Release Date April 29, 2016
Catalog No SP565
Formats 2xLP, Digital, and CD
Old Ramon, the sixth Red House Painters album, recorded in the
fall of 1997 through the spring of 1998, was intended for release
that summer. But the mega-major label merger catastrophe that
left hundreds of bands homeless spared few. Red House Painters
looked for a brief moment like survivors, but subsequent delays
eventually turned into permanent layoff. Old Ramon sat in limbo
and grew into legend as another great, lost album only the
privileged few would ever properly hear. They’ve unintentionally
put the wait back into the term “long-awaited.”
Singer Mark Kozelek kept busy with a series of other projects. He
served as producer for Take Me Home: A Tribute to John Denver.
As archivist for the 4AD Red House Painters Retrospective album,
assembling rarities and live tracks. As solo artist with several
tracks on the Shanti Project album, and two albums Rock ‘n’ Roll
Singer and What’s Next to the Moon, a collection of AC/DC songs
reinterpreted. As live performer, touring the United States, United
Kingdom, Spain, Sweden and his first ever shows in South Korea.
As film scorer for the independent film Last Ball. And, finally, as
actor in Cameron Crowe’s critically acclaimed Almost Famous.
But while playing a musician in a movie—Kozelek appears as the bassist of Stillwater in Almost Famous—was an exciting diversion, it also pointed out the absurdity and irony of the situation. He’d been writing and performing his own music since the 1980s, with Red House Painters since the early 1990s. He was a musician, not just someone who might play one on TV.
With Old Ramon sitting on the shelf, it was like reading a book with a chapter missing. Kozelek had written most of the album throughout 1996 and 1997. There were “Between Days” and “Wop-a-din-din,” written during the months he stayed in Oaxaca, Mexico about his time there and his cat waiting at home in San Francisco; “Cruiser” written on an airplane ride from Los Angeles to San Francisco about a friend he’d met during the John Cale tour; and “Golden,” a song in tribute to John Denver, written and recorded in a single day during December of 1997, just a few months after Denver’s tragic death. “Michigan” and “River” had been road-tested on the band’s previous tour.
The album, in fact, had come together with a good feeling, reunit-
ing the band with their old friend and engineer Billy Anderson,
who’d worked on their earlier records Down Colorful Hill and the
two self-titled releases (Rollercoaster and Bridge by their covers).
Sessions in San Francisco, Mendocino, California and Austin,
Texas resulted in several hours’ worth of music being recorded.
The band had spread out and worked up various arrangements for
a majority of the tunes. Sadly, a twenty-minute version of “Michi-
gan” fell to the cutting room floor.
But the ten songs packed onto Old Ramon (the title comes from a Spanish children’s book that caught Kozelek’s fancy) well represent the band that will take to the road for the first time in several years with extensive touring throughout the United States and Europe. Once freed from their major label commitments, reputable independent labels bid for the band’s services. This, however, is the album exactly as it was intended—untouched—three years to the month of its completion. Good news: The wait is officially over.
- Byrd Joel
- Between Days