On May 24th, Australian group Girl and Girl will release their debut full-length, Call A Doctor, on CD/LP/DSP via Virgin Australia (AU/NZ) and Sub Pop (ROW.) The album is the full-length follow-up to Girl and Girl’s 2023 digital release Divorce +, an eight-track EP that featured the standout singles “All I See” and “Dance Now.”
Call A Doctor is an unforgettable first bow from Girl and Girl, an audacious and aggressively tuneful blast of a record from this Australian four-piece garage rock outfit. The band is comprised of frontperson Kai James (singer, guitarist) and his Aunty Liss (drums), along with longtime friends Jayden Williams (guitar) and Fraser Bell (bass). Call A Doctor was recorded at Sundowner Sound in Melbourne, a two-story industrial complex where the band ate, slept, and made music in marathon sessions for two weeks straight with producer Burke Reid (Courtney Barnett, Julia Jacklin).
To celebrate the launch of their new forthcoming long player, the band is sharing an official videofor their lead single, “Hello,” from director Tayla Lauren.
The band’s front person, Kai James, shares this about the single: “‘Hello’ is the story of a young man who requires daily consults with health professionals in order to rationalise his self-destructive thoughts and routines. It’s about romanticizing your own misery. Letting those deep, dark, dirty thoughts take over. Understanding that even if you could pull yourself out, you wouldn’t because the constant stress and worry are all too familiar and comfortable.”
Girl and Girl have also announced North American & Australian tour dates, with additional appearances at Eurokennees in France and End of the Road in the UK. The band will appear at SXSW in March before heading home for the Hello Australia Tour in April. In late April, the band heads back to the States for a North American tour supporting fellow Aussies Royel Otis. See below for a full list of shows.
Wed. Mar. 13 - Austin, TX - SXSW Thu. Mar. 14 - Austin, TX - SXSW Fri. Mar. 15 - Austin, TX - SXSW Sat. Mar. 16 - Austin, TX - SXSW Thur. Apr. 04 - Gold Coast, QLD - Mo’s Desert Clubhouse Fri. Apr, 05 - Sunshine Coast, QLD - Sol Bar Sat. Apr. 06 - Brisbane, QLD - Black Bear Lodge Fri. Apr. 12 - Melbourne, VIC - The Tote Sat. Apr. 13 - Sydney, NSW - Lansdowne Sun. Apr. 14 - Wollongong, NSW - La La Las Tue. Apr. 23 - St. Paul, MN - Amsterdam Bar & Hall * WED. Apr. 24 - Chicago, IL - Lincoln Hall * Fri. Apr. 26 - Toronto, ON - Longboat Hall * Sar. Apr. 27 - Columbus, OH - A&R Music Bar * Sun. Apr. 28 - Cleveland Heights, OH - Grog Shop * Tue. Apr. 30 - New York, NY - Racket * Wed. May 01 - New York, NY - Racket * Thu. May 02 - Philadelphia, PA - Theater For The Living Arts * Fri. May 03 - Washington, DC - The Howard * Sat. May 04 - Carrboro, NC - Cats Cradle * Wed. May 08 - Austin, TX - The Parish * Thu. May 09 - Denton, TX - Rubber Gloves * Sat. May 11 -Denver, CO - The Perplexiplex at Meow Wolf * Wed. May 15 - Phoenix, AZ - Rebel Lounge * Thu. May 16 - Hollywood, CA - The Fonda Theater * Fri. May 17 - Santa Barbara, CA - Soho Restaurant & Music Club * Sat. May 18 - San Francisco, CA - Rickshaw Stop * Mon. May 20 - Portland, OR - The Aladdin Theater * Tue. May 21 - Vancouver, BC - Fox Cabaret * Wed. May 22 - Seattle, WA - Neptune Theater * Thu. Jul. 04 - Cravanche, FR - Les Eurokennees Fri. Jul. 05 - Cravanche, FR - Les Eurokennees Sat. Jul. 06- Cravanche, FR - Les Eurokennees Sun. Jul. 07- Cravanche, FR - Les Eurokennees Thu. Aug. 29 - Dorset, UK - End Of The Road Fri. Aug. 30 - Dorset, UK - End Of The Road Sat. Aug. 31 - Dorset, UK -End Of The Road Sun. Sep. 01 - Dorset, UK -End Of The Road
* w/ Royel Otis
Call A Doctor is available to preorder now on CD/LP/DSPs from Sub Pop. LP preorders from megamart.subpop.com, select independent retailers (US), select independent retail stores (EU/UK) & Mega Mart 2 (the new, UK-based sibling site to the world-famous Sub Pop Mega Mart) will receive the Loser Edition on White vinyl. All colored vinyl versions are available while stock lasts.
About Girl and Girl’s Call A Doctor: In one sense, it’s easy for artists—songwriters, specifically—to express their feelings in their work. After all, that’s what the lyrics are for! But it’s much harder to convey emotional energy in how you play, slash at the guitar, and the structure of the music itself. That’s precisely why Girl and Girl’s Sub Pop debut, Call A Doctor, feels like such a vital, electrifying shock to the senses. Not since the early work of Car Seat Headrest or Conor Oberst’s widescreen emotional brutality as Bright Eyes has indie rock managed to come across as this intimate and grandiose, as the Australian quartet led by Kai James lay a lifetime’s worth of woes—mental health, the human race’s planned obsolescence if you’ve been living on this cursed rock you know what we’re getting at—across a canvas of indie rock that feels both timeless and in-the-moment.
An audacious and aggressively tuneful blast of a record, Call A Doctor is an unforgettable first bow from Girl and Girl, whose origins lie in James and guitarist Jayden Williams jamming in his mother’s garage in the afternoon after school. One afternoon, James’ Aunty Liss headed down to their practice space after walking her dog and asked if she could sit in on drums. “It sounded really great,” James recalls. “We begged her to stay, and she said, ‘I’ll stay until you find another drummer.’ We wore her down, and she eventually became a permanent member.”
After bassist Fraser Bell joined to round things out, Girl and Girl hit the road and began to make a name for themselves beyond the Australian bush, eventually signing to Sub Pop off the strength of word of mouth. Call A Doctor came together quickly soon after, largely recorded in marathon sessions in a two-story industrial complex over the course of two weeks. “That added to the intensity of the album,” James says about the frenzied creative process overseen by producer Burke Reid. “I can hear the stress in the record, which is good because that’s what it’s about—being tense, tied up, and in your own head.”
Call A Doctor’s eleven songs—spanning sweeping guitar epics and wry acoustic shuffles to spiky punk maneuvers and the type of raw, adoringly unvarnished indie-pop associated with legendary PacNW label K Records—are literally plucked from James’ personal history, as he reworked older recordings with newer lyrics reflecting his past struggles as well as new anxieties that emerged prior to the album’s recording. “I’ve struggled with mental health for a lot of my life,” he explains, “and I went through a particularly difficult patch when we were making the album; the band had started to get some attention, and I felt an enormous amount of pressure to live up to it.”
Far from the sound of collapsing under pressure, Call A Doctor finds James and Co. stepping up with their entire collective chest. This is a record that’s so out-and-out alive that you nearly feel like you’re in the same room with Girl and Girl as you listen to it; lead single “Hello” practically bursts through the speakers, amplified by Aunty Liss’ unbelievable stickhandling duties. “‘Hello’ is all about romanticizing your own misery. Letting those deep, dark, dirty thoughts take over. Understanding that even if you could pull yourself out, you wouldn’t because the constant stress and worry is far too familiar and comfortable.”
“Mother” pogos on a spiky groove that’s reminiscent of the geographically close New Zealanders who make up the legendary Flying Nun label, while “Oh Boy” draws from the Shins’ own jangly sound, injected with James’ wonderfully nervy vocals. Then there’s Call A Doctor’s sorta-centerpiece “Maple Jean and the Anthropocene,” a five-minute epic offering a new perspective on climate change and the notion of what it means, in a personal sense, to suffer: “I live in the bushland, and I was driving home one night and hit and killed a wallaby with my car,” James recalls while discussing the song’s lyrical inspiration. “My first thought was, ‘What is the universe trying to tell me?’ No remorse, no guilt, just total self-centeredness. Which was like, Woah, you fucking psychopath! This wallaby wasn’t put on this earth to send you a message. That’s what the song is about, our egocentric species - thinking you’re the main character and that everything that happens is somehow about you.”
“This record is about an individual who’s too far in their head, trying to get out,” James continues while discussing Call A Doctor’s overall outlook—specifically the snapshot it offers of its creator. But even though this record deals with uneasy topics we all know well from within ourselves, it’s important to emphasize how teeming with life Girl and Girl’s music is. There’s a brazen, bold sense of humor to this stuff, an undeniable brightness to the darkness that makes it impossible not to be drawn in as a listener. Feeling down never sounded so goddamn good.
Track Listing: 1. INTRO 2. Call A Doctor 3. Hello 4. Maple Jean and the Anthropocene 5. Oh Boy! 6. Suffocate 7. Mother 8. You’ll Be Alright 9. Comfortable Friends 10. Our Love (Ours Only) 11. OUTRO
Today, Tuesday, February 20th, marks the release of a split single featuring Clipping’s “Tipsy” and Cooling Prongs’ “Midnight,” available worldwide from Sub Pop.
Clipping’s “Tipsy” was previously only available as part of the 2020 Save Stereogum, an exclusive ‘00s Covers Comp and crowdfunding campaign for the site’s supporters. Clipping was one of 40 artists asked to record never-before-heard covers of songs from 2000-2009. Clipping says, “J-Kwon’s ‘Tipsy’ is one of the greatest party rap songs of all time. We could never make a beat as hard as the original, so we took our version in another direction — something like if Skinny Puppy had somehow remixed it in the late 1980s.”
“Midnight” by Cooling Prongs (AKA Christopher Fleeger, who collaborated with Clipping on Double Live) is a musique concrète tribute to Ice-T’s classic track of the same name. Fleeger’s process involved recording for many weeks, every night between midnight and 6am, with microphones mounted to the outside of his van, at all the locations mentioned in the lyrics to the original song. Hundreds of hours of audio were edited and arranged to create a field-recording companion to the journey the rapper describes through South Central Los Angeles, from the AMPM location on Vermont, through all of the intersections he names, finally ending at Ice-T’s childhood home, just off Crenshaw.
Clipping has also scheduled a series of UK & European tour dates for 2024, which begin Thursday, April 18th in Tilburg, NL with an appearance at the Roadburn Festival, and run through Thursday, April 25th in Leeds, UK at Project House.
Fri. Apr. 19 - Tilburg, NL - Roadburn Festival Sat. Apr. 20 - Krems an der Donau, AT - Donaufestival Sun. Apr. 21 - Munich, DE - Zirka Mon. Apr. 23 - Koln, DE - Club Volta Wed. Apr. 24 - Brussels, BE - Les Nuits Botanique Thu. Apr. 25 - Leeds, UK- Project House
Today, February 15th, Boeckner is announcing North American headlining touring plans for Spring and Summer 2024 to support his forthcoming self-titled Sub Pop debut. He is also sharing new album highlight “Euphoria,” a song that dips into that off-kilter darkness, dashes of vibraphone tossed against woozy waves of synth. “It’s too late/ Time accelerates/ From the cradle to the grave,” Boeckner calls like some nuclear fallout Ziggy Stardust, glitching electronics dripping off the mix. The track’s percussive thrum comes courtesy of Matt Chamberlain and serves to bolster Boeckner’s potent guitar throughout the record.
Boeckner will perform material from the new album along with deep cuts and highlights from Operators, Handsome Furs, Divine Fits, and Wolf Parade catalog. The tours will also feature different lineups for the April and June dates. For the west coast shows, the live band will include Sam Brown (Operators, Divine Fits, New Bomb Turks) on drums, Alex Fischel (Spoon, Divine Fits) on keys, and Brad Laner (Medicine, Savage Republic) on guitar. The east coast band line up will be announced soon. Tickets for these shows go on sale tomorrow at 10 am (local).
Wed. Apr. 24 - Los Angeles, CA - Lodge Room Thu. Apr. 25 - San Francisco, CA - The Independent Sun. Apr. 28 - Portland, OR - Polaris Hall Mon. Apr. 29 - Seattle, WA - The Crocodile Tue. Apr. 30 - Vancouver, BC - The Pearl on Granville Wed. Jun. 05 - Chicago, IL - Empty Bottle Thu. Jun. 06 - Detroit, MI - El Club Fri. Jun. 07 - Toronto, ON - The Horseshoe Tavern Sat. Jun. 08 - Montreal, QC - Bar Le Ritz Mon. Jun. 10 - Boston, MA - Brighton Music Hall Wed. Jun. 12 - Brooklyn, NY - Music Hall of Williamsburg Thu. Jun. 13 - Philadelphia, PA - Johnny Brenda’s Fri. Jun. 14 - Washington, DC - The Atlantis
Boeckner! is an eight-song, thirty-two-minute collection that includes the aforementioned “Euphoria,” “Dead Tourists,” and “Lose.”
Boeckner was produced, engineered, and mixed by Randall Dunn at Circular Ruin in New York City and mastered by Heba Kadry in Brooklyn.
Boeckner! is now available to preorder from Sub Pop. LP preorders of the album from megamart.subpop.com, Mega Mart 2 (the new, UK-based sibling site to the world-famous Sub Pop Mega Mart), and select independent retailers in North America and the UK and Europe will receive the limited Loser Edition on Orange vinyl. A special Jalapeno Green vinyl edition will also be available from select retailers in Canada.
On April 12th, METZ will release Up On Gravity Hill, their first album in 4 years, on Sub Pop for the world ex-Canada and in Canada on Dine Alone. The album was engineered by Seth Manchester (Mdou Moctar, Lingua Ignota, Battles, The Body) and features guest performances from Amber Webber of Black Mountain and composer/string arranger Owen Pallett.
METZ, a band once known for blowing out eardrums with songs of joyous rage, have, over their past few records, begun exploring ways to turn abrasiveness into atmospherics, the evolution of their sound not only a reflection of the maturing of the band themselves but also of a changed world that demands nuance and compassion to comprehend and to survive. This is so on their latest effort, Up On Gravity Hill, which finds the band continuing to bend the raw power of rock music to its most delicate, intricate ends. Delivering a deep, detailed, and unyieldingly personal collection of songs that are fused together to form not only METZ’s most powerful record to date but also their most beautiful.
To spotlight this evolution, the band has shared two new contrasting singles: the stomping motorik “99,” and the charging and deeply melodic, “Entwined (Street Light Buzz)”, that offers a dreamier Swervedriver-esque guitar sheen never before utilized by the Canadian trio.
METZ frontman Alex Edkins says, “These two songs couldn’t be more stylistically and thematically dissimilar. ‘Entwined (Street Light Buzz)’ is a song about the deep connection humans can foster with one another and how we carry people with us forever, even after death. ‘99’ is about the scourge of corporate greed and bottom-line thinking that runs rampant in modern society. Anything for a buck is the message being sent to younger generations.”
METZ is also announcing headlining international tour dates supporting Up On Gravity Hill, with dates in North America from April 17th to May 17th and a run of UK and EU dates in the fall from November 3rd through November 29th. The band also has a series of UK and EU festival performances in August, including stops at The Green Man Festival in the UK, La Route Du Rock and Cabaret Vert Festival in France, and the Canela Party in Spain. See below for a full list of shows.
North America Wed. Apr. 17 - Boston, MA - Crystal Ballroom at Somerville Theatre $ Fri. Apr. 19 - New York, NY - Bowery Ballroom $ Sat. Apr. 20 - Philadelphia, PA - Underground Arts $ * Sun. Apr. 21 - Baltimore, MD - Ottobar $ Tue. Apr. 23 - Atlanta, GA - The Earl $ Thu. Apr. 24 - Birmingham, AL - Saturn $ Fri. Apr. 25 - Fayetteville, AR - George’s Majestic Lounge $ Sat. Apr. 26 - Austin, TX - The Parish (Austin Psych Fest) $ Sun. Apr. 27 - Dallas, TX - Sons of Hermann Hall $ Mon. Apr. 29 - Sante Fe, NM - Meow Wolf $ Tues. Apr. 30 - Phoenix, AZ - Valley Bar $ Wed. - May 01 - San Diego, CA - The Casbah $ Tue. May 02 - Los Angeles, CA - The Roxy Theatre $ Wed. May 03 - San Jose, CA - The Ritz $ Thu. May 04 - San Francisco, CA - The Chapel $ Mon. May 06 - Portland, OR - Wonder Ballroom $ Tue. May 07 - Seattle, WA - Neumos $ Fri. May 10 - St. Paul, MN - Turf Club $ Sat. May 11 - Chicago, IL - Bottom Lounge $ Thu. May 16 -Montreal, QE - Theatre Fairmount $ Sat. May 17 - Toronto, ON - Danforth Music Hall $
$ w/ Gouge Away * w/ Rid of Me
UK/EU Thu. Aug. 15 - Crickhowell, UK - Green Man Festival Fri. Aug. 16 - St Malo, FR La Route Du Rock Sat. Aug. 17 - Charleville-Mezières, FR - Cabaret Vert Festival Fri. Aug. 23 - Malaga, ES - Canela Party Sat. Nov. 02 - Rennes, FR – L’Antipode Sun. Nov. 03 - La Rochelle, FR - La Sirène Mon. Nov. 04 - Paris, FR - La Maroquinerie Tue. Nov. 05 - Clermont-Ferrand, FR - La Coopérative de Mai Wed. Nov. 06 - Lyon, FR - Le Transbordeur Thu. Nov. 07 - Zurich, CH - Bogen F Sat. Nov. 09 - Prague, CZ - Futurum Sun. Nov. 10 - Budapest, HU - Turbina Tue. Nov. 12 - Krakow, PL - Klub Zascianek Wed. Nov. 13 - Warsaw, PL - Klub Hydrozagadka Sat. Nov. 16 - Berlin, DE - Hole44 Mon. Nov. 18 - Copenhagen, DK - Loppen Tue. Nov. 19 - Hamburg, DE - Hafenklang Wed. Nov. 20 - Amsterdam, NL - Paradiso Thu. Nov. 21 - Groningen, NL - Vera Fri. Nov. 22- Antwerp, BE - Trix Sat. Nov. 23 - Lille, FR - L’Aéronef Mon. Nov. 25 - Birmingham, UK - Hare & Hounds Tue. Nov. 26 - Leeds, UK - Brudenell Social Club Wed. Nov. 27 - Birkenhead, UK - Future Yard Thu. Nov. 28 - Bristol, UK - Strange Brew Fri. Nov. 29 - London, UK - Village Underground
Up On Gravity Hill is available to preorder now on CD/LP/DSPs from Sub Pop. LP preorders in North America from megamart.subpop.com, and select independent retailers will receive the Loser Edition on clear w/ red splatter vinyl. LP orders from independent retail stores & Mega Mart 2 (the new, UK-based sibling site to the world-famous Sub Pop Mega Mart) in the UK and Europe will receive the Loser Edition on Opaque Yellow vinyl. All colored vinyl versions are available while stock lasts.
Tracklisting: 1. No Reservation / Love Comes Crashing 2. Glass Eye 3. Entwined (Street Light Buzz) 4. 99 5. Superior Mirage 6. Wound Tight 7. Never Still Again 8. Light Your Way Home
Watch Father John Misty’s “Real Love Baby” Official Video Directed by Eggs Tyrone here.
Father John Misty is singer-songwriter Josh Tillman, who has released five widely acclaimed albums, including Fear Fun (2012), I Love You, Honeybear (2015), the Grammy-nominated Pure Comedy (2017), God’s Favorite Customer (2018), and his latest, Chloë and The Next 20th Century (2022).
TIME said of Chloë and The Next 20th Century, “He takes a surprising and delightful departure from his usual form for a project that’s grandiose in its ambition, theatrical in its presentation, and thrilling in its execution.” Variety offered this, “What it all adds up to is as gorgeously arranged an orchestral-pop record as we’ve gotten in years. And its brilliance isn’t purely stylistic.”
Father John Misty has sold over 1.6 million albums and seen over one billion streams worldwide. He has earned accolades from the likes of The Guardian, The Sunday Times, Rolling Stone, Stereogum, and Pitchfork, and performed on Saturday Night Live, Austin City Limits, the Late Show with Stephen Colbert, Tonight Show, Jimmy Kimmel Live and Late Night with Seth Meyers. Father John Misty and his incredible live band have headlined The Hollywood Bowl, Red Rocks, and Radio City Music Hall and have appeared at Coachella, Roskilde, Primavera, and Lollapalooza festivals. He’s also contributed to hit songs for artists like Beyonce, Post Malone, Lady Gaga, and Khalid.
“…There’s a humbleness and honesty to the song. Like any real love, it’s about learning to surrender such power to the other person.” “Best New Track” - PITCHFORK
“Equal parts schmaltzy and sincere, it’s a folk-rock rumination on love that’s bound to be a hipster wedding staple for years to come.” “10 Best Songs of 2016” - USA TODAY
