Years to Burn is out June 14th on Sub Pop Records.
Today, Calexico and Iron & Wine share the gorgeous second single from their upcoming album, Years to Burn, entitled “Midnight Sun.” In “Midnight Sun,” Calexico’s Joey Burns and Sam Beam of Iron & Wine trade haunted-sounding verses over shimmering steel until the song devolves into a corrosive electric lead from Burns, like a dying siren. The video makes use of over 100 paintings Beam did for the creation of the new album’s cover. Working with animator Jonny Sanders, the video brings to life in a spirited and fun way, the many images of Burns, Beam and Calexico drummer John Convertino. Watch the video HEREthen playlist it on YouTube - Spotify - Apple Music.
Years to Burn is their first full–length album together and will be available June 14th via City Slang in the UK/Europe and Sub Pop in the rest of the world. Of the track, Joey Burns says “Sam sent some demos the week before we met to record the album. Based on the feel of those demos I wrote the song “Midnight Sun” the day I got to Nashville. I arrived at our rental house the day before everyone else and was happy to find a piano, old pump organ and guitar to do some writing. I was up late and came up with a tune that would bridge both bands’ worlds. I started with a drone in F# and was curious as to where it would take me.”
Calexico and Iron & Wine previously shared the lead single off of the album called “Father Mountain”. Listen to “Father Mountain” HERE. The two will head out on an extensive North American, European, and UK tour this summer through the fall, including the just announced free show on June 21stat Prospect Park Bandshellas part of the Celebrate Brooklyn Festival. These shows will have the two sharing the stage for one-of-a-kind performances, focusing on music from Years to Burn, their previous EP together, In the Reins, as well as surprise covers and classics from each bands’ catalog. All tour dates can be found below.
Years to Burn is available June 14th via City Slang in the UK/Europe and from Sub Pop in the rest of the world.
Jun. 18 - Saxapahaw, NC - River Ballroom Jul. 19 - Lisbon, PT - Super Bock Super Rock Jul. 20 - Arlesheim, CH - Stimmen Festival Jul. 22 - Milan, IT - La Triennale di Milano Jul. 23 - Gardone Riviera, IT - Anfiteatro del Vittoriale Jul. 24 - Rome, IT - Villa Ada Jul. 25 - Florence, IT - Cavea del Nuovo Teatro dell’opera Jul. 26 - Monforte D’ Alba, IT - Auditorium Horszowski Jul. 28 - Vienna, AT - Konzerthaus Jul. 29 - Palma, ES - Auditorium de Palma de Mallorca Jul. 31 - Hamburg, DE - Stadtpark Aug. 02 - Cambridge, UK - Cambridge Folk Festival Aug. 03 - Leuven, BE - M-idzommer Festival Aug. 04 - Crozon, FR - Festival Du Bout Du Monde Aug. 16 - Phoenix, AZ - Orpheum Theatre ~ Aug. 17 - Tucson, AZ - Rialto Theatre ~ Aug. 19 - Denver, CO - Denver Botanic Gardens ~ Aug. 21 - Ogden, UT - Twilight Series at Ogden Amphitheater ^ Aug. 22 - Boise, ID - Knitting Factory Concert House ^ Aug. 23 - Portland, OR - Keller Auditorium ^ Aug. 24 - Vancouver, BC - Vogue Theatre Aug. 25 - Port Townsend, WA - The Thing Sep. 18 - Grand Rapids, MI - Frederik Meijer Gardens & Sculpture Park “Meijer Gardens” Sep. 19 - Pittsburgh, PA - Roxian Theatre Sep. 20 - Philadelphia, PA - Union Transfer Sep. 21 - Boston, MA - Rockland Trust Bank Pavillion + Sep. 22 - North Adams, MA - FreshGrass Festival Sep. 24 - Richmond, VA - The National Sep. 26 - Birmingham, AL - Iron City Sep. 27 - New Orleans, LA - House Of Blues Sep. 28 - Austin, TX - Stubb’s Waller Creek Sep. 29 - Dallas, TX - Majestic Theater Sep. 30 - Oklahoma City, OK - Tower Theatre Oct. 02 - Las Vegas, NV - House Of Blues Oct. 03 - Los Angeles, CA - Orpheum Theatre Oct. 04 - San Diego, CA - Humphrey’s Concertsby The Bay Oct. 06 - Saratoga, CA - Mountain Winery Nov. 05 - Utrecht, NL - TrivoliVrendenburg - Ronda Nov. 06 -Luxemborg, LU - Den Atelier Nov. 07 - Antwerp, BE - De Roma Nov. 09 - Berlin, DE - Tempodrom Nov. 10 - Linz, AT - Posthof Nov. 11 - Munich, DE - Muffathalle Nov. 12 - Budapest, HU - Müpa Nov. 14 - Mannheim, DE - Musensaal Rosengarten Nov. 15 - Cologne, DE - Palladium Nov. 16 - Paris, FR - La Cigale Nov. 18 - Edinburgh, UK - Usher Hall * Nov. 19 - Liverpool, UK - Philharmonic Hall * Nov. 20 - Manchester, UK - Bridgewater Hall * Nov. 21 -Conventry, UK - Warwick Arts Centre * Nov. 23 - London, UK - Royal Festival Hall * Nov. 24 - Bexhill-On-Sea, UK – De La Warr Pavillion *
~ with special guest Madison Cunningham + with Andrew Bird *with special guest Lisa O’Neill ^ with Orville Peck
Today, Calexico and Iron & Wine added new shows to the previously announced UK, European and North American dates, including stops in Philadelphia, Austin, Los Angeles and more. See all dates and on sale info below.
Calexico and Iron & Wine recently announced Years to Burn, their first full–length album together, out June 14th via City Slang in the UK/Europe and Sub Pop in the rest of the world. This is their first release since 2005’s critic and fan favorite In The Reins. Alongside the Years To Burn news, the trio released the lead track “Father Mountain” to great reception.
Calexico and Iron & Wine Tour Dates + Ticket Links
Jun. 18 - Saxapahaw, NC - River Ballroom Jul. 19 - Lisbon, PT - Super Bock Super Rock Jul. 20 - Arlesheim, CH - Stimmen Festival Jul. 22 - Milan, IT - La Triennale di Milano Jul. 23 - Gardone Riviera, IT - Anfiteatro del Vittoriale Jul. 24 - Rome, IT - Villa Ada Jul. 25 - Florence, IT - Cavea del Nuovo Teatro dell’opera Jul. 26 - Monforte D’ Alba, IT - Auditorium Horszowski Jul. 28 - Vienna, AT - Konzerthaus Jul. 29 - Palma, ES - Auditorium de Palma de Mallorca Jul. 31 - Hamburg, DE - Stadtpark Aug. 02 - Cambridge, UK - Cambridge Folk Festival Aug. 03 - Leuven, BE - M-idzommer Festival Aug. 04 - Crozon, FR - Festival Du Bout Du Monde Aug. 16 - Phoenix, AZ - Orpheum Theatre ~ Aug. 17 - Tucson, AZ - Rialto Theatre ~ Aug. 19 - Denver, CO - Denver Botanic Gardens ~ Aug. 21 - Ogden, UT - Twilight Series at Ogden Amphitheater Aug. 22 - Boise, ID - Knitting Factory Concert House Aug. 23 - Portland, OR - Keller Auditorium Aug. 24 - Vancouver, BC - Vogue Theatre Sep. 18 - Grand Rapids, MI - Frederik Meijer Gardens & Sculpture Park “Meijer Gardens” Sep. 19 - Pittsburgh, PA - Roxian Theatre Sep. 20 - Philadelphia, PA - Union Transfer Sep. 21 - Boston, MA - Rockland Trust Bank Pavillion + Sep. 22 - North Adams, MA - FreshGrass Festival Sep. 24 - Richmond, VA - The National Sep. 26 - Birmingham, AL - Iron City Sep. 27 - New Orleans, LA - House Of Blues Sep. 28 - Austin, TX - Stubb’s Waller Creek Sep. 29 - Dallas, TX - Majestic Theater Sep. 30 - Oklahoma City, OK - Tower Theatre Oct. 02 - Las Vegas, NV - House Of Blues Oct. 03 - Los Angeles, CA - Orpheum Theatre Oct. 04 - San Diego, CA - Humphrey’s Concertsby The Bay Oct. 06 - Saratoga, CA - Mountain Winery Nov. 05 - Utrecht, NL - TrivoliVrendenburg - Ronda Nov. 06 -Luxemborg, LU - Den Atelier Nov. 07 - Antwerp, BE - De Roma Nov. 09 - Berlin, DE - Tempodrom Nov. 10 - Linz, AT - Posthof Nov. 11 - Munich, DE - Muffathalle Nov. 12 - Budapest, HU - Müpa Nov. 14 - Mannheim, DE - Musensaal Rosengarten Nov. 15 - Cologne, DE - Palladium Nov. 16 - Paris, FR - La Cigale Nov. 18 - Edinburgh, UK - Usher Hall * Nov. 19 - Liverpool, UK - Philharmonic Hall * Nov. 20 - Manchester, UK - Bridgewater Hall * Nov. 21 -Conventry, UK - Warwick Arts Centre * Nov. 23 - London, UK - Royal Festival Hall * Nov. 24 - Bexhill-On-Sea, UK – De La Warr Pavillion *
~with special guest Madison Cunningham +with Andrew Bird *with special guest Lisa O’Neill
Artist Presales: Wednesday, April 17 - 10 am local – Thursday, April 18 - 10 pm local Password: yearstoburn Local Presales: Thursday, April 18 - 10 am local General On Sale: Friday, April 19 - 10 am local
The band will perform Our Endless Numbered Days in its entirety (and with an orchestra) in Cincinnati, Los Angeles and Washington, D.C.
Sub Pop and Iron & Wine celebrate the 15th anniversary of Our Endless Numbered Days with the release of a newly expanded deluxe edition on CD/2xLP/DL and it’s in stores now. This version features eight previously never before heard demos, new artwork, and a 12-page booklet including liner notes from author Amanda Petrusich. You can hear the demo version of ”Passing Afternoon” here.
Iron & Wine received its second Grammy nomination in two years as “Best Folk Album” for 2018’s Weed Garden. Their previous nomination was for “Best Americana Album” for 2017’s Beast Epic.
Our Endless Numbered Days (Deluxe Edition) is available from Sub Pop and independent retailers.
Calexico and Iron & Wine today announce Years to Burn, their first full–length album together, available June 14th via City Slang in the UK/Europe and Sub Pop in the rest of the world. Now hear lead track entitled “Father Mountain” and see that an extensive North American, European, and UK tour has been announced with more dates to be added in the coming weeks. See all dates below.
Calexico and Iron & Wine first made an artistic connection with In the Reins, the 2005 EP that brought Sam Beam, Joey Burns and John Convertino together. The acclaimed collaboration introduced both acts to wider audiences and broadened Beam’s artistic horizons, but it was the shared experience of touring together in the tradition of Bob Dylan’s “Rolling Thunder Revue” that cemented the bond. Their metaphorical roads diverged in the years that followed, but they kept in touch and cross-pollinated where they could. Although they often talked about rekindling their collaboration in the studio and on stage, it wasn’t until last year that their schedules aligned.
Years to Burn can’t help but be different from In the Reins. Back then, Calexico entered the studio with a long list of previous collaborations (first in Giant Sand, then backing the likes of Victoria Williams and Richard Buckner) and the knowledge that they loved Sam’s voice and his songs, but wondered if his material was so complete and self-contained that it lacked a way in, so hushed and delicate that it might be overwhelmed. For his part, Beam had been intimidated by their virtuosic playing and their deep comfort in an encyclopedic array of styles. “In my mind, I was a guy who knew three chords and recorded in a closet,” Sam says. “They were playing big stages and were superb musicians.”
Those fears were dispelled quickly. Calexico was bowled over by Beam’s many talents: “The arranging, the writing, his sense of rhythm, the quality of his vocals—and then there’s the experimental side of Sam,” Joey says. “They were the perfect band at the perfect time for me,” Sam adds. “I loved all their different sounds. They’re musical anthropologists, not regurgitating but absorbing what they discover.” Nearly 15 years on, “coming back to the project has to do with acknowledging how much impact the first record had for me in my life.”
Years to Burn was recorded in Nashville with noted producer Matt Ross-Spang over the course of five days at Sound Emporium, a fabled studio founded in the sixties by Cowboy Jack Clement and the site of countless landmark sessions in country and rock over the ensuing decades. It features contributions from veteran Calexico trumpet player Jacob Valenzuela and Paul Niehaus on pedal steel, along with frequent Beam cohorts Rob Burger (Tin Hat Trio) on piano and Sebastian Steinberg (Soul Coughing, Fiona Apple) on bass.
Years to Burn features ten new original compositions. While Beam wrote all the songs for In the Reins, this recording features contributions from both Beam and Burns as well as from Convertino and those featured on the record. While the two may have taken differing approaches to songwriting, the spirit of collaboration was alive and well in the studio; Sam shared demos ahead of time and was ready for the others to contribute with arrangement ideas and instrumental parts, while Joey spontaneous as ever, came in with concepts and an eagerness to improvise.
“Life is hard. Awesome. And scary as shit. But it can lift you up if you let it,” Sam offers. “These are the things Joey and I write about now. And the title can encapsulate a lot of things. ‘Years to Burn’ could mean you’re cocky, you’ve got it made. Or, our life is ours to burn, to be inspired. Or you’re burned by life, brutalized. It’s an ambiguous title, because life is complicated. Let’s not talk like teenagers about love, desire, pain, ‘cause we’re not teenagers. And that’s not a bad thing.”
“This project had to find the right time,” Joey concludes. “We’re all different people than we were in 2004, and music helps to bridge some of the gaps. For all the things going on in our world and in each of our lives, this connection, this friendship, this love that we have—this album is a vehicle for that bond. It’s a chance to see where we’re at, take stock and be there for our friends.”
Years to Burn is now available for pre-order from Sub Pop (and via City Slang in the UK/Europe). LP pre-orders in North America through megamart.subpop.com, and select independent retailers will receive the limited Loser edition on green colored vinyl (while supplies last) PLUS - 225 randomly selected pre-orders will receive a special lithograph signed by the artists. For more information on Years to Burn, the full bio is available here.
Years to Burn - Tracklisting
1. What Heaven’s Left
2. Midnight Sun
3. Father Mountain
4. Outside El Paso
5. Follow The Water
6. The Bitter Suite (Pájaro / Evil Eye / Tennessee Train)
7. Years To Burn
8. In Your Own Time
Calexico and Iron & Wine Tour Dates
Jun. 18 - Saxapahaw, NC - River Ballroom
Jul. 19 - Lisbon, PT - Super Bock Super Rock
Jul. 20 - Sat Arlesheim, CH - Stimmen Festival
Jul. 22 - Milano, IT - La Triennale di Milano
Jul. 23 - Gardone Riviera, IT - Anfiteatro del Vittoriale
Jul. 24 - Rome, IT - Villa Ada
Jul. 25 - Florence, IT - Cavea del Nuovo Teatro dell’opera
Jul. 26 - Monoforte D’ Alba, IT - Auditorium Horszowski
Jul. 28 - Vienna, AT - Konzerthaus
Jul. 29 - Palma, ES - Auditorium de Palma de Mallorca
Jul. 31 - Hamburg, DE - Stadtpark
Aug. 02 - Cambridge, UK - Cambridge Folk Festival
Aug. 03 - Leuven, BE - M-idzommer Festival
Aug. 04 - Crozon, FR - Festival Du Bout Du Monde
Aug. 06 - Phoenix, AZ - Orpheum Theatre
Aug. 17 - Tucson, AZ - Rialto Theatre
Aug. 21 - Ogden, UT - Twilight Series at Ogden Amphitheater
Aug. 22 - Boise, ID - Knitting Factory
Aug. 23 - Portland, OR - Keller Auditorium
Aug. 24 - Vancouver, BC - Vogue Theatre
Sep. 09 - Sun North Adams, MA - FreshGrass Festival
The band will perform Our Endless Numbered Days in its entirety (and with an orchestra) in Cincinnati, Los Angeles and Washington, D.C.
Sub Pop and Iron & Wine will celebrate the 15th anniversary of Our Endless Numbered Days with the release of a newly expanded deluxe edition on CD/2xLP/DL worldwide on March 22nd, 2019. This version will feature eight previously never before heard demos, new artwork, and a 12-page booklet including liner notes from author Amanda Petrusich. You can now hear the demo version of ”Passing Afternoon” here.
Iron & Wine received its second Grammy nomination in two years as “Best Folk Album” for 2018’s Weed Garden. Their previous nomination was for “Best Americana Album” for 2017’s Beast Epic.
Our Endless Numbered Days (Deluxe Edition) is now available for preorder from Sub Pop. LP preorders in North America through megamart.subpop.com and select independent retailers will receive the limited Loser edition on opaque pea green vinyl (while supplies last). There will also be a new T-shirt design available. For LP preorders of Our Endless Numbered Days (Deluxe Edition) in Europe and the UK from select independent retailers will receive the limited Loser edition on opaque dark green vinyl (while supplies last).
Iron & Wine Our Endless Numbered Days (Deluxe Edition) Tracklisting:
1. On Your Wings 2. Naked as We Came 3. Cinder and Smoke 4. Sunset Soon Forgotten 5. Teeth in the Grass 6. Love and Some Verses 7. Radio War 8. Each Coming Night 9. Free Until They Cut Me Down 10. Fever Dream 11. Sodom, South Georgia 12. Passing Afternoon 13. Naked as We Came (demo) 14. Cinder and Smoke (demo) 15. Teeth in the Grass (demo) 16. Love and Some Verses (demo) 17. Free Until They Cut Me Down (demo) 18. Fever Dream (demo) 19. Sodom, South Georgia (demo) 20. Passing Afternoon (demo)
[Photo Credit : Kim Black]
Sam Beam, aka Iron & Wine, released Our Endless Numbered Days, his second album, in March of 2004. It followed his seemingly out of nowhere debut arrival, The Creek Drank the Cradle (2002) which was a quiet word of mouth treasure. Our Endless Numbered Days was recorded in Chicago and was the first in a string of releases to be produced by Brian Deck (Red Red Meat, Modest Mouse, Ugly Casanova, etc.).
Our Endless Numbered Days, which has sold over 556,000 copies, marked many firsts for Beam both professionally and personally and as Petrusich so rightly calls it in her liner notes “Our Endless Numbered Days is a timeless record about the passage of time.”
Upon its release SPIN called the record a “masterwork” one that is “self-assured, spellbinding, and richly, refreshingly adult.” Pitchfork, which gave the original album “Best New Music,” had this to say, “An astoundingly progressive record: Beam has successfully transgressed his cultural pigeonhole without sacrificing any of his dusty allure.”
Iron & Wine Tour Dates + Ticket Links
In conjunction with the re-issue, Iron & Wine will team up with the Los Angeles Philharmonic, the National Symphony Orchestra and the Cincinnati Symphony Orchestra to perform the record in its entirety. Arrangements are being handled by noted composer David Campbell (Adele, Michael Jackson, Beck), whom will also conduct the LA Philharmonic.
These shows will include two sets – one with the orchestra and one solo acoustic – and feature songs from throughout the nearly 20-year career of Iron & Wine. These are the only scheduled performances of this nature planned around the anniversary of Our Endless Numbered Days.
Mar. 22 - Cincinnati, OH - Taft Hall w/ Cincinnati Symphony Orchestra Mar. 24 - Los Angeles, CA - Disney Hall w/ Los Angeles Philharmonic TBA - Washington, DC - Kennedy Center w/ National Symphony Orchestra
Iron & Wine’s Weed Gardenarrives as a six-song collection of all new material, whose roots were planted during the making of last years Grammy-nominated, Beast Epic. The release is being made available worldwide from Sub Pop and joins the ranks of his previous EP’s -The Sea and Rhythm, Woman Kingand In the Reinswhich contains some of Iron & Wine’s most beloved material.
[Album Art Paintings by Sam Beam]
Recorded earlier this year at The Loft in Chicago, Weed Garden features the single “What Hurts Worse” and the fan favorite, “Waves of Galveston,” which first appeared as part of The Onion’s AV Club “State Songs” and is finally making its official release. Galveston is just a short trip from Austin where Sam Beam lived for a number years, and its coastal beauty is brought to life in this late summer breezy acoustic number that harkens back to some of Iron & Wine’s earliest material.
Beam recently stated that “‘Waves of Galveston” was one of those songs that had a more reflective feel and I knew I wanted to do it as an acoustic thing. I guess it pointed me in the direction of where the rest of Beast Epic went.” He also touched on the EP format and noted that he “really like(s) short records. The more concise the better. Anytime you have fewer things to absorb you observe and listen to it differently. It’s a concentrated statement”.
The Associated Press had this say of Weed Garden, “Beam’s surprise gift is the exquisite “Waves of Galveston,” a fan favorite getting its first official release. Its very 70’s-sounding refrain caresses the eardrums and Nick Drake may have sounded like this if singing about Texas….There are plenty of references to nature — the sea, butterflies, serpents, rain, clouds, flowers, winds and waves — but it’s all related to the human experience and the final three songs sustain the theme. Especially affecting are the gorgeous “Autumn Town Leaves” and the increasingly intense and desperate closer “Talking to Fog.” Weed Garden is both a wonderful bonus in relation to Beast Epicand an enchanting collection that deserves to be valued for its own plentiful merits.”
And NPR Music offers this, “Not only is Weed Garden a consistently powerful extension of Beast Epic, but it also marks the first studio release of one of Beam’s live staples: “Waves of Galveston.” That outtake has been cropping up in performances…but it benefits enormously from a new full-band arrangement that’s crisp and lovely, spare but sweet.”
Weed Garden is available on CD/LP/DL/CS through Sub Pop over here. LP purchases through megamart.subpop.com and select independent retailers will receive the limited Loser edition on Amber colored vinyl (while supplies last).
Iron & Wine’s previously announced fall tour schedule in support of Weed Garden and Beast Epic resumes on September 21st in Kansas City, MO at Arvest Bank Theatre at the Midland and runs through November 17th in Memphis, TX at the Orpheum Theatre. Support for the fall tour dates will come from Erin Rae, Carl Broemel, and Ohmme.
Sep. 21 - Kansas City, MO - Arvest Bank Theatre at the Midland* Sep. 22 - Denver, CO - Paramount Theatre* Sep. 23 - Salt Lake City, UT - Capitol Theatre* Sep. 24 - Boise, ID - Revolution Center* Sep. 26 - Eureka, CA - Arkley Center for the Performing Arts* Sep. 27 - Sacramento, CA - Crest Theatre* Sep. 28 - Anaheim, CA - House of Blues* Sep. 29 - Tucson, AZ - Rialto Theatre* Sep. 30 - Sante Fe, NM - Lensic Performing Arts Center* Oct. 2 - Tulsa, OK - Cain’s Ballroom* Oct. 3 - St. Louis, MO - The Pageant^ Oct. 4 - Milwaukee, WI - The Pabst Theater* Oct. 5 - Bloomington, IL - Castle Theatre* Oct. 6 - Columbus, OH - Southern Theatre* Nov. 2 - Ann Arbor, MI - Michigan Theater** Nov. 3 - Toronto, ON - Queen Elizabeth Theatre** Nov. 4 - Montreal, QC - Corona Theatre** Nov. 6 - Portland, ME - State Theatre** Nov. 7 - Huntington, NY - The Paramount** Nov. 8 - Glenside, PA - Keswick Theatre** Nov. 9 - Norfolk, VA - NorVa** Nov. 10 - Raleigh, NC - Meymandi Concert Hall** Nov. 12 - Nashville, TN - Ryman Auditorium** Nov. 14 - Augusta, GA - Miller Theater** Nov. 15 - Tampa, FL - Tampa Theatre** Nov. 16 - Atlanta, GA - Buckhead Theatre** Nov. 17 - Memphis, TN - Orpheum Theatre** *w/ Erin Rae ** w/ Ohmme ^ w/ Carl Broemel
Beast Epic, the deeply personal sixth proper full-length album from Iron & Wine, received universal praise upon its release in the fall of 2017. Rolling Stone said it was “Beam’s most dynamic and convincing record in years”, while Pitchfork noted that it was reminiscent of “the warm acoustic instrumentation of his early work”. The AV Club perhaps summed it up best with its A grade when they wrote “Beam has written his most affecting, impressive set of songs in a long time—maybe ever…scaling back the lavish orchestration while maintaining a sense of brightness and verve.”
