Sub Pop Records

Joshuah sez: No big huge drug addled story here. I ordered the Sliver/Dive single around 1992 and immediately had to hear more... (on A Form of Paying Attention November 2009 )
fudge packing sez: the second time I saw them was a 'surprise' show at Western Washington University ...it was a Mudhoney concert but... (on A Form of Paying Attention November 2009 )
fudge packing sez: I bought Bleach in 1989...I was 15 years old. Around the same time I discovered K Records via the Fallout... (on A Form of Paying Attention November 2009 )
smelly sez: that's the kid who's porking taylor swift. (on Obits on Late Night with Jimmy Fallon: Thursday, Nov. 19th! )
deleteme sez: In the 5th grade, my friend and I used to hole up in his room and listen to this album... (on A Form of Paying Attention November 2009 )
deleteme sez: In the 5th grade, my friend and I used to hole up in his room and listen to this album... (on A Form of Paying Attention November 2009 )

Hot Hot Heat are from Victoria, BC, at the southern tip of Vancouver Island. Victoria, no major metropolitan city in its own right, is close enough to Vancouver and Seattle, and yet also far enough away to afford resident artists and musicians a bit of space. And this sort of isolation can lead to weird and sometimes wonderful evolutionary development (compare Darwin and his experience on other islands, and Vancouver Island is not so different from the Galapagos). Formed in Victoria, disaffected youth one and all, Hot Hot Heat naturally made a lot of noise early on – punks with synthesizers instead of guitars. When that became more constraining than liberating, Hot Heat mutated, parting ways with their singer, recruiting Dante DeCaro on guitar and pressing the microphone into the hands of keyboardist Steve Bays. Emphasis changed, melody came to the fore, people danced and it was, above all else, fun. Hot Hot Heat was reborn and the new songs owed much to the tuneful complexity of XTC, The Clash, Elvis Costello and the Attractions (and, yeah, okay, The Cure too, but enough with that already).

In April of 2002, Sub Pop released Hot Hot Heat’s Knock Knock Knock EP: 5 songs in 16 minutes, produced in part by Death Cab for Cutie’s Chris Walla. Memorably described by SPIN Magazine as, “…the sound of punk teaching itself to dance,” the EP effectively got disco’s chocolate in punk’s peanut butter. And, the band did what bands are supposed to do – they toured, playing shows with Les Savy Fav, The French Kicks, Radio 4, Gogogo Airheart, Pretty Girls Make Graves, Sloan, and others. And, similarly disaffected youth, bored to tears with the…