News from 1/2026

NEWS : TUE, JAN 13, 2026 at 6:00 AM

Sub Pop To Release sunn O)))’s Self-Titled New Album Worldwide On Friday, April 3rd, 2026

On Friday, April 3rd, 2026, sunn O))) will release their eponymously titled first full-length album for Sub Pop.
 
sunn O))) was co-produced & mixed by the band and Brad Wood (Hum, Tar, Sunny Day Real Estate, Liz Phair), and was recorded at Bear Creek Studios in Woodinville, Washington, January 2025You can now listen to the album’s closing track, “Glory Black.”
 
sunn O))) is available for preorder on CD/2xLP/all DSPs worldwide from Sub Pop. LP preorders through the North American Sub Pop Mega Mart will receive the limited Loser edition on opaque blue vinyl; preorders through Mega Mart Europe will receive the Loser Edition on oxblood vinyl (UK/EU) with reversed cover art. The Loser Editions will also be available at your local record store. There are also two new T-shirts (long and short sleeve) and a baseball hat available (US-only) (All vinyl colors and album merch available while stock lasts!).
 
Framing the album visually are two paintings by the late American artist Mark Rothko - one on the front cover and one on the back cover, with the art reversed for UK & European pressings. The CD and LP package also includes expansive liner notes by author Robert Macfarlane, whose 2025 novel Is a River Alive? is among the many sources of inspiration for the album. And, illustrations by French artist Elodie Lesourd are also featured on the inner LP sleeves and accompanying album merch.

sunn O))) recently sat for an interview with The New York Times, who say of the new album: “The result — captured with exceptional vividness by Brad Wood…is a hyperdistilled version of its core aesthetic, in which snarling distortion and glinting feedback ooze from the speakers like the dense fog that fills the air at the band’s shows (See January 13th, 2026 feature).”


sunn O)) is also announcing new initial North American headlining shows for 2026 in support of the album. Additional incoming live dates will be announced soon.
 
Tickets for the below shows will go on sale to the general public on Friday, January 16th at 10 am (local).
 
Wed. Apr. 01 - Phoenix, AZ - The Van Buren
Sat. Apr. 04 - Austin, TX - Emo’s
Sun. Apr. 05 - Houston, TX - White Oak Music Hall
Mon. Apr. 06 -  New Orleans, LA - Civic Theatre
Tue. Apr. 07  - Atlanta, GA - The Goat Farm
Thu. Apr. 09 -  Columbus, OH - The Bluestone
Sat.  Apr. 11 - Philadelphia, PA - Union Transfer
Mon. Apr. 13 - Montreal, QC - Le National
Tue. Apr. 14 - Toronto, ON - 131 McCormack
Thu. Apr. 16 - Chicago, IL - Salt Shed
Sat. Apr. 18 -  Iowa City, IA - Englert Theatre
Sun. Apr. 19 - Omaha, NE - The Waiting Room



More on sunn O))):
For nearly 30 years, sunn O))) – Stephen O’Malley and Greg Anderson – have pushed the boundaries of heavy music, straddling the worlds of the avant-garde and rock to forge a style instantly recognisable as their own. Now, sunn O)))  return with their first album of new material since 2019’s acclaimed Pyroclasts. Their tenth album – their debut for Sub Pop – demonstrates the duo’s mastery of time and space, light and dark, and their willingness to evolve their unmistakable sound into bold new forms.

The eponymously titled sunn O))) was tracked at Bear Creek Studios, Woodinville, Washington with Brad Wood. This location proved crucial to the recording process. “The vast tracking room had big windows looking out on trees,” says O’Malley. “We could go hiking and be out in the woods, spend time outdoors. That became a big part of it.”
 
sunn O))) have long welcomed collaborators into their self-contained world: past work has featured, Attila Csihar (Mayhem), composer Hildur Guðnadóttir, multi-instrumentalist Steve Moore, polymath Mark Deutrom, Silkworm’s Tim Midyett and legendary singer-songwriter Scott Walker. But on this album O’Malley and Anderson found fresh possibilities in the primal territory of the duo format, performing all the instrumentation themselves. “What’s been happening with our performances over the last couple years with the two of us and no other collaborators has been really fresh and exciting,” says Anderson.
 
The compositions on sunn O))) are expansive and panoramic yet finely detailed, reflecting the arboreal setting in which they were recorded. Amidst howling feedback and glacial crunch, one finds surprisingly delicate moments: a field recording of water trickles beneath, piano interludes lend a hushed, solemn feel. All while the duo attains fresh heights of telepathic intensity as they shape music that breathes the bracing, earthy air of the Pacific Northwest.
 
Framing the album visually are two paintings by the late American artist Mark Rothko. Liner notes are by award-winning British writer Robert Macfarlane, famed for his works concerning landscape and the relationship between humanity and nature. Through the work of the band, Macfarlane, and Rothko, sound, word and visual combine into a fully immersive experience that is undeniably, completely sunn O))) (read full bio at Sub Pop).



sunn O)))
S/T
 
Tracklisting:
1. XXANN
2. Does Anyone Hear Like Venom?
3. Butch’s Guns
4 Mindrolling
5. Everett Moses
6. Glory Black

Posted by Abbie Gobeli

NEWS : MON, JAN 12, 2026 at 7:00 AM

Band of Horses Announce Everything All The Time (20th Anniversary Edition), Out March 20

Today, Band of Horses announce they will celebrate the 20th birthday of their Gold-certified 2006 debut album Everything All The Time with a newly expanded 20th Anniversary Edition, out on March 20, 2026 via Sub Pop. The expanded 19-track edition is accompanied by an additional LP of bonus tracks, including the 2005 tour EP, a trove of previously unreleased studio and live tracks, and rarities like “The End’s Not Near” (as featured on The O.C.) and a demo version of the double Platinum single “The Funeral.”
 
The album has been fully remastered for the anniversary edition, with the artwork refreshed and expanded into a gatefold jacket, including new liner notes by the album’s producer, Phil Ek (Fleet Foxes, Built To Spill, Modest Mouse, Father John Misty).
 
In his liner notes, Ek shares:
“I’ve always believed that albums need to feel special and should transcend the recording process. I want records that I produce to feel like you can walk into them, to have a three-dimensional depth. The music should stay as fresh and exciting as the first time you heard it. Achieving this requires a lot of time, trust, and effort in the studio, but it pays off in the end. Twenty years on, I still think Everything All The Time exemplifies this fully.”
 
Reflecting on the anniversary, Band of Horses’ Ben Bridwell adds:
“This album made all of my dreams come true. Forever grateful for the desperation that fueled its inspiration.”
 
Everything All The Time (20th Anniversary Edition) will be available worldwide on double LP, CD, and digital platforms. The digital edition includes additional bonus tracks not available on the vinyl release. LP preorders in North America via the Sub Pop Mega Martthe band’s official website, and local record stores will receive the limited Loser Edition on metallic gold vinyl. UK and EU preorders via Mega Mart Europe will receive the Loser Edition on opaque yellow vinyl.
 
Also out today is the previously unreleased fan favorite “(Biding Time Is a) Boat to Row,” accompanied by a new official video directed by James Ayling of Cape Films. Inspired by the real-life story of the 52-hertz whale, the video stars Josh Whitehouse (Daisy Jones & The Six). Listen to the track HERE and watch the video HERE.
 
Band of Horses will celebrate the release with a spring headlining anniversary tour. An Evening With Band of Horses: Celebrating 20 Years of Everything All The Time begins Thursday, April 9 in Portland, ME at State Theatre, and concludes on Saturday, May 2 in Columbia, MO at Rose Park. 
 
Fan presales begin today at 12 p.m. EST. Tickets go on sale to the general public Friday, January 16 at 10 a.m. local time.
 
Ahead of the tour, the band will also perform a series of Seattle anniversary shows surrounding the album’s release, including an all-ages show on Thursday, March 19 at The Vera Project and a two-night stand at The Showbox on Saturday, March 21 and Sunday, March 22.


2026 Spring Tour Dates
Thu. Mar. 19 - Seattle, WA - The Vera Project
Sat. Mar. 21 - Seattle, WA - The Showbox
Sun. Mar. 22 - Seattle, WA – The Showbox
Thu. Apr. 09 - Portland, ME - State Theatre
Fri. Apr. 10 - Beverly, MA - The Cabot
Sun. Apr. 12 - Huntington, NY - The Paramount
Tue. Apr. 14 - Philadelphia, PA - The Fillmore
Wed. Apr. 15 - Montclair, NJ - The Wellmont Theatre
Thu. Apr. 16 - Port Chester, NY - Capitol Theatre
Sat. Apr. 18 - Baltimore, MD - Nevermore Hall
Sun. Apr. 19 - Buffalo, NY - Electric City 
Tue. Apr. 21 - Pittsburgh, PA - Roxian Theatre
Wed. Apr. 22 - Detroit, MI - The Fillmore
Fri. Apr. 24 - Cleveland, OH - Agora Theatre
Sat. Apr. 25 - Shipshewana, IN - Bluegate PAC
Mon. Apr. 27 - Madison, WI - The Sylvee 
Wed. Apr. 29 - Minneapolis, MN - The Fillmore
Fri. May 01 - Kansas City, MO - Uptown Theatre
Sat. May 02 - Columbia, MO - Rose Park
 
 
About Everything All The Time:
Achieving musical transcendence is a tricky feat. If it happens - a big if - it does so naturally, and perhaps nobody knows that better than Band of Horses, whose landmark debut Everything All The Time still, after twenty years, feels as vital and, dare we say, transcendent as when it came out in 2006. 
 
Guitarist/vocalist Ben Bridwell formed Band of Horses in Seattle in 2004, after the end of his nearly ten-year run in northwest melancholic darlings Carissa’s Wierd. Carissa’s Wierd trafficked in beautiful orchestral pop, whose songs told unflinching stories of heartbreak and loss, leavened with defeatist humor. Band of Horses rose from the ashes of that well-loved band, buoyed by Bridwell’s warm, reverb-heavy vocals, and woodsy, dreamy songs oozing with tension, longing, and hope. Armed with a fresh Sub Pop deal and a smashing batch of songs, the band recorded their debut full-length, Everything All The Time, with producer Phil Ek at Seattle’s Avast Studios.
 
At times raggedly epic (“The Great Salt Lake”) and delicately pensive (“St. Augustine,” “Monsters”), Everything All The Time is an album painted gorgeously in fragile highs and lows. That’s part of the genius in Band of Horses: they craft intelligent, classic movements within their songs, perfectly balancing desperation and hope, calmness and mania, love and fear. And of course there’s the massive single, “The Funeral,” which became a defining song of the era, and continues to inspire new generations of fans and artists alike. The song has appeared extensively in film and TV placements, was sampled by Kid Cudi, and was recently reimagined in a 2025 dance edit by acclaimed producer/multi-instrumentalist Gryffin. The enduring Everything All The Time would go on to be certified Gold, and “The Funeral” was recently certified double Platinum by the RIAA.
 
About Band of Horses: 
There might be no other band that was able to channel the generational anxiety in those early millennial years and turn it into such powerful and inclusive art quite like Band of Horses. Band of Horses fashioned gorgeously ragged epics, Ben Bridwell’s high-flying vocals and eccentric enunciation floating like a specter that felt like a prelude to a dream. Full of profundity, truth, and sometimes just homespun advice on how to live, Band of Horses songs have become anthems and touchstones for fans — meditations on change, longing, and what a person will do to make things right. And what you do when you can’t.
 
The band’s debut Everything All the Time (2006) introduced their sweeping, emotionally resonant sound, embodied by the double Platinum anthem “The Funeral,” now regarded as one of the most enduring songs of the modern indie rock era. The albums that followed, including 2007’s Cease To Begin, cemented their place in the indie rock canon. They’ve released six studio albums, including Infinite Arms (2010), which earned a Grammy nomination. Most recently, the critically acclaimed Things Are Great (2022) finds the band recapturing the raw emotion and unpolished punk-rock spirit of its earlier days.


Band of Horses
Everything All The Time (20th Anniversary Edition)

Tracklisting:
1. The First Song
2. Wicked Gil
3. Our Swords
4. The Funeral
5. Part One
6. The Great Salt Lake
7. Weed Party
8. I Go to the Barn Because I Like The
9. Monsters
10. St. Augustine
11. (Biding Time Is A) Boat to Row
12. Part Two
13. Coal Mine
14. Worry Song
15. The End’s Not Near
16. The Funeral (Demo Version)
17. Wicked Gil (Demo Version)
18. Our Swords (Demo Version)
19. I Go to the Barn Because I Like The / Monsters (Live at The Crocodile)



Posted by Abbie Gobeli

NEWS : WED, JAN 14, 2026 at 6:00 AM

Memory Be a Blade, The Debut Full-Length From waterbaby Will Be Available Friday, March 06th

On Friday, March 6th, waterbaby will release her debut full-length on CD/LP/DSP’s from Sub Pop. The 8-track long player features the pre-release singles “Amiss” and “Beck n Call” along with highlights “Sink,” “Clay,” “Srs Ice,” and today’s new offering, an official video for the title track, “Memory Be a Blade,” which was directed by Felix Scheynius.
 
On Memory Be a Blade, the Stockholm, Sweden-born singer-songwriter’s second release on Sub Pop, the nostalgia runs deep. Her follow-up to 2023 EP Foam is darker, richer, and more personal than ever. She wanted her lyrics to dig deeper and evolve her writing forward, something she accomplishes stunningly across the eight-track project.
 
To spark inspiration for her new lyrics, waterbaby reflected on a past break-up. She had moved on and was seeing someone new while recording the album. But when the newer relationship ended, she witnessed how much the album took on a new meaning to reflect the heartbreak she hadn’t anticipated experiencing.
 
“Many of the songs came to mean very different things than what I had thought when writing them in the first place,” waterbaby admits.
 
In the two years following Foam, waterbaby and her primary collaborator, Marcus White (YG, Anna of the North), took their time to get the album right. They wrote and recorded around Stockholm, the south of Sweden, and even Los Angeles. As it took shape, however, waterbaby began to notice how much she would stiffen up behind the microphone. She admits she gets quite shy in the studio, opting for the familiarity of people like White to stay by her side. But in order to take her words and sound deeper, White encouraged her to improvise what she sang instead of writing it out ahead of time.
 
Her improvisations were paired with compositions that reflected waterbaby’s classical background. White played piano alongside his lush and ethereal arrangements of string and horn parts. Musicians like violinist Oliva Lundberg, cellists Filip Lundberg and Kristina Winiarski, saxophonist Sebastian Mattebo, trombonist Hannes Falk Junestav, and flutist Pelle Westlin round out the dreamy ensemble (read more at Sub Pop).
 
waterbaby has confirmed new UK & EU headline dates for 2026 in support of Memory Be a Blade. These shows will begin on March 18th in Gothenburg, Sweden, with additional shows in Stockholm, London, Paris, and Berlin. See below for a complete list of shows.

 
Thu, Mar. 19 Gothenburg, SE - Nefertiti
Fri, Mar.  20 Lund, SE - Mejerlet
Sat, Mar.  21 Linköping, SE - Babettes
Sun, Apr. 12 Stockholm, SE - Södra Teatern
Wed, Apr. 15 London, UK - The Lower Third
Thu, Apr. 16 Paris, FR - Popup!
Fri, Apr. 17 Rotterdam, NL - MOMO
Sun, Apr. 19 Berlin, DE - Frannz

Memory Be a Blade is now available to preorder on CD/LP/all DSPs from Sub Pop. LPs purchased from megamart.subpop.comMegaMart Europe in the UK + EU, and your local record store will receive the limited Loser Edition on Cosmic Berry (NA) and  Pearl / Arctic (UK/EU) vinyl while supplies last.


waterbaby
Memory Be a Blade

 
Track Listing:
1. Sink
2. Memory Be a Blade
3. Clay
4. Beck n Call
5. Minnie
6. Minnie Too
7. Amiss
8. Srs Ice

Posted by Abbie Gobeli