News: NEWS

NEWS : FRI, MAR 11, 2022 at 12:00 AM

Sub Pop Is Hiring a Project and Marketing Coordinator (Mar 11, 2022)

Based in Seattle, WA

Sub Pop Records is seeking a full-time Project and Marketing Coordinator. Candidates must be based in WA and able to work from our Seattle office when necessary.

This role is responsible for managing deadlines for the Marketing Dept., including those related to video production. This will include managing the entire video production and delivery process. The Project and Marketing Coordinator also coordinates and assists with a variety of marketing tasks under the supervision of the VP of Marketing. These tasks include: tour marketing, updating artist pages on Sub Pop and Hardly Art websites, and communicating marketing highlights to sales and distribution partners. 

Our ideal candidate for this position will have excellent organizational skills and attention to detail, and the ability to work well independently and on a team.

We are accepting resumes through the position closing date of Mar. 25, 2022.

To apply, please send a cover letter and resume to Kara Mattaini at


Project Coordination


  • Organize and keep all project/release deadlines up to date.

  • Responsible for making sure all project deadlines are met and communicating with the relevant teams when there might be delays.

Video Production

  • Manage video schedule, deadlines and due dates; responsible for getting all relevant teams the links and files to video-related pieces by established due dates.  

  • Contracting, payment requests and managing workflow and communication between artist/director (production company) and the label. 

  • Project management of any additional visual content related to video, and coordination with associated teams.

  • Provide video project status updates to A&R and Marketing Staff.

Marketing Coordination

  • Work with Marketing Dept. to manage guest lists and ticket buys

  • Maintenance and administration of Sub Pop on the Road (

  • Provide venues, promoters, artists/managers w links to digital tour assets and art files avail on

  • Update external partner tour databases.

  • Update artist pages on the Sub Pop and Hardly Art websites, adding current photos, bio, social links, mgmt. info, admats, Youtube embeds

  • Update sales and distribution partners with weekly marketing highlights.

Preferred Experience & Qualifications

  • Previous project management experience, or proven organizational skills.

  • Music industry experience.

  • Knowledge of the Sub Pop and Hardly Art catalogs and rosters.


  • This position may be primarily WFH, hybrid, or in-office, but if the applicant chooses to be WFH/hybrid they must be able to meet in person at downtown Seattle HQ two days per week at minimum. In-office work requires proof of CDC recommended COVID vaccination series. 

  • Strong communication skills

  • Proficient in Google Workspace.



VP of Marketing


Sub Pop Records is an equal opportunity employer. All employment decisions are based on business needs, job requirements and individual qualifications, without regard to race, color, religion, age, sex, sexual orientation, gender identity, family or parental status, national origin, veteran or disability status. Sub Pop Records will not tolerate discrimination or harassment based on any of these characteristics.

To apply, please send a cover letter and resume to Kara Mattaini at no later than March 25, 2022.


Posted by Chris Jacobs

NEWS : WED, MAR 9, 2022 at 7:00 AM

Hear Father John Misty’s “Goodbye Mr. Blue” the New Single from Chloë and the Next 20th Century; Performs on The Late Show with Stephen Colbert Tonight

Father John Misty’s “Goodbye Mr. Blue” is the bittersweet and tender new single from Chloë and the Next 20th Century, his forthcoming new album. Later this evening, Father John Misty and his band will make their return to late night TV, with a performance of the song on The Late Show with Stephen Colbert.
Chloë and The Next 20th Century, which also includes the singles “Funny Girl,” “Q4,” and “Kiss Me (I Loved You),” and will be available April 8th, 2022 worldwide from Sub Pop and in Europe from Bella Union. All formats of Chloë and the Next 20th Century are available for preorder now from Sub PopBella Union (UK/Europe), and select independent retailers in North America.
Father John Misty recently performed a sold-out show at Disney Hall in Los Angeles with the LA Philharmonic which Variety described as: “Of all the pop-rock/symphonic collaborations that the LA Phil and Hollywood Bowl Orchestra have specialized in over the last few years — and there have been some wonderful ones —  this felt like the most natural and probably the best.”
The next symphony performance for 2022 — April 7th in London at the Barbican with Britten Sinfonia conducted by Jules Buckley — is sold out.
Father John Misty will celebrate the release of Chloë and The Next 20th Century, with a pair of sold-out, intimate performances presented by Rough Trade and Rockefeller Center at the iconic Rainbow Room in New York City on April 14th, 2022.  On release day Father John Misty will be celebrating the album’s release with two performances presented by Banquet Records in Kingston, UK. Additional outstore dates in the UK include Crash Records (April 4), Rough Trade East (April 9), Resident Music (April 10) and Rough Trade Bristol (April 11).
Chloë and the Next 20th Century singles are seeing early praise from the likes of PASTE who calls “Q4” “gorgeous and absurd; in other words, it’s quintessential Father John Misty.” Rolling Stone offers this “Funny Girl” of, “A lovely, languid gem that shows Tillman quietly reintroducing himself  — with a little help from an orchestral arrangement that echoes old Hollywood…in classic Misty fashion, leaves us quizzically charmed (“Song You Need To Know”).” The FADER says ‘Funny Girl’ is a “lush and romantic ballad…and shows that there’s much more to Josh Tillman… (‘20 Best Rock Songs Right Now’).”

Posted by Abbie Gobeli

NEWS : MON, MAR 7, 2022 at 10:00 AM

Sub Pop x SXSW 2022

For the first time in years, it’s that time of year again…We are, of course, referring to the 2022 SxSW Music Festival in Austin, TX. And this year, Sub Pop artists Aeon Station, Naima Bock, Cartel Madras, CHAI, Hannah Jadagu, Kiwi Jr., Pissed Jeans, and Weyes Blood will all appear at the once-again-annual music festival and BBQ buffet. Please find a complete schedule for each artist below.

Aeon Station


5:25 PM / Hipster Robot Showcase @ Side Bar

602 E 7th St., Austin, TX 78701

1:00 AM / SXSW Showcase @ Elysium 

705 Red River St., Austin, TX 78701


1:30 PM / Brooklyn Vegan Showcase @ TBD

6:15 PM / Midgetmen’s Jumpstart 14

602 E 7th St., Austin, TX 78701

10:00 PM / Pellicular Works @ Soundspace Captain Quackenbush’s Coffeehouse

5326 Menchaca Rd., Austin, TX 78745

Naima Bock


1:00 PM / IFPA (Global Street Farm) @ Idle Hands 

Address: 85 Rainey St


8:00 PM / St. David’s Bethell Hall @ St. David’s Episcolpal Church

301 E 8th St., Austin, TX 78701


11:00 PM / British Underground Happening @ Seller’s Underground

213 W 4th St., Austin, TX 78701

Cartel Madras


11:00  PM / Range Magazine @ Lucille

Address: 77 Rainey St, Austin, TX 78701


12:00 PM / Billboard Panel Discussion @ Samsung/Galaxy house.

Panel Topic: Three LGBTQ+ acts with experience exploring their musicianship at a young age speak about the evolution of their craft and how that impacted the ways in which they came to celebrate their sexual identities.

10:00 PM / Jaded presents @ 3TEN ACL LIVE

310 W Willie Nelson Blvd, Austin, TX 78701



11:00 PM / Jaded presents @ 3TEN ACL LIVE

310 W Willie Nelson Blvd., Austin, TX 78701

Hannah Jadagu 


10:40 PM / SXSW Showcase @ Cheer Up Charlies

900 Red River St., Austin, TX 78701

Kiwi Jr.


5:00 PM / Austin Convention Center - Ballroom A

500 E Cesar Chavez St, Austin, TX 78701

12:00 AM / ELYSIUM

705 Red River St., Austin TX 78701


9:00 pm- 9:40 PM/ Aquarium Drunkard @ Lucille

77 Rainey St, Austin, TX 78701

Pissed Jeans


5:00 PM / Fiesta Destructo @ Hotel Vegas

1502 E 6th St., Austin, TX 78702

Weyes Blood (solo performance)


TBD / Luck Reunion @ Luck Ranch 

100 Bee Creek Rd., Spicewood, TX 78669

Posted by Abbie Gobeli

NEWS : THU, MAR 3, 2022 at 10:00 AM


Sub Pop is currently accepting resumes from energetic, responsible, detail-oriented, and dependable candidates for a part-time/weekend/evening Sales Clerk position at our terribly impressive store at the Seattle-Tacoma International Airport. This guy.

Responsibilities include:

 • Greeting and assisting customers in a friendly manner. 
 • Full compliance with Sea-Tac operation rules and strict TSA regulations and restrictions. 
 • Efficient handling of cash and credit card transactions. 
 • Ability to work collaboratively and communicate effectively. 
 • Availability to work nights, weekends, and holidays. 
 • Assisting in organizing and restocking the store. 
 • Maintaining the general appearance of the store. 
 • Contributing to the team retail effort by accomplishing related tasks as needed. 

Qualified candidates will have: 

 • Previous experience in the retail environment. 
 • Knowledge of the Sub Pop catalog, Pacific Northwest music, the Seattle music community, and the City of Seattle.
 • A friendly and enthusiastic disposition with customers and staff. 
 • Strong and clear communication skills. 
 • A general understanding of retail Point of Sale systems. 
 • Flexibility in schedule and willingness to work early or late hours. 

The Sub Pop Airport Store at Sea-Tac is open from 7am-7pm, 365 days a year. 

Please send your resume to

Posted by Abbie Gobeli

NEWS : THU, MAR 3, 2022 at 7:00 AM


Suki Waterhouse today released her newest track, “Devil I Know,” off upcoming debut album, I Can’t Let Go, which will be released Friday, April 22nd via Sub Pop Records. “Devil I Know” and I Can’t Let Go are both produced by Grammy-Nominated Producer & Songwriter Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee). “Devil I Know” is the fourth release off I Can’t Let Go; “Moves, “My Mind,” and “Melrose Meltdown” were the album’s first three tracks.

“Devil I Know” has previously appeared on numerous television shows including “The L Word” and “YOU,” and is due to be featured on the upcoming season of “Riverdale” as well. In the sultry song, Suki’s vocals are paired with synthesized guitar strums as she repeatedly dedicates herself to “staying faithful to the devil I know.” Suki mournfully sings “I’m okay with history repeating, tell me I’m the one you can’t forget,” an ode to someone she finds herself tied to with no means of extricating herself from.
Devil I Know” is about the twisted pleasures of going back to someone who you’re addicted to & the joy you feel in that moment of breaking your own promises,” Suki says about the track. “It’s a beautiful and sad song about being constrained to a relationship that may not be the most healthy.”
This past Monday, February 28th, it was announced that Suki will be embarking on a Spring 2022 Tour on behalf of I Can’t Let Go.
Friday, May 6th Los Angeles, CA at The Echo
Saturday, May 7th in San Francisco, CA at Café du Nord
Friday, May 13th in Brooklyn, NY at Elsewhere (Zone One)

Suki Waterhouse catalogs the most intimate, formative, and significant moments of her life through songs. You might recognize her name or her work as singer, songwriter, and actress, but you’ll really get to know the multi-faceted artist through her music. Growing up in London, Suki gravitated towards music’s magnetic pull and always saw the medium as a way of expressing creativity and telling stories. Previous singles “Brutally”, “Good Looking” and “Valentine” drew comparisons to the Paisley Underground sound of Mazzy Star and to the 60s influenced girl group reimagining of bands like Stockholm’s The Concretes and Glasgow’s Camera Obscura.
Earlier this year, Suki was named by both NPR and Atwood Magazine as a 2022 Artist to Watch.

Previous Praise for Suki Waterhouse:
“…add to the mix her vocal style – calling to mind the exquisite tones of Elizabeth Fraser or Hope Sandoval – and a solid collection of early work that caught the ear of Sub Pop, and you’ve got a welcome addition to your 2022 playlist.” - NPR
“The resulting smoky, cinematic, guitar-rock got her signed to Sub Pop, the indie record label that first signed Nirvana and is now home to Beach House and Sleater-Kinney.“
 - Vogue

“..sounds like what a Lana Del Rey deep cut mixed with Joni Mitchell’s “Both Sides, Now” would sound like…Here’s to more pleasant surprises like this from her book of talents.” - NYLON

Track Listing:
1. Moves
2. Devil I Know
3. Melrose Meltdown
4. Put Me Through It
5. My Mind
6. Bullshit on the Internet
7. Wild Side
8. On Your Thumb
9. Slip 
10. Blessed

Posted by Abbie Gobeli

NEWS : WED, MAR 2, 2022 at 1:00 PM


Australia’s Rolling Blackouts Coastal Fever release a new track/video, “Tidal River,” from their forthcoming album, Endless Rooms, out May 6th on Sub Pop. Rolling Blackouts C.F. have joined an Australian lineage of bands bold enough to marry the country’s evocative landscapes with the urban romance, passions and politics of its characters. Today’s propulsive “Tidal River,” is settled in this vein, as it invokes the specter of Australia as the “lucky country” – and the self-entitlement and ignorance it inspires: “Jetski over the pale reef / chase the pill for some relief / as long as you don’t point out / what’s underneath your feet.” The accompanying video was directed by frequent collaborator Nick Mckk and weaves landscape footage with clips of the band playing. 

“Tidal River is a little snapshot of living in a place at a time when it feels like there is no-one at the wheel. If there were a complacency Olympics, Australia would win gold by a mile. In the ‘lucky country’, the luckiest ones jealously guard their fortune, as if it will disappear if they share it around. There is so much potential to do better, but it sometimes seems like progress is two steps forward, two steps back. Tidal River is located in what Europeans named Wilsons Promontory, where the river meets the ocean. It has great significance for the Gunai/Kurnai and Boonwurrung peoples, who call it Yiruk and Wamoon respectively. No matter the struggles and politics that go on, the river keeps churning into the sea.


Since releasing their debut EP Talk Tight in 2015, the Melbourne-based five-piece have been chewing through stages across the world at a frightening clip. Early 2020 saw them gearing up once again – putting the finishing touches on second album, Sideways to New Italy, and prepping for another international tour. Instead they were caught in the longest Covid-related lockdown in the world. “All our touring was amazing,” says Tom Russo, who along with Fran Keaney and Joe White make up the band’s trio of guitar-playing, singer/songwriters, rounded out by bassist Joe Russo and drummer Marcel Tussie. “It’s also sensory overload and a bit chaotic. So it went from that to the complete opposite – sensory deprivation. We were basically in a bubble.”

With no shows to support Sideways to New Italy possible, the band had little to do but sit at home. “I was spending all my weekends building stuff on Garageband,” says Keaney. “Writing without having any sense anybody would listen to it.” Soon experiments wandered: a synth line here, a disco vamp there. Files were traded – weird ideas without parameters included. Without realizing it, the group’s signature sound of rushing acoustic guitar, motorik drums and sparkling pop hooks was being subtly shifted into a new era. When lockdown momentarily lifted at the end of 2020, the band and long-time engineer Matt “Chow” Duffy legged it to “The Basin” – a lakeside, mud-brick house in regional Victoria the Russo extended family built in the ‘70s. With the building’s high-ceilings and rural setting encouraging a huge live sound, the reunited members spent two weeks figuring out what they had. 

Back in Melbourne the band set about finishing the record on their own, working through months of lockdown restrictions, trial and error and the isolation of a post-pandemic world. “A lot of my ideas came from endlessly walking around the same streets of West Brunswick” says Russo. “But I was also kind of liberated by that - my mind wandered into places it wouldn’t otherwise have. Then when we finally got to recording in the country, the ambience seeped in. We ended up including field recordings of fire, rain and bird sounds. Then we finished it ourselves back in our Brunswick practice space.” 

The result is Endless Rooms, the band’s most cinematic, stylistically diverse and ambitious album yet. Self-produced by the band with Matt Duffy, and mixed by Scott Horscroft (DMA’S, Silverchair, The Presets), Endless Rooms pulls back the curtain on what Rolling Blackouts C.F. can achieve, revealing a wider screen, deeper narrative currents, more confident shades, and an excitement at letting their tumbling brand of ragged, nervy pop wander and breathe. 




Wed. Feb. 9 - Sydney, AU @ Factory Theatre

Thu. Feb. 10 - Sydney, AU @ Factory Theatre - SOLD OUT

Thu. Feb. 17 - Eltham, AU @ Eltham Hotel

Fri. Feb. 18 - Brisbane, AU @ The Tivoli

Sat. Feb. 19 - Canberra, AU @ Kambri - ANU

Fri. Feb. 25 - Melbourne, AU @ The Forum

Thu. Mar. 3 - Adelaide, AU @ The Gov

Fri. Mar. 4 - Hobart, AU @ Altar

Fri. Mar. 18 - Fremantle WA @ AU @ Freo Social

Fri. May 20 - Madrid, ES @ Tomavistas

Sun. May 22 - Brighton, UK @ Concorde 2 *

Mon. May 23 - Norwich, UK @ Waterfront *

Tue. May 24 - Oxford, UK @ O2 Academy *

Wed. May 25 - Bristol, UK @ Motion *

Thu. May 26 - Cardiff, UK @ Tramshed *

Sat. May 28 - Northampton, UK @ Roadmender *

Sun. May 29 - Birmingham, UK @ O2 Institute *

Mon. May 30 - Leeds, UK @ Leeds Irish Centre *

Tue. May 31 - Manchester, UK @ O2 Ritz *

Thu. Jun. 2 - London, UK @ O2 Shepherd’s Bush Empire *

Fri. Jun. 3 - Sheffield, UK @ The Foundry *

Sat. Jun. 4 - Glasgow, UK @ Queen Margaret Union *

Sun. Jun. 5 - Edinburgh, UK @ The Liquid Room *

Mon. Jun. 6 - Newcastle upon Tyne, UK @ Boiler Shop *

Wed. Jun. 8 - Dublin, IE @ Vicar Street *

Fri. Jun. 10 - Parque Da Cidade, BR @ Primavera Porto

Sat. Jun. 11 - Barcelona, ES @ Primavera Sound

Sun. Jun. 12 - Mannheim, DE @ Maifield Derby

Mon. Jun. 13 - Berlin, DE @ Cassiopeia *

Wed. Jun. 15 - Bergen, NO @ Bergenfest

Thu. Jun. 16 - Oslo, NO @ John Dee *

Fri. Jun. 17 - Copenhagen, DK @ Pumpehuset *

Sun. Jun. 19 - Paris, FR @ La Maroquinerie *

Tue. Jun. 21 - Brussels, BE @ Botanique Orangerie *

Wed. Jun. 22 - Nijmegen, NL @ Doornroosje *

Thu. Jun. 23 - Amsterdam, NL @ Paradiso *

Fri. Jul. 22 - North Byron Parklands, AU @ Splendour In The Grass

Wed. Jul. 27 - St. Paul, MN @ Turf Club

Mon. Aug. 1 - Toronto, ON @ Horseshoe Tavern

Tue. Aug. 2 - Montréal, QC @ L’Escogriffe Bar

Wed. Aug. 3 - Cambridge, MA @ The Sinclair

Sat. Aug. 6 - Brooklyn, NY @ Music Hall of Williamsburg

Sun. Aug. 7 - Philadelphia, PA @ Underground Arts

Mon. Aug. 8 - Washington, DC @ Black Cat

Wed. Aug. 10 - Atlanta, GA @ Terminal west

Fri. Aug. 12 - Austin, TX @ Empire

Sat. Aug. 13 - Fort Worth, TX @ Tulips

Mon. Aug. 15 - Denver, CO @ Bluebird Theater

Tue. Aug. 16 - Salt Lake City, UT @ Urban Lounge

Thu. Aug. 18 - Seattle, WA @ Neumos

Fri. Aug. 19 - Vancouver, BC @ Hollywood Theatre

Sat. Aug. 20 - Portland, OR @ Revolution Hall

Mon. Aug. 22 - San Francisco, CA @ August Hall

Tue. Aug. 23 - Los Angeles, CA @ Teragram Ballroom

* w/ Stella Donnelly supporting

Posted by Abbie Gobeli