Clipping just shared a darkly surreal, post-apocalyptic short film - directed by Patrick Kennelly (“Body & Blood”) - inspired by their current and critically acclaimed album, Splendor & Misery [get it here].
The 405 had this to say of the film (and album), “Early this past fall, L.A. rap deconstructionist trio, Clipping delivered their latest challenging experimental full-length album. It was billed as a thematic release that “follows the sole survivor of a slave uprising on an interstellar cargo ship, and the on-board computer that falls in love with him.” On top of the technical rap reflections that make up the album, the trio are supporting their intriguing narrative with a short film of the same name, that brings the album’s unearthly concepts to life. Director, Patrick Kennelly helped piece together the surreal post-apocalyptic drama that’s equal parts fascinating and equal parts difficult to watch (see premiere December 13th).
Clipping are currently on tour in Europe (their forthcoming London show at Corsica Studios on 20th December has now sold out and a second night at the same venue has now been added) and the trio have been chosen to support The Flaming Lips on tour in North America next year! (see dates below.)
The band recently appeared on Conan and delivered a stellar performance of “Air ‘Em Out [see here].” And you can/should also watch Clipping’s official video “Shooter,” from Wriggle, the group’s summer EP, directed by Carlos Lopez Estrada [see here].
Splendor & Misery is available now on CD/LP/DL/CASS worldwide from Sub Pop [here] and Deathbomb Arc [here].
Tour Dates + Ticket Links Dec. 13 - Amsterdam, NL - Sugar Factory Dec. 14 - Hamburg, DE - Hafenklang Dec. 15 - Berlin, DE - Cassiopeia Dec. 16 - Frankfurt, DE - Zoom Dec. 17 - Munich, DE - Orange House Dec. 18 - Düsseldorf, DE - FFT Foyer Dec. 19 - Paris, FR - Batofar Dec. 20 - London, UK - Corsica Studios [Sold Out] Dec. 21 - London, UK - Corsica Studios Feb. 17 - Santa Ana, CA - The Observatory * Feb. 18 - Los Angeles, CA - The Broad * Feb. 20 - Portland, OR - Holocene * Feb. 21 - Seattle, WA - The Crocodile * Feb. 22 - Vancouver, BC - Biltmore Cabaret * Feb. 24 - Oakland, CA - Starline Social Club (Noise Pop!) * Feb. 25 - San Francisco, CA - Brick & Mortar Music Hall * Mar. 03 - Boston, MA - House of Blues ** Mar. 04 - Philadelphia, PA - The Fillmore ** Mar. 05 - Washington, DC - 930 Club ** Mar. 06 - Washington, DC - 930 Club ** Mar. 09 - New York City, NY - Terminal 5 ** Mar. 11 - Westbury, NY - The Space at Westbury ** Mar. 13 - Toronto, ON - Rebel ** Mar. 14 - Royal Oak, MI - Royal Oak Theater ** Mar. 29 - Nashville, TN - War Memorial Auditorium ** Mar. 30 - Charlotte, NC - The Fillmore ** Mar. 31 - Raleigh, NC - The Ritz ** Apr. 02 - Atlanta, GA - Tabernacle ** Apr. 04 - St. Petersburg, FL - Jannus Live ** * w/Baseck ** w/ The Flaming Lips
Commence feasting your ears on this previously unreleased b-side “Baby Are You In?” from Kristin Kontrol, available today everywhere in the known digi-verse.
What’s the story here? Well, Kristin tells us, “”Baby Are You In?” was recorded during the X-Communicate sessions and I really regret not including it on the album. It was super fun to make - Kurt Feldman and I let loose on the production, trying to pin down that nebulous aggression from Evil Heat-era Primal Scream, but let it cork off the party at the end. It’s my favorite to perform live; I really feel the lyrics…’I wake up with the sun on my face, I call this moment “morning grace.’ I wanna kiss the light cuz it’s one day later, the night’s lost its tenure, I slept off my failure.’”
Kristin Kontrol will perform on Tuesday, December 13th at New York’s Le Poisson Rouge with special guests Starchild & The New Romantic and NOIA. Tickets to aforementioned performance are on sale now here.
[Photo credit: Jimmy Fontaine]
Kristin Kontrol’s X-Communicate was released in late May to mass critical praise. Highlighting the singular quality of Kristin’s voice and songwriting, the album moves effortlessly between tempo and mood, using genre rather than adhering to it. “There are sparkly synth ballads and icy New Wave tunes, and Welchez finds her inner Kate Bush behind the microphone. But it all makes sense because the whole record is so relentlessly, meticulously catchy that it coheres in ways few albums this varied could,” says the Los Angeles Times. Pitchfork also praised X-Communicate for its “sleek synth pop,” crowning its title track Best New Song. Idolator called it one of “the best pop albums of 2016.”
“She’s hitting reset, forcing us to rise to the occasion and see female creators as something more than our preconceptions,” said MTV News. Stereogum observed, ”X-Communicate and the evolution into Kristin Kontrol show Welchez becoming an absolute machine when it comes to hooks.” “Yes, this is a dance-pop record, but think a modern spin on Kate Bush’s The Hounds of Love, Siouxsie and the Banshees’ Tinderbox,” noted Under the Radar.
On the eve of Low’s UK & Ireland tour - on which they’re set to play tracks from their seminal 1999 EP Christmas - the Duluth trio present a reflective and inspiring new recording, closing out our current year and looking ahead to the next.
”Some Hearts (at Christmas Time)” finds Mimi Parker’s lead vocal soaring above Alan Sparhawk’s own artfully processed vocal and plaintive guitar motif.
The song comes with a short personal note from the band:
“To friends who have moved away and friends who have passed on this year. To one and all, especially those who are alone, we wish you a Merry Christmas and new hope for the new year. May we all find ways to lift each other.
Mimi, Alan and Steve.”
[Photo by Zoran Orlic]
Low have an unparalleled pedigree when it comes to releasing seasonal aural delights. Their eight-song 1999 EP Christmas is often referred to as one of the best Christmas albums of the alternative era, and is a gift that many fans return to year in, year out. Originally championed by John Peel, the EP collects five Christmas-themed originals by the band as well as covers of “Little Drummer Boy,” “Blue Christmas” and “Silent Night.”
Starting today, fans will have a rare chance to experience the joy, peace and reflection imbued in these songs - as well as new release “Some Hearts (at Christmas Time)” - when they’re performed live in some of the most handsome venues that the UK and Ireland has to offer.
The tour, which includes two nights at London’s Union Chapel, is nigh-on sold out with just a handful of tickets remaining at certain venues.
Low Christmas 2016 tour
01 December – Norwich, UK – Arts Centre (SOLD OUT) 02 December – Buxton, UK – Opera House 03 December – Brighton, UK – St. Georges (SOLD OUT) 05 December – London, UK – Union Chapel (SOLD OUT) 06 December - London, UK - Union Chapel (SOLD OUT) 07 December – Bristol, UK – St. Georges (SOLD OUT) 08 December - Salford, UK - Eagle Inn* (SOLD OUT) 09 December – Halifax, UK – Minster (SOLD OUT) 10 December – Glasgow, UK – St. Lukes Church (SOLD OUT) 12 December – Belfast, UK – Empire 13 December – Dublin, IE - Christchurch (SOLD OUT) 14 December – Kilkenny, IE – Set Theatre
*LOW return to Salford, Greater Manchester on 8th December for an intimate performance at The Eagle Inn. The 80-capacity show will consist of an exclusive set of all-new material never before performed in Europe, with all profits donated to local homelessness charity Booth Centre. Support comes from Loop legend Robert Hampson and local singer-songwriter Elle Mary; marking the final Dots & Loops event to wind up ten years’ promoting in Manchester.
It’s that time of year again where we thank you for being the best customers imaginable in the world of music-buying peoples far and wide.
In an effort to show our unending appreciation of you, we’ll now attempt to coerce you into spending even more of your hard earned shekels with us this holiday season… by offering 20% off on all* Sub Pop Mega Mart orders over $25 starting today and going all the way ‘til 11:59 pm on January 3rd. Believe us when we say that we’ve got some of the best midsize-indie-record-label-branded merchandise your heart can handle, and we’d really love to sell it to you and your loved ones this holiday season. Knit hats, gloves, and sweaters? We’ve got ‘em. Things designed to make you sweat (like sweatshirts and sweatpants, gutterbrain)? We’ve got those too. Trinkets and trash? Enough for everyone! We’ve also got a slew of really exciting 2016 releases that you might have missed out on from bands like Clipping., TAD, LVL UP, Goat, Kristin Kontrol, Morgan Delt, and so much more.
All orders placed by December 19th are guaranteed to ship out before we close up shop for the year, so get your orders in early and often. Related to this impending warehouse closure, any orders placed between December 19th and January 2nd will not ship out until after we are back in the office on January 3rd.
Thank you in advance for your impending (wildly overzealous, we hope) gift buying spree.
Love, Sub Pop.
*All Current and future pre-orders from excellent artists like Pissed Jeans and Jesca Hoop are excluded from this 20% off sale. These items do, however, count towards reaching your $25 qualifying order total, so definitely pick those up too!
As 2016 finally
limps to a close, we’re happy to provide you the pleasant distraction of this the November edition of thee No Fly List! This month’s dispatch is stuffed with plenty of
product placement and peppered with the sort of almost-humor you might expect from a tippling uncle
at Thanksgiving. In what follows we’re going to explore what is perhaps Sub Pop’s most well-known, provocative, overused, and frequently misunderstood expression: “LOSER.”
If you have been keeping up with No Fly List posts from Sub Pop’s airport store since the beginning, you’ve probably wondered what our fourth most asked question is! (See top three FAQ’s)
Wonder no more! It’s “What is loser, and why loser?” (Which, yes, is kind of actually two questions, but they’re related and we’re calling the shots here, so deal with it.) Let’s dig in…
According to LOSER; the recently expanded book by Clark Humphrey that chronicles the diverse Seattle
sound and punk scene, it’s, “a statement
of defiance against the yuppies’ obsession with ‘winners.’” The term “LOSER” or “losers of the music industry” was a
reaction to corporate industry driven trends and views.
First developed/stumbled upon in the summer of 1988, “LOSER” made its way onto a Sub Pop t-shirt that very year. Consistent with the label’s aesthetic embrace of apathy (and characteristic
of the time), images were sporadically
misprinted, contained gaps, and sometimes were even screened in reverse. You can scope photos of the original “LOSER” shirt in such books asEverybody Loves Our Town: An Oral History of Grunge by
Mark Yarm, and Experiencing Nirvana: Grunge in Europe by Bruce Pavitt.
In grunge speak, courtesy of Sub Pop’s current CEO Megan Jasper back when she was still the label’s receptionist, a
loser is a “cob nobbler.” And, the greeting “Dear Loser” was used
endearingly in the infamous Sub Pop rejection letters of the early
nineties. The term was later used to market a
Sorachi Ace-forward American pale ale developed in Seattle by local brewery
Elysian. It’s also a term used in the card game contract
So that’s why Loser Editions! And, why don’t you
have Bloom, Fear Fun, or King Tuff on colored wax? It might be because you didn’t pop in to the Sub Pop store at SeaTac. The Sub Pop airport
shop is often the last place you might be able find one of these limited
slick discs before they hit the wicked online aftermarket. When the pre-sale is sold out and the stash at your favorite shop has dwindled to nothing, your Loser Edition might just be one
plane ticket away.
More “LOSER” related fact and fiction…
One of the earliest
singles I’ve scored since becoming a Sub Pop employee is TAD’s long-out-of-print 7” single for “Loser” b/w
“Cooking With Gas” (SP55). While this release was limited to
3,000 copies on a green transparent vinyl 7”, both tracks are now available on the deluxe
edition reissue of 1990’s Salt Lick. The 45 has a killer back cover by celebrated local cartoonist
Peter Bagge, which exists now on a fine black t-shirt.
Are we forever going on about “LOSER” this and “LOSER” that because of the Beck
song? Fuck no! Beck was/is not on Sub Pop. He did, however, put out the 1994 release One Foot in the Grave on Olympia-based label K Records (the latter day reissue of which is occasionally stocked on vinyl in the
‘non-Sub Pop’ section of the airport store with the rest of the PNW titles and related
Life as a “LOSER” is not for everyone. Tourists regularly walk by the store and stare. Some stop and think out-loud how unsuitable something like this would be for
their youngster. Others imagine their
choice of relative sporting a big, bold “LOSER” (as punishment or gift, who can say?). For those daring and/or proudly unambitious enough to let their “LOSER” flag fly, however… As the holiday season approaches, this charming stocking awaits, (available online only!), as does a great heap
of othershit that saysLOSER on it.
Now if you don’t have any other questions; beat
Memories Are Now is an album of stunningly original songs–raw yet brimming with energy, forged from rich life experience and emotional depth. Beautifully delivered by an artist that has steadfastly honed her unique craft of musical storytelling. This album sees Jesca Hoop at her most realized and very best in her vocation. She wastes no time in making clear the confidence, confrontation, and craftsmanship of her bold and exquisite new album.
The provocative and emotive intrigue is on display in a poignant video for “The Lost Sky,” directed by Elia Petridis. Stereogum premiered the hauntingly anxious visual (see November 17th story).”
[Album Cover Design by Dusty Summers, Illustration by Melanie Knott, animation by Jorge Canedo Estrada]
Memories Are Now will be released on CD / LP / DL and is available for preorder now right here, and LP preorders through megamart.subpop.com will receive thelimited Loser Edition on exquisite robin’s egg blue-colored vinyl (while supplies last).
The album was recorded at NRG Studios, produced by Blake Mills (Alabama Shakes, Fiona Apple), engineered by Eric Caudieux, mixed by Greg Koller and mastered by Ian Sefchick at Capitol Mastering.
Jesca Hoop will be touring in support of Memories Are Now, on both sides of the Atlantic in the new year. Check here for all live touring dates www.jescahoop.com/tour and follow Jesca absolutely everywhere on Facebook, Instagram and Twitter.