You can now hear new contributions to the Sub Pop Singles Club Vol. 7 from Sidney Gish and Bartees Strange, both out today worldwide on all DSPs from Sub Pop.
 
Sidney Gish is a singer-songwriter currently based in New York. She produced her first two albums, Ed Buys Houses (2016) and No Dogs Allowed (2017) while attending college in Boston. Following the moderate success of No Dogs Allowed, she toured the album throughout the US and Europe as a solo live looping act. In 2022, she toured as a support act for TV Girl, Beach Bunny, and Cavetown. She has been working on new music, and will be sharing more of it soon.
 
Sidney Gish says of her contributions to the series, “I start lots of songs, but finish very few. Sometimes, I try to overcome this habit by skipping the ‘ideas’ phase, and improvising a song to completion within a few hours. Both ‘Filming School’ and ‘MFSOTSOTR’ were created this way. ‘Filming School’ was recorded in fall 2021 at my apartment in Brooklyn. The lyrics were freestyled while reflecting on film school, which I did not attend. In 2022, I added bass & synth to ‘Filming School,’ as well as piano, engineered by Lily Wen at Figure 8 Studios. ‘MFSOTSOTR’ was recorded in late summer 2019 at my old apartment on Mission Hill. The lyrics were freestyled while staring at a meme of a buff man wearing high-waisted jeans. No edits were ever made to ‘MFSOTSOTR.’ It has haunted my hard drive for three years.”
 
Bartees Strange is a songwriter and producer based in Washington, DC. He was born in England to a military father and opera-singer mother Strange had a peripatetic early childhood before eventually settling in Mustang, Oklahoma. Later, he cut his teeth playing in hardcore bands in Washington D.C. and Brooklyn whilst working in Barack Obama’s administration and (eventually) the environmental movement. Since charting a path as a solo artist, Bartees Strange has released an EP reimagining songs by The National (Say Goodbye To Pretty Boy, 2020), his debut album proper Live Forever (2020), and the critically-acclaimed follow-up Farm To Table (2022).

Bartees says about “Tisched Off”: “As an up and coming musician, there’s a very special pain that comes with realizing a huge chunk of the artists you’re competing with have way more money and resources than you. This song takes little digs at them. It’s cute. Tisch is like the fashion school at NYU. When I was living in BK I ran into a bunch of young punk bands and experimental acts that rose quickly from that school. I remember feeling like damn - how do you compete with people like that? They’ve got some very real resources. Anywho - it’s just me making fun.”
 
Of  “Keekee’in,” Bartees offers this: “This song is extremely special to me. During our tour with Car Seat Headrest the band had Covid. I was bunkered down with my guitarist Dan at his family’s house in the basement. I figured it would be cool to write something using only the tools we had. All of the instrumentation was done with stuff from that room. Matchsticks, pillows for drums, very random keyboards, etc. I wrote this song to get some feelings out I had about some business people I was considering working with - they ended up being shady and I was feeling very betrayed. I was thinking about how valuable it is to have people you can really trust. And how few those people are.”
 
Subscribe to the Sub Pop Singles Club Vol. 7 to get twelve exclusive, limited-to-1,000-copies, colored-vinyl 7” records that you will, undoubtedly, love and adore. In addition to the Bartees Strange and Sidney Gish singles announced today, subscribers will get 7”s by Keiji Heino, SLIFT, The William Loveday Intention, Zeal & Ardor, Hunx and His Punx, The Shadracks, Dummy, Irreversible Entanglements, Party Dozen, and Matthew “Doc” Dunn.
 
Hear music from the series via the Singles Club playlist, and subscribe to the next round (Vol. 8, 2023-2024) here.