Sub Pop Records is currently searching for an organized and self-motivated individual to handle College and Non-Commercial Radio Promotions from our headquarters in Seattle, WA.

The closing date to apply for this position is Friday, September 22, 2017.

Responsibilities include:

• Maintain relationships with college and non-commercial music directors through daily phone calls and email correspondence discussing current Sub Pop and Hardly Art releases.
• Work in coordination with our Director of Radio Promotions, who runs the radio dept. at Sub Pop.
• Represent the radio department at artist meetings.
• Pitch / secure in-studio sessions and interviews with college and non-commercial radio stations, coordinating with commercial radio priorities throughout.
• Accompany bands to in-studio sessions, when possible.
• Maintain and organize Sub Pop’s radio databases. This includes tracking information, as well as keeping contact information up to date.
• Generate regular email newsletters and maintain associated email list.
• Organize and execute promotional CD mailings to 800+ stations across all radio formats. Organize giveaway mailings with independent promoters for college radio during album campaigns.
• Work with independent promoters to set radio add dates.
• Work with the art department to create one-sheets for promotional mailings.
• Check tracks on releases for FCC violations.
• Organize showcases and performances for Sub Pop and Hardly Art bands at various radio conferences and conventions. This may include: booking a venue, coordinating with A&R staff on lineup, and overseeing/attending the show.
• Hire, train, and manage the full staff of 2-4 radio interns.
• Track and log radio play, etc. in project reports for artists and management.

Our ideal candidate will:

• Have significant experience with both college and non-commercial radio, through work at a station or college radio promotions elsewhere.
• Have knowledge of and enthusiasm for the Sub Pop catalog, as well as deep interest in music, generally, and a fundamental belief in its importance.
• Be able to multitask and work in a community-oriented atmosphere.
• Be independent and self-directed. You will often be the only member of the radio team in the Seattle office.
• Be available to work outside of a 9-5 schedule (attend shows and music festivals).
• Have strong communication and writing skills.
• Be fluent in all social media platforms as well as Microsoft Office suite applications and Mail Chimp.

Supervisors: Radio Director + Marketing Director

Please send resumes to Ruth Kim (ruthk@subpop.com) by September 22nd, 2017.

Time for you to stream METZ’s ripping new album Strange Peace on repeat, a full week before release (it’s out Friday, 9/22), courtesy of NPR Music’s First Listen right over here … and you too, Canada! Tune into CBC Music’s First Play here now.
 
NPR Music’s Jason Heller says of Strange Peace, “Recorded with Shellac’s mastermind Steve Albini, Strange Peace is an album that doesn’t need to be explicitly political to make a statement about our current chaotic climate. The opening track, “Mess of Wires,” gallops out of the gate like a malfunctioning industrial robot, a tangle of mechanical riffs and Edkins’ oddly infectious chants. The band’s ability to inject melody into the weirdest of places is most striking on “Cellophane.” Slightly more laidback than the usual METZ song, it’s closer to a garage-rock anthem than a skin-peeling punk rager, and Edkins’ refrain of “How will I know? / How will I know?” is designed to lodge itself in the brain of the listener like some insidious implant....cathartic rather than hopeless — an exorcism of nervous energy at a time when it’s direly needed.”
 
And CBC Music’s Andrea Gin says of the album, “Their uninhibited, electrifying shows also earned them a reputation as one of the best live bands around…Strange Peace does a good job of capturing the band’s intense live show — from the blistering opener ‘Mess of Wires’ to the careening finale of ‘Raw Materials,’ it creates sonic turmoil and embraces it. You can almost feel discord in the air as you listen.”

Next week, METZ has a Reddit Indieheads AMA (“Ask Me Anything”) scheduled for Monday, September 18th at 1pm PST/4pm EST. Bookmark this page, then ask them anything! No really, the band says you should feel free to ask about “Dogs, vans, pizza, cartoons, movies, doodles, basements, first shows, Toronto, books, touring, ozak, fridge magnets, coffee… and anything else I guess.”

[drawing by Hayden Menzies]

Then, METZ have a Strange Peace record release party/in-store performance at Sonic Boom Records in Seattle on Wednesday, September 20th at 7pm.

[poster art by Bailey Flynn]

Additionally, METZ are poised to destroy a live session in the KEXP studio on Tuesday, September 19th at 12 noon PST. Listen worldwide via kexp.org.

Strange Peace is still available for pre-order from both Sub Pop and Royal Mountain Records. Canadian fans can pre-order the record here. 

METZ Tour Dates + Ticket Links

METZ will resume their international tour schedule in support of Strange Peace on September 22nd at Detroit’s Princess Riverboat. The tour currently runs through December 16th. In the midst of that run, METZ will serve as direct support for Modest Mouse on October 10th and 11th. Additionally, METZ will play shows with Suuns (September 29th-30th), Uniform (October 2nd-8th), Protomartyr (Sept. 22nd and November 2nd-8th), Brian Case (November 9th), Drahla (November 12th-24th), and Cherubs (December 15th). All of their current tour dates follow.
 
2017 METZ Tour Dates:
Sep. 19 - Seattle, WA - Live on KEXP
Sep. 20 - Seattle, WA - Sonic Boom Records Instore
Sep. 22 - Detroit, MI - Detroit Princess Riverboat !
Sep. 23 - Madison, WI - Majestic Theatre
Sep. 25 - Chicago, IL - Thalia Hall
Sep. 29 - Toronto, ON - Lee’s Palace *
Sep. 30 - Toronto, ON - Lee’s Palace *
Oct. 02 - Boston, MA - Sinclair #
Oct. 03 - Philadelphia, PA - The First Unitarian Church #
Oct. 04 - Brooklyn, NY - Music Hall of Williamsburg #
Oct. 05 - New York, NY - Bowery Ballroom #
Oct. 06 - Washington, DC - Rock & Roll Hotel #
Oct. 07 - Hamden, CT - The Ballroom
Oct. 08 - Montreal, QC - La Sala Rosa
Oct. 10 - Providence, RI - Lupo’s **
Oct. 11 - Sayreville, NJ - Starland Ballroom **
Oct. 18 - Halifax, NS - The Marquee (Halifax Pop Explosion)
Nov. 02 - Prague, Czech Republic - Futurum !
Nov. 03 -  Wroclaw, Poland - Klub Firlej !
Nov. 04 -  Warsaw, Poland - Klub Hydrozagadka !
Nov. 06 - Berlin, Germany - Bi Nuu !
Nov. 07 - Copenhagen, Denmark - Loppen !
Nov. 08 - Hamburg, Germany - Knust !
Nov. 09 - Zwolle, Netherlands - Poppodium Hedon  ^
Nov. 10 - Kortrijk, Belgium - De Kruen (Sonic City Festival)
Nov. 11 - Utrecht, Netherlands - Le Guess Who? Festival
Nov. 12 - Le Havre, France - Le Tetris %
Nov. 14 - Nimes, France - La Paloma %
Nov. 15 - Bordeaux, France - Theatre Barbey %
Nov. 16 - Toulouse, France - Club Metronum %
Nov. 17 - Barcelona, Spain - La (2) De Apolo %
Nov. 18 - Madrid, Spain - Moby Dick %
Nov. 20 - Nantes, France - Pole Etudiant %
Nov. 21 - Paris, France - Le Trabendo %
Nov. 22 - London, UK - The Garage %
Nov. 23 - Bristol, UK - The Fleece %
Nov. 24 - Leeds, UK - Brudenell Social Club %
Nov. 25 - Brighton, UK - The Haunt
Dec. 07 - Seattle, WA - Neumos
Dec. 08 - Vancouver, BC - Cobalt
Dec. 09 - Portland, OR - Doug Fir
Dec. 11 - San Francisco, CA - Independent
Dec. 12 - Los Angeles, CA - Teragram Ballroom
Dec. 13 - San Diego, CA - Casbah
Dec. 15 - Austin, TX - Mohawk &
Dec. 16 - Houston, TX - Studio @ Warehouse Live
* w/ SUUNS
# w/ Uniform
! w/ Protomartyr
^ w/ Brian Case
% w/ Drahla
& w/ Cherubs
** w// Modest Mouse

Cost of Living LP is Out Now on Sub Pop + International Tour Continues

Downtown Boys use their ferocious energy and powerhouse live shows to unite crowds in the struggle to smash racism, queerphobia, capitalism, fascism, boredom, and all things people use to try to close our minds, eyes and hearts. The band underlines their fearless and steadfast work towards these common goals with every conversation, song and performance as well as the “Somos Chulas (No Somos Pendejas)” video released today via Univision. 

Directed by Eavvon O’Neal, the video opens with a short clip from powerful Cost of Living album single “A Wall” and quickly transitions into Spanish-language track “Somos Chulas (No Somos Pendejas)”. The video pits emotionally charged live performance footage of the Downtown Boys against a children’s birthday party in Brooklyn with piñatas fashioned after hot-button political signposts and eventually breaks out into a food fight.

Here for you now, is a related statement from Downtown Boys:

“We hope you enjoy this video. Chulas are people who believe in the mergence of our past experiences and what we want the future to be. This mergence becomes our reality, and right now that includes a lot of pain and healing in our community at so many levels. We feel that the recent decision made by the white supremacist faction of our Federal government around DACA (Deferred Action for Childhood Arrivals) was not a decision based on economic justice for the USA nor based on advancing real immigration reform. It was based on racism against immigrants. We know a lot of people who like Downtown Boys, come to our shows, or listen to our music are affected by this. We also want to acknowledge the millions of immigrants that were never even eligible for DACA and face criminalization, deportation, and racism daily. We must continue to fight against all borders. Demonizing people of color and immigrants is not a solution. We know we can’t do much, but we can try to get as much information on this out there as possible. We urge anyone who is affected by the DACA decision or knows someone who is affected to look into United We Dream and the National Immigration Law Center. People have until October 5 to renew their DACA paperwork, please read more info on how to get involved and things to know here). 

Produced by Fugazi’s Guy Picciotto, Downtown Boys recently released their highly anticipated and critically acclaimed third album, Cost of Living, on Sub Pop. Listen here, and buy it here.

[Photo Credit: Farrah Skeiky]

Tour Dates + Ticket Links

Downtown Boys wrap up a National US tour this week with a performance at The Broad museum in Los Angeles, hit stages across Europe this fall, and return to the US for a handful of show in November. Full list of dates and links to purchase tickets are HERE.

U-Men available worldwide November 3rd, 2017 from Sub Pop

You can now listen to “Gila” and “The Fumes,” two tracks from the U-Men’s forthcoming, self-titled anthology, available worldwide on Friday, November 3rd, 2017 from Sub Pop.

Listen to “Gila” -> YouTube | Spotify | Apple Music

Listen: “The Fumes” -> YouTube | Spotify | Apple Music

U-Men is a comprehensive and remastered collection, which compiles the entire studio-recorded output of The U-Men, plus five unreleased songs, with a 16-page book of photos, liner notes, and interviews with the band. The U-Men anthology was executive produced by Jack Endino.

“Gila” [listen here] was initially available on the group’s first EP, released by Bruce Pavitt on Bombshelter Records. The track would reappear years later on the Sub Pop 100 compilation, and a split single with the Melvins for Amphetamine Reptile’s Sugar Daddy Live! series. Meanwhile, “The Fumes” [listen here] was found on the tracklisting for Stop Spinning, the group’s second EP originally released by Homestead Records.

U-Men is now available for preorder from Sub Pop right here, and is available in the following formats:

• 3xLP box set housed in a cardboard slipcase with printed inner sleeves + 16-page booklet

• 2xCD digipack with custom dust sleeves + 16-page booklet

• Digitally

[Photo Credit: Cam Garrett]

More on the U-Men from Mudhoney’s Mark Arm:

The U-Men are one of the best bands I’ve ever seen. They were hypnotic, frenetic, powerful and compelling. It was impossible to resist getting sucked into their weird, darkly absurd world. They effortlessly blended The Sonics, Link Wray, Pere Ubu, and Captain Beefheart. Their shows were loose-limbed, drunken dance parties and no two shows were alike. The U-Men were avant garage explorers and, most importantly, they fucking rocked. I was lucky enough to live in their hometown and I saw them every chance I could.  

From 1983 to 1987, the U-Men were the undisputed kings of the Seattle Underground. No one else came close. They ruled a bleak backwater landscape populated by maybe 200 people. They were the only band that could unify the disparate sub-subcultures and get all 200 of those people to fill a room. Anglophilic, dress-dark Goths; neo-psych MDA acolytes; skate punks who shit in bathtubs at parties; Mod vigilantes who tormented the homeless with pellet guns; college kids who thought college kids were lame; Industrial Artistes; some random guy with a moustache; and eccentrics who insisted that they couldn’t be pigeonholed: all coalesced around the U-Men (read more at Sub Pop).

The U-Men were…
Tom Price – Guitar
John Bigley – Vocals
Charlie Ryan – Drums
Jim Tillman – Bass (1982-86)
And
Robin Buchan – Bass (1980-82)
Tom Hazelmyer – Bass (1987)
Tony Ransom – Bass (1987-89)

Plus the band have a Reddit / Indieheads AMA on Friday, October 6th aka Cry Cry Cry Release Day

[Photo Credit: Shane McCauley]

Wolf Parade’s Cry Cry Cry the band’s excellent fourth album, is currently streaming in its entirety at NPR Music’s “First Listen” [listen here].

NPR Music’s Stephen Thompson says of Cry Cry Cry, “Befitting the creative ambition of the group’s previous LPs, it serves as a full-throated burst of musical and thematic ideas. Goth-streaked album opener “Lazarus Online” pleads for survival and resiliency — “Let’s fight / Let’s rage against the night” — as its protagonists struggle to coexist with the darkness in their lives. “Valley Boy” storms and booms with glammy drama, referencing Leonard Cohen’s death as it waxes weary about the state of the world, while “Incantation” builds from a moody murmur to climactic cacophony. Cry Cry Cry is a big swing, artistically speaking, but it also dodges many of the pitfalls that face artists who try to chronicle an age of uncertainty and resistance without sounding ham-handed. Wolf Parade taps into the sound of modern disconcertment on Cry Cry Cry, but the album’s grandiosity is mostly restricted to the music itself — rousing, urgent, and always seeking out slivers of hope.”

Ask Wolf Parade anything during their Reddit Indieheads AMA, currently set for Friday, October 6th at 1pm PT.  

Wolf Parade’s thunderous Cry Cry Cry will be available on CD / 2xLP / DL / CS worldwide from Sub Pop on Friday, October 6th, 2017, and pre-order is on now worldwide from Sub Pop and in Canada from Universal Records via Wolf Parade’s webstore right here. LP pre-orders through megamart.subpop.com and select independent retailers in the U.S. will receive the limited loser edition on creme colored vinyl (while supplies last). There’s also a brand new t-shirt design available for your bundling pleasure.


Cry Cry Cry is already one of the best-reviewed albums of the year, seeing praise from outlets on both sides of the Atlantic:

Uncut says of the album,  “Cry Cry Cry is 21st century rock at its most delectably omnivorous [8/10].”
 
“Wolf Parade have always stood apart from their peers: always weirder, more complex and artier than the others with their dissonant punchy pop and gnarled edges,” says London in Stereo. 
 
Stereogum raves that Cry Cry Cry “is packed to the brim with stray melodies locked between the foreground and background that brighten the surroundings without stealing attention from the main action. Every note is meticulously functional, but displayed with a style of craft that rings miraculous rather than mechanical....The band plays it sharper and straighter than when we last left them, emphasizing economy in their experimentation and a professionalism in their power. It’s a cleaner, clearer direction after those previous albums. Importantly, it feels like a sustainable start to something new, hopefully something that’s here to stay — something this band can hold onto now that they seem ready to charge against everything that at one time had them on the run.”
 
Meanwhile, Q Magazine says Cry Cry Cry is “A colourful and melodic musical expansiveness… it finds them in rejuvenated form [4/5].”   
 
Slant notes that “Wolf Parade’s latest effort re-emphasizes the contrast between Boeckner’s raspy, emphatic vocal and Krug’s forlorn warble. Nearly every track on Cry Cry Cry starts simply with guitar, piano, or organ and layers in additional textures—horn blasts here, a flurry of electronic effects there—until the songs swell to kinetic, instrumentally dense climaxes [4/5].”
 
And MOJO offers this, “This quartet’s first material in six years is a shimmering, bombastic blast.”

Wolf Parade Tour Dates + Ticket Links

Wolf Parade’s headlining international tour schedule, which resumes October 12th in Guelph, Ontario at Peter Clark Hall, has been extended through January 24th in Phoenix at The Van Buren. Barsuk Records act Charly Bliss, who are supporting the October 13th-27th shows (select dates), will also act as direct support, January 12th-24th (select dates).
 
2017 dates
Oct. 12 - Guelph, ON - Peter Clark Hall
Oct. 13 - Toronto, ON - Phoenix Concert Theatre**
Oct. 15 - Buffalo, NY - Town Ballroom**
Oct. 16 - Cleveland, OH - House of Blues
Oct. 19 - Philadelphia, PA - Union Transfer**
Oct. 20 - Boston, MA - Royale**
Oct. 21 - Brooklyn, NY - Brooklyn Steel
Oct. 22 - Washington, DC - Black Cat**
Oct. 24 - Chicago, IL - Thalia Hall
Oct. 25 - South Saginaw, MI - The Crofoot Ballroom
Oct. 26 - Milwaukee, WI - Turner Hall**
Oct. 27 - Minneapolis, MN - First Avenue**
Nov. 15 - Amsterdam, NL - Melkweg
Nov. 17- Paris, FR - Petit Bain
Nov. 18 - Bristol, UK - Thekla
Nov. 20 - Dublin, IE - Button Factory
Nov. 21 - Manchester, UK - Gorilla
Nov. 22 - London, UK - O2 Forum
Nov. 24 - Brussels, BE - Botanique (Orangerie)
Nov. 25 - Nancy, FR - L’ autre Canal
Nov. 26 - Basel, CH - Kaserne
Nov. 27 - Munich, DE - Hansa 39
Nov. 29 - Berlin, DE - Bi Nuu
Nov. 30 - Hamburg, DE - Gruenspan
Dec. 01 - Copenhagen, DK - Loppen
Dec. 02 - Stockholm, SE - Strand
 
2018 
Jan. 12 - Vancouver, BC - The Commodore Ballroom **
Jan. 13 - Seattle, WA - Showbox at the Market **
Jan. 14 - Portland, OR - Crystal Ballroom **
Jan. 16 - San Francisco, CA - The Fillmore **
Jan. 17 - Berkeley, CA - The UC Theatre **
Jan. 20 - Los Angeles, CA - The Fonda Theatre
Jan. 21 - Santa Ana, CA - The Observatory **
Jan. 23 - San Diego, CA - The Observatory North Park **
Jan. 24 - Phoenix, AZ  The Van Buren **
 
*w/ The Arcade Fire
** w/ Charly Bliss