-out bass and a fan-driven organ solo that gyrates elegantly in a manner akin to a North African Heldon or Fripp & Eno.
[ photo by Ante Johansson ]
Tour Dates
Oct. 17 - Athens, GR - Gagarin Festival
Nov. 28 - Gothenburg, SE - Gothenburg Film Studios
Landing firmly (yet gently) at #35 in the U.K. Top 40 official albums and #68 here in the U.S. on SoundScan’s Top Current Albums charts, Low’s new Ones and Sixes has earned the group its highest-ever debut in the U.K., and its second-best showing in the U.S.
Over the airwaves this week, Ones and Sixes is currently # 13 on the CMJ Top 200 chart, and is seeing strong support from NonComm reporters, with confirmed sessions at KCRW’s “Morning Becomes Eclectic” (November 16th), WXPN’s “World Cafe” (airdate TBD), KCMP’s The Current (view here), KEXP, and more.
Ones and Sixes is also one of the best-reviewed albums of Low’s career (horn toot!) with international acclaim from the likes of NPR Music, Paste, Rolling Stone, SPIN, Boston Globe, Pitchfork, Under the Radar, The Guardian, The Observer, DIY, Q, MOJO, Uncut, Minneapolis Star Tribune, Chicago Tribune, CLASH, The Sunday Times, Dusted, NOW, and more. And the band are the current cover stars of MAGNET’s September issue, interviewed by Bon Iver’s Justin Vernon (view cover / read an excerpt of the story here).
Low’s headlining North American and European tour in support of Ones and Sixes is currently underway, with a show tonight, Wednesday, September 23rd in Boston at Brighton Music Hall, and ends November 21st in Seattle, WA at the Crocodile. When the band returns to the EU on tour in October, they’ll also play their largest headlining date at London’s iconic Roundhouse on October 10th. (see details below)
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May we suggest that you trade your dollars for this intoxicating new record*? Ones and Sixes is available now from the Sub Pop Mega Mart, iTunes, Amazon, and Bandcamp.
*Thrilled (and sorry) to report, that the limited “Loser Edition” of the double-LP (yellow vinyl + variant slipcase cover) is sold out on megamart.subpop.com. So we encourage you to (respectfully) stalk your local independent record store for this special edition. It’s also available from the the band themselves at their upcoming tour dates.
Ones and Sixes, featuring the standouts “No Comprende,” “What Part of Me,” “Lies,” “Gentle,” and “No End,” was co-produced by the band and engineer BJ Burton at Justin Vernon’s April Base Studios in Eau Claire, Wisconsin.
You might like to know (as we did) what “They” are saying about Low’s Ones and Sixes:
“It’s one thing for Low to have made a rewarding career of spare, dramatic, glacially paced music…It’s another to make those ingredients sound so incredibly dynamic; to spend 20-plus years making a dozen albums that each feel distinct, and that each introduce new ideas, twists and ways to wring drama out of the space between notes…Throughout Ones and Sixes, the Minnesota trio somehow gives weight to airiness as comfort and discord orbit each other like a binary star. But every time the portent threatens to become overbearing — just as the mix of prettiness and heaviness tips a little too far out of alignment — Low punctures it with a burst of cleansing aggression or some pristine, exquisite surprise. Anything to keep us off balance.” [“First Listen”] - NPR Music
“The band’s strengths are here in abundance, but they are reimagined, twisted into new shapes and given a visceral intensity that is utterly irresistible.” [9/10] - CLASH
“…Striking a balance between their majestic, slow-moving melancholy and harsher experimental noise.” [4/5] - The Guardian
“One of the most impressive albums of their career” [4/5] - MOJO
“‘What Part of Me,’ with its upbeat percussion, fuzzy guitar textures and sweet harmonized lyrics about relationship boundaries (‘What part of me don’t you own?’), feels like a sideways response to the post-1989 maximalism of today’s Top 40; “Into You” is a gospel-inflected, subtly sexy slow jam; and “The Innocents” sets accusatory vocals over a crunching electro-industrial beat, all to excellent effect. Elsewhere, on the gentle, pained duet “Lies,” Low remind us they’re still masters of doing a lot with a little.” - Rolling Stone
“Ones and Sixes is all at once beautiful, ugly, tense, warm, inviting and repellent. It’s an emotional and sonic juggling act where even the slightest bum-note would draw attention to itself. As always with Low, the beauty is all about the details” - Pitchfork
‘Ones and Sixes is an ear-pricking listen.’ [Album of the Week] - The Observer
“Ones and Sixes finds them producing some of their best work in years” - The Quietus
“It’s another subtly heart-rending effort from a band that remains one of the very finest in the world. If you needed a reminder of why Low are an institution then this is it.” [8/10] - Drowned in Sound
“Somehow, with each new release (and they come regularly, every two or three years), Low manage to find new ways of protracting their deceptively beautiful melodies.” [4.5/5] - Music OMH
“Ones and Sixes hinges on tension that courses throughout these 12 songs. The drums land with a thud, as if transferred from modern R&B and hip-hop. They anchor songs that crackle with bits of distortion and chiming guitars that somehow feel disembodied from everything surrounding them. Then, in keeping with a signature Low move, there is the spectral spark created by Parker and Sparhawk singing together; their alchemy is otherworldly and downright intoxicating.” - Boston Globe
“With Ones and Sixes they’ve pulled together many of their disparate sides in a masterful survey of what makes them one of the great rock bands of their era.” - Dusted
“Ones and Sixes sees Low churning out some of their most accessible work, with “What Part of Me” having the potential to be an unlikely hit. As ever, strong stuff in every way.” [4/5] - Record Collector
“Low’s always been good at making records where it sounds like every note and beat contains some degree of pain and hope you’ve felt. So hopefully it’s compelling when this one stands out even more as one of their best.” [8.1 /10] - PASTE
“Low remain as vital as ever” - DIY
“After two decades, a band that could easily feel part of the wallpaper remain hungry to show that you never know what lies beneath” [8/10] - Uncut
“Comfortably ahead of the pop pack” - The Sunday Times
“Masters of transforming emptiness into swelling, sweeping orchestrations of musical and mental noise, Low are truly intense and joyful on their newest exhibition of off-kilter, subterranean pop.” [4/5] - NOW
Tour Dates
Sep. 23 - Boston, MA - Brighton Music Hall* Sep. 24 - Brooklyn, NY - Music Hall of Williamsburg* Sep. 25 - Hamden, Connecticut – The Ballroom at The Outer Space* Sep. 26 - Washington, DC - Black Cat* Oct. 07 - Manchester, UK - Cathedral ^ Oct. 08 - Glasgow, UK - Art School = Oct. 10 - London, UK - Roundhouse ^ Oct. 12 - Koln, DE - Gebaude 9 = Oct. 13 - Hamburg, DE – Knust = Oct. 14 - Copenhagen, DK – Vega = Oct. 15 - Stockholm, SE – Kagelbanan = Oct. 17 - Berlin, DE – Lido = Oct. 19 - Munich, DE – Ampere = Oct. 20 - Bologna, IT - Teatro Antoniano = Oct. 22 - Zaragoza, ES - Las Armas = Oct. 23 - Barcelona, ES – Bikini = Oct. 24 - Valencia, ES - Deleste Festival Oct. 26 - Madrid, ES - Teatro Lara = Oct. 27 - Santander, ES – Escenario = Oct. 29 - Amsterdam, NL - Paradiso ^ Oct. 30 – Tourcoing, FR – Le Grand Mix = Oct. 31 - Brussels, BE – AB + Nov. 02 – Paris, FR – Le Divan du Monde = Nov. 11 - Minneapolis, MN - First Avenue* Nov. 12 – Omaha, NE – Reverb Lounge* Nov. 13 - Denver, CO - Larimer Lounge* Nov. 14 - Salt Lake City, UT - The Complex* Nov. 16 - Los Angeles, CA - The Troubadour* Nov. 18 - San Francisco, CA - Great American Music Hall* Nov. 20 - Portland, OR - Doug Fir* Nov. 21 - Seattle, WA - The Crocodile* Feb. 01 – Philadelphia, PA – Johnny Brenda’s
* w/ Andy Shauf ^ w/ Two Gallants + w/ Chelsea Wolfe = w/ Mike Noga
Father John Misty delivers a hilariously meta new video (watch it here) for “The Night Josh Tillman Came To Our Apartment,” a standout track from his acclaimed album, I Love You, Honeybear.
The new visual was helmed by writer-director-producer Drew Pearce (Iron Man 3, Mission: Impossible – Rogue Nation).
Tillman says of the clip: “This video is partially inspired by the LeBron James quote “It is precisely the superficial differences between people who are otherwise alike that inform the hostilities between them.” Special thanks to my body double Tyler who I had to kiss no fewer than two dozen times and whose breath I can still smell in my mind’s eye.”
Meanwhile Pearce adds: “It has been an honor to explore the palpable sexual chemistry that exists between Josh Tillman and himself. I hope this video does their enduring love affair justice.”
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Father John Misty has extended his 2015 tour schedule in support of I Love You, Honeybear. The trek will resume tonight, September 18th in Indianapolis, IN at Egyptian Room at Old National Centre and currently ends December 13th in Perth, AU at Disconnect Festival. New tour highlights include: November 15th in Stockholm, SE at Berns Hotel; November 16th & 17th in Copenhagen, DK for a two-night stand at Vega; And a short tour of New Zealand and Australia December 3rd-13th, which includes a headline performance at the legendary Sydney Opera House on December 8th. Please find a complete list of tour dates below.
On a related note: Father John Misty will also perform on the outdoor stage on Jimmy Kimmel Live! October 14th.
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Father John Misty’s I Love You, Honeybear is currently available on CD / LP / 2xLP / Deluxe 2xLP. You too can purchase it via Father John Misty.net, Sub Pop Mega Mart, iTunes, Amazon, and your local purveyor of fine recorded music.
Tour Dates Sep. 18 - Indianapolis, IN - Egyptian Room at Old National Centre # Sep. 19 - Shakopee, MN - Festival Palomino Sep. 20 - Madison, WI - Orpheum # Sep. 21 - Covington, KY - Madison Theatre # Sep. 23 - Columbus, OH - LC Pavillion ** Sep. 24 - Royal Oak, MI - Royal Oak Music Theatre ** Sep. 25 - Rochester, NY - Anthology ** Sep. 26 - Boston, MA - Boston Calling Sep. 28 - Baltimore, MD - Rams Head Live ** Sep. 29 - Raleigh, NC - The Ritz ** Sep. 30 - Athens, GA - Georgia Theatre ** [Sold Out] Oct. 01 - Birmingham, AL - Iron City ** Oct. 03 - Austin, TX - Austin City Limits Festival Oct. 05 - Tulsa, OK - Cain’s Ballroom # Oct. 07 - St. Louis, MO - The Pageant # Oct. 08 - Louisville, KY - Palace Theatre # Oct. 09 - Memphis, TN - Minglewood Hall # Oct. 10 - Austin, TX - Austin City Limits Festival Oct. 12 - Tucson, AZ - Rialto Theatre ** Oct. 14 - Los Angeles, CA - Jimmy Kimmel Live! (Outdoor stage) Oct. 15 - Las Vegas, NV - Pool at the Cosmopolitan ** Oct. 16 - Los Angeles, CA - The Wiltern ** [Sold Out] Oct. 17 - Los ANgeles, CA - The Wiltern ** [Sold Out] Oct. 18 - San Francisco, CA - Treasure Island Music Festival Oct. 22 - Galway, IE - Roisin Dubh Oct. 23 - Belfast, UK - Mandela Hall Oct. 24 - Dublin, IE - Vicar Street [Sold Out] Oct. 26 - Sheffield, UK - Plug [Sold Out] Oct. 27 - Cambridge, UK - The Junction [Sold Out] Oct. 28 - London, UK - O2 Shepherds Bush Empire [Sold Out] Oct. 29 - London, UK - O2 Shepherds Bush Empire [Sold Out] Oct. 31 - Paris, FR - Pitchfork Music Festival Paris Nov. 01 - Bologna, IT - Locomotiv Nov. 02 - Munich, DE - Strom Nov. 03 - Weisbaden, DE - Schlachtof Nov. 05 - Reykjavik, IS - Iceland Airwaves Nov. 06 - Wangles, DE - Weissenhauser Strand Nov. 09 - Amsterdam, NL - Paradiso Nov. 10 - Brussels, BE - Ancienne Belguique Nov. 11 - Nantes, FR - Stereolux Nov. 12 - Lyon, FR - Epicerie Moderne Nov. 13 - Koln, DE - Luxor Nov. 15 - Stockholm, SE - Berns Hotel Nov. 16 - Copenhagen, DK - Vega [Sold Out] Nov. 17 - Copenhagen, DK - Vega [Sold Out] Nov. 21- Mexico City, MX - Corona Capital Music Festival Dec. 03 - Auckland, NZ - St. James Theatre Dec. 05 - Berry Park, AU - Fairgrounds Festival Dec. 06 - Brisbane, AU - Max Watt’s Dec. 08 - Sydney, AU - Sydney Opera House Dec. 09 - Melbourne, AU - Forum Dec. 10 - Melbourne, AU - Forum [Sold Out] Dec. 12 - Geelong, AU - Meredith Music Festival Dec. 11-13 - Perth, AU - Disconnect Festival ** w/ Mikal Cronin # w/ Tess & Dave
Strange Wilds begin ripping their way across North American in support of their debut album, Subjective Concepts, tomorrow night, Thursday, September 25th at Black Lodge in Seattle. The tour keeps on rolling until November 21st, and takes the band throughout the continental U.S.
Newly added tour dates include: October 10th in Athens, OH at Galbreath Chapel; October 14th in Annondale, NY at SMOG at Bard College; October 15th in Brooklyn, NY at the Knitting Factory for Sub Pop & Hardly Art’s CMJ showcase; November 8th in San Diego, CA at the Soda Bar; and November 12th in Bakersfield, CA at Temblor Brewing Company; November 20th in Tacoma, WA at Real Art. (details below)
New to (or already obsessed with) Strange Wilds? Find their YouTube playlist (feat. the official “Pronoia” video) right here.
Strange Wilds’ Subjective Concepts is available now on CD / LP / DL at the Sub Pop Mega Mart, iTunes, Amazon and Bandcamp. All customers who order the LP version of Subjective Concepts from megamart.subpop.com and Bandcamp will receive the limited “Loser Edition” on white vinyl while supplies last. (There’s a new T-shirt design available too)
What do ‘They” say about Strange Wilds? Here are some good words:
“Pronoia is the opposite of paranoia, essentially the happy delusion that there is a conspiracy that exists to help people. It’s also the name of the hellish four-minute blast of noise that’s the best song on this debut album by Seattle trio Strange Wilds. The follow-up to 2014’s four-track ‘Wet’ EP, Subjective Concepts sounds like it was raised on ‘Bleach’-era Nirvana and aligns the band with their Washington peers Milk Music and Naomi Punk. They build a monumental wall of hardcore noise on ‘Egophillia’, before taking a wrecking ball to it and screaming wildly into the mess. Elsewhere, there are tight grooves on ‘Disdain’ and ‘Terrible’, and the guttural riffs on ‘Starved For’ offer plenty for bleeding gums to gnaw on.” -NME
“Touch And Go-style post rock with early grunge.” - The AV Club
“Northwestern American trio tap into grunge’s collective unconscious, channelling crushing riffs and ancestral memories of hardcore.” MOJO
“Loud, sneering, and heavy-set, Subjective Concepts could come wrapped in a rain-soaked plaid shirt.” - LOUD & QUIET
“Taut, virile hardcore punk with a seething intelligence… It’s an absolute gem.” - CLASH MUSIC
“An undeniably exciting listen.” - UNCUT
“With their excellent full-length debut, this savage young trio offers a stiff reminder of those bygone halcyon days when Chad Channing drummed for Nirvana instead of Dave Grohl. But while the barbed, razor-sharp riffs and tightrope bass thuds of Bleach largely inform the scrappy nature of key tracks like caustic opener “Pronoia” and the pensive “Oneirophobe,” there is an influential undercurrent of the signature sounds of their own city back in the day as well. Shades of K Records classics from Beat Happening and Some Velvet Sidewalk additionally factor into the more melodic elements of Subjective Concepts, particularly within the structures of college radio-ready songs like “Don’t Have To” and “Lose and Found.” - PASTE
“They are a powerful outfit, and Subjective Concepts is cohesive and fierce.” - Pitchfork
“Toggles between a coiled-snake groove and the kind of full scream-along ferocity that makes you want to thrash around in a small, dark room with a bunch of sweaty strangers. This is noisy, heavy, grimy music, and it’s great.” [“Pronoia”] - Stereogum
“A sludged-out mess of hardcore that slam dances with the Seattle label’s past and it wouldn’t be surprising at all to see them on a tour run that’s stacked with Mogwai, METZ, or Pissed Jeans” [“Pronoia”] - BLARE
“‘Starved For’ sounds exactly like what you’d want to be listening to if you lived inside of a Tony Hawk Pro Skater game.” - Noisey
Tour Dates
Sep. 25 - Seattle, WA - Black Lodge Sep. 26 - Vancouver, BC - The Biltmore Sep. 27 - Portland, OR - They Know Sep. 30 - Olympia, WA - Old School Oct. 01 - San Francisco, CA - Hemlock Oct. 02 - Los Angeles, CA - The Smell Oct. 03 - Tempe, AZ - Time Out Lounge Oct. 04 - Albuquerque, NM - Sister Oct. 05 - Denver, CO - Rhinoceropolis Oct. 06 - Omaha, NE - West Wing Oct. 07 - Columbia, MO - Cafe Berlin Oct. 08 - Milwaukee, WI - Riverwest Public House Oct. 09 - Chicago, IL - Empty Bottle Oct. 10 - Athens, OH - Galbreath Chapel Oct. 11 - Detroit, MI - Marble Bar Oct. 12 - Cleveland, OH - Now That’s Class Oct. 13 - Pittsburgh, PA - Spirit Oct. 14 - Annondale, NY - SMOG at Bard College Oct. 15 - Brooklyn, NY - Knitting Factory (Sub Pop / Hardly Art CMJ Showcase) Oct. 16 - Brooklyn, NY - Union Pool (Strange Victory Touring CMJ Party) Oct. 17 - New York, NY - Aviv Oct. 18 - Montreal, QC - Turbo Haus Oct. 19 - Toronto, ON - Smiling Buddha Oct. 20 - Rochester, NY - Bug Jar Oct. 21 - Albany, NY - The Low Beat Oct. 22 - Providence, RI - Aurora Oct. 23 - Philadelphia, PA - Kung Fu Necktie Oct. 24 - Washington, DC - The (sea) Lab Oct. 26 - RIchmond, VA - Strange Matter Oct. 27 - Asheville, NC - Tiger Mountain Oct. 28 - Atlanta, GA - Drunken Unicorn Oct. 30 - Miami, FL - Kill Your Idol Oct. 31 - Gainesville, FL - Fest 14 / The Atlantic Nov. 01 - Jacksonville, FL - Rain Dogs Nov. 02 - New Orleans, LA - Siberia Nov. 03 - Houston, TX - Walter’s Downtown Nov. 04 - Austin, TX - Beerland Nov. 06 - Tucson, AZ - Hotel Congress Nov. 08 - San Diego, CA - Soda Bar Nov. 09 - Fullerton, CA - Continental Room Nov. 10 - El Centro, CA - Strangers Nov. 11 - Los Angeles, CA - All Star Lanes Nov. 12 - Bakersfield, CA - Temblor Brewing Company Nov. 13 - Oakland, CA - 1-2-3-4 Go Records Nov. 14 - Santa Rosa, CA - Atlas Coffee Company Nov. 16 - Reno, NV - The Holland Project Nov. 17 - Salt Lake City, UT - Diabolical Records Nov. 18 - Boise, ID - Neurolux Nov. 19 - Portland, OR - Bunk Bar Nov. 20 - Tacoma, WA - Real Art Nov. 21 - Seattle, WA - The Highline
For more tour information + ticket links, please go here.
