NEWS : TUE, OCT 27, 2015 at 9:00 AM

Watch Sleater-Kinney Perform “Modern Girl” Live at Pitchfork Music Festival

[ Photo Credit: Jason Williamson ]

This past July, Sleater-Kinney delivered a blistering headlining set to a sold-out crowd at Chicago’s Pitchfork Music Festival in support of No Cities To Love, their critically acclaimed 2015 album. One of the performances captured that night was the live highlight “Modern Girl” - from The Woods, the group’s 2005 album - and you can watch it now:

Earlier today, Sleater-Kinney’s Carrie Brownstein released her deeply affecting memoir, Hunger Makes Me A Modern Girl via Riverhead Books. Read more about the book via her interview via Pitchfork today (see October 27th post).

Sleater-Kinney’s previously announced 2015 tour schedule resumes November 21st-22nd in Mexico City’s Corona Capital Festival. Then from December 4th-16th, Sleater-Kinney will embark on a Midwestern-East Coast U.S. (details below).

Sleater-Kinney’s No Cities To Love is one of the best reviewed albums of the year with “Best of 2015 (so far)” notices from the likes of Time, USA Today, Billboard, Rolling Stone, Entertainment Weekly, The AV Club, The Guardian, Complex, NME, Stereogum, PASTE, and SPIN. No Cities To Love is available worldwide from Sub Pop, and you can stream it here.

What are “They” saying about No Cities To Love?  Read the good words:

“America’s fiercest punk band....10 songs in 33 minutes, not a dud in the bunch, all surging in uptempo stomp-down-the-door mode. There’s more low-end thud to their sound than before. The whole album crackles with the palpable excitement of three rock lifers in a room, eager to see what happens when they plug in and let it rip.” [Best Albums of 2015 (so far)] - Rolling Stone

“The trio still snap and crackle on their first set since 2005. No Cities… might sound chaotic at first, but each element—Corin Tucker’s sweet snarl, Janet Weiss’ rugged beats, Carrie Brownstein’s noisy solos—is exactly in its right place.” [Best Albums of 2015 (so far)] - Entertainment Weekly

“…33 minutes of unbridled ferocity” [Best Albums of 2015 (so far)] - Time

“Hurtling, bristling, densely packed, white-knuckled songs that are all taut construction and raw nerve… The first great album of 2015” [Review] - New York Times

“…beautiful algebraic equations that solve problems that researchers never even knew existed, moving logically yet filled with left-turn riff maneuvers.” [Review] - LA Times

“The skeptic may be suspicious when I say that, after “All Hands on the Bad One” (2000), the new album, No Cities to Love, is my favorite Sleater-Kinney record, but it is: the musicians pull it off. The songwriters’ ability to create general but urgent scenarios is both more substantial and more insistent than before.” [Review]  - The New Yorker

“The hardest-hitting thing they’ve ever done.” [Review] - Vulture

“As fresh and vitals as a debut, but also as nuanced and skillful as the work of three players with a decade-long inimitable report betwixt them” [First Listen] - NPR

“Their return is not a victory lap. It is a re-declaration of all they were, all they built… We still need Sleater-Kinney” [Review] - Pitchfork

“They were always tumultuous – a storm of longing, fury, aspiration, solidarity, and indomitable emotion” [Feature] - Billboard

The finest living rock band… Extraordinary” [9/10, Review] - SPIN

“Vociferous as ever” [Feature] - Nylon

“Hitting new chords and exploring structures with glee, with that same crucial energy” [Review] - LA Times

“The best rock band on the planet… [they] genuinely dominate, breaking down walls, rules and egos with nimble poise and savage fury” [Feature] - Noisey

“A perfect fusion of musical personalities, a spiky and sparkling rock ‘n’ roll machine” [Feature] - Slate

“As fresh and surprising, as unlikely and as unsatisfied… Promising that this part of the Sleater-Kinney story is only at its start” [Real Life Rock Top 10] - Greil Marcus

“Even their punchy, brief songs carry the weight of epics… genius lyrics and hook after inescapable hook” [A-, Review] - Consequence of Sound

“Roiling and erupting, building up tension and then releasing it gloriously” [Review] - Stereogum

Tour Dates

Nov. 21 - 22 - Mexico City, MX - Corona Capital Festival
Dec. 04 - Indianapolis, IN - Egyptian Room at Old National Centre
Dec. 05 - Columbus, OH - Newport Music Hall
Dec. 06 - Cincinnati, OH - Bogart’s
Dec. 08 - Royal Oak, MI - Royal Oak Music Theatre
Dec. 09 - Cleveland, OH - Masonic Auditorium
Dec. 10 - Buffalo, NY - Asbury Hall at Babeville
Dec. 12 - Brooklyn, NY - Kings Theatre
Dec. 13 - New York, NY - Terminal 5
Dec. 14 - New York, NY - Irving Plaza [SOLD OUT]
Dec. 15 - Brooklyn, NY - Music Hall of Williamsburg [SOLD OUT]
Dec. 16 - Brooklyn, NY - Market Hotel [SOLD OUT]

For information on tickets visit

Posted by Rachel White