Beach House will release Become, a new five-song EP, as a Record Store Day crystal-clear vinyl exclusive on Saturday, April 22nd, 2023.
“The Become EP is a collection of 5 songs from the Once Twice Melody sessions. We didn’t think they fit in the world of OTM, but later realized they all fit in a little world of their own. To us, they are all kind of scuzzy and spacious, and live in the spirit realm. It’s not really where we are currently going, but it’s definitely somewhere we have been. We hope you enjoy these tunes,” Alex and Victoria/Beach House.
Become, which features the songs “American Daughter,” “Devil’s Pool,” “Holiday House,” “Black Magic” and the title track, was produced by Beach House, with mixing by Alan Moulder (track 1), Trevor Spencer (tracks 2, 3, 5), and Caesar Edmunds (track 4), and mastering by Greg Calbi and Steve Fallone at Sterling Sound.
Once Twice Melody earned “Best Albums of 2022” placement from the likes of The New Yorker, Variety, The Ringer, Under the Radar, Brooklyn Vegan, The AV Club, Stereogum, PAPER, PASTE, All Music, PopMatters, Pitchfork “Readers Poll,” Gorilla vs. Bear, Treble, Magnet, No Ripcord, Uncut, Uproxx “Critics Poll,” and more.
Once Twice Melody also peaked at #1 on Billboard’s Albums Sales Chart, the band’s first-ever record to do so. It also debuted at #1 on the Top Alternative Albums, Top Rock Albums, Tastemaker Albums, and Top Current Album Sales charts (see Billboard’s March 1st news story). The album also spent six weeks at #1 on the NACC 200 College Charts. Beach House also performed Once Twice Melody standout “Superstar” on the Late Show with Stephen Colbert.
In 2022, Beach House’s ”Space Song,” the duo’s track from their 2015 album Depression Cherry, became the group’s first certified Platinum single.
What people are saying about Beach House: “Once Twice Melody is one of the best records of the year and a testament to the virtue of constancy” (“The Best Music of 2022”) - The New Yorker
“Once Twice Melody is their most definitive and probably best work — and even more remarkably in these ADD-addled times, they’ve done it with a sprawling, 18-song album that is around 80 minutes long (#5/”The Best Albums of 2022, Jem Aswad”) - Variety
“Melody is mesmerizing, and it raises exciting possibilities of how Beach House’s sound could evolve in the next decade-plus (#18/”The 33 Best Albums of 2022”) - The Ringer
“Victoria Legrand and Alex Scally doled out four perfectly sweeping segments for their eighth full-length; taken together, they represent the pinnacle of the band’s craft. There are far too many highlights to single just one or two out: Once Twice Melody is an album that keeps on giving, immersive and rewarding, a marvel to get lost in.” (#23/”The 50 Best Albums of 2022”) - Stereogum
“From the majestic opening notes of the title track to the last electronic flourish of closer “Modern Love Stories,” Once Twice Melody is the culmination of everything Beach House do best.” (#45/”The 50 Best Albums of 2022”) - PASTE
Beach House Become EP Artwork
Tracklisting: 1. American Daughter 2. Devil’s Pool 3. Holiday House 4. Black Magic 5. Become
Today, Friday, February 24th marks the release of Bria’s follow up EP Cuntry Covers Vol. 2 on LP/CD/DSPs. Building on the tried-and-true/bold-and-new duality of Cuntry Covers’ first offering, Vol. 2 delivers a deeper dive into the duo’s brilliant alchemy of traditional and contemporary reinterpretations. Bria has shared an official lyric video for her sultry reinterpretation of Mary Margaret O’Hara’s song “When You Know Why You’re Happy” which you can watch HERE.
“Mary Margaret O’Hara is a creative force and one of my favorite Canadian artists” shares Bria. She adds “I have been a huge fan of hers for quite some time and really wanted to try my hand at one of her songs for Vol. 2. She is a real queen of vocal improvisation. It’s a trait of hers that I’ve always admired, so I really wanted to explore that when recording this cover. The video for this track is special to us, a sort of collage of memory; fragmented footage of summer taken over the last two years is dispersed throughout shots of a vast winter scene, filmed while we finished the record up North with our live band.”
Bria has confirmed a new show on February 28th at No Somos Nada in Mexico City, Mexico with additional shows on March 9th at Zebulon in Los Angeles, CA and March 18th at the Horseshoe Tavern in Toronto, ON. These live shows will showcase songs from Cuntry Covers Vol. 1 and Vol. 2. Additional dates to be announced soon.
Tour Dates: Tue. Feb 28 - Mexico City, MX - No Somos Nada Thu. Mar. 09 - Los Angeles, CA - Zebulon Sat. Mar. 18 - Toronto, ON - Horseshoe Tavern
What people are saying about Bria:
“Cuntry Covers Vol. 2 “skirts the edges of the genre [country music] and ultimately leaves the listener with a very satisfying subversion of the classics the duo have chosen to interpret.”- Northern Transmissions
“Here’s a haunting, dystopian version version of Where Have All The Cowboys Gone? by Bria - it’s always an honor to hear the songs live on” - Paula Cole
“it’s an other-worldly take on the Karen Dalton standard…” [“Green Rocky Road”] - Clash
“Where Dalton’s original is quite lo-fi and scratchy, Bria have added some fidelity and warmth to it through golden-strummed guitars and a lackadaisical but precise beat.” [“Green Rocky Road”] - Beats Per Minute
“It’s the third track that’s truly mind-blowing, however. An ode to the late, great trailblazer, Loretta Lynn, Bria turns the classic ‘Don’t Come Home A-Drinkin (With Lovin’ On Your Mind) into a vibrant pop song that ABBA or The Primitives would be proud of.” - The Rodeo
“Salmena’s raspy tinged voice provides a depth of longing and fractured tenderness on her cover of Karen Dalton’s track, “Green Rocky Road.’” [“Green Rocky Road”] - Ears to Feed
“The band’s version will win over any Jennings fans, or fans of old country.” [“Dreaming My Dreams Of You”] - Northern Transmissions
“Cuntry Covers Vol. 1 seamlessly drifts between classic country references and a new perspective of reimagining what country could sound like” - Tonitruale
About Bria: As its name suggested, the intimate and sultry Cuntry Covers Vol. 1 was always going to have a follow-up. Led by the brooding vocals of Bria Salmena, Cuntry Covers Vol. 2 is every bit as potent as its predecessor whose noir-inflected alternative country-rock stood in sharp contrast to the singer’s commanding delivery as leader of post-punk revivalists FRIGS. Debuting the project in 2021, the languid, reverb-drenched Cuntry Covers Vol. 1 saw her artfully collaborating with multi-instrumentalist Duncan Hay Jennings and reimagining a carefully picked collection of Americana anthems.
Vol. 2 pushes the envelope further and harder. Encompassing feverish takes on tracks by Gillian Welch, Paula Cole, Mary Margaret O’Hara, Robert Lester Folsom, Glenn Campbell – by way of Nick Cave – and the late, great Loretta Lynn, Bria’s deliciously dark approach shimmers through these six startling songs.
Created during a break from Salmena and Jennings’ work in Orville Peck’s world-conquering backing band, Vol. 2 was recorded directly after Peck’s second album and Bria’s US tour supporting Wolf Alice. Embracing contrast, the sunny circumstances in which Vol. 1 was made were flipped on their head. Instead of a bucolic barn in the Canadian countryside, they recorded the new tracks in chilly Toronto, huddled together in their tiny makeshift home studio, with Jennings at the controls. “There’s a lot of chaotic energy to it, because it’s us cramped in a space where we’re all also working and living during the dead of winter,” explains Salmena, who also enlisted the help of local Toronto musicians Lucas Savatti (FRIGS), Simone Baril (US Girls, The Highest Order, Darlene Shrugg, Partner), Andrew Manktelow, and frequent collaborator Jaime Rae McCuaig.
While Vol. 1 was Bria’s attempt at subverting country music’s conservative roots and primarily white and heterosexual agenda, here the emphasis was on experimentation. The duo purposely split the two sides of the EP, with the A-side acting as more of an homage to the tracks covered, and the B-sides interpretations taking on a more traditional route with the source material. “We wanted to mess with things,” she says. And while Vol. 2 might be less personal, it’s just as idiosyncratic, with half of the reversions staying truthful to the originals and others taken to a different universe entirely. Building on the tried-and-true/bold-and-new duality of Cuntry Covers’ first oering, Vol. 2 delivers a deeper dive into the duo’s brilliant alchemy of traditional and contemporary reinterpretations. The added experimental flourishes, from dizzying electronica and pulsing bass to sax-driven soul, take Bria’s new EP into previously uncharted territory, signaling a thrilling new step in Bria’s adventurous evolution.
Bria Cuntry Covers Vol. 2
Tracklisting: 1. Where Have All the Cowboys Gone? 2. When You Know Why You’re Happy 3. Don’t Come Home A-Drinkin’ (With Lovin’ on Your Mind) 4. By The Time I Get to Phoenix 5. I Dream A Highway 6. See You Later, I’m Gone
Sub Pop is currently accepting resumes from energetic, responsible, detail-oriented, and dependable candidates for a part-time/seasonal summer help/nights and weekends Sales Clerk position at our terribly impressive store at the Seattle-Tacoma International Airport. This guy.
Responsibilities include:
• Greeting and assisting customers in a friendly manner. • Full compliance with Sea-Tac operation rules and strict TSA regulations and restrictions. • Efficient handling of cash and credit card transactions. • Ability to work collaboratively and communicate effectively. • Availability to work nights, weekends, and holidays. • Assisting in organizing and restocking the store. • Maintaining the general appearance of the store. • Contributing to the team retail effort by accomplishing related tasks as needed.
Qualified candidates will have:
• Previous experience in the retail environment. • Knowledge of the Sub Pop catalog, Pacific Northwest music, the Seattle music community, and the City of Seattle. • A friendly and enthusiastic disposition with customers and staff. • Strong and clear communication skills. • A general understanding of retail Point of Sale systems. • Flexibility in schedule and willingness to work early or late hours.
The Sub Pop Airport Store at Sea-Tac is open from 7am-7pm, 365 days a year.
New store hours 7am-9pm Everyday (new store hours starting April 1st)
Salary range: $19.06-$20.00 an hour
Benefits: Competitive pay, flexible scheduling, paid time off, holiday pay, store discount, growth opportunities, and more!
Today, Lael Neale shares the new song “In Verona,” from her forthcoming album Star Eaters Delight, available on CD/LP/CS/DSPs on April 21st, 2023, worldwide from Sub Pop.
“In Verona” is the centerpiece of the beguiling Star Eaters Delight, a sprawling gospel dirge in which the narrator-as-newscaster chants hypnotic incantations to lament a society plagued by divisions and hypocrisies, reimagining the Montagues and Capulets without mentioning them by name and cautioning the listener to “cast no stone.” Watch the observational and multitudinous official video for “In Verona,” directed by Lael, here.
Lael Neale has extended her international tour schedule for 2023 in support of Star Eaters Delight which now begins Tuesday, April 11th in San Francisco, CA at The Chapel and currently runs through Thursday, June 1st in Lisbon, PT at ZDB. New dates include Thursday, April 13th in Pioneertown, CA at Pappy & Harriet’s and Sunday, May 14 in Leeds, UK at the In Colour Festival. A current list of dates is below, and tickets for these shows are on sale now.
US 2023 Tue. Apr. 11 - San Francisco, CA - The Chapel Thu. Apr. 13 - Pioneertown, CA - Pappy & Harriet’s Sat. Apr. 22 - Los Angeles, CA - Permanent Records Roadhouse Mon. Apr. 24 - Phoenix, AZ - Trunk Space Wed. Apr. 26 - Austin, TX - Chess Club Sat. Apr. 29 - Nashville, TN - drkmttr Wed. May 03 - Washington, DC - Comet Ping Pong Fri. May 05 - New York, NY - Public Records Sat. May 06 - Northampton, MA - Parlor Room Sun. May 07 - Philadelphia, PA - Dolphin
UK/EU 2023 Sun. May 14 - Leeds, UK - In Colour Festival Mon. May 15 - Manchester, UK - The Castle Hotel Tue. May 16 - London, UK - The Lexington Wed. May 17- Paris, FR - La Boule Noire Thu. May 18 - Tourcoing, FR - Le Grand Mix Fri. May 19 - Brussels, BE - Botanique (Witloof Bar) Sat. May 20 - Amsterdam, NL - Paradiso (London Calling Fest) Mon. May 22 - Berlin, DE - Kantine am Berghain Tue. May 23 - Hamburg, DE - Aalhaus Wed. May 24 - Copenhagen, DK - Huset Thu. May 25 - Oslo, NO - Krosset Fri. May 26 - Stockholm, SE - Nomad Sat. May 27 - Gothenburg, SE - Oceanen Thu. Jun. 01 - Lisbon, PT - ZDB
Star Eaters Delight, which features the highlights “I Am The River,” “Must Be Tears,” “Faster Than The Medicine,” and the aforementioned “In Verona,” was written by Neale, with arrangements and production by Guy Blakeslee. The recordings were made on cassette in Virginia and mastered by Chris Coady in Los Angeles.
Star Eaters Delight reveals an expansion of Neale’s sonic collaboration with producer and accompanist Blakeslee and arrives on the heels of her Sub Pop debut Acquainted With Night, which won international acclaim for its crystalline vocals, clever songwriting, and excellent use of Omnichord to build a world of beautiful reveries.
In April of 2020, Lael moved from Los Angeles back to her family’s farm in rural Virginia. Looking at the world from a distance and getting in tune with her own rhythms, she wrote and recorded steadily for two dreamlike years, driven by a need to make order out of chaos. Forged in isolation, Star Eaters Delight is a vehicle for returning, not just to civilization, but to celebration. She explains: “The unbroken silences on the farm compelled me to break them with sound. This album is louder and more external, calling out to the world.”
Star Eaters Delight is now available to preorder from Sub Pop. LP preorders from megamart.subpop.com, select independent retailers in North America, the UK and Europe, will receive the Loser edition on gold vinyl.
Lael Neale
Star Eaters Delight
Tracklisting: 1. I Am The River 2. If I Had No Wings 3. Faster Than The Medicine 4. In Verona 5. Must Be Tears 6. No Holds Barred 7. Return To Me Now 8. Lead Me Blind
Today, DEBBY FRIDAY shares the propulsive, bass-heavy electro single “HOT LOVE,” a new offering from GOOD LUCK, her full-length debut, out Friday, March 24th, worldwide from Sub Pop.
FRIDAY offers this of the single, “The song itself is about the karma of relationships. You meet someone, and you idealize them, you project onto them, and they do the same to you, and it’s all fun and games until it isn’t. This way of loving is so intoxicating and combustible and so hot it burns you right up.”
DEBBY FRIDAY’s previously announced international headlining tour dates and festival appearances supporting GOOD LUCK will begin later this month, with multiple performances at SXSW in Austin, TX March 16th-17th. Her tour schedule now runs through Friday, May 12th in Manchester, UK at The White Hotel. Additional live dates will be announced soon.
Thu. Mar. 16 - Austin, TX - SXSW Fri. Mar. 17 - Austin, TX - SXSW Fri, Mar. 24 - Montreal, QC - Phi Centre Sat. Mar 25 - Toronto, ON - Garrison Wed. Apr. 12 - Portland, OR - Mississippi Studios Thu. Apr. 13 - Seattle, WA - Barboza Fri. Apr. 14 - Los Angeles, CA - Zebulon Sat. Apr. 15 - Vancouver, BC - Cobalt Wed. Apr. 19 - Brooklyn, NY - Babys Alright Thu. Apr. 20 - Chicago, IL - Empty Bottle Tue. May 02 - Bristol, UK - Crofters Rights Wed. May 03 - London, UK - Corsica Studios w/ Grove Fri. May 05 - Krems, AT - Donau Festival Fri. May 12th- Manchester, UK - The White Hotel
Her upcoming short film GOOD LUCKis a pseudo-autobiographical tale, largely drawn from FRIDAY’s own life and experiences growing up as a zillenial anti-heroine. A surrealist reflection on the tumultuous whirlwind that is the end of adolescence and the emotionality of youth, GOOD LUCK is co-directed by FRIDAY and Nathan De Paz Habib (Chino Amobi’s Eroica, and The Bicycle).
GOOD LUCK is available now to preorder from Sub Pop. LP preorders from megamart.subpop.com, select independent stores in North America, the U.K., and E.U., will receive the limited Loser edition on metallic silver vinyl (while supplies last).
GOOD LUCK features “SO HARD TO TELL,” “I GOT IT,” “WHAT A MAN,” and “HOT LOVE,” was co-produced by DEBBY FRIDAY and Graham Walsh (METZ, Holy Fuck) at Candle Recording Studio in Toronto, and mastered by Heba Kadry in New York.
SO HARD TO TELL” and “I GOT IT” have earned DEBBY FRIDAY early praise from the likes of New York Times, Pitchfork, NPR Music, The FADER, Billboard, Nylon, FLOOD, Cool Hunting, Brooklyn Vegan, Stereogum, Treble, Dork, DIY, CLASH, Our Culture and more.
What people are saying about DEBBY FRIDAY: “An explosive, pounding, relentlessly calisthenic dance-floor banger with attitude to spare. A pulsating beat flickers like a strobe light as Friday and Chris Vargas of the duo Pelada, appearing here as Uñas, trade braggadocious bilingual verses. ‘Let mama give you what you need,’ Friday shrieks before calmly assuring, ‘I got it.’” [“I GOT IT”] -New York Times
“In contrast to the pulse-quickening tempos and noisy synths of her past music, her production is deft and graceful, with a skipping beat and cascading backing vocals. ‘Lady Friday/All you do is rеbel,’ Friday chastises herself—tough talk against a fragile, gorgeous sound.” [“SO HARD TO TELL”/ “Best New Track”] - Pitchfork
“One of the young year’s most audacious bangers” [“SO HARD TO TELL”] - Billboard
“Intoxicating…” [“SO HARD TO TELL”] - Stereogum
“Hyperpop can sometimes come off as abrasive but in the hands of Canadian singer DEBBY FRIDAY it’s soulful, even elegant.” [“SO HARD TO TELL”] - NYLON
“A graceful entrance into yet another territory: lush R&B”[“SO HARD TO TELL”] - NPR Music
“If you’ve ever deep-dived into Debby Friday’s discography, you’ll know she slammed this single into left field, but man is it a hit! This edgy extraordinaire has taken a dip into the darkside via falsetto pop.” ” [“SO HARD TO TELL”] - MTV
“Friday strikes a remarkable balance on her forthcoming debut LP, GOOD LUCK: between the boisterous and the tranquil, the erudite and the crass, a packed dancefloor and quiet isolation. Featuring unequivocal bangers like “I Got It,” “Pluto Baby,” and “Heartbreakerrr,” Debby Friday is destined for bigger stages in 2023 (“15 Artists to Watch in 2023”).” - SPIN
About DEBBY FRIDAY’S GOOD LUCK: The usual boom-and-bust cycles of growing up – breaking down, gathering the strength to get up, fumbling hard, doing it all over again - can feel unmooring, to say the least, but, and according to DEBBY FRIDAY, its tragedies and glories need savoring. Losing illusions, gaining expectations; getting deep into the private, soupy kaleidoscope of what’s possible and what’s futile – GOOD LUCK, her debut, and supernovic, full-length album, is built on welcoming the journey’s complicated drops and mountain highs with something more like grace.
Nigerian-born, then an emigré to bits of Canada - from Montreal to Vancouver to Toronto - DEBBY FRIDAY’s roamings through space and time really began when the sun fell. Nightlife was her emancipation from the toughness of home life, and she fell into it, body and soul, totally seduced. Raves til sunrise; house music in unknown basements and warehouses – the lure of the party was the perfect escape. “I was like a little club rat,” she laughs. Her adoration of the world that it opened for her came in “almost in a sensual way (read more at Sub Pop).
DEBBY FRIDAY GOOD LUCK
Tracklisting: 1. GOOD LUCK 2. SO HARD TO TELL 3. I GOT IT (feat. Uñas) 4. HOT LOVE 5. HEARTBREAKERRR 6. WHAT A MAN 7. SAFE 8. LET U DOWN 9. PLUTO BABY 10. WAKE UP
Multitalented British vocalist and songwriter Suki Waterhouseunveils a new track, “To Love,” today—listen and watch the visualizer here. The new song was produced by Jules Apollinaire and Natalie Findlay of the duo TTRRUUCES, who produced Suki’s hit single “Good Looking,” and mixed by Alan Moulder (Beach House, Interpol, Wet Leg).
Suki recently wrapped her Coolest Place in the World Tour, a run of North American headline dates with sold-out stops in New York, Los Angeles, Chicago and more. The tour celebrated the release of her Milk Teeth EP—which features songs from Suki’s early career—and her Brad Cook-produced (The War On Drugs, Bon Iver) debut album, I Can’t Let Go, both released in 2022 via Sub Pop.
Additionally, Suki went on a North American tour with Father John Misty in 2022 following the release of I Can’t Let Go, which included stops at the legendary Red Rocks Amphitheater, Los Angeles’ Hollywood Forever Cemetery, New York’s Radio City Music Hall and more.
Suki also stars as Karen Sirko in “Daisy Jones & The Six,” the new Amazon television miniseries based on the popular book by Taylor Jenkins Reid premiering today.
Growing up in London, multitalented actress, model and musician Suki Waterhouse gravitated toward music at an early age, finding inspiration in the likes of Alanis Morisette, Missy Elliott, Oasis and more. She initially teased her pivot to music with a series of singles, generating nearly 20 million total streams independently, with critical acclaim from NYLON, DuJour, Lemonade Magazine and more. In 2022, her song “Good Looking” went viral on TikTok and peaked at #1 on Spotify’s Viral USA Chart, accumulating more than 700 thousand streams daily across Spotify, Apple Music and Amazon Music at its peak. That same year, Suki unveiled her debut album, I Can’t Let Go, and a follow up EP, Milk Teeth, via Sub Pop to critical acclaim, toured the world over and shared new music, such as, “Nostalgia,” which arrived alongside a video directed by Émilie Richard-Froozan.
