Wolf Parade have shared a new, official video for “You’re Dreaming,” one of the standout singles from Cry Cry Cry, their acclaimed October 2017 album. Directed by Raymond Knight, the new visual was recorded live and filmed in studio, and is reminiscent of a late night TV performance, one that captures the unbridled energy of Wolf Parade’s stage show.
Cry Cry Cry is one of 2017’s best reviewed albums of the year, with praise from the likes of NPR Music, The Guardian, Mojo, Q, Uncut, Vulture, Drowned in Sound, SPIN, Stereogum, Brooklyn Vegan, and year end notices from Uproxx, Under the Radar, Inc. and more.
Wolf Parade have extended their 2018 tour schedule in support of Cry Cry Cry, adding a 4-night, co-headline US run with Japandroids and headlining European dates. The US dates (May 21st-24th) will have the band visiting Kansas City, Denver, Boise, and Salt Lake City, while the EU jaunt will have stops in Switzerland, Austria, Czech Republic, Slovenia, and Croatia.
Wolf Parade’s current southwestern US run is underway, with a show tonight, January 23rd in San Diego at The Observatory at North Park. The January dates end on January 28th in Dallas at the House of Blues.
North America 2018 Jan. 23 - San Diego, CA - The Observatory North Park * Jan. 24 - Phoenix, AZ The Van Buren * Jan. 26 - Austin, TX - The Mohawk * Jan. 27 - Houston, TX - White Oak Music Hall * Jan. 28 - Dallas, TX - House of Blues* May 21 - Kansas City, MO - The Truman ** May 22 - Denver, CO - Ogden Theatre ** May 23 - Salt Lake City, UT - Urban Lounge ** May 24 - Boise, ID - Knitting Factory **
Europe 2018 May 31 - Zurich, CH - Bogen F Jun. 01 - Dornbirn, AT - Conrad Sohm Jun. 02 - Kleinreifling, AT - Seewiesenfest Jun. 03 - Prague, CZ - Underdogs Jun. 05 - Ljubljana, SI - Kino Siska Jun. 06 - Zagreb, HR - K-Set Jun. 07 - Graz, AT - Orpheum Jun. 08 - Vienna, AT - Flex
*w/ Charly Bliss ** w/ Japandroids
Wolf Parade’s Cry Cry Cry, is available now on CD / 2xLP / DL / CS worldwide from Sub Pop, in Canada from Universal Records and Wolf Parade’s webstore over here. The album was produced by John Goodmanson at Robert Lang Studios in Seattle and mastered by Greg Calbi at Sterling Sound in New York.
THE BAND WILL PLAY COACHELLA, SHAKY KNEES, LANEWAY FESTIVALS AND MORE IN 2018
Today, Melbourne outfit Rolling Blackouts Coastal Fever share a new song, their first new material at the top of what will surely be a big year for the five-piece. “Mainland” boasts the same urgency as tracks like “Clean Slate” and “Sick Bug” that helped bring the band to the attention of punters and won them critical acclaim. Inspired by a 2017 trip to his grandparents’ birthplace of the Aeolian Islands off Sicily, singer/songwriter/guitarist Tom Russo describes how the track came together. “I was reading about a refugee crisis unfolding not far away in the Mediterranean Sea,” says Russo. “The song is about longing, disillusionment, privilege and holding on to love as a kind of shield.”
Recorded in a secluded house in Australia’s Northern NSW wilderness, “Mainland” marks the first taste of new music from the band since the release of their lauded 2017 EP “The French Press” (Sub Pop). The EP landed on many “Best Of 2017” lists, including The Guardian, Paste, and more.
Also, as announced earlier this month, Rolling Blackouts C.F. will be playing Coachella and Shaky Knees festivals in the states, as well as Laneway overseas. The band will tour North America, the UK and Europe around the festival dates as well.
SINGAPORE / NEW ZEALAND/ AUSTRALIA
Sat. Jan. 27 - Singapore @ St Jerome’s Laneway Festival
Jan 29 - Auckland, NZ @ St Jerome’s Laneway Festival
Feb 2 - Adelaide, AUS @ St Jerome’s Laneway Festival
Feb 3 - Melbourne, AUS @ St Jerome’s Laneway Festival
Feb 4 - Sydney, AUS @ St Jerome’s Laneway Festival
Feb 10 - Brisbane, AUS @ St Jerome’s Laneway Festival
Feb 11 - Fremantle, AUS @ St Jerome’s Laneway Festival
Fri. Apr. 13 - Sun. Apr. 15 - Indio, CA @ Coachella Valley Music & Arts Festival
Fri. Apr. 20 - Sun. Apr. 22 - Indio, CA @ Coachella Valley Music & Arts Festival
Tue. Apr. 24 - Portland, OR @ Doug Fir Lounge
Wed. Apr. 25 - Seattle, WA @ The Crocodile
Fri. Apr. 27 - Salt Lake City, UT @ Kilby Court
Sat. Apr. 28 - Denver, CO @ Larimer Lounge
Mon. Apr. 30 - Minneapolis, MN @ 7th Street Entry
Wed. May 2 - Chicago, IL @ Schubas Tavern
Thu. May 3 - Nashville, TN @ The Basement
Fri. May 4 - Atlanta, GA @ Shaky Knees Festival
Sat. May 5 - Chapel Hill, NC @ Local 506
Sun. May 6 - Washington, DC @ DC9
Tue. May 8 - Toronto, ON @ The Garrison
Thu. May 10 - Philadelphia, PA @ Johnny Brenda’s
Fri. May 11 - Allston, MA @ Great Scott
Sat. May 12 - Brooklyn, NY @ Rough Trade
UK & EUROPE
Sat. May 19 - Nottingham, UK @ The Bodega
Sun. May 20 - Glasgow, UK @ CCA: Centre for Contemporary Arts
Hey gang! The Sub Pop Loser Scholarship is back for our 10th year (!) of supporting Losers in Washington and Oregon.
Sub Pop Records in Seattle, WA is offering a grand total of $15,000 worth of college scholarship money to three eligible high school seniors. There are three scholarships—one for $7,000, one for $5,000 and one for $3,000. As longtime and proud losers ourselves, we’re exceedingly happy to be able, in some small way, to help further the education of art-enthused misfits from the NW.
Applicants must be a resident of Washington or Oregon, and a graduating senior on your way to full-time enrollment at an accredited university or college. We are looking for applicants who are involved and/or interested in music and/or the creative arts in some way. However, you do not need to be pursuing an education in the arts.
To apply you must submit an essay, one page or less, using any combination of the following questions as a guide (or write something completely your own, be inspired and creative!). Please list the school you are graduating from and the school you plan to attend in the fall at the top of your essay along with your contact information.
- What are you doing in the arts/music field in your community?
- What does being a Sub Pop ‘Loser’ mean to you?
- What are your influences and/or who inspired you to become involved in the arts?
- Describe your biggest failure and explain how it has brought you closer to your goal(s).
- Discuss a special attribute or accomplishment that sets you apart.
- How has your family or community background affected the way you see the world?
- Why should you be the Loser winner?
Applicants are strongly (!) encouraged to send digital links and/or provide hard copies of their artwork, photos of community involvement, radio show links, videos, etc. along with their essay (we have never had a winner who submitted only an essay w/no extras). However, please be aware that Sub Pop will not return any of this material, so please don’t send originals. Sub Pop will give equal opportunity to all applicants who fit the criteria outlined above.
The deadline for applications is Wednesday, March 21st.
Please send all submissions and attachments to email@example.com by Wednesday, March 21st. We will announce the scholarship winners during the first week of April.
Friday, March 16th, 2018 will mark the worldwide release of Hot Snakes’ Jericho Sirens, the long-awaited fourth album (and first in 14 years!!!) from the San Diego-based punk rock recidivists. The album was produced by the band and recorded in Philadelphia and San Diego throughout 2017.
Earlier this month, Hot Snakes whet fan appetites by unleashing a trailer featuring :60 (of a total :78) seconds of the monster Jericho Sirens track “Why Don’t It Sink In?” And late yesterday afternoon, Jenny Eliscu premiered the tumultuous new single “Six Wave Hold-Down” on her Sirius XMU show.
Jericho Sirens is now available for preorder from Sub Pop over here and will come in the following formats:
Standard LP on clear vinyl
The limited Loser edition LP on black vinyl (while supplies last!)
Hot Snakes previously announced UK tour in support of Jericho Sirens runs January 25th-February 3rd, 2018. The band will then play a hometown release show in San Diego at the Casbah on March 7th, which is then followed immediately by a midwestern U.S. tour March 10th-16th. Tour dates below.
Jan. 25 - Manchester, UK - Gorilla Jan. 26 - Glasgow, UK - Broadcast [Sold Out] Jan. 27 - Newcastle, UK - The Cluny Jan. 28 - Leeds, UK - Brudenell Social Club Jan. 30 - Nottingham, UK - Rescue Rooms Jan. 31 - Cambridge, UK - The Portland Feb. 01 - Brighton, UK - Sticky Mikes Feb. 02 - London, UK - The Dome [Sold Out] Feb. 03 - Bristol, UK - Thekla (Early Show) Mar. 07 - San Diego, CA - Casbah [Sold Out] Mar. 09 - Chicago, IL - Thalia Hall Mar. 10 - Detroit, MI - El Club Mar. 11 - Cleveland Heights, OH - Grog Shop Mar. 13 - Nashville, TN - Mercy Lounge Mar. 14 - St. Louis, MO - Blueberry Hill Mar. 15 - Milwaukee, WI - Cactus Club [Sold Out] Mar. 16 - St. Paul, MN - Turf Club
More About Hot Snakes Jericho Sirens: Swami John Reis and Rick Froberg have been making noises together since high school. In 1986 it was the post-hardcore chime of Pitchfork. In 1991 it was the sprawling, multi-faceted arrangements of Drive Like Jehu. In 1999 it was the lean, mean swagger of Hot Snakes. Reis and Froberg are responsible for some of the most turbulent rock and roll of their, or any, generation.
Hot Snakes streamlined Jehu’s complex compositions and emerged as bona fide downstroke warlords. They made 3 studio albums of high-velocity, slash-your-face, piss-punk: 2000’s Automatic Midnight, 2002’s Suicide Invoice and 2004’s Audit in Progress. The band ceased activity in 2005 but reunited for a triumphant world tour in 2011, planting the seeds for what has cum.
Now, after a 14-year hiatus from the studio, Hot Snakes have kicked down the door back into our lives with their new album, Jericho Sirens, due out March 16 from Sub Pop. Fresh, warm piss, bottled and sold as lube.
“I considered stopping playing guitar on a social media poll after I completely mastered the instrument,” Reis says. “But so many people kept sending me letters and voicemail messages, asking me at the dry cleaners, or the butcher shop to bring back Hot Snakes. They were missing rock and roll music. I’ve always considered Hot Snakes to be more in the vein of the proto-Vog movement of the early ‘70s. But to these people, this is their rock ‘n’ roll. I understand that. I totally understand people’s desire to be controlled and humiliated by my guitar. Anyone can play the stupid guitar. What they want is for me to use it as a branding iron.”
The new album blasts out of the speakers with the furious “I Need a Doctor,” inspired by Froberg’s experience needing a doctor’s note in order to miss an important work function. “Yeah, I had to be quick on my feet,” says Rick. “Luckily a friend had a stack of stationary from Planned Parenthood and I used that to forge a note relieving me of my obligation to go to a really lame Christmas party at a karaoke joint.”
Throughout Jericho Sirens, Froberg commiserates with the frustration and torrential apathy that seems to be a fixture in our daily lives, while also reminding us that we have no fucking clue. “Songs like ‘Death Camp Fantasy’ and ‘Jericho Sirens’ are about that,” he says. “No matter where you look, there’re always people saying the world’s about to end. Every movie is a disaster movie. I’m super fascinated by it. It is hysterical, and it’s a self-fulfilling prophecy. It snowballs, like feedback, or my balls on the windshield.”
Musically, the album incorporates the most extreme fringes of the Hot Snakes sound (the vein-bulging, 78-second “Why Don’t It Sink In?” the manic, Asian Blues on speed of “Having Another?”), while staying true to longstanding influences such as the Wipers, Dead Moon, Michael Jackson, and Suicide on propulsive tracks such as “Six Wave Hold-Down,” one of the first songs written for the project during a Mummer Parade 2017 session in Philadelphia. Other moments like the choruses of “Jericho Sirens” and “Psychoactive” nod to Status Quo and AC/DC with Froberg admitting, “I still flip bird and ride my BMX on top of cop cars.”
“My muse was love. It sounds like panic and chaos,” Reis says. “Restlessness and unease. That’s a sound that I would ask for. I want that record. The inspiration would be simple, maybe even kind of straightforward. Very early rock ‘n’ roll DNA with lots of rules. I would find some note or rhythm in it that captivated me and I dwelled on it and bent it. That’s where I found dissonance. Bending and rubbing against each other uncomfortably. Marinate and refine. A lot of the other Hot Snakes records always had tension and release, but this one is mainly just tension.”
Jericho Sirens was recorded in short bursts over the past year, mostly in San Diego and Philadelphia with longtime bassist Gar Wood, Jason Kourkounis and Mario Rubalcaba, both of whom drummed on prior Hot Snakes releases but never on the same one. For Reis, reactivating his creative partnership with Froberg was one of the most rewarding aspects of the process: “Our perspectives are similar. Our tastes are similar. He is my family. And what more is there to say? My favorite part of making this record was hearing him find his voice and direction for this record. I came hard.”
In tandem with a full back catalog reissue series and the new album, Hot Snakes will return to the road in 2018 to incinerate the villages, and they’re already looking ahead to more music. Says Gar Wood, “There’re already 2 more records written and recorded. We wanted to come out with this one using the more mainstream sounding stuff to give people a chance to catch up.”
“Artificial” is the new and very official video from Moaning’s forthcoming self-titled, debut album, helmed by the directorial team A Stranger. Guitarist Sean Solomon says of the shimmery, 120 Minutes-style visual, “The video mirrors the themes of insincerity and artificiality in the song. To shoot the video we used practical effects to warp the viewers perception of what’s happening. It was appropriately shot in Los Angeles on 35mm film much like other disingenuous Hollywood productions”
The FADER had this to say of the video, “The song is about what really lies beneath, and like the truth, “Artificial” is distressing, nuanced, and ultimately cathartic. In the video directed by A Stranger, Moaning’s members dress in all white and play in a tinfoiled house with lots of fake plants, with their faces occasionally distorted and mirrored in very cool fashions (see video premiere January 15th).”
Moaning will be available on CD/LP/CS/DL worldwide through Sub Pop. The 10-track album, featuring “Artificial” and “Don’t Go” along with highlights “Tired” “The Same,” and “Misheard,” was recorded and engineered by Alex Newport in Los Angeles.
Preorders for Moaning are available now through Sub Pop right here. LP preorders through megamart.subpop.com and select independent retailers will receive the limited Loser edition on pink vinyl (while supplies last). A new t-shirt design will also be available.
Moaning’s current tour schedule in support of the album begins March 9th, with a hometown release show in Los Angeles on March 9th at the Echo, and runs through March 23 in Salt Lake City at Kilby Court. The band will also appear at SXSW. Additional live dates will be announced soon.
Mar. 09 - Los Angeles, CA - The Echo ^ Mar. 14 - Austin, TX - SXSW Mar. 15 - Austin, TX - SXSW Mar. 16 - Austin, TX - SXSW Mar. 17 - Austin, TX - SXSW Mar. 18 - Hot Springs, AR - Valley of the Vapors Mar. 20 - Chicago, IL - Empty Bottle Mar. 23 - Salt Lake City, UT - Kilby Court * ^ w/ Froth * w/ Ed Schrader’s Music Beat
What The People are saying about Moaning:
“A spacious and dark post-punk rager” [“Don’t Go”] - Buzzbands LA
“A taut introduction, a snappy, cut-throat piece of punked out indie rock that makes its point in two minutes 56 seconds.” [“Don’t Go”] -CLASH
“‘Don’t Go’ is an abrasive, thrilling introduction that points towards a debut album without boundaries or limitations.” [“Don’t Go”] - DIY
“Solomon sings in a world-weary monotone. But his voice rushes through a weathered industrial filter that makes it sound like the air in his lungs is struggling to catch up with him, adding a layer of momentum to his post-punk stoicism. Behind him, bandmates Pascal Stevenson and Andrew MacKelvie keep time on bass and drums, respectively, their clipped tempos like a clock ticking down to the end of the affair. And then there’s that delightfully out of place guitar solo. The way Solomon’s fingers jitter across the frets betrays the dispassion in his voice. He sings like Ian Curtis, but he plays guitar like Billie Joe Armstrong wringing out notes in fits.” [“Don’t Go”] - Pitchfork
“It’s moody and on-edge, an energy that’s matched by the stylish black-and-white video” [“Don’t Go”] - Stereogum
“Don’t Go” is uproarious and unrelenting, a tremendous wall of noise hitting you from the start, its biting rage continuing throughout. Vocals cloaked in fuzz meld into the sounds projected seamlessly, creating a thick atmosphere against repetitious plea of, “don’t go.”…The single evokes the feelings of desperately holding on, clamoring to keep it together even when everything has fallen apart. This band is everything.” [“Don’t Go”] - The Grey Estates
“A product of their hometown’s DIY scene, this Los Angeles trio have spent the past couple of years creating moody guitar music that draws on shoegaze, slacker-rock and post-punk. They’ve already whetted appetites for their upcoming debut album with a series of driving, dirge-like, deadpan tunes.” [Top 40 Newcomers of 2018”] -The Guardian