Sub Pop is thrilled to share the news that Strange Wilds have signed on to be part of the family!
Strange Wilds formed in Olympia, WA in 2012. The band grew out of the fertile Pacific-Northwest punk scene, with members from Negative Press, Outlook, Wreck, and a bunch of other punk/hardcore bands of the last few years. Shortly after the 2014 release of their debut, the four-song Wet 7” on Inimical Records, the band settled into the classic, economical, power-trio configuration of bass, drums, and a single guitar, and signed to Sub Pop. Strange Wilds will release new music for Sub Pop in 2015. In the meantime, you can read more about Strange Wilds via Noisey and the AV Club.
Get to know Strange Wilds!
Watch: “Slime” video
Listen: “Wet” 4-track 7” single
On Friday, November 14th, there will be a series of special preview screenings of The Postal Service’s Everything Will Change, the feature-length documentary concert film of performances at the Greek Theater in Berkeley, CA, captured over two nights (July 26th & 27th, 2013) during their reunion tour.
Everything Will Change will screen at AMC Theatres in the following cities: Town Center 6 in Burbank, CA; Empire 25 in New York, NY; Metreon 16 in San Francisco, CA; Pacific Place in Seattle, WA; River East 21 in Chicago, IL; Boston Commons 19 in Boston, MA; Cherry Hill 24 in Cherry Hill, NJ; Georgetown 14 in Washington, DC; Mission Valley 20 in San Diego, CA; and Northpark 15 in Dallas, TX. Admission to these screenings is $10.
Sub Pop will co-present these screenings with the following partners: Origami Records (Burbank); Noise Pop (San Francisco); Sonic Boom Records, KEXP & KNDD (Seattle); Reckless Records (Chicago); M-Theory Records & 91X (San Diego); Good Records (Dallas). Please find a complete list of screenings below.
Everything Will Change will be available worldwide on Monday, November 24th on DVD/Blu-ray from Sub Pop. In addition, Give Up will be available for the first time as a single vinyl LP. Preorders for both the Everything Will Change DVD/Blu-ray and the Give Up single-LP are available at the Sub Pop Mega Mart and Amazon.com.
A collaboration between Benjamin Gibbard (of Death Cab for Cutie) and Jimmy Tamborello (from Dntel), with Rilo Kiley’s Jenny Lewis, The Postal Service released Give Up, their one and only album, in 2003. That record went on to sell over a million copies and most of the band’s fans never had the chance to see them perform live. In celebration of the 10-year anniversary of Give Up, Sub Pop released an expanded, deluxe version of the album and the band reunited to tour the world. Directed by Justin Mitchell, Everything Will Change features intimate interviews, backstage footage of the band, and captures one of the nights when everything did change.
AMC Theatres (select cities)
Friday, November 14th, 2014
Doors 7pm, 8pm start time
Burbank Town Center 6
770 North 1st Street, Burbank
Burbank, CA 91501
Co-presented ORIGAMI Records
234 West 42nd Street
New York, NY 10036
2325 101 Fourth Street
San Francisco, CA 94103
Co-presented by NOISE POP
Pacific Place 11
600 Pine Street, 4th floor
Seattle, WA 98101
Co-presented by SONIC BOOM RECORDS, KEXP and KNDD
River East 21
322 East Illinois Street
Chicago, IL 60611
Co-presented by Reckless Records
Boston Commons 16
175 Tremont Street
Boston, MA 02111
Cherry Hill 24
2121 Route 38
Cherry Hill, NJ 08002
3111 K Street, NW
Washington, DC 20007
Mission Valley 20
1640 Camino Del Rio, North
San Diego, CA 92108
Co-presented by M-THEORY Records + 91.X
8687 N. Central Expressway, Suite 3000
Dallas, TX 75225
Co-presented by GOOD RECORDS
Perhaps you saw Father John Misty’s performance of the brand new track “Bored In the USA” complete with a 22-piece string section on The Late Show with David Letterman, and found that you’re wondering yourself silly with questions like, “Could it be true?! A new record from Father John Misty?!” and you ended up here, the webhome of FJM’s record label, hoping to answer your burning questions. Well the answer, dear friends, is yes, on February 10th, 2015, Sub Pop Records will proudly be releasing I Love You, Honeybear, the eagerly anticipated follow-up to the amazing, left-field FJM record, Fear Fun.
As if the news couldn’t get any better, Father John Misty is headlining late winter/spring tour, accompanied by a 7-piece backing band full of musicians, in support of I Love You, Honeybear. Support for the tour comes from Guy Blakeslee (Feb. 9th-18th), and Sub Pop label mates King Tuff (Mar. 25th-Apr. 8th) and Luluc (Apr. 22nd-25th). Please find a current list of tour dates below.
Preorders for I Love You, Honeybear are now available via Sub Pop. The album will be available in the following formats:
- A standard 2xLP version in a gatefold jacket and on black vinyl
- A limited edition deluxe 2XLP alternate-cover version on tricolor vinyl in a Dioramic, Meta-Musical Funtime gatefold jacket
All CD and LP formats will come with a fold-out poster, featuring a collage of Emma Tillman’s intimate photos, designed by Alia Penner and an extensive “Exercises for Listening” written by Josh Tillman. Additionally, CD and LP preorders will come with 8 demos on cassette (while supplies last). There will also be two new t-shirts available, as stand-alone items or as part of a bundle with preorders of I Love You, Honeybear.
What does Father John Misty say about I Love You, Honeybear? Here’s a very good answer to that question you probably weren’t asking yourself:
Father John Misty aka Josh Tillman, says of the album, I Love You, Honeybear was recorded all through 2013 to 2014 in Los Angeles with producer Jonathan Wilson, who I also recorded and produced 2012’s Fairly Fun with. There’s a case to be made that it sounds and acts a bit like solo-era John Lennon, Scott Walker, Randy Newman, Harry Nilsson, and Dory Previn, while taking more than a few cues from Woody Allen, Kurt Vonnegut, Alejandro Jodorowsky and Muhammad Ali. It has a decidedly more soulful presence than Fear Fun,
due in no small part to the fact that I am truly singing my ass off all over this motherfucker. The album is really characterized by the scope and ambition of the arrangements. Nearly every tune is augmented by something special, be it orchestral strings, a mariachi band, questionable electronic drum solos, ragtime jazz combos, soul singers,
or what have you. I’m pretty sure there’s a sitar in there somewhere. Blammo.
I Love You, Honeybear is a concept album about a guy named Josh Tillman who spends quite a bit of time banging his head against walls, cultivating weak ties with strangers and generally avoiding intimacy at
all costs. This all serves to fuel a version of himself that his self-loathing narcissism can deal with. We see him engaging in all manner of regrettable behavior.
“In a parking lot somewhere he meets Emma, who inspires in him a vision of a life wherein being truly seen is not synonymous with shame, but possibly true liberation and sublime, unfettered creativity. These ambitions are initially thwarted as jealousy, self-destruction and other charming human character traits emerge. Josh Tillman confesses as much all throughout.
“The album progresses, sometimes chronologically, sometimes not, between two polarities: the first of which is the belief that the best love can be is finding someone who is miserable in the same way you are and the end point being that love isn’t for anyone who isn’t interested in finding a companion to undertake total transformation with. I won’t give away the ending, but sex, violence, profanity and excavations of the male psyche abound.
“My ambition, aside from making an indulgent, soulful, and epic sound worthy of the subject matter, was to address the sensuality of fear, the terrifying force of love, the unutterable pleasures of true intimacy,
and the destruction of emotional and intellectual prisons in my own
“This material demanded a new way of being made, and it took a lot of time before the process revealed itself. The massive, deranged shmaltz I heard in my head, and knew had to be the sound of this record, originated a few years ago while Emma and I were hallucinating in Joshua
Tree; the same week I wrote the title track. I chased that sound for the entire year and half we were recording. The means by which it was achieved bore a striking resemblance to the travails, abandon and
transformation of learning how to love and be loved; see and be seen.
There: I said it. Blammo.”
Father John Misty
I Love You, Honeybear
1. I Love You, Honeybear
2. Chateau Lobby #4 (in C for Two Virgins)
3. True Affection
4. The Night Josh Tillman Came To Our Apt.
5. When You’re Smiling and Astride Me
6. Nothing Good Ever Happens At the Goddamn Thirsty Crow
7. Strange Encounter
8. The Ideal Husband
9. Bored In The USA
10. Holy Shit
11. I Went To The Store One Day
Jan. 16 - Felton, CA - Bret Harte Hall
Jan. 17 - Sonoma, CA - Vet’s Hall Ballroom
Jan. 18 - Chico, CA - El Rey Theatre
Feb. 09 - Los Angeles, CA - Roxy*
Feb. 12 - Brooklyn, NY - Rough Trade NYC*
Feb. 14 - New York, NY - Bowery Ballroom*
Feb. 16 - Montreal, QC - Virgin Mobile Corona Theater*
Feb. 18 - Toronto, ON - Danforth Music Hall*
Feb. 21 - Dublin, IE - Whelans
Feb. 22 - Glasgow, UK - King Tuts
Feb. 23 - Manchester, UK - Gorilla
Feb. 26 - London, UK - Village Underground
Feb. 27 - Leeds, UK - Brudenell Social Club
Feb. 28 - Bristol, UK - Thekla
Mar. 03 - Paris, FR - La Maroquinerie
Mar. 04 - Brussels, BE - Botanique - Orangerie
Mar. 05 - Amsterdam, NL - Paradiso
Mar. 07 - Berlin, DE - Privatclub
Mar. 08 - Hamburg, DE - Nochtspelcher
Mar. 25 - Nashville, TN - Marathon Music Works**
Mar. 26 - Atlanta, GA - Variety Playhouse**
Mar. 27 - Asheville, NC - The Orange Peel**
Mar. 28 - Washington, DC - 9:30 Club**
Mar. 31 - Boston, MA - Paradise Rock Club**
Apr. 01 - Philadelphia, PA - Union Transfer**
Apr. 03 - Chicago, IL - Vic Theater**
Apr. 04 - Minneapolis, MN - First Ave**
Apr. 07 - Lawrence, KS - Granada**
Apr. 08 - Omaha, NE - The Waiting Room**
Apr. 09 - Denver, CO - Ogden Theater
Apr. 22 - Dallas, TX - Granada Theater^
Apr. 23 - Houston, TX - Fitzgerald’s^
Apr. 24 - Austin, TX - Stubb’s^
Apr. 25 - New Orleans, LA - Civic Theater^
* w/ Guy Blakeslee
** w/ King Tuff
^ w/ Luluc
From our good friends at Seattle City of Music:
City of Music Internship is a unique opportunity for individuals who
are interested in the music industry and its many moving gears. Two
interns will be accepted per a 12-month program, which is divided into
four internship experiences with four different businesses. Interns will
spend three months at each business.
Thetwo interns will work with KEXP, a Seattle-based non-profit radio
station; Seattle Theater Group (STG), a non-profit arts organization
which operates historic theaters; Sub Pop Records, a legendary record
label that has been signing artists and selling records since 1988; and
Rhapsody, an online music service. Each of these organizations will have
a point supervisor for the three-month duration that the intern is with
the company. Interns will work at each respective organization for a
three-month period, with a week in-between each phase of the internship.
The goal of the City of Music Internship is to work with capable and
interested individuals to better their understanding of how different
organizations in Seattle work directly with artists, and how each of the
companies market and support the artists’ vision and careers. By
bringing interested people into a diverse learning experience, we intend
to foster talent into Seattle’s music industry. Furthermore, we hope
that every individual who completes the program will come away from the
internship with a broadened perspective on Seattle’s music and the many
organizations that maintain its importance as a staple of the city’s
For consideration, the application deadline is Friday, November 14 at 11:59 pm
For more information: click here.