Today, March 30th, Man Man has officially released their song “So It Goes,” and it is available now on all DSPs from Sub Pop. Originally only heard within the 2020 game Cyberpunk 2077 under the Fingers and the Outlaws moniker, “So It Goes” quickly became a favorite among the game’s players, racking up millions of streams from fan uploads on YouTube and SoundCloud over the intervening years, with many cover versions from fans, and much speculation as to when and if it would ever officially be released. At long last you can now listen to this ballad for the dusty trails of your heart here.
Man Man is also announcing new North American headlining dates for the summer of 2026, beginning on June 6th in Cortland, NY at The Family Hoedown/Country Music Park and running through Sunday, August 16th in Pioneertown, CA at Pappy & Harriets. These tour dates will feature support from Suicide Squeeze Records act Death Valley Girls (July 6th-25th; select dates) and American Tomahawk (August 7th-16th). See below for a full run of shows.
Sat. Jun.06 - Cortland, NY - The Family Hoedown/The Country Music Park Mon. Jul. 06 - Baltimore, MD - Ottobar * Tue. Jul. 07 - Durham, NC - Motorco Music Hall * Fri. Jul. 10 - Baton Rouge, LA - Chelsea’s Live * Sat. Jul. 11 - Houston, TX - White Oak Music Hall * Sun. Jul. 12 - Austin, TX - 29th Street Ballroom * Mon. Jul. 13 - Dallas, TX - Club Dada * Wed. Jul. 15 - St Louis, MO - Delmar Hall * Thur. Jul. 16 - Chicago, IL - Lincoln Hall * Fri. Jul. 17 - St. Paul, MN - Turf Club * Sat. Jul. 18 - Highbridge Hills, WI - Highbridge Hills Disc Golf Mon. Jul. 20 - Louisville, KY - The Whirling Tiger * Tue. Jul. 21 - Pittsburgh, PA - Mr. Smalls Theatre * Thu. Jul. 23 - Philadelphia, PA - Underground Arts * Fri. Jul. 24 - Cambridge, MA - The Sinclair * Sat. Jul. 25 - Brooklyn, NY - Music Hall of Williamsburg * Fri. Aug. 07 - Santa Cruz - The Atrium at Catalyst ^ Sat. Aug. 08 - Sacramento, CA - Harlow’s ^ Mon. Aug. 10 - Portland, OR - Mississippi Studios ^ Wed. Aug 12 - Seattle, WA - Neumos ^ Fri. Aug. 14 - San Francisco, CA - The Chapel ^ Sat. Aug. 15 - Los Angeles, CA - Echoplex ^ Sun. Aug. 16 - Pioneertown, CA - Pappy & Harriets ^
* w/ Death Valley Girls ^ American Tomahawk
In Man Man adjacent news, Ryan Kattner (aka frontman Honus Honus) joins Season 3 of the critically acclaimed Interview with the Vampire series, now rebranded as The Vampire Lestat. Kattner will star as series regular Salamander, and has also written an episode and composed original music for the season. The Vampire Lestat premieres June 7th on AMC.
Rogue Wave’s Out of the Shadow(Deluxe Edition) and Descended Like Vultures(20th Anniversary Director’s Cut) are now available on all streaming services, today, Friday, March 27th, worldwide from Sub Pop. The digital formats for each release have been expanded to include rare and unreleased bonus material from each album’s era.
Also available today are the colored-vinyl represses of each release – Out of the Shadow on emerald green, Descended Like Vultures on clear pink – complete with their original tracklists. Both can now be secured from Sub Pop Mega Mart in North America, Mega Mart Europe (UK/EU), Rogue Wave’s official website, and through your local record store.
Rogue Wave began almost by accident. In early 2002, faced with the sort of existential crisis unique to the newly unemployed, Zach Rogue decided to take some time off from his home base of San Francisco. He set off with a one-way ticket to New York in March with the intention of recording one or two songs with a friend, in an effort to exorcise his demons both artistically and personally. He came away with both a new lease on life and an album’s worth of material that would later become Rogue Wave’s stunning debut, Out of the Shadow. At the end of 2002, while preparing the album for self-release, Zach rounded out the band’s lineup with the addition of Pat Spurgeon (drums/keys/samples/vocals), Sonya Westcott (bass/vocals), and Gram LeBron (guitar/keys/vocals). Zach soon realized that together the group started to “light up like fireworks” and “liked hugging each other.” Effortless friendship spawned the refreshingly organic actualization of Rogue Wave, a band whose commitment to song-craft and to each other is nothing short of astounding.
Out of the Shadow was originally released in a limited quantity on the band’s own Responsive Recordings label in early 2003. It is a gentle, undeniable charmer full of the naturally timeless sophistication and fierce, penetrating hooks that define a classic album.
Soon after their formation, Rogue Wave found themselves invited to play shows with bands like Spoon, Destroyer, Mates of State, Super Furry Animals, The Clientele and The Shins. “Rogue Wave seems like a classic Bay Area band, in the tradition of Thinking Fellers and Barbara Manning—they’ve just got that vibe,” gushed Carl Newman, The New Pornographers’ vocalist and songwriter. And he’s right—the quartet effused vitality, all the while infusing their damaged melodies with casual charm.
Released in 2005, Descended Like Vultures is Rogue Wave’s second album for Sub Pop. It would be the first time the band’s leader made a record with a whole group – Rogue, Spurgeon, Le Bron, and new bass player Evan Farrell – in the studio. They spent 10 days with Bill Racine (who also produced Out Of The Shadow with Rogue) at Supernatural Sound in Oregon City, OR, resulting in the creation of 11 tracks that journey through a dreamy landscape inspired by several decades of classic rock and pop (from Fleetwood Mac to Neil Young to My Bloody Valentine.)
For the first time as an entire unit, Rogue Wave went out of its way to create a free-flowing album that includes equal amounts of tension, release and resolution. In the process, they made a brilliantly layered, expertly crafted album that changes shape with repeated spins.
In the Spring of 2025, Rogue Wave’s “Eyes,” which is included here with the bonus material for Descended Like Vultures, was certified as a Gold-selling single by the RIAA (read more via October 27th album announcement).
What People Have Said About Rogue Wave’s Out of the Shadow & Descended Like Vultures: “Think Doug Martsch fronting the Shins and playing the sweetest Carl Newman jams ever.” [Out Of The Shadow] 5/5,Alternative Press
“Out of the Shadow’s blissful indie-pop tunes are as affecting as they are catchy.” Dusted
“Their Sub Pop debut overflows with breezy, Pacific Northwest harmonies, lush vocals and strummed guitar work that beats a path similar to The Shins’ Oh, Inverted World and Elliott Smith’s XO.” [Out of the Shadow] Pitchfork
“The bicoastal milieu of Out of the Shadow is apparent: It reflects both a lush, sunny “California Dreamin’” temperament, and Gotham’s grimy, melancholic disposition.’ 7.8/10, Pitchfork
“Not a weak link or bit of filler to be found anywhere, either. Out of the Shadow is an indie dream come true.” 4.5/5,All Music
“Deceptively inventive, darkly melodic Simon & Garfunkel and (Elliott) Smithisms.” [Out of the Shadow] NME
“Tightly packed with ‘Eight Days A Week’-style harmonies and immaculate, 12-string strumming” [Out of the Shadow] MOJO
“Rogue’s high, gentle vocals and halcyon harmonies mask lyrics that are occasionally dark and cynical–but never mushy.” [Descended Like Vultures] A-,Entertainment Weekly
“One of the year’s best.” [Descended Like Vultures] Billboard
“A perfect mix of tender melodies and rock and roll.” [Descended Like Vultures] 8/10, Under the Radar
“a more visceral, immediate effort.” [Descended Like Vultures] 7.8/10, Pitchfork
“…a musical ambition that flirts with the experimental, but remains joyously within reach of the FM dial.” [Descended Like Vultures] 8/10, Uncut
Rogue Wave Out of the Shadow (Deluxe Edition)
Digital Tracklisting: 1. Every Moment 2. Nourishment Nation 3. Be Kind + Remind 4. Seasick On Land 5. Kicking The Heart Out 6. Postage Stamp World 7. Sewn Up 8. Falcon Settles Me 9. Endgame 10. Endless Shovel 11. Man-Revolutionary! 12. Perfect 13. Everyday 14. Every Moment (4-track Demo) 15. Kicking the Heart Out (4-track Demo) 16. Angela (4-track Demo) 17. Do I Really Wanna Die For You? (4-track Demo) 18. Wrecking Ball (feat. The Helio Sequence; Live at Bowery Ballroom 06/15/2005)
Rogue Wave Descended Like Vultures (20th Anniversary Director’s Cut)
Digital Tracklisting: 1. Vulture’s Reprise 2. Bird on a Wire 3. Catform 4. Loves Lost Guarantee 5. Salesman at the Day of the Parade 6. My Will 7. Publish My Love 8. Are You on My Side 9. Vulture’s Return 10. You 11. Interruptions 12. Medicine Ball 13. 10:1 14. California 15. Vulture’s Reprieve 16. Eyes 17. Desperate (Demo) 18. Dropout (Demo) 19. When We Begin (Demo) 20. Debaser (Live at Russian Recording 2006)
Today, you can hear The Bug Club’s “Yours (If You Want Me),” the introspective, tender, anxious, and really good new single out today on all streaming services from Sub Pop. This new standout is from Every Single Muscle, the Welsh duo’s new album out May 29th, 2026.
The Bug Club is also announcing new US tour dates for June and July 2026, beginning Thursday, June 18th in Toronto, ON at The Garrison and running through Friday, July 10th in Chicago, IL at Lincoln Hall. Tickets for these shows will be on sale Friday, March 27th at 10 AM (Local).
The Bug Club has also added three shows to its previously announced headlining UK run for May and June 2026. The new shows include two nights in Manchester at The Eagle on Thursday, May 14th & Friday, May 15th, and one night in Glasgow at The Glad Cafe on Saturday, May 16th. The band will also support Super Furry Animals at Brixton Academy in London on May 23rd. Please see a full list of dates below.
May/June/August 2026, UK Shows Sat. May 09 - Wrexham, UK - The Rockin’ Chair Thu. May 14 - Manchester, UK - The Eagle Fri. May 15 - Manchester, UK - The Eagle Sat. May 16 - Glasgow, UK - The Glad Cafe Sat. May 23 - London, UK - O2 Academy Brixton Mon. Jun. 01- Norwich, UK - Arts Centre Tue. Jun. 02 - Brighton, UK - Concorde 2 Wed. Jun. 03 - Bristol, UK - Lantern Hall (Bristol Beacon) Thu. Jun. 04 - Liverpool, UK - Hangar 34 Fri. Jun. 05 - Leeds, UK - Project House Sat. Jun. 06 - Barry, UK - Memo Arts Centre Sat. Aug. 22 - Crickhowell, UK, Green Man Festival * supporting Super Furry Animals
June/July 2026, US Shows Thu. Jun. 18 - Toronto, ON - The Garrison ^ Fri. Jun. 19 - Picton, ON - Matron Brewing ^ Sat. Jun. 20 - Burnstown, ON - Neat ^ Sun. Jun. 21 - Montreal, QC - Foufs ^ Wed. Jun. 24 - Charlottetown, PE - Trailside Inn ^ Thu. Jun. 25 - Fredericton, NB - The Cap ^ Fri. Jun. 26 - Halifax, NS - Seahorse ^ Sat. Jun. 27 - Sydney, NS - Daniel’s Ale House ^ Mon. Jun. 29 - Portland, ME - SPACE Gallery Tue. Jun. 30 - Medford, MA - Deep Cuts Wed. Jul. 01 - Brooklyn, NY - Elsewhere Rooftop Thu. Jul. 02 - Philadelphia, PA - Ukie Club Mon. Jul. 06 - Washington, DC - DC9 Tue. Jul. 07 - Carrboro, NC - Cat’s Cradle Back Room Wed. Jul. 08 - Asheville, NC - Static Age Thu. Jul. 09 - Nashville, TN - Blue Room @ Third Man Fri. Jul. 10 - Chicago, IL - Lincoln Hall ^ w/ Boojums
Every Single Muscle is available to preorder now on CD/LP/all DSPs from Sub Pop. LP preorders from megamart.subpop.com in North America, Mega Mart Europe in the UK + EU, and your local record store, will receive the limited Loser Edition opaque blue (NA) and blue vinyl (UK/EU)(all vinyl color editions whilst stock lasts!). Every Single Muscle also features what is likely the band’s most BONKERS cover art to date, illustrated by Ross Willmett.
Every Single Muscle features today’s offering “Yours (If You Want Me), along with approximately 17 other tight and engaging garage-punk numbers like “Watching the Omnibus,” “A Good Day for Dying,” “Make It Count,” and “My Uncle Warren Drives a Passat.” Every Single Muscle was produced and mixed by Tom Rees at Rat Trap Studios in Cardiff, Wales, and mastered by Mikey Young.
What People Are Saying About The Bug Club “Welsh duo The Bug Club have become one of the most reliable DIY-style indie rock groups of the last few years, and the first single from their upcoming album Every Single Muscle does not disappoint. “Watching the Omnibus” is a patented Bug Club ripper that clocks in at just over a minute, packed with hooks and self-deprecating lyrics.” “Indie Basement: Best Songs & Albums of February 2026” - BROOKLYN VEGAN
“‘Watching the Omnibus’ packs a ton of amped-up guitar riffage and existentialism into less than 90 seconds: “I’m still alive and kicking/ And doing reasonable well/ You’ve got to die for something/ But there’s some things we don’t sell,” go some of its more memorable lines.” STEREOGUM
The Bug Club Every Single Muscle
Tracklisting: 1. Miss Wales 2012 2. A Good Day for Dying 3. Make It Count 4. Cut to Black 5. Full Range of Motion 6. Pretty as a Magazine 7. Look Like Me 8. How Can We Be Friends 9. Every Single Muscle 10. Shiny and Wet 11. Semi-Automatic 12. In My Short Life 13. Watching the Omnibus 14. It’s Our Manager David 15. Yours (If You Want Me) 16. All My Clothes Fell Off 17. Third Best Friend 18. My Uncle Warren Drives a Passat
Today, Telehealth stars in “Things I’ve Killed,” a new and very official video in which the band explores the world of tech seminars, and a whole lot of chaos ensues. The visual was directed by Eleanor Petry, and the song is available today on all streaming services.
“Things I’ve Killed” is another highlight from Green World Image, the band’s forthcoming Sub Pop debut, out Friday, May 15th, 2026.
Telehealth offers this on “Things I’ve Killed,” “The title of the song came after we found a subreddit devoted to blaming millennials for killing entire industries, right down to mayonnaise. We loved the visceral premise in contrast to the absurd accusations so much that while demoing it, we started mocking the idea as a millennial hit list in a breathless cadence inspired by the R.E.M. classic ‘It’s the End of the World as We Know It.’
“It kind of took off from there, turning the accusations into a spiraling chant of brand names, culture wars, and economic buzzwords (no one really knows what they mean!!!). What began as a joke slowly became a portrait of modern doomscrolling, where genocide, cute puppies, and economic collapse sit side by side with every swipe. Equal parts satire and self-indictment, it’s a danceable purge full of cheap thrills and guillotines that begs the question: is it kill or be killed in the attention economy?”
Telehealth’s previously announced 19-date North American headline tour in support of Green World Image begins on Sunday, April 26th in Cleveland, OH at Happy Dog and runs through Wednesday, May 27 in Reno, NV at Holland Project. The tour will include stops in major and secondary markets, including Chicago, New York, Philadelphia, Los Angeles, San Diego, Reno, and Phoenix. They have also scheduled a hometown release show on Thursday, May 14th, at Neumos in Seattle, WA. See below for a full list of dates.
Sun. Apr. 26 - Cleveland, OH - Happy Dog Mon. Apr. 27 - Chicago, IL - Empty Bottle Tue. Apr. 28 - Detroit, MI - Outer Limits Lounge Wed. Apr. 29 - Pittsburgh, PA - Bottle Rocket Thu. Apr. 30 - Philadelphia, PA - Launderette Sat. May 02 - Boston, MA - Deep Cuts Sun. May 03 - New York, NY - NightClub 101 Thu. May 14 - Seattle, WA - Neumos Fri. May 15 - Portland, OR - Swan Dive Sat. May 16 - Boise, ID - Shrine Basement Sun. May 17 - SLC, UT - The DLC Mon. May 18 - Denver, CO - Hi-Dive Tue. May 19 - Albuquerque, NM - Sister Bar Thu. May 21 - Phoenix, AZ - Linger Longer Lounge Sat. May 23 - Los Angeles, CA - Permanent Records Sun. May 24 - San Diego, CA - Banshee Bar Tue. May 26 - Oakland, CA - Stork Club Wed. May 27 - Reno, NV - Holland Project
Green World Image is now available for preorder worldwide from Sub Pop. LP preorders in North America through Sub Pop Mega Mart and in the EU and UK through Mega Mart Europe will receive the Loser Edition on Crystal Clear vinyl. The limited Loser Editions will also be available at your local record store (All vinyl colors available whilst stock lasts!).
More on Green World Image: The Kalshi app is a “prediction market for trading the future,” a platform allowing users to gamble on the outcome of almost any real-world event — from the accuracy of the weather forecast, to whether or not famine will officially be declared in Gaza. Joining CNN as the network’s official betting partner in late 2025, platform co-founder Tarek Mansour was quoted after the deal saying, “The long-term vision is to financialize everything and create a tradeable asset out of any difference in opinion.”
Telehealth was forged in the opportunity-rich environment of post-COVID Seattle as a scalable music startup with similar goals. Co-founded in 2022 by married couple and fellow gambling enthusiasts Alexander Attitude (synths/vox/guitar) and Kendra Cox (synths/vox), and joined by longtime collaborators Ian McCutcheon (drums), John O’Connor (bass), and Dillon Sturtevant (guitar), the group aims to financialize any difference of opinion over how the in-shambles local “music scene” should proceed (read more at Sub Pop).
What People Are Saying About Telehealth: “Telehealth make great new wave inspired art punk that’s as catchy as it is clever.” [“Cool Job”] Post-Trash
“A wacky lead single…sounds like ‘a modern update on a B-52s B-side’” [“Cool Job”] STEREOGUM
Tracklisting: 1. [user onboarding sequence] 2. The Telehealth Shuffle 3. Kokomo 2 4. Donor Country (A gOoD cAuSe) 5. Age of Muralcide 6. Things I’ve Killed 7. Cost of Inaction 8. Silver Spoon 9. Cool Job 10. Yassify Me 11. Maria, Machine 12. Villain Era 13. Living, Laughing, Loving, Trying
The fierce and mighty Downtown Boys will release Public Luxury, their incredible new album and the follow-up to Cost of Living, their acclaimed Sub Pop debut, worldwide on Friday, June 26th, 2026. The new longplayer features highlights “The City Begins,” “Sirena,” “Viva La Rosa,” “You’re A Ghost,” its title track, and today’s offering, the massive “No Me Jodas.”Public Luxury was co-produced by Downtown Boys’ Joey La Neve DeFrancesco and recording engineer Seth Manchester (Lambrini Girls, Lightning Bolt, Model/Actriz), at the Pawtucket, RI studio and arts space Machines With Magnets. The album was mastered by Heba Kadry.
In the “No Me Jodas” video, Downtown Boys perform with explosive energy for an enraptured crowd at a small club in Brooklyn. The visual was directed by John MacKay (Nation of Language “Inept Apollo,” “I’m Not Ready For The Change”), and also stars Mariachi Internacional Tapatio De Alvaro Paulino. Watch here.
Singer Victoria Marie offers this on the music video, “The video for ’No Me Jodas’ (translation: ‘don’t fuck with me’) is inspired by the aesthetic of ‘chicha’ —a music culture out of Peru that is also about economics, work, partying, life, desire, and nightlife. The ethic, as put by one Chicha musician, Chacalón, is two words: chamba and vacilón (hard work and partying).”
Downtown Boys are also sharing a few 2026 headlining shows happening this Thursday, March 26th, through Saturday, March 28th. Additional live dates will be announced soon.
Thu. Mar. 26 - Providence, RI - AS220 * Fri. Mar. 27 - Boston, MA - Deep Cuts ^ Sat. Mar. 28 - Portland, ME - Space 538 #
* w/ Black Eyes ^ w/ Whyte Lipstick # w/ Red Eft, Bait Bag
More on Public Luxury by Pierce Jordan (of Soul Glo):
Todavía creo en un futuro Todavía veo nuestros muertos Ya quemé la silla Ten fé en lo que ves
I still believe in a future I still see our dead I already burned the chair Have faith in what you see
Downtown Boys have pushed relentlessly forward as an artistic and political project since their founding. Singer Victoria Marie and guitarist/singer Joey La Neve DeFrancesco first met at union meetings while working together at a hotel in Providence, RI, writing many of the band’s early songs about their organizing efforts and exploitative workplace conditions. The quintet is completed by saxophonist-synthesist Joe DeGeorge, bassist Mary Jane Regalado, and drummer Joey Doubek. Through years of creating and touring, Downtown Boys continued to grow as artists, musicians, and organizers. Now, Downtown Boys have arrived with Public Luxury on Sub Pop Records, an enthralling new record that keeps politics front and center while summoning the band’s most urgent and powerful sound to date.
“This record is bigger and more expansive than anything we’ve done before,” explained DeFrancesco. “In writing this music, I tried to get closer to the feeling and sound of our live shows, which is where Downtown Boys is best experienced. When we perform, the guitars, keyboards, saxophones, the singing and intros, and the crowd yelling along with us all blend into a beautiful, cathartic energy. We wanted these songs to carry the depth of that live experience onto the recording itself.”
The definition of Public Luxury falls very much in line with that of the title of the second Downtown Boys LP, Full Communism. Straight up, Public Luxury means, “everything for everyone.” It’s the stubborn insistence that a better world is possible, while fully recognizing the horrors we witness daily, and the individual and collective responsibility to resist the nihilism and hopelessness we all feel.
Victoria Marie asserts that Public Luxury means that, “We as the people have the power – and we will have it all. The ultimate burn to injustice is taking the dirt, the shards, the smoke of it all in the struggle for freedom and liberation — finding power in the mundane — I think that is the story to be told.”
Sentiments like “everything for everyone,” and “we will have it all” perfectly represent the cathartic, communal live experience this cadre of multi-instrumentalists create. These sentiments also encapsulate the inclusive, joyful fusion found in Downtown Boys’ sound: punk and indie roots mix with Latin traditions, drum machines blend with acoustic drums, saxophones both support and interject between riffs, and layers of synths blend with guitars, doubling or tripling melodies to create blankets of melodic texture. The amount of ground covered on Public Luxury can’t be overstated. Public Luxury’s opening song and lead single, “No Me Jodas,” is a massive track whose thundering drums signal the beginning of Downtown Boys’ new era. “No Me Jodas,” “Sirena,” “Viva La Rosa,” and the rework of “Mi Concha” by Malportado Kids (a project started by Marie and DeFrancesco) add to the already robust catalog of Downtown Boys tracks sung entirely in Spanish. Songs like “Yellow Sun,” with its twinkling vibraphone, as well as “Albuterol” hit with all the emotion and sophistication of Sam’s Town-era The Killers. The industrial punk breakbeat of “You’re a Ghost” is unlike anything the band has done. Anthemic punk songs like “Viva La Rosa,” “The City Begins,” and “Enemy Without” are reminiscent of Downtown Boys’ earlier music, while “Public Works” and “Public Luxury” sit awash in a dreamy bath of synthesizers.
Years in the making, Public Luxury comes nearly a decade after Downtown Boys’ previous album, Cost of Living, their acclaimed Sub Pop debut, which included the fan favorites “Somos Chulas (No Somos Pendejas)” and “A Wall.” But the Downtown Boys never stopped: they were touring throughout, always organizing, and they composed the soundtrack for the Italian motion picture Miss Marx, which won awards for best score at the 2020 Venice Film Festival and the David di Donatello Awards.
In more ways than one, Public Luxury is a revisitation of Downtown Boys’ past for the sake of their future. Co-produced by DeFrancesco and recording engineer Seth Manchester (Lambrini Girls, Lightning Bolt, Model/Actriz), the band created Public Luxury at the Pawtucket, RI studio and arts space Machines With Magnets, not far from the band’s first home of Providence, RI. Years prior, Machines With Magnets hosted a number of the first Downtown Boys performances. Manchester watched the band grow from these early days, making their time in the studio one of two homecomings that would define the production of the album. The other came in May of 2025, before production, when Victoria Marie’s grandmother—a monumental figure for the entire band—passed away. The songs “No Me Jodas” and “Sirena” particularly channel her influence, serving as crystallized representations of the love between a woman and her ancestor.
“I think it is such a pivotal, desperate, yet desirous moment that our music is simply for anyone and everyone who believes in the new future we can make together,” Victoria Marie says, “a world that will be awkward, inconsistent, yet truly free when it comes to all that matters.”
Downtown Boys Public Luxury
1. No Me Jodas 2. The City Begins 3. Sirena 4. Yellow Sun 5. Viva La Rosa 6. Enemy Without 7. You’re a Ghost 8. Albuterol 9. Mi Concha 10. Public Works 11. Public Luxury
