The new No Age album, Everything in Between, is due out September 28, 2010 but you don’t have to wait until then to get your hands (and, I guess ears?) on some new No Age music because we’ll be releasing two versions of their single “Glitter” in just a couple short weeks on August 24th.
The two versions are represented in a 12-inch and 7-inch format and while both feature the album track “Glitter”, each single has different, non-album b-sides (the 7-inch has one called “Inflorescence,” and the 12-inch has “In Rebound” and “Vision II”). But here’s where the not having to wait part really kicks in because we are streaming the entire 7" now and even offering a download of “Glitter” for you to have and hold (sonically, anyway) as your very own. So you can enjoy these tunes before you head over to their subpop artist page and pre-order yourself a copy to have and hold (physically?).
Summer has finally arrived in Seattle and trust us, that is a good thing. Time for BBQs and breaking fire hydrants to joyfully frolic in illegal water streams (disclaimer—Sub Pop does not endorse illegal activity). Summer makes us happy, but not as happy as, say, a new record from No Age! Yep, you heard us right, today we announced the release of No Age’s next record entitled Everything in Between which will be released on September 28th.
Here is the track listing for the band’s new record:
Valley Hump Crash
Shred and Transcend
The band has some upcoming shows planned which you can see by clicking here. Stay tuned for more information on No Age and their new release.
The Sasquatch! Music Festival is this weekend at the Gorge in eastern Washington and Vetiver, The Fruit Bats, Avi Buffalo, and No Age are playing! A couple years ago one of our publicists streaked the main stage while the Shins were playing, and I’m hoping that the publicity department brings the tradition back this year. Keep a watchful eye on the stage while any of these four bands play and maybe (hopefully!) Kate or Bekah will give you an eyeful. In the meantime, please enjoy this Sasquatch themed sampler, courtesy of your good pals here at Sub Pop.
Some of our bands are very good at keeping their blogs up to date. No Age and Male Bonding both just updated theirs and they’re both well worth checking out. Male Bonding is one of the many bands/humans stranded in the US due to the volcano. Send them some good vibes as they’ve been on tour for 7 weeks and would probably like to head back to the mother ship sooner than later. Male Bonding blog about being stuck in LA, Record Store Day and show off their new stickers. No Age blog about their travels, also about Record Store Day and they meet Fabio (the cardboard version).
Sohrab from Obits has been chatting, on the wall of the Obits’ Facebook page, with this 16 year-old kid about Sub Pop being 49% owned by Warner, what “indie” means, etc. And, though that summary sounds incredibly tired, it’s a pretty good conversation. Here it goes:
Obits, what do you think about the fact that Sub Pop is 49% owned by Warner?
Wow. Is this part of a Seger-Saget-Sub Pop conspiracy?
It’s a complicated question. Short answer is we signed on the dotted line. Longer answer involves breaking down the myths of independent labels and how bands actually get treated in many of those relationships.
It’s a slippery slope in both directions but, in our specific case, we are very happy to work with Sub Pop. They are honest people who truly care about music and are wonderfully realistic about their expectations in an industry that is rarely so….
I suppose I might feel differently if it were Monsanto or Pfizer, but the Warner affiliation is what it is and doesn’t seem to effect us.
How do you feel about it? Does it color your opinion of the label or our band? Do you think it makes a difference? I’m asking sincerely, by the way.
I mean, it slightly taints the idea of Sub Pop being a true “Indie” label like they used to be, but in the long run, as long as they are still coming out with such amazing music, like you guys / No Age / Fleet Foxes, I’m not about to condemn them. So I guess it would say that it doesn’t really matter too much. Also, it would be my dream to be on Sub Pop. What do you guys think of the term “Indie” in general/how it’s used these days?
B, this is Sohrab, just so you know I’m only speaking for myself in terms of whatever it is I’m about to write.
Having grown up in the Dischord / Touch and Go / SST era, the word “indie” wasn’t part of my vocabulary. There were records that I bought from Smash! or Yesterday & Today or one of the many other mom-and-pop shops in the DC area at that time, there were other things I mail-ordered and eagerly awaited from Systematic in San Francisco, there were cassettes I got by writing to bands I read about in MRR, and then there was whatever else was outside of that world, which I had no interest in and, therefore, might as well not have existed. “Indie” wasn’t something I came across until the ‘90s, when some bands used the term to try to distinguish themselves from other bands that weren’t that, I guess. It seems a little silly to me now. It’s such a broad and vague way to define anything. It probably would’ve been more effective to just say, “We don’t sound like Blind Melon.”
The language for describing sensory experience is relative and bound by context. To a fan of Merzbow, Obits probably sounds like Three Dog Night. To a fan of Three Dog Night, Obits probably sounds like the guy in Merzbow tampered with his “Mama Told Me Not to Come” single.
That said, I guess people hang onto the word “indie” because it’s become shorthand for saying that something is not part of mainstream culture or that it’s quirky or some other absurd notion folks have about the need to compartmentalize music into little digestible demographic terms. So, to me, the word is now just part of the lexicon of lifestyle marketing.
If you want to get into the economics of what “indie” means or what people think it means, I think it merits a whole new thread. It’s definitely worth exploring, but would require a more experienced and sophisticated voice than mine.
I will say that the interest in only supporting things that are “indie” probably comes from a good place, but reminds me of when people are so concerned with eating organic that they overlook what it means when they buy fresh food that’s out of season.
Thats pretty fascinating. My friends and I always discuss what it means/how the word has changed. Being 16, I come from a completely different era where “indie” means everything from Neutral Milk Hotel to things not even remotely related to music, like drinking PBR outside of an Urban Outfitters while taking artsy photographs. The thing that saddens me is when kids say the listen to “Indie Rock,” but wouldn’t be able to tell you the first thing about Mike Watt, or Greg Ginn, or any sort of independent label.
Have you read “Our Band Could Be Your Life?”
The fact that you are 16 and interested in our band is heartening for more reasons than I have time to go into.
But don’t get too bummed about those kids. Everybody has a chance to hear the Minutemen for the first time once. And, with the right personality and the right timing, it just might change their life.
That is incredibly exciting to me. And far more powerful in terms of making a permanent dent in popular culture than any snarky ad exec trying to appeal to the lowest common denominator of whatever fits between two quotation marks.
Or, for that matter, the legions of embittered naysayers skulking around anonymously in the comment sections of music blogs.
They’ve got nothing on you and your pals snapping buzzed Polaroids in the parking lot, barking out the chorus to “Nervous Breakdown.” Seriously.
Okay, gotta run, but let us know when we get to a town near you because you are officially on our permanent guest list.
Until soon …
IN HONOR OF THISSPECIALDAY, SUBPOPRECORDSWILLRELEASE A MARVELOUSRANGE OF MUSICPRODUCTS, AVAILABLEONLY IN PARTICIPATINGRECORDSTORES
Record Store Day In-Store Performances by Bassekou Kouyate & Ngoni Ba, No Age, Male Bonding & Dum Dum Girls
Originally conceived in 2007 as a celebration of the unique culture surrounding over 700 independently owned record stores in the USA, and hundreds of similar stores internationally, the first Record Store Day took place on April 19, 2008. Now celebrated the third Saturday every April, it’s the one day each year that all of the independently owned record stores come together with artists and labels to celebrate the art of music. We at Sub Pop Records have put together a whole raft of releases (seven in all!) to help entice people into record stores to enjoy the many pleasures offered there. Each destined for future collector’s item status, the Sub Pop Record Store Day 2010 series of releases is sure to appeal to the minor OCD tendencies of every true music enthusiast. To find a participating store, go here.
FOR: RECORDSTOREDAY 2010 FROM: SUBPOP, WITHLOVE
Beach House “Zebra” 12” (sp877)
The “Zebra” 12” features 2 new tracks (“The Arrangement” and “Baby”) and 2 alternate takes on songs from the popular 2010 Teen Dream album (a UK radio edit of “Zebra” and the Cough Syrup remix of “10 Mile Stereo”). Available now: Beach House’s Teen Dream SP845, CD+DVD/2xLP+DVD.
1. Zebra (UK Radio Edit)
2. The Arrangement
2. 10 Mile Stereo (Cough Syrup Remix)
The Album Leaf “There Is a Wind” 12” (sp878)
The “There Is a Wind” 12” features 2 new tracks (“Landing in Snow” and “Resonations”) and 2 alternate takes on songs from the popular 2010 A Chorus of Storytellers album (an acoustic version of “There Is a Wind” and the Jamuel Saxon sunburnt remix of “Falling from the Sun”). Also available now: The Album Leaf’s A Chorus of Storytellers SP805, CD/2xLP.
1. There Is a Wind (acoustic)
2. Landing in Snow
2. Falling from the Sun (Jamuel Saxon sunburnt remix)
Dum Dum Girls / Male Bonding 7” (sp876)
Two brand-new and exclusive tracks for Record Store Day 2010, one each from LA’s Dum Dum Girls and London’s Male Bonding. Both bands have debut albums out this spring on Sub Pop. Also available now: Dum Dum Girls’ I Will Be SP840, CD/LP. Available May 11th: Male Bonding’s Nothing Hurts SP854, CD/LP
Side A: Dum Dum Girls “Pay for Me”
Side AA: Male Bonding “Before It’s Gone”
Happy Birthday 7” (sp874)
Two brand-new and exclusive tracks for Record Store Day 2010 from Kyle “King Tuff” Thomas’ Happy Birthday. Both of these tracks, like those of Happy Birthday’s self-titled March 2010 debut album, were recorded and mixed at Kyle’s home studio. Available March 16th: Happy Birthday’s Happy Birthday SP850 CD/LP.
Side A: “Shampoo”
Side B: “Alien”
Soundgarden “Hunted Down” 7” Reissue (sp12a)
This reissue of a Sub Pop classic was arranged specially for Record Store Day. “Hunted Down” was released in June 1987 as the band’s first single and was later available on Screaming Life. This single is pressed on translucent orange vinyl. The original, now a Soundgarden collector’s item, was pressed on blue vinyl.
Side A: “Hunted Down”
Side B: “Nothing to Say”
CocoRosie “Lemonade" 7” (sp884)
The A-side to this limited-edition single is an edit of one of the stand-out tracks from the new CocoRosie album Grey Oceans and the B-side is the band’s cover of the Beach Boys’ classic “Surfer Girl.” Grey Oceans, CocoRosie’s Sub Pop debut (and fourth full-length album overall) will be released on May 11, 2010. Watch a ““Smokey Taboo” trailer from Grey Oceans.
Side A: “Lemonade”
Side B: “Surfer Girl”
SP20: Casual Nostalgia Fest CD (sp879)
We at Sub Pop Records celebrated our 20th anniversary in 2008 with, among other things, a 2-day music festival July 12th and 13th at Marymoor Park, somewhat unimaginatively called SP20. We’ve collected here some of our favorite performances from the SP20 festival. Sub Pop will be donating all of the profits from the sale of this CD to the Clinton Bush Haiti Fund
1. Green River: “Leech”
2. Wolf Parade: “Fine Young Cannibals”
3. The Vaselines: “Dying for It”
4. Obits: “Run”
5. Les Thugs: “Dirty White Race”
6. Eric’s Trip: “Smother”
7. Beachwood Sparks: “You Take the Gold”
8. Blitzen Trapper: “Furr”
9. Flight of the Conchords: “Carol Brown”
10. Iron & Wine: “Woman King”
11. Constantines: “Why I Didn’t Like August ‘93”
12. Seaweed “Baggage”
13. Grand Archives: “Dig That Crazy Grave”
14. Low: “Silver Rider”
15. The Helio Sequence: “Lately”
16. Kinski: “The Wives of Artie Shaw”
17. Pissed Jeans: “Caught Licking Leather”
18. Mudhoney: “The Open Mind”
19. Comets on Fire: “Dogwood Rust”