Listen: “So We Did” [from “Buyer’s Remorse” Oct. 17] Spotify / Apple
Listen: “Brokenomics” [from “The Filibuster” Oct. 10] Spotify / Apple
Listen: “Right Here” [from “Pilot” Oct. 3rd] Spotify / Apple
New episode airs tonight at 9:30/8:30c on ABC, and new songs will be available every Friday preceding each new episode… through Apple Music and Spotify
Sub Pop is releasing music from The Mayor, the new hit TV show starring Brandon Micheal Hall, Lea Michele, and Yvette Nicole Brown, created Jeremy Bronson and executive produced by Daveed Diggs (of Sub Pop’s own, Clipping.).
The Mayor airs Tuesdays at 9:30pm | 8:30pm CT on ABC. Songs will be available every Friday, preceding each Tuesday night episode, throughout the season.
Songs from The Mayor soundtrack are performed by Brandon Micheal Hall (aka Courtney Rose) and members of the cast, and written by Diggs, William Hutson, and Jonathan Snipes (of the group Clipping).
About The Mayor:
Young rapper Courtney Rose needs his big break. For years, he’s toiled away in a small inner-city apartment, making music in his junk-filled bedroom closet. Tired of waiting for opportunity to knock, Courtney cooks up the publicity stunt of the century – running for mayor of his California hometown, Fort Grey, to generate buzz for his music career. But his master plan goes wildly awry, ending in the most terrifying of outcomes: an election victory.
The series stars Brandon Micheal Hall as Courtney Rose, Lea Michele as Valentina Barella, Bernard David Jones as Jermaine Leforge, Marcel Spears as T.K. Clifton and Yvette Nicole Brown as Dina Rose.
Executive producers of the series are Daveed Diggs, Jeremy Bronson, Jamie Tarses and James Griffiths. “The Mayor” is produced by ABC Studios.
The US leg of Hot Snakes tour begins tomorrow night, November 8th
On Friday, January 19th, 2018, Hot Snakes entire discography – Automatic Midnight, Suicide Invoice, and Audit in Progress – will be reissued worldwide through Sub Pop. The first pressing of the LP reissues of these albums will be on colored vinyl (Automatic Midnight on orange, Suicide Invoice on yellow, and Audit in Progress on pink) and each album will come with its own, new set of 6 stickers designed by the band’s Rick Froberg. And January 19th will be the first time any of these albums have been available on cassette.
These influential post-hardcore all-stars – boasting members of Pitchfork, Rocket From the Crypt, Drive Like Jehu, Earthless, Obits, Burning Brides, OFF!, The Delta 72, and more –released three of our favorite rock records of the past 20 years: Automatic Midnight in 2000, Suicide Invoice in 2002 and Audit in Progress in 2004. And now, finally, they’re ours! As we await the somewhat-later-in-2018 release of their first new album since 2004, please make these Sub Pop reissues yours…
Automatic Midnight, Suicide Invoice, and Audit in Progress are now available for preorder in the below listed formats (plus there’s an updated Hot Snakes T-shirt design) [preorder them all here]
CD digipack with custom dust sleeve
LP in a single-pocket jacket with custom dust sleeve and new sticker sheet
Automatic Midnight, Hot Snakes’ first studio album, originally came out in 2000. Both the band and the album began as a side project for John Reis in June 1999, during time off from his main band Rocket From the Crypt. Reis wrote and recorded a batch of songs in San Diego with Delta 72 drummer Jason Kourkounis. To provide vocals for the tracks Reis called in Rick Froberg, whom he had played with in Pitchfork and Drive Like Jehu from 1986 to 1995. Most of the material from these sessions was used to create Automatic Midnight, which became the first release for Reis’ newly formed Swami Records label. The band’s sound represented a return to the unrealized past of its members: direct, undraped and rock ‘n’ roll while still maintaining the dense and turbulent character of the members’ previous work. In April or May of 2000, Hot Snakes added bassist Gar Wood, found their live sound and established themselves as primo, down-stroke warlords.
Automatic Midnight Tracklisting 1. If Credit’s What Matters I’ll Take Credit 2. Automatic Midnight 3. No Hands 4. Salton City 5. 10th Planet 6. Light Up the Stars 7. Our Work Fills the Pews 8. Past Lives 9. Mystery Boy 10. Apartment 0 11. Let It Come
Suicide Invoice, their second album, was originally released in 2002. It was recorded at San Diego’s Drag Racist Studios in 2002 with engineer Ben Moore. The album exhibits Hot Snakes’ slightly larger palate in mood and dissonance. People enjoyed the shows and listening to the recorded music. But, strain from controversy and fame would reveal cracks in the seemingly impenetrable hide of Hot Snakes. A year after the album’s release, drummer Jason Kourkounis left to focus on other music.
Suicide Invoice Tracklisting 1. I Hate the Kids 2. Gar Forgets His Insulin 3. XOX 4. Who Died 5. Suicide Invoice 6. Paid in Cigarettes 7. LAX 8. Bye Nancy Boy 9. Paperwork 10. Why Does It Hurt 11. Unlisted 12. Ben Gurion
Audit in Progress is their third studio album, originally released in 2004. The band recorded the album with new drummer Mario Rubalcaba at San Diego’s Big Fish Recording with engineer Ben Moore. An increased attraction to dissonance surfaced on Audit in Progress. The album was well-received by critics and fans and was named “best punk album” at the 2005 San Diego Music Awards. More shows were played and enjoyed and the band visited many cities all over the world. By 2005, the band spiraled into a mid-life punk crisis and stopped performing.
Audit in Progress Tracklisting 1. Braintrust 2. Hi-Lites 3. Retrofit 4. Kreative Kontrol 5. Think About Carbs 6. Audit in Progress 7. Hatchet Job 8. This Mystic Decade 9. Lovebirds 10. Reflex 11. Hair and DNA 12. Plenty for All
Lucky for all of us here in the present, Hot Snakes are charging back, renewed, recording new music and playing shows with both drummers, and planning for the release of a new album in 2018 on Sub Pop Records. Read more on Hot Snakes by Swami John Reishere.
Hot Snakes have added new UK headlining dates to their 2017/18 international tour schedule. These UK dates begin January 25th, 2018 in Manchester at Gorilla and end February 3rd, 2018 in Bristol at Thekla. The tour includes stops in London, Leeds, Glasgow, Brighton, Nottingham, Newcastle, and Cambridge. Tickets on sale to general public today at 3pm GMT.
Hot Snakes’ previously announced U.S. shows begin tomorrow night, November 8th, 2017 in Long Beach at Alex’s Bar and run through November 18th, 2017 in Philadelphia at Underground Arts.
Nov. 08 - Long Beach, CA - Alex’s Bar [Sold Out] Nov. 09 - Los Angeles, CA - The Troubadour [Sold Out] Nov. 10 - San Francisco, CA - The Chapel [Sold Out] Nov. 11- Portland, OR - Star Theatre [Sold Out] Nov. 12 - Seattle, WA - Chop Suey [Sold Out] Nov. 15 - Washington, DC - Rock and Roll Hotel Nov. 16 - Brooklyn, NY - Bell House [Sold Out] Nov. 17 - Boston, MA - Middle East - Boston Nov. 18 - Philadelphia, PA - Underground Arts Jan. 25 - Manchester, UK - Gorilla Jan. 26 - Glasgow, UK - Broadcast Jan. 27 - Newcastle, UK - The Cluny Jan. 28 - Leeds, UK - Brudenell Social Club Jan. 30 - Nottingham, UK - Rescue Rooms Jan. 31 - Cambridge, UK - The Portland Feb. 01 - Brighton, UK - Sticky Mikes Feb. 02 - London, UK - The Dome Feb. 03 - Bristol, UK - Thekla (Early Show)
Hot on the heels of their sophomore album Losing, today Bully debut their official video for ”Feel The Same.” The video was created by Lazy Mom, a food focused team of creatives. “I have been a huge fan of lazy Mom for a few years now,” said Bully’s Alicia Bognanno. “Their ability to make vibrant, colorful art out of everyday objects amazes me. If you enjoy this video I HIGHLY recommend you check out their zine.”
Tonight Bully’s US tour will kick off in St. Louis. Highlights include Music Hall of Williamsburg in Brooklyn on November 13th and three nights at Mercy Lounge in their hometown of Nashville, TN on December 14, 15 and 16 to close out their 2017 tour. The tour will resume in February of 2018.
11/02/17- St Louis MO - Off Broadway
11/03/17 - Iowa City IA - The Mill
11/04/17 - Minneapolis MN - Fine Line Music Cafe
11/06/17 - Madison WI - High Noon Saloon
11/07/17 - Chicago IL - Thalia Hall
11/08/17 - Detroit MI - Marble Bar
11/09/17 - Toronto ON - Lee’s Palace
11/10/17 - Montreal QC - Bar le Ritz
11/12/17 - Boston MA - Great Scott (SOLD OUT)
11/13/17 - Brooklyn NY - Music Hall of Williamsburg
11/14/17 - Philadelphia PA - First Unitarian Church
11/15/17 - Washington DC - U Street Music Hall
11/17/17 - Charlottesville VA - The Southern
11/18/17 - Durham NC - Motorco Music Hall
11/19/17 - Asheville NC - The Mothlight
12/06/17 - Little Rock AR - Stickyz
12/07/17 - Dallas TX - Club Dada
12/08/17 - Austin TX - Emo’s
12/09/17 - Houston TX - Walter’s
12/10/17 - New Orleans LA - Gasa Gasa
12/12/17 - Birmingham AL - Saturn
12/13/17 - Atlanta GA - Terminal West
12/14/17 - Nashville TN - Mercy Lounge
12/15/17 - Nashville TN - Mercy Lounge
12/16/17 - Nashville TN - Mercy Lounge
2/16/18 - Norman OK - The Opolis
2/17/18 - Santa Fe NM - Meow Wolf
2/18/18 - Phoenix AZ - Valley Bar
2/24/18 - Eugene OR - Hi-Fi Music Lounge
2/26/18 - Vancouver BC - Biltmore Cabaret
2/28/18 - Seattle WA - Neumos
3/1/18 - Spokane WA - The Bartlett
3/2/18 - Boise ID - Neurolux
3/3/18 - Salt Lake City UT - Kilby Court
3/5/18 - Denver CO - Larimer Lounge
3/6/18 - Kansas City MO - Record Bar
5/30/18 - London, UK - Moth Club
Losing is available now from Sub Pop Records and from Bully’s webstore. The album was engineered and mixed by lead-singer Alicia Bognanno in Chicago at Electrical Audio.
First headlining U.K. & Irish tour in over seven years
[Photo Credit: Matt Grace]
UPDATED INFORMATION REGARDING ENTRY TO NEWLY ANNOUNCED SHOWS:
Flight of the Conchords and their representatives have addressed the issues with secondary ticketing sites and resellers that followed the October 23, 2017announcement. In an effort to thwart reselling at higher prices, tickets for the newly announced shows are not transferrable and the purchaser must show photo ID matching the lead booker’s name to gain admission to the show.
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Let us start the week off with this exciting news: Grammy Award-winning folk comedy duo Flight of the Conchords (aka Jemaine Clement and Bret McKenzie) will return to the U.K. & Ireland in March of 2018.
The “Flight of the Conchords sing Flight of the Conchords Tour,” is their first U.K. & Irish headlining tour in over 7 years. Jemaine and Bret will showcase new material at these shows. The arena and theatre tour will make stops in London, Birmingham, Manchester, Dublin, Glasgow, Leeds, and Liverpool.
The UK & Irish edition of “Flight of the Conchords sing Flight of the Conchords Tour” will begin with a two-night stand March 19th & 20th, 2018 in London at Eventim Apollo and ends April 1st, 2018 in Liverpool at Echo Arena Liverpool. Tickets will be on sale Friday, October 27th at 10am GMT.
UPDATE: Tickets for newly announced shows will be on sale Friday, November 3rd at 10am GMT.
Mar. 05 - Portsmouth, UK - Guildhall Mar. 06 - Portsmouth, UK - Guildhall Mar. 07 - Portsmouth, UK - Guildhall Mar. 09 - York, UK - Barbican Mar. 10 - York, UK - Barbican Mar. 11- York, UK - Barbican Mar. 13 - Milton Keynes, UK- Milton Keynes Theatre Mar. 14 - Milton Keynes, UK - Milton Keynes Theatre Mar. 15 - Milton Keynes, UK - Milton Keynes Theatre Mar. 18 - London, UK - Eventim Apollo [Sold Out] Mar. 19 - London, UK - Eventim Apollo [Sold Out] Mar. 20 - London, UK - Eventim Apollo [Sold Out] Mar. 22 - Birmingham, UK - Birmingham Genting Arena [Sold Out] Mar. 23 - Manchester, UK - Manchester Arena [Sold Out] Mar. 25 - Dublin, IE - 3Arena [Sold Out] Mar. 26 - Glasgow, UK - The SSE Hydro [Sold Out] Mar. 27 - Leeds, UK - Leeds First Direct Arena [Sold Out] Mar. 29 - London, UK - The O2 [Sold Out] Mar. 30 - London, UK - The O2 [Sold Out] Apr. 01 - Liverpool, UK - Echo Arena Liverpool [Sold Out] Apr. 02 - Dublin, IE - 3Arena Apr. 03 - London, UK - The O2
About Flight of the Conchords: In 2005, Bret and Jemaine received an invitation to perform at the Aspen Comedy Festival, in Colorado, USA. Against tradition they left New Zealand’s summer to go to the northern hemisphere’s winter and were shocked by the snow when they stepped off the plane in t-shirts and jandles. The HBO executives liked their act and asked them to film a half hour performance for a stand-up comedy show called One Night Stand.
Over the next four years they made a TV pilot, a sitcom, released an EP (The Distant Future) and a full length album (self-titled LP), toured North America, made a sandwich, filmed a second season of the sitcom, toured North America again, released a second album (I Told You I Was Freaky), and went back to New Zealand.
The HBO sitcom became a hit. This, along with the praise for the subsequent album releases (on Sub Pop Records) and the duo’s live show, was the comedic hat trick that catapulted Flight of the Conchords to international sensations.
The Conchords would also see major success individually. Jemaine lent his voice to the character Nigel the cockatoo in the Rio films (2011 and 2014).
He was cast as “Boris The Animal” in Men in Black 3 (2012). Jemaine also wrote, produced and starred in a variety of projects including the acclaimed Vampire comedy film, What We Do In the Shadows and People Places Things. More recently, he joined the cast of The BFG, the new Steven Spielberg adaptation of the Roald Dahl book, as the giant named Fleshlumpeater.
Bret has also been hard at work writing and acting for various television and film projects. Most notably The Muppets (2011) and Muppets Most Wanted (2014), the former of which won him an Academy Award for “Best Original Song” for the power ballad “Man or Muppet”. In 2012 he starred in the New Zealand black comedy Two Little Boys and then in 2013 he was cast in Jerusha Hess’s romantic comedy Austenland. He is currently writing the screenplay and songs for a film adaption of Neil Gaiman’s book Fortunately the Milk as well as penning tunes for the upcoming Disney film Bob the Musical.
And somehow, between all of the film and TV work, the Conchords managed to co-headline the “Oddball Comedy & Curiosity Festival” alongside Dave Chappelle in 2013.
In 2016, Jemaine and Bret announced the wildly successful “The Flight of the Conchords sing Flight of the Conchords Tour.” The duo premiered new material alongside fan favorites, and quickly sold out amphitheatres and concert halls across the U.S. Also that year, the duo headlined Tenacious D’s Festival Supreme in Los Angeles (read more at Sub Pop).
The band’s 2017 European tour dates are currently underway.
Now see this: Shabazz Palaces powerful new video for “Since C.A.Y.A.,” the elastic and transportive track from the group’s acclaimed Quazarz: Born on a Gangster Star. The new visual stars Shabazz Palaces’ Palaceer Lazaro with footage shot by director Kahlil Joseph, cinematography by Marcus Reposar, and is helmed by returning collaborator Stephan Gray (“Dawn in Luxor”).
DIY calls “Since C.A.Y.A” “… a glitchy and disquieting new video. The Thundercat-featuring track gets a black and white visual to match; all crashing waves, pixelated distortion, foreboding tunnels, and writhing snakes (see video premiere October 30th).”
“Since C.A.Y.A.” features dazzlingly funky bass licks by the magnificent Stephen “Thundercat” Bruner and was produced by Knife Knights (aka Ishmael Butler and Erik Blood), recorded and mixed by Blood at Protect and Exalt Labs: A Black Space in Seattle.
Last week, Shabazz Palaces’ “Tiny Desk Concert” performance premiered on NPR and NPR Music’s Rodney Carmichael says of the performance, “Palaceer Lazaro lays the ground rules for all present to enter the group’s metaphysical headspace. And, man, talk about being transported to the other side. It’s impossible not to envision the Seattle studio, Black Space Labs, where Shabazz’s otherworldly soundscapes emerge to provide the ideal backdrop for shining a light on the fake…Leave it to hip-hop’s unorthodox lot to conceive an ambitious pairing that launches the narrative’s protagonist on an interstellar journey far from home. It’s the perfect proxy for the growing sense of alienation we’re all suffering, to some degree or another, in today’s space and time…While the premise of Tiny Desk usually involves artists stripping down their set, Shabazz Palaces’ entire steelo is about unplugging from the metaphorical matrix, and sometimes a hybrid of digital-analog plugins is exactly what it takes to navigate alternate dimensions [see more at NPR Music].”
Quazarz Born on a Gangster Star and Quazarz vs. The Jealous Machines, the group’s third and fourth albums for 2017, are available now on CD / LP / DL / CS / Illustrated album worldwide through Sub Pop right over here.
[Quazarz vs. The Jealous Machines Illustrated Album]
Shabazz Palaces’ 2017 international tour schedule in support of both Quazarz: Born on a Gangster Star and Quazarz vs. The Jealous Machines, is underway with a show tonight, October 30th in Paris at Batofar. The European leg will end November 11th at Le Guess Who? Festival in Utrecht, Netherlands. Shabazz Palaces have also scheduled three North American shows: December 1st in Vancouver, BC at The Cobalt; December 2nd in Victoria, BC at The Upstairs Cabaret; and December 17th in Houston, TX at Day for Night Festival.
Oct. 30 - Paris, FR - Batofar Oct. 31 - Lisbon, PT - Lux Fragil Nov. 01 - Madrid, ES - Taboo Nov. 02 - Braga, PT - Gnration Nov. 03 - Dublin, UK - Sugar Club Nov. 04 - Rotterdam, NL - REC Festival Nov. 06 - London, UK - Oval Space Nov. 07 - Manchester, UK - Deaf Institute Nov. 08 - Glasgow, UK - Art School Nov. 09 - Leeds, UK - Belgrave Music Hall Nov. 10 - Brussels, BE - AB Nov. 11 - Utrecht, NL - Le Guess Who? Festival Dec. 01 - Vancouver, BC - The Cobalt Dec. 02 - Victoria, BC - Upstairs Cabaret Dec. 17 - Houston, TX - Day For Night Festival
The U-Men anthology will be available worldwide November 3, 2017 from Sub Pop.
Today Dangerous Minds premiered “Trouble Under Water,” a previously unreleased track (!!!) from the U-Men’s forthcoming self-titled anthology, out next Friday, November 3rd on Sub Pop.
“Bands like The U-Men don’t come along often. A Seattle band at a time when the phrase “Seattle band” carried zero cultural cachet, The U-Men kitchen-sinked Gun Club rootsiness, classic garage rock ‘verb-and-twang, punk sneer, gothic darkness, and Ubu/Beefheart artiness into a single coherent sound that galvanized a hinterlands underground scene and directly influenced the grunge explosion,” says Dangerous Minds (see interview + track premiere October 26th).
U-Men is a comprehensive and remastered collection, which compiles the entire studio-recorded output of The U-Men, plus five unreleased songs, with a 16-page book of photos, liner notes, and interviews with the band. The U-Men anthology was executive produced by Jack Endino, and is now available for preorder from Sub Pop right here and is available in the following formats:
3xLP box set housed in a cardboard slipcase with printed inner sleeves + 16-page booklet
2xCD digipack with custom dust sleeves + 16-page booklet
[Photo Credit: Cam Garrett]
“Trouble Under Water” follows previously U-Men shared tracks “Dig It A Hole,” “Gila,” and “The Fumes.”
“Dig It A Hole” [hear here] was available as a self-released single and via the group’s sole studio album, Step on a Bug. “Gila” [hear here] was initially on the group’s first EP, released by Bruce Pavitt on Bombshelter Records. The track would reappear years later on the Sub Pop 100 compilation, and a split single with the Melvins for Amphetamine Reptile’s Sugar Daddy Live! series. Meanwhile, “The Fumes” [hear here] was found on the tracklisting for Stop Spinning, the group’s second EP originally released by Homestead Records.
Those in the Seattle area can celebrate the release of U-Men with a special event on November 1st, 2017 at Georgetown Stables. The members of the U-Men will be interviewed live on stage followed by a brief audience Q & A. U-Men will also be available (2 days ahead of official release). The event begins at 7pm event and is all ages.
More on the U-Men from Mudhoney’s Mark Arm: The U-Men are one of the best bands I’ve ever seen. They were hypnotic, frenetic, powerful and compelling. It was impossible to resist getting sucked into their weird, darkly absurd world. They effortlessly blended The Sonics, Link Wray, Pere Ubu, and Captain Beefheart. Their shows were loose-limbed, drunken dance parties and no two shows were alike. The U-Men were avant garage explorers and, most importantly, they fucking rocked. I was lucky enough to live in their hometown and I saw them every chance I could.
From 1983 to 1987, the U-Men were the undisputed kings of the Seattle Underground. No one else came close. They ruled a bleak backwater landscape populated by maybe 200 people. They were the only band that could unify the disparate sub-subcultures and get all 200 of those people to fill a room. Anglophilic, dress-dark Goths; neo-psych MDA acolytes; skate punks who shit in bathtubs at parties; Mod vigilantes who tormented the homeless with pellet guns; college kids who thought college kids were lame; Industrial Artistes; some random guy with a moustache; and eccentrics who insisted that they couldn’t be pigeonholed: all coalesced around the U-Men (read more at Sub Pop).