Sub Pop only turns 25 once! Did you think that we were going to mark such a momentous milestone simply by spending the better part of a year planning the Sub Pop Silver Jubilee which entailed booking a large number of Sub Pop-related bands that span the entirety of our tenure, shut down an ENTIRE Seattle neighborhood for one full day, figure out how to feed and tipsify a massive crowd of thousands, provide many other forms of entertainment and time-passery, and charge you absolutely nothing for entry? Well, what I’m saying here, in an incredibly convoluted way, is if you did think that long thing above, you were dead wrong. We’re also having a comedy show at The Moore Theatre in Seattle on July 12th—the Sub Pop Silver Jubil-eve (clever, no?). Watch the accompanying video starring the evening’s host, Eugene Mirman, and read on for more details.
The important things to know:
On Friday, July 12th (the night before our free, utterly vainglorious Silver Jubilee festival in Georgetown on July 13th), Sub Pop Records presents Silver Jubil-eve: A 25th Anniversary Comedy Thing (for Charity!) at the Moore Theatre. The evening will be hosted by Eugene Mirman and features performances from Marc Maron, Jon Benjamin, Kristen Schaal, & Kurt Braunohler. Tickets for the event are $25 and will be on sale June 7th at 10 a.m. You can purchase tickets via phone at 1-877-784-4849, online at STG Presents or in person at The Paramount Theatre box office. All proceeds from this event will benefit local organizations 90.3FM KEXP, Northwest Harvest and the Northwest Parkinson’s Foundation.
Tickets avialable online at stgpresents.org and tickets.com, also available with NO service charge at the Paramount box office open Monday through Friday, 10am to 6pm, plus show nights. Tickets available with a $1.50 service charge at 24-hr electronic kiosks located outside the Paramount, Moore, and Neptune, and with a reduced service charge at Sonic Boom Records.
We’re just under the three-week mark until the masses (our goal is to attract “the masses”) descend on the great Georgetown neighborhood of our beautiful and bountiful (cherries, apples, crab, grunge, et cetera) city, Seattle, WA, to celebrate the 25th Anniversary of consecutive years of business operation in what we’re calling the Sub Pop Silver Jubilee. On July 13th, a large number of bands in the immediate and extended Sub Pop family will populate a few stages scattered around Georgetown in this entirely FREE-TO-ENTER celebration of ourselves. In the previous several weeks, we’ve been introducing/reintroducing you to the artists playing the festival in a weekly column we’ve been calling Getting To Know Us; this week, we’re here to tell you a bit about the Toronto band, METZ, and a legendary Seattle-based band called The Mudhoney.
Canadian good guys Hayden, Alex, and Chris are the building blocks of METZ, the Toronto-based noise mongers. They punish ears with the basic formula of drums, bass, guitar and vocals, but they manage to do it in a way completely unto themselves and in a manner that will have you saying after every song, “Thank you, sir, may I have another”, and they will oblige. Watch the video for “Wet Blanket” from their 2012 debut, METZ.
Mudhoney are a difficult band to introduce/reintroduce to you in such short form because of their legendary status and their lynch pin-importance to the formation (and sustainment) of Sub Pop—which is to say, I’m going to blow it trying. Mudhoney have been a band for 25 years now, have released a lot of records, toured endlessly, and were one of the triggers that placed Seattle squarely in the center of the universe in the early nineties. They’re also possibly the only band that left Sub Pop for a different record label and later got back together with us so we could continue to make sweet music together—if Sub Pop had a spouse, it’s certainly Mudhoney. Like I said, I was going to blow it trying to tell you about the Mudhoney’s greatness, and I have succeeded in that. So, please just watch the accompanying video for “I Like It Small” from Vanishing Point and than you should probably watch the video for my favorite Mudhoney song ever, “Good Enough”, from 1991’s Every Good Boy Deserves Fudge.
METZ and Mudhoney, two bands by themselves that could fill the entire neighborhood of Georgetown with “masses”, but only two of many bands playing the FREE Sub Pop Silver Jubilee. Join us July 13th for the festivities; your ears will be ringing with bliss when it’s all over.
Sub Pop is pleased to announce a partnership with TOMS (www.TOMS.com) for a limited edition shoe collection in conjunction with the Sub Pop Silver Jubilee 25th anniversary celebration.
We are immensely excited about this partnership, and we are proud to work with TOMS. Sub Pop and TOMS share a commitment to philanthropy and a creative, responsible approach to our respective businesses. We at Sub Pop admire TOMS mission statement – “With every product you purchase, TOMS will help a person in need. One for One.” – and we try, in whatever small ways we can, to give back to our community in a similar fashion. And, of course, we are happy to be associated with footwear as comfortable and stylish as TOMS.
The collection includes the lace-up Paseo shoe in gray for men, and two versions of the slip-on Classic in navy for men and red for women, all with a unique Sub Pop design incorporated into the shoe.
Each pair includes a download code for a Sub Pop sampler featuring new and rare tracks from the likes of Shabazz Palaces, Mudhoney, Father John Misty, Pissed Jeans, METZ, Shearwater, King Tuff, and more. As with all TOMS shoes, for every shoe purchased, TOMS will give a pair of new shoes to a child in need.
The shoes will be on sale July 1st, 2013 at TOMS.com and TOMS Flagship Store in Venice, CA. They will also be available online at Nordstrom.com and at the retailer’s flagship store in Downtown Seattle. Additionally the shoes will be sold inside the Nordstrom Men’s Shop tent at the FREE Sub Pop Silver Jubilee on July 13th. Sub Pop’s Silver Jubilee festival will be held on July 12th and 13th in Seattle. The event will benefit Seattle nonprofits 90.3 KEXP FM, Northwest Parkinson’s Foundation and Northwest Harvest. For more information on the festival visit http://silverjubilee.subpop.com.
With less than a month left until Seattleites, Washingtonians, fellow Northwesterners, national and international travelers, and the great unwashed (Sub Pop employees) arrive en masse in Seattle’s historic Georgetown neighborhood for the Sub Pop Silver Jubilee, we’re running out of time to tell you all about ourselves in an effort to coerce you into thinking to yourself, “This free, all day concert-going experience, featuring many of my favorite artists and musicians, and possibly introducing me to additional favorite artists and musicians, is how I will spend Saturday, July 13th. I should tell all of my friends about this now”. And you know what, you’re right, you should tell your friends about this; it’s going to be the best G-D day of all. This week’s Getting to Know Us, the feature intended to acquaint/reacquaint you with the artists playing the Jubilee, features King Tuff and Chad VanGaalen, two overwhelming creative hubs of music and art and wonderful weirdness of all kinds. Here, let me show you about them:
Led by long-haired, self-taught Bedazzler virtuoso and all around natural creative force, Kyle Thomas, King Tuff came to Sub Pop on the heels of their near-perfect debut, King Tuff Was Dead, (which, if you’re a connoisseur of good times, you should own (lucky for you, it just got reissued on the vinyl formatway)). Instead of releasing the King Tuff follow-up, Thomas reengineered his formula for his next project and came up with the KT bridge project, Happy Birthday, and we released their brilliant self-titled, laid-back pop anthem-laden debut in 2010 to much hoo-ha from the press. In 2012, Thomas refocused on King Tuff and gave the world King Tuff, pleasing virtually all who chose to gaze their ears upon its fuzzy glory. Watch the embedded video for KT’s “Bad Thing” to get an earful of what we’re clumsily trying to tell you about. OH! It’s always worth noting that AllMusic.com decreed upon King Tuff the musical theme: “TGIF”; those guys clearly get it.
Sub Pop has had the privilege of putting out four of Chad VanGaalen’s records in just eight years. They’ve each been haunting, beautiful and weird—a sort of weird beauty. In addition to being a uniquely gifted and prolific musician/songwriter, Chad is also a visual artist with an output similar to his musical output, which is to say, he’s like a nuclear reactor of creative energy. He has illustrated and animated most of his own music videos, adding an additional sensory dimension through which his haunting songs can are conveyed. Watch the accompanying “Molten Light” to get the eerie and enthralling CvG experience. Chad has also illustrated and animated music videos for Sub Pop labelmates like J Mascis (also playing the Jubilee), as you can see here.
Chad and Kyle are just two of Sub Pop’s many creative weirdos, and two more very convincing reasons why the July 13th Sub Pop Silver Jubilee is going to be a wonderfully absurd place to park yourself for the day—we hope to see you there. Thanks again for getting to know us.
Another week is already on top of us, June’s entering its awkward tweens, and we’ve got another issue of Getting to Know Us, the weekly column in which we go on and on (and on) about a few of the artists playing our self indulgent 25th anniversary party (the Sub Pop Silver Jubilee—July 13th—Seattle), with the tedium of proud parents in an effort to acquaint/reacquaint you with the artists playing. This week, we’re going to tell you all about Greg Dulli, Shearwater, and The Baptist Generals.
Among Sub Pop’s many prodigal sons, Greg Dulli stands out because we’ve been fortunate enough to be able to work with him on not just one, but three different projects: The Afghan Whigs, The Gutter Twins, and most recently, The Twilight Singers; each sonically unique unto themselves yet somehow all clearly branded “Dulli”—all with truly astonishing releases. Greg Dulli is going to have an unparalleled depth in which to pull songs from, so a performance from him is likely to be a multi-decade-spanning trip from the past to the present with stops everywhere in between—we’re excited to board any ship with Greg Dulli at the helm—it’s going to be a great ride. Watch the video for “On The Corner”, from Twight Singers’ 2011 Dynamite Steps to hear what we’re saying.
Shearwater’s prolific career has been on high speed for over a decade, but we’ve only just recently been lucky enough to work with them having released their seventh full-length record, Animal Joy, in 2012. Without a background in poetry, it’s difficult to accurately describe exactly the sound that Shearwater has so developed over the years—dark with a healthy dose of pirated optimism?—yikes, that’s not it. Check out their cinematic video for “You As You Were”, my personal favorite Shearwater song.
The Baptist Generals hold the Sub Pop Records record for longest time span between debut and sophomore record—No Silver/No Gold and Jackleg Devotional to the Heart—2003 and 2013, respectively; a full decade. It’s no small feat reintroducing a band to a generation of music listeners and record collectors who were forced to move on after the long wait, but upon our first hearing Jackleg, there was no question that we had to share this record with anyone and everyone who we could play it for, which is to say, it may have been a long time, but The Baptist Generals sound is as good as ever. They’re like the Meryl Streep of Denton, TX-based musicians. To hear proof of this well-aged sound, listen to “Broken Glass.”
With last Friday’s announcement expanding the already get-here-July 13th-no-matter-what caliber lineup for The Silver Jubilee to include METZ, King Tuff, Built To Spill, Chad VanGaalen, and brand new Sub Pop artists, clipping., this festival is shaping up to be the best we’ve ever been to—here’s to hoping you can join us.
In this week’s installment of Getting to Know Us, the weekly column in which we shamelessly extoll the many audible virtues of the artists playing the very FREESub Pop Silver Jubilee on Saturday, July 13 in Seattle’s Georgetown neighborhood. This week, we’re talking about the sonically disparate, but similarly remarkable live acts, the filthy Pissed Jeans and the effortlessly suave Father John Misty.
There’s a pretty visceral image that comes to mind the first time you hear the band name “Pissed Jeans”, and it’s pretty accurate. It’s not like the band GG Allins themselves when they perform, but it’s not like they don’t not GG Allin themselves, either—you know what I mean? Okay, it’s a little like this: they’re similar to GG Allin but with an utterly devastating sense of humor and with better songs. Also, with the Pissed Jeans, there’s no blood, urine or shit, only sweat. Upon further thought, the whole GG Allin analogy feels a little off…eh, I’m sticking with it. Watch the video from their megahit, “Bathroom Laughter” in the accompanying player. If that’s not enough, which is understandable when talking about Pissed Jeans, this live video portrayal of their song “False Jesii Part 2” is as worth your time as anything else you could be doing.
Father John Misty: singer, dancer, actor; Sub Pop’s own in-house triple threat. If there ever was an SP artist who could bring us an EGOT, it’s him (or Bret McKenzie from Flight of the Conchords who is halfway there). Chances are that you’ve seen him somewhere since Fear Fun, Father John Misty’s debut, came out in May 2012, as he and his band have performed on a number of TV shows, played countless festivals, and have toured extensively for well over a year now. Father John Misty performs like a preacher; through his huge, melodic voice, hypnotizing hip-shaking, white suits, decidedly better-than-average looks, perfectly suited (not to mention well dressed) band, you’ll come away a believer. There’s honestly not too many bands that are easier to enjoy. Watch the accompanying video for “Fun Times in Babylon”, track one off of Fear Fun to hear what we’re saying about.
So far, Getting to Know Us has acquainted/reacquainted its readers with Tad and Brothers of a Sonic Cloth, Jack Endino’s Earthworm, Shabazz Palaces, J Mascis, and now Pissed Jeans and Father John Misty. I know we’re blinded with bias, but this lineup is already near perfect and we’re only halfway through it. Oh, and it seems worth reminding you that entry to this festival is entirely free—we’re charging for falafels and beer, however.