Avi Buffalo, Ben Sollee & Daniel Martin Moore, Dum Dum Girls, Happy Birthday, Jaill, Male Bonding, and The Ruby Suns will all be heading down to Austin this March for the 2010 South by Southwest music festival/conference/opportunity to eat BBQ.
As you can tell by our snazzy flyer, we will once again be partnering with our good friends Hardly Art on a showcase to, one can only hope, end all showcases.
You should really go.
Sub Pop and Hardly Art SXSW Showcase 2010
Thursday, March 18th
at the Galaxy Room
508 E. 6th Street
Hey, Hey! My coworkers and I are heading to Austin, TX in two short weeks so that we can wine and dine our contacts and show off the talents of our lovable and extremely talented bands. On Thursday March 19th, we’ll be at the Radio Room (508 E. 6th St – formerly Bourbon Rocks, formerly Fat Tuesdays, formerly some place with novelty shots and lots of tits). Most of these bands will be playing additional parties and what-not—we’ll post those soon!
As we really hope you are already aware, we will be re-issuing Red Red Meat’s incredibly great 1995 album Bunny Gets Paid in a fancy, deluxed-up edition on March 24th. The original album has been re-mastered, there’s a 7-song 2nd disc of alternate, demo and single versions of album tracks, plus b-sides, covers and a previously unreleased song from the same era (“St. Anthony’s Jawbone”), all wrapped up in expanded and enhanced album art.
If you’re able, you should really avail yourself of one of these rare opportunities to see Red Red Meat play. We convinced them to perform at our 20th anniversary festival last summer and can say with the somewhat smug confidence of recent, first-hand experience that it is highly likely you will have a very good time.
Hoping to see all that Sub Pop has to offer but you can’t make it to our sure to be sold out showcase? No problem! Here’s a list of parties where you might be able to catch some Sub Pop bands:
The Ruby Suns will be playing 3/12 at the Fader Party (4:30), 3/13 at Waterloo Records (3pm), 3/14 Home Slice Pizza (4:45), 3/15 Outside Music/Exclaim! Party (2:30).
Grand Archives will be playing 3/13 at the Noise Pop/Little Radio Party (1:30), 3/14 at the Other Music Party (2pm), 3/15 at the Filter Magazine Showdown (4pm).
No Age will be playing 3/13 at the Rhapsody Party (TBA) & the Jelly NYC/My Open Bar Party (10pm), 3/14 at the Pitchfork/Windish Party (TBA), 3/15 at the Stereogum Party (3pm) & the Don’t Mess with Texas Party (5pm).
Fleet Foxes will be playing 3/13 at the Under the Radar Party (1:35), 3/14 at the Pitchfork/Windish Party (3:30).
The Helio Sequence will be playing 3/13 at the Under the Radar Party (3:15), 3/14 at the Noise Pop Party (TBA).
Blitzen Trapper will be playing 3/13 at the Schubas Day Party (2-4pm), 3/14 at Hot Freaks Party (3pm), 3/15 at Stereogum/Paste Party (2pm) & Current Day Party (5pm)
Handsome Furs will be playing 3/14 at KEXP at ACL mainstage at KLRU (3:30).
Kelley Stoltz will be playing 3/14 at WFMU Showcase (8pm).
Pissed Jeans will be playing 3/15 at the Don’t Mess with Texas Party (5pm) & the Chunklet Party (9pm).
Eugene Mirman will be doing comedy all over the place at the Don’t Mess with Texas Party on 3/15.
On March 4th we’ll be releasing Saturnalia by The Gutter Twins, aka Mark Lanegan and Greg Dulli, as well as Sea Lion by The Ruby Suns, aka a band from New Zealand. Both of these records are worth the price of admission so just step up to the plate and buy them, bub. We’re giving $2 off Sea Lion and Saturnalia through release date along with our patented, highly effective sticker/button combo for each band. Want to know more about these fine bands? Look at this and this and this and this. Both The Gutter Twins and The Ruby Suns are on tour—click their names to see if they’re coming to your town!
Sera Cahoone’s new record Only as the Day is Long comes out March 18th and it’s available for pre-order here. Find out all you wanted to know about Sera by looking here and make sure to check her out at her record release show at the Tractor Tavern in Seattle on March 29th and/or her Easy Street Records show on March 18th.
I’ve spent several hours sifting through my notes, photos, and pickled memories of this years’ conference, trying to distill them into a few (somewhat) coherent posts and I’m beginning to realize that I’m a bit overwhelmed. For those of us involved in both the music and interactive side of things (which, at this point, should be everyone involved with music, but that’s another rant ) south by southwest is nothing if not really, really long. I arrived in Austin on a Thursday night and didn’t get home ’til late the following Friday. And there were still 2 days of music left that I skipped out on.
Since I spent so much time there this year (and since my note taking got less and less diligent as the week wore on), I’m just going to post a mish-mash of semi-chronological, semi-thematic notes. I hope that they make some sense to someone, somewhere.
A few short observations from the first few days of Interactive:
Interactive keeps growing and growing — while it wasn’t too big this year, it was definitely straining a bit under its size. Wifi in the convention center was a challenge and some of the talks were in strange, faraway corners of the convention center.
The conference still manages to attract really smart and fun people, in any case. The pleasure of getting to meet so many of them definitely outweighed any and all of the hassles.
I didn’t really have any trouble getting in to Las Manitas, so maybe all those people weren’t quite as smart as I thought. (My delicious vegetarian tamal is featured above…)
Speaking of delicious: SXSW ripped off the This Delicious cover in their marketing materials!
Maybe I just got lucky with the talks that I chose (or I’m old?) but the business track seemed better to me than the technical talks this year.
Under the pretense “automating admissions and preventing counterfeiting” they had RFID chips in the wristbands and badges this year. Creepy.