It’s been a whirlwind release week since Beach House’s Depression Cherry went out into the world, and since then the album has already earned the group its second consecutive top 10 album, coming in at #8 on the Billboard Top 200 chart.  Additional chart placements include: #1 / Vinyl; #1 / Current Alternative Album Core Stores;  #1 / Record Label Independent Current Albums; #2 / Current Alternative Albums; and #5 / Top Current Albums.  Meanwhile, in the UK, the album also entered at #17 on the Top 200 Albums chart.

At radio this week, Depression Cherry is currently #2 on the CMJ Top 200 chart. The album is also currently #1 on the FMQB Alternative Specialty (2 weeks) and #12 on NonComm charts.

Depression Cherry is also receiving international acclaim from the likes of Entertainment Weekly, NPR Music, Rolling Stone, Time, Nylon, Pitchfork, GQ, The AV Club, Grantland, Exclaim!, The New Yorker, Stereogum, LA Times, Drowned in Sound, The Line of Best Fit, The Guardian, SPIN, Clash, Uncut and more.

Beach House’s worldwide tour in support of Depression Cherry resumes September 17th in Columbus, OH at Newport Music Hall and their 2015 dates end with a sold-out 3-night stand December 17-19 in San Francisco at The Fillmore. (see dates below)

LP* and CD versions of Depression Cherry are packaged in a sumptuous red velvet sleeve, and are available from megamart.subpop.com, iTunes and Amazon (North America), Bella Union (Europe) and Mistletone (Australia / New Zealand).

* The special, limited, clear vinyl Loser Edition LP version of Depression Cherry is now sold-out on megamart.subpop.com. Copies of this collectible version of the album may still be available at independent record stores or from the band directly at shows. Additionally, there is a new T-shirt design, available individually or as part of a bundle with purchase of the new record. Depression Cherry is also

What are ‘The People’ saying about Beach House’s Depression Cherry?  Actually, a veritable plethora of good things:

“Reliable, virtually misstep-proof conjurers of a distinct and desirable mood….Beach House works with a simple set of ingredients — a few vintage keyboards, programmed drums, an electric guitar and the drowsily alluring voice of Victoria Legrand — to evoke a specific tone that rarely varies. And yet Depression Cherry, the Baltimore duo’s fifth album in the last decade, still feels vibrant and versatile. There’s sticking to a formula that works, and then there’s teasing out its subtleties in surprising, consistently rewarding ways.” [First Listen] - NPR Music

“It’s another impeccably measured step forward. Their albums might be an ideal soundtrack for daydreaming, but Scally and Legrand seem remarkably clear-headed about their work.” [Best New Music] - Pitchfork

“Weeping spirals of guitar, the futility of life looped in eerie, wordless harmonies, organs, and ‘shooting star slide guitars’ blasting like lightning bolts, beckoned and sent away by Legrand’s androgynous, languid voice. Maybe Legrand writes the lyrics, but Scally senses them, he translates them into softly cooing organ lines, demanding siren bursts of guitar, the loss lingering everywhere in soft white noise. All that sorcery is here, again, in full force.” - Stereogum

“For its fifth album, Depression Cherry, the pair decided to de-emphasize percussion, and the pillowy, haunting result is ideal for the encroaching autumn days.” - TIME

“The band’s understanding of their own head-in-the-clouds aesthetic and knowing where to sew in (or cut out) the stitches to keep their sound in a constant, albeit low-key, flux results in much more of a mesmerizing experience than would changing directions entirely.” [A -] AV Club

“Anyone who doesn’t fall for Depression Cherry’s hypnotic splendour probably just isn’t a Beach House fan, or didn’t live with the album long enough. But those who do will recognize this album as the sweeping, grand gesture they’ve been working up to giving us for the last nine years.” [9/10] - EXCLAIM!

“Beach House’s music isn’t as severe as Beckett, but it does share a similar purity, an ambition to strip art down to the privacy and insularity of a snow globe. Their most obvious ancestors are shy-minded indie bands from the 1980s and ’90s who buried themselves in sound: Cocteau Twins, My Bloody Valentine. But there’s also something Andrew Lloyd Webber about their twinkle and swirl, the naive theatricality of dress-up and pretend. Their deepest root is in old doo-wop ballads, sweet and angelic but steaming underneath, the heat of two teenagers separated by a ruler at a bygone prom. If some bands capture the freedom and joy of youth, Beach House captures its erotic incoherence — the sense of having no clear idea how you feel but feeling it so deeply you might pass out.” - Grantland

“Instead of relying mainly on guitars, their songs are built on a foundation of shimmering, droning electric organ. And, where many dream-pop vocalists are angelic, Legrand’s voice is deep, forceful, and oracular.” - The New Yorker

“Guitarist Alex Scally’s extravagant melodies bloom slowly over grooves that pulse like waves; singer Victoria Legrand’s vocals echo Fleetwood Mac’s lush folk rock, Cocteau Twins’ surreal dreams and Nico’s spooky drama. The Baltimore duo’s fifth album sticks to that signature sound, and go figure: A formula that might seem limiting feels instead like it can contain entire worlds.” - Rolling Stone

“On their latest, they go grandiose with weighty tunes that explore love and melancholy. Singer Victoria Legrand has a refreshingly unshowy croon that’s one of the most seductive in pop, and her gorgeous synth drones and guitarist Alex Scally’s effects-laden riffs are exquisite.” [ A-] - Entertainment Weekly

Tour Dates

Sep. 17 - Columbus, OH - Newport Music Hall **
Sep. 18 - Cincinnati, OH - Bogart’s **
Sep. 19 - Royal Oak, MI - Royal Oak Theatre **
Sep. 21 - Milwaukee, WI - Pabst Theatre **
Sep. 22 - Minneapolis, MN - First Avenue [Sold Out] **
Sep. 23 - Minneapolis, MN - First Avenue **
Sep. 25 - Omaha, NE - Slowdown **
Sep. 26 - Lawrence, KS - Liberty Hall **
Sep. 27 - St. Louis, MO - The Pageant **
Sep. 28 - Memphis, TN - Minglewood Hall **
Sep. 29 - Tulsa, OK - Cain’s Ballroom **
Oct. 01 - Houston, TX - House of Blues
Oct. 02 - New Orleans, LA - Civic Theatre
Oct. 03 - Birmingham, AL - Saturn **
Oct. 04 - Nashville, TN -  The Ryman Auditorium **
Oct. 06 - Atlanta, GA - Buckhead Theatre **
Oct. 07 - Asheville, NC - Orange Peel **
Oct. 08 - Saxapahaw, NC - Haw River Ballroom [Sold Out] **
Oct. 24 - Belfast, UK -  Mandela Hall
Oct. 25 - Dublin, IE - Vicar Street
Oct. 26 - Glasgow, UK - ABC
Oct. 27 - Manchester, UK - The Ritz
Oct. 29 - Paris, FR - Pitchfork Music Festival
Oct. 30 - London, UK - Shepherds Bush Empire
Nov. 02 - Amsterdam, NL - Paradiso
Nov. 03 - Brussels, BE - Autumn Falls @ AB
Nov. 04 - Koln, DE - Gloria
Nov. 05 - Luxemborg, LU - Den Atelier
Nov. 07 - Reykjavik, IS - Iceland Airwaves
Nov. 10 - Oslo, NO - Sentrum Scene
Nov. 11 - Gothenburg, SE - Tradgarn
Nov. 12 - Stockholm, SE - Debaser Medis
Nov. 13 - Copenhagen DK - Vega
Nov. 14 - Hamburg, DE - Kampnagel K1
Nov. 16 - Berlin, DE - Huxley’s
Nov. 17 - Munich, DE - Freiheiz
Nov. 18  - Lausanne, CH - Les Docks
Nov. 20 - Barcelona, ES - Apolo
Nov. 22 - Madrid, ES - La Riviera
Nov. 23 - Lisbon, PT - Armazén
Nov. 24 - Porto, PT - Teatro sa da Bandeira
Dec. 07 - Santa Ana, CA - The Observatory [Sold Out]
Dec. 09 - Los Angeles, CA - The Fonda Theatre [Sold Out]
Dec. 10 - Los Angeles, CA - The Fonda Theatre [Sold Out]
Dec. 11 - Los Angeles, CA - The Fonda Theatre [Sold Out]
Dec. 12 - Los Angeles, CA - The Fonda Theatre [Sold Out]
Dec. 17 - San Francisco, CA - The Fillmore [Sold Out]
Dec. 18 - San Francisco, CA - The Fillmore [Sold Out]
Dec. 19 - San Francisco, CA - The Fillmore [Sold Out]

** w/ Jessica Pratt

For ticket info please visit http://www.beachhousebaltimore.com/tour.