Forth Wanderers – Ava Trilling, Ben Guterl, Zach Lorelli, Noah Yu Schifrin, and Duke Greene – are sharing the animated visualizer for “Bluff,” a new song from The Longer This Goes On, available worldwide through Sub Pop on Friday, July 18th, 2025.
“Bluff” opens with the cool tones of the keyboard and auxiliary percussion, Trilling’s voice guiding the song through to its melancholic core. Under the watchful eye of producer Dan Howard, the song captures the band at their most present and unburdened, creating their sound in real time for the very first time. The visualizer is animated and directed by Guterl.
Last month, Forth Wanderers shared The Longer This Goes On release details with the Bandcamp-only “To Know Me/To Love Me,” and followed it up a few days later by the dizzying official video for “7 Months.”
The Longer This Goes On was produced by Dan Howard at Chateau Grand Studios and Future Sounds in New York, and mixed and mastered by Al Carlson at Gary’s Electric in New York. The Longer This Goes On is the group’s first recorded output since the release of Forth Wanderers, their beloved 2018 Sub Pop debut.
The Longer This Goes On is available to preorder now on CD/LP/all DSPs from Sub Pop. LP preorders from megamart.subpop.com in North America, MM2 in the UK + EU, and your local record store, will receive the limited Loser Edition on Milky Clear (NA) or White (UK/EU) vinyl (all vinyl color editions whilst stock lasts!).
What People Have Said About Forth Wanderers:
“It’s a pretty, heartfelt indie rock jam with a huge, off-kilter guitar riff, and Ava Trilling sounds great on it.” [“To Know Me/To Love Me”] STEREOGUM
“Grungy, slow-burning” [“To Know Me/To Love Me”] BROOKLYN VEGAN
“Both new tracks are excellent” [“To Know Me/To Love Me” + “7 Months”] EXCLAIM
“Upbeat and playful, a rattling, jazzy snare pattering in the background as Trilling’s vocals and Guterl’s guitar licks glide over it.” [“7 Months”] STEREOGUM
Tracklisting: 1. To Know Me/To Love Me 2. Call You Back 3. Honey 4. 7 Months 5. Spit 6. Springboard 7. Make Me 8. Barnard 9. Bluff 10. Don’t Go Looking
Guerilla Toss have announced their new long-player, “You’re Weird Now,” available worldwide on CD/LP/Digitally on September 12th from Sub Pop. The band’s fifth album and second for Sub Pop is a hugely creative and joyful statement about the joy of creativity. With You’re Weird Now Guerilla Toss reclaim the word “weird” for everyone brave enough to let their freak flag fly and stay true to their artistic vision no matter what—a way riskier act than it’s ever given credit for, and one that requires a certain amount of serene self-confidence that it takes time and effort to cultivate and sustain.
While in Vermont recording their new full-length album, frontwoman Kassie Carlson would prepare what she called ‘punk lunch’: a communal meal made by raiding the studio fridge for whatever was left and assembling a sandwich from the most random ingredients imaginable.
Regularly joining punk lunch were two legends from their own corners of the weird music world: Stephen Malkmus (Pavement, The Jicks) and Trey Anastasio, Phish guitarist and owner of The Barn, the recording studio where Guerilla Toss made You’re Weird Now, with Malkmus in the producer’s seat. Engineer Bryce Goggin, who has worked with Malkmus since Crooked Rain, Crooked Rain, and Ben Collette, Phish’s longtime engineer at The Barn.
While the idea of the guy from Phish and the guy from Pavement sitting around with Guerilla Toss, congenially assembling sandwiches from random foodstuffs dug up from the depths of a studio fridge, might seem absurd, it also makes total sense. Because really, if there’s any band that serves as the natural bridge between slacker punks who saw Pavement way before you did, wild-eyed wooks who’ve seen Phish more times than you ever will, and even the eccentrics in ’90s drip following former GT tourmates Primus—it’s Guerilla Toss. A band so imaginative and unapologetically themselves, they’re basically the real-life manifestation of a utopian, post-snob world where all musical ideas are worthy of expression and everyone is welcome.
Today, the band has shared an animated video for their new single, “Red Flag to Angry Bull,” which builds to a campfire sing-along-worthy outro featuring Malkmus and Carlson duetting over a chatty, classically Phish-y (there’s really no better word for it) solo from Anastasio. The band notes that the humble Anastasio was both shocked and honored when asked to contribute, proof that even music legends can feel like outsiders deep into their careers. The resulting cacophony of voices is triumphant and joyful, underscoring music’s power as a mode of expression and connection—communication at its purest and most free-flowing. You can watch this conscientious expanding video here.
“Red Flag to Angry Bull” follows the release of the pre-album launch single. “Psychosis Is Just a Number,” a glittering no-wave skronk anthem about staying present in the chaos - imagine post-punk Pylon meeting the cheerleaders from the “Smells Like Teen Spirit” video, but they’re obsessed with The Contortions.
Guerilla Toss has announced a 28-date North American run, beginning on September 12th and running through October 19th. This tour includes standout dates in Chicago, Minneapolis, Seattle, Los Angeles, Austin, and Brooklyn, culminating in Boston, MA, on October 19. See below for a complete tour routing.
Fri. Sep. 12 - Bethel, NY - Bethel Woods Center for the Arts Sat. Sep. 13 - Kingston, NY - Tubby’s Tue. Sep. 16 - Buffalo, NY - Rec Room Wed. Sep. 17 - Lakewood, OH Mahall’s Thu. Sep. 18 - Chicago, IL - Empty Bottle Fri. Sep. 19 - Milwaukee, WI - Cactus Club Sat. Sep. 20 - Davenport, IA - Raccoon Motel Sun. Sep. 21 - Minneapolis, MN - 7th St. Entry Thu. Sep. 25 - Seattle, WA - Vera Project Fri. Sep. 26 - Portland, OR - Mississippi Studios Sat. Sep. 27 - Boise, ID - Shrine Basement Sun. Sep. 28 - Reno, NV - Holland Project Wed. Oct. 01 - San Francisco, CA - Chapel Thu. Oct. 02 - Los Angeles, CA - Lodge Room Fri. Oct. 03 - San Diego, CA - Casbah Sat. Oct. 04 - Phoenix, AZ - Linger Longer Lounge Sun. Oct. 05 - Tucson, AZ - Club Congress Tue. Oct. 07 - Denton, TX - Rubber Gloves Showroom Wed. Oct. 08 - Austin, TX - Hotel Vegas Thu. Oct. 09 - Houston, TX - White Oak Music Hall Fri. Oct. 10 - New Orleans, LA - No Dice Sat. Oct. 11 - Atlanta, GA - Aisle 5 Sun. Oct. 12 - Nashville, TN - Blue Room @ Third Man Records Tue. Oct. 14 - Washington, DC - DC 9 Thu. Oct. 16 - Brooklyn, NY - Brooklyn Bowl Fri. Oct. 17 - Philadelphia, PA - Johnny B’s Sat. Oct. 18 - Burlington, VT - Foam Sun. Oct. 19 - Boston, MA - Crystal Ballroom
About You’re Weird Now:
When NYC-based experimental dance punks Guerilla Toss, active since time immemorial aka 2011, were in Vermont recording their new full-length album You’re Weird Now, frontwoman Kassie Carlson would prepare what she called ‘punk lunch’: a communal meal made by raiding the studio fridge for whatever was left and assembling a sandwich from the most random ingredients imaginable.
Regularly joining punk lunch were two legends from their own corners of the weird music world: Stephen Malkmus (Pavement, The Jicks) and Trey Anastasio, Phish guitarist and owner of The Barn; the recording studio where Guerilla Toss were making You’re Weird Now, with Malkmus in the producer’s seat. Engineer Bryce Goggin, who has worked with Malkmus since Crooked Rain, Crooked Rain, and Ben Collette, Phish’s longtime engineer at The Barn, were also part of the crew.
While the idea of the guy from Phish and the guy from Pavement sitting around with Guerilla Toss, congenially assembling sandwiches from random foodstuffs dug up from the depths of a studio fridge, might seem absurd, it also makes total sense. Because really, if there’s any band that serves as the natural bridge between slacker punks who saw Pavement way before you did, wild-eyed wooks who’ve seen Phish more times than you ever will, and even the eccentrics in ’90s drip following former GT tourmates Primus—it’s Guerilla Toss. A band so imaginative and unapologetically themselves, they’re basically the real-life manifestation of a utopian, post-snob world where all musical ideas are worthy of expression and everyone is welcome.
You’re Weird Now powers this message. Guerilla Toss’ fifth album and second for Sub Pop is a hugely creative and joyful statement about the joy of creativity. With You’re Weird Now Guerilla Toss reclaim the word “weird” for everyone brave enough to let their freak flag fly and stay true to their artistic vision no matter what—a way riskier act than it’s ever given credit for, and one that requires a certain amount of serene self-confidence that it takes time and effort to cultivate and sustain. Read more about You’re Weird Now Here
You’re Weird Now is available to pre-order on vinyl/CD/digital formats from Sub Pop. A Loser Edition LP on Yellow is available through the Sub Pop Mega Mart (North America) and Bright Blue via the Mega Mart 2 (UK/EU), and your local record store
North American LOSER
Guerilla Toss You’re Weird Now
Track Listing: 1. Krystal Ball 2. Psychosis Is Just a Number 3. CEO of Personal & Pleasure 4. LIfe’s a Zoo 5. Red Flag to Angry Bull 6. Panglossian Mannequin 7. Deep Sight 8. When Dogs Bark 9. Crocodile Cloud 10. Favorite Sun
On September 19th, 2025, Nation of Language will release Dance Called Memory, their fourth album and full-length Sub Pop debut. The 10-track effort was recorded, produced, and mixed by returning producer and collaborator Nick Millhiser in New York City and mastered by Heba Kadry in Brooklyn. Dance Called Memory features the current breakout radio single “Inept Apollo,” along with highlights ‘Under the Water,” “In Your Head,” “Silhouette,” and today’s offering, “I’m Not Ready for the Change” with an official video from director John MacKay.
Synthpop, minimal wave, post-punk, goth, new romantic — fans and critics alike have dug deeply into their vintage thesauruses to describe the beguiling work of Nation of Language. And if you can’t precisely define the band, that’s the point. Frontman Ian Richard Devaney has become prodigious in expanding what synthesizer-driven music can evoke, such that his output is as much an extrasensory journey as it is an all-too-human destination. With that experience in mind, he wrote the band’s fourth album — the spectral, spacious Dance Called Memory — in the most humble of ways: chipping away at melancholia by sitting around and strumming his guitar.
Nation of Language’s first three albums, Introduction, Presence (2020), A Way Forward (2021), and Strange Disciple (2023) came as pandemic-era godsends: gorgeous, relatable soundtracks to our collective doldrums.
On Dance Called Memory, Nation of Language once again collaborated with friend and Strange Disciple producer Nick Millhiser (LCD Soundsystem, Holy Ghost!). “What’s so great about Nick is his ability to make us feel like we don’t need to do what might be expected of us,” says synth player Aidan Noell, who, along with bassist Alex MacKay, rounds out the Nation of Language lineup. They imbued Dance Called Memory with a shifted palette — for example, smashing all of the percussion of “In Another Life” through a synthesizer to cast a shade of early-2000s electronic music or by sampling chopped-up drum breaks on “I’m Not Ready for the Change,” for a touch of Loveless-era My Bloody Valentine.
Ultimately, the hope was to weave raw vulnerability and humanity into a synth-heavy album. “There is a dichotomy between the Kraftwerk school of thought and the Brian Eno school of thought, each of which I’ve been drawn to at different points. I’ve read about how Kraftwerk wanted to remove all of the humanity from their music, but Eno often spoke about wanting to make synthesized music that felt distinctly human,” Devaney says. “As much as Kraftwerk is a sonically foundational influence, with this record I leaned much more towards the Eno school of thought. In this era quickly being defined by the rise of AI supplanting human creators I’m focusing more on the human condition, and I need the underlying music to support that… Instead of hopelessness, I want to leave the listener with a feeling of us really seeing one another, that our individual struggles can actually unite us in empathy (read full bio at Sub Pop).”
Nation of Language has also added a few new shows to their previously announced international headlining tour dates in North America, the EU, and the UK for the fall of 2025.
The North American shows begin on Thursday, August 21st in Hamden, CT at Space Ballroom and run through Thursday, October 30th in Washington, DC at 9:30 Club. Highlights for this leg include a hometown, three-night stand September 18th-20th at Brooklyn’s Warsaw and a two-night stand on Wednesday, October 15th and Thursday, October 16th at The Fonda Theatre in Los Angeles.
Nation of Language’s UK and EU trek now starts with the addition of the second Dublin, IE show on Thursday, November 6th at Opium and ends Friday, November 28th in Lisbon, PT at LAV. The band will also headline some of their largest UK/EU venues to date on this run, including The Roundhouse in London on Wednesday, November 8th, and Columbiahalle in Berlin on Friday, November 21st.
Support for the North American and UK/EU shows will come from Safe Mind (Aug. 21st-23rd), Deathwish Inc.’s Greet Death (Sep. 20th-Oct. 5th), Sub Pop labelmates Deeper (Oct.16th-30th), and Partisan Records act Westerman (Oct. 8th-16th + Nov. 8th-22nd).
Preceding the late summer/fall headline run, Nation of Language will also support Death Cab For Cutie on its Plans: 20th Anniversary Tour in Seattle at the Climate Pledge Arena (Thu. Jul. 31st + Sat. Aug. 2nd) and in Chicago at Chicago Theatre (Tue. Aug. 5th + Wed. Aug. 5th).
Nation of Language Summer 2025 Support Shows w/ Death Cab for Cutie Thu. Jul. 31 - Seattle, WA - Climate Pledge Arena ** Sat. Aug. 02 - Seattle, WA - Climate Pledge Arena ** [Sold Out] Tue. Aug. 05 - Chicago, IL - Chicago Theater ** [Sold Out] Wed. Aug. 06 - Chicago, IL - Chicago Theater ** [Sold Out]
August - October 2025 North American Headline Shows Thu. Aug. 21 - Hamden, CT - Space Ballroom ! Fri. Aug. 22 - Woodstock, NY - Bearsville Theater ! Sat. Aug. 23 - Portland, ME - State Theatre ! Thu. Sep. 18 - Brooklyn, NY - Warsaw % Fri. Sep. 19 - Brooklyn, NY - Warsaw + Sat. Sep. 20 - Brooklyn, NY - Warsaw # Sun. Sep. 21 - Boston, MA - Royale # Tue. Sep. 23 - Detroit, MI - The Majestic # Wed. Sep. 24 - Chicago, IL - Thalia Hall # Fri. Sep. 26 - Minneapolis, MN - First Avenue # Sat. Sep. 27 - Milwaukee, WI - Turner Hall Ballroom # Mon. Sep. 29 - Omaha, NE - Slowdown # Tue. Sep. 30 - Kansas City, MO - The Truman # Thu. Oct. 02 - Denver, CO - The Gothic Theatre # Sat. Oct. 04 - Boise, ID - Knitting Factory # Sun. Oct. 05 - Missoula, MT - Top Hat # Wed. Oct. 08 - Vancouver, BC - The Pearl ^ Sun. Oct. 11 - Portland, OR - Revolution Hall ^ Mon. Oct. 13 - San Francisco. CA - The Fillmore ^ Wed. Oct. 15 - Los Angeles, CA - The Fonda Theater ^ Thu. Oct. 16 - Los Angeles, CA - The Fonda Theater * Fri. Oct. 17 - San Diego, CA - Music Box * Tue. Oct. 21 - Austin, TX - Mohawk * Wed. Oct. 22 - Dallas, TX - The Studio at The Bomb Factory * Thu. Oct. 24 - Houston, TX - White Oak Music Hall * Sat. Oct. 25 - Atlanta, GA - Variety Playhouse * Sun. Oct. 26 - Chapel Hill, NC - Cat’s Cradle * Mon. Oct. 27 - Richmond, VA - The Broadberry * Wed. Oct. 29 - Philadelphia, PA - Union Transfer * Thu. Oct. 30 - Washington, DC - 9:30 Club *
** w/ Death Cab For Cutie ! w/ Safe Mind # w/ Greet Death * w/ Deeper ^ w/ Westerman + w/ Horse Jumper of Love % w/ A. Savage $ w/ Telekura
Nation of Language previewed the release of Dance Called Memory with the aforementioned “Inept Apollo” by sharing the dioramic official video for the ebullient new single, also directed by John MacKay. The song is currently at #27 on the Mediabase AAA chart, seeing airplay from the likes of Live 105, Sirius XMU, KEXP, KCRW, BBC 6 Music, and more.
Dance Called Memory is available to preorder on CD/LP/all DSPs from Sub Pop. LP purchases from Nation of Language’s Offical Webstore, megamart.subpop.com in North America, MM2 in the UK + EU, your local record store, and directly from the band at their live shows will receive the limited “Loser” Edition on Clear + Black & Blue Hi-Melt (NA), Clear Blue w/ White Hi-Melt (Band Web Exclusive) or Corona Red/White (UK/EU) vinyl. There will also be special color variants available, including Rough Trade (UK) and Urban Outfitters (US) (all vinyl color editions whilst stock lasts!).
What People Are Saying About Nation of Language: “An instantly appealing synthpop track, melodic and understated. It’s a grower.” [“Inept Apollo”] BROOKLYN VEGAN
“A percolating new wave track that hits like LCD Soundsystem’s “Someone Great” with more kick.” [“Inept Apollo”] STEREOGUM
“The New York trio capture the tension between the need for creative expression and its futility by offering some romantic, rejuvenating synth pop.” [“Inept Apollo”] “100 Best Songs of 2025 (So Far),” Consequence of Sound
“‘Inept Apollo’ feels like a Gary Numan-meets-Devo-meets-A.G. Cook fever dream. The synths are punchier than ever, the melodies danceable, the vocals mysterious and enticing. The song shapeshifts as it unfolds, becoming its own reflection of the creative process.” “Best New Songs,” PASTE
“There is something instantly transportive about Ian Richard Devaney’s voice, which leaps with an operatic ease, yet maintains a soft-focus diaphanousness as it curls around lyrical transmissions just vague enough to feel applicable to any situation.” [“Inept Apollo”] “Staff Pick,” EXCLAIM!
Nation of Language Dance Called Memory
Tracklisting: 1. Can’t Face Another One 2. In Another Life 3. Silhouette 4. Now That You’re Gone 5. I’m Not Ready for the Change 6. Can You Reach Me 7. Inept Apollo 8. Under the Water 9. In Your Head 10. Nights of Weight
Debby Friday is sharing the red-hot official video for “Lipsync,” a new electro-rap single from The Starrr Of The Queen Of Life, her forthcoming sophomore album, available August 1st, 2025, worldwide through Sub Pop and in Canada from Royal Mountain Records.
Co-directed with frequent collaborator Kevan Funk, the striking “iron forged in fire” visual also stars Debby Friday and was shot in 30 minutes at Toronto’s historic Massey Hall.
The electro rap track “Lipsync” follows the release of dance pop single “All I Wanna Do Is Party” and the anthemic and salacious jam “1/17,” and is another fantastic entry in The Starrr Of The Queen Of Life’s universe.
The Starrr Of The Queen Of Life is available to preorder from Sub Pop and Royal Mountain. LP preorders from megamart.subpop.com in the US, MegaMart 2 in the UK and EU, Royal Mountain in Canada and your local record store will receive the following limited color vinyl versions: the Sub Pop Loser editions on Graphite (US) and Bio Light Blue (EU/UK), and Royal Mountain’s edition on White (Canada) (All vinyl colors whilst stock lasts!).
Debby Friday is currently on tour supporting SPELLLING in the EU/UK, with a show tonight, June 12th in Brighton, UK at Dust and continuing through Friday, June 20th in Paris, FR at Petit Bain. She also has festival shows for the summer and fall of 2025: Saturday, June 21st in Paris at Fête de la Musique; Sunday, August 3rd in Montreal at Osheaga Festival; Saturday, November 14th in Mexico City at Corona Capital—additional live dates to be announced soon.
Thu. Jun. 12 - Brighton, UK - Dust * Sat. Jun. 14 - Brussels, BE - Botanique -Rotonde * Mon. Jun. 16 - Berlin, DE - Lido * Wed. Jun. 18 - Bern, CH - Dampfzentrale * Fri. Jun. 20 - Paris, FR - Petit Bain * Sat. Jun. 21 - Paris, FR - Fête de la Musique Sun. Aug. 03 - Montreal, QC - Osheaga Festival Sat. Nov. 14 - Mexico City, MX - Corona Capital
* w/ SPELLLING
What People Are Saying About Debby Friday:
“The Toronto-based vocalist and producer Debby Friday won the Polaris Music Prize for her sharp 2023 debut album, Good Luck. She returns with the euphoric electro-pop single ‘1/17,’ a dance-floor confessional that shows off yet another side of her multifaceted talent. “I swear you’re a sign,” Friday sings in an airy atmosphere punctured by percolating synths. The track builds layer atop gauzy layer until it explodes in a burst of club-ready catharsis.”- The New York Times
“The song brings back some of that old PC Music feeling. It’s a euphoric, unapologetically cheesy trance-pop confection. As synth-bloops whirl all around her, Friday chants, “Poetry and nude selfies, love the way that you know me.” It feels like it’s heading toward a climactic beat-drop…the drums do eventually arrive, and that moment is awesome. Friday co-directed the bare-bones ‘1/17’ video with Kevan Funk, and it makes a great case for her as a performer.” STEREOGUM
“Last time we heard a single from Debby Friday, the Toronto artist was commanding girls to the dance floor on a minimal club track co-produced by Detroit rascals HiTech. She’s in a totally different headspace on the hyperpop ballad ‘1/17,’ singing about love and sensuality over bubbling synths which eventually give way to a euphoric trance finale.” THE FACE
“It’s a banger” [“All I Wanna Do Is Party”] BROOKLYN VEGAN
“…fully three-dimensional in intent and tone, it finds Debby Friday severing herself from the past. Carnal and exultant…” [“All I Wanna Do Is Party”] CLASH
Hannah Jadagu has returned with “My Love,” the singer-songwriter and producer’s scintillating new R&B electro pop song, available today on all streaming services from Sub Pop.
The accompanying official video, co-directed by Annika Santhanam and Hannah, who also stars in the I Spy-inspired visual, is a sweet and surreal take on the song’s lyrical themes of love and distance.
Hannah says of the song, “‘My Love’ is about the feelings that can arise when you’re apart from someone you love (longing, excitement, gratitude). It’s simply a love song that makes a plea for being with that person.”
“My Love” was written and composed by Hannah Jadagu, co-produced by Hannah with musician/producer Sora at Undercooled in Los Angeles, and returning collaborator/producer Max Baby at Greasy in Paris, France, mixed by Blue May and mastered by Heba Kadry. “My Love” is her first recorded material since the release of 2023’s Aperture, Hannah’s acclaimed, full-length debut.
Hannah Jadagu has seen praise from the likes of The New York Times, NPR Music, Morning Edition, Alternative Press, Billboard, Bandcamp, Stereogum (2023 “Best New Bands”), CLASH, DIY, PASTE, SPIN, All Music, and more. She and her live band have toured internationally supporting the likes of Faye Webster, Arlo Parks, and Beach Fossils, playing at festivals like SXSW, Treefort, Pitchfork Music Festival London, and Roskilde. Hannah is putting the finishing touches on the follow-up to Aperture, which is due this fall on Sub Pop.
What People Have Said About Hannah Jadagu:
“Jadagu has a singular sense of melody. Her phrases hopscotch around, full of angular leaps that also feel easy and conversational. Those melodies turn out to be equally effective whether they’re leaping across distorted guitar chords, suave keyboards or abstract soundscapes” [Aperture] NEW YORK TIMES
”[Aperture] bridges the gap between adolescence and adulthood; Hannah Jadagu jumps high between the two and lands firmly on her feet.” ★★★★ DIY
“A blossoming talent seizing her moment.” [Aperture] ★★★★ NME
“Hannah Jadagu’s indie pop music makes small, universal moments extraordinary.” [Aperture] BANDCAMP DAILY
“Hannah Jadagu may be young, but she displays a crafted talent on her debut album Aperture.“ 8/10 - CLASH
“In sharing her collection of magnified, bittersweet goodbyes, Jadagu unlocks an interior world worth making a racket about.” [Aperture] “Best of What’s Next” - PASTE
“An eminently likable blend of rock and pop that’s sharp and surprisingly expansive.” [Aperture] “The 40 Best New Bands of 2023”- STEREOGUM
“Celestial harmonies, toppy bass, a euphoric guitar, deft dynamics and a wonderful use of space. A real find.” [Aperture] “Breaking Act”- SUNDAY TIMES
Today, June 10th, Iron & Wine returns with a vibrant new single, “Robin’s Egg” which features the three-part harmonies of I’m With Her. I’m With Her is comprised of Sarah Jarosz, Aoife O’Donovan, and Sara Watkins - each individual stars in their own right – whom just released a brand new record, Wild and Clear and Blue, last month to critical acclaim and praise. The two bands will be joining forces this July for a series of shows and “Robin’s Egg” serves as a highlight to what should be an anything-goes, cross-collaborating evening of music.
The forthcoming tour takes its name from said track and is the perfect pollination of each band’s signature style. Not too sweet, not too spicy, perfect for summer days. The track was written and produced by Iron & Wine’s creative force and principal singer-songwriter, Sam Beam, and is an early preview of the band’s still-in-the-making forthcoming record.
Of the song, Beam said: “I had the start of ‘Robin’s Egg’ kicking around and began finishing the tune earlier this year with I’m With Her in mind. We had already started to plan our summer tour together; I passed it to them with the hope they were up for adding their voices to it and lucky for me they were! I’m looking forward to performing it, and a few other surprises, with them this summer.”
You can watch the official music video, animated and created by Lizi Breit, here.
Iron & Wine have maintained an active touring schedule since the release of 2024’s Grammy-nominated Light Verse. The Robin’s Egg Tour begins in July and ends with both bands triumphantly returning to the Newport Folk Festival stage, where anything can, and often does, happen!
Iron & Wine will continue to tour through the end of the year with a series of festival plays and a co-headline west coast run with former labelmates and longtime friends, Band of Horses. See below for a complete list of dates.
Sat. Jul. 05 - Orilla, ON - Mariposa Folk Festival Mon. Jul. 07 - Viroqua, WI - Historic Temple Theatre of Viroqua ~ Tues. Jul. 08 - Bayfield, WI - Lake Superior Big Top Chautauqua ~ Thu. Jul. 10 - Interlochen, MI - Interlochen Center for the Arts * ^ Fri. Jul. 11 - Cincinnati, OH - Taft Theatre * ^ Sat. Jul. 12 - Asheville, NC - Asheville Yards Amphitheater * ^ Sun. Jul. 13 - Cary, NC - Koka Booth Amphitheatre * ^ Tue. Jul. 15 - Vienna, VA - Filene Center at Wolf Trap * Thu. Jul. 17 - Halifax, Nova Scotia - Halifax Jazz Festival Sat. Jul 19 - Portland, ME - Thompson’s Point * ^ Sun. Jul. 20 - Burlington, VT - The Green at Shelburne Museum * ^ Mon. Jul 21 - Northampton, MA - The Pines Theater at Look Park * ^ Wed. Jul. 23 - Richmond, VA - Lewis Ginter Botanical Garden * ^ Thu. Jul. 24 - Glenside, PA - Keswick Theatre * ^ Fri. Jul. 25 - LaFayette, NY - Beak & Skiff Apple Orchards * ^ Sat. Jul. 26 - Newport, RI - Newport Folk Festival - SOLD OUT Sat. Sep 6 - Evanston, IL - Evanston Folk Festival Fri. Sep. 12 - Louisville, KY - Bourbon & Beyond Thu. Sep. 18 - Seattle, WA - Marymoor Park # Fri. Sep. 19 - Eugene, OR - The Cuthbert Amphitheater # Sat. Sep. 20 - Portland, OR - McMenamins Grand Lodge # Mon. Sep. 22 - Saratoga, CA - The Mountain Winery # Tue. Sep. 23 - San Francisco, CA - The Warfield # Wed. Sep. 24 - Los Angeles, CA - The Wiltern # Fri. Sep. 26 - Del Mar, CA - The Sound at Del Mar # Sat. Sep. 27 - Las Vegas, NV - Bel-Aire Backyard # Sun. Sep 28 - Chandler, AZ - Gila River Resorts & Casinos - Wild Horse Pass # Tue. Sep. 30 - Flagstaff, AZ - Pepsi Amphitheater # Thu. Oct. 2 - Anaheim, CA - House of Blues Anaheim # Fri. Oct. 3 - Santa Barbara, CA - The Arlington Theatre #
* co-headline with I’m With Her # co-headline with Band of Horses ~ support by Elizabeth Moen ^ support by Ken Pomeroy
“Robin’s Egg” follows the 2024 acclaimed release of Light Verse, which features the Grammy-nominated duet with Fiona Apple, “All in Good Time.” The album received accolades from Uncut, Mojo, Clash and NPR New Music Friday who shared “my favorite moments on the album are where you hear those studio dynamics, where the quiet erupts into this chamber ensemble piece with these big shifting movements… it can go from everything from somber to nearly euphoric in its run, and I love that about it.”
Praise for Iron & Wine Light Verse: “A collection of songs bursting with surprises, reflecting the optimism of the album’s title, and a songwriter rejuvenated.” 8/10 - Uncut
“It’s magnificent… It starts hushed and intimate (You Never Know), then as the band gradually comes in, it takes on a beautiful lushness throughout. Highlights include the lovely harmonies on Tears That Don’t Matter and All in Good Time, a soulful, churchy duet with Fiona Apple.” ★★★★ - MOJO
“Gorgeous… Iron & Wine proves he still has much to say in a hypnotic record full of lush production, highlighting the warmth and timelessness of his vocals.” 8/10 - CLASH
“Stunning… an album that straddles Iron & Wine’s earlier, stripped-down work and his later, more layered tunes. The gorgeous Sweet Talk and All in Good Time are particularly reminiscent of the former, while Tears That Don’t Matter is Beam at his most dynamically majestic.” ★★★★ - Record Collector
“Quirky yet profound, playful but often deeply moving… The ten tracks on Light Verse glow with the a rejuvenated joy and infectious creative energy.” 8/10 - The Line of Best Fit
“Beam has done this kind of thing before, but he seems to be digging a little deeper lyrically here, while crafting arrangements that are truly lush and lovely, better than any on previous Iron & Wine albums. That’s a high bar, but he soars over it with plenty of room to spare, and in the end Light Verse turns out to be one of the most enjoyable, varied, and well-crafted of the band’s records.” ★★★★ - All Music
“This time Beam worked alongside a handful of Los Angeles-based musicians and producer Dave Way (John Doe, Macy Gray) in his Laurel Canyon studio, and the bones of the songs on Light Verse are both looser and more freely experimental, often conjuring up a more ramshackle version of the layered psych-pop elements of 2007’s The Shepherd’s Dog.” - No Depression
