Los Angeles resident Jimmy Tamborello records, releases and occasionally performs music under the name Dntel. In 2007, we at Sub Pop released the Dntel album Dumb Luck which included contributions from a whole raft of talented people too numerous to list here (a short version of that list would include members of Grizzly Bear, Rilo Kiley, Bright Eyes, and Arthur & Yu). And at the end of 2010, we released a pair of companion EPs by Dntel, entitled After Parties 1 and After Parties 2. Together these two EPs total 8 tracks, all of them instrumental, and featuring (to the best of our “knowledge”) a list of guest contributors numbering exactly zero.
Back in 2001, we did not release the Dntel album Life Is Full of Possibilities. This album was originally released by the Plug Research label, and because we’ve always secretly wished we’d put it out back then, we’re going to release an expanded, re-mastered version of the album to mark its ten-year anniversary in October of 2011. This double-CD version of the album will include the re-mastered version of the original album on one CD and a collection of both previously released and new remixes, plus outtakes and b-sides on the other. The double-LP version will spread the re-mastered original 10-track album across two pieces of vinyl at 45 rpm 33rpm, with the bonus material included in the download that comes with the record. This will be the first time that Life Is Full of Possibilities has ever appeared on LP.
Life Is Full of Possibilities features collaborations with a number of guest artists, one of which, with Death Cab for Cutie’s Ben Gibbard (on “(This Is) The Dream of Evan and Chan”), led to the formation of The Postal Service. Because Give Up, the 2003 album by The Postal Service, to date the group’s only full-length release, is Sub Pop’s second best-selling album of all time, this is worth noting. Also worth noting: the album was very well-received at the time of its release, earning a 9.3 rave review from Pitchfork, and the following from the BBC: “Few electronic musicians out there have come close to the strength of the songwriting contained within this delicately produced CD.” We’re exceedingly proud to be releasing this expanded, deluxed-up reissue of Life Is Full of Possibilities.
Dntel will be part of The Soft Alarm Tour with The One AM Radio and Geotic throughout the month of August. Click here for a full list of tour dates.
Still Corners debut full-length, Creatures of an Hour is hitting shelves on October 11, but we have tunes off the band’s forthcoming debut & 7" to share with you now. Insert your email in the widget above to hear the track “Cuckoo.” Like what you hear? You can purchase said 7" by clicking here.
Read on for more information on Still Corners:
Many bands lay claim to the adjective “cinematic.” But how many can claim a truly cinema-worthy moment as part of their inception? It was a dark and foggy night when Still Corners songwriter Greg Hughes first laid eyes on vocalist Tessa Murray. “It sounds stupid but it’s completely true,” he recounts. “I was on a train that was going to London Bridge. But for some reason it went to this other stop. And I got out, and this other person got out. It was Tessa.”
It was a fitting moment for the American musician who came to London to pursue a career in music. A devoted cinephile—whose first release Remember Pepper recalls both the youthful tone of French New Wave and the unease of Italian horror—Hughes sees film as a major influence, from the projections (created by band member Leon Dufficy) that feature heavily in their live performances (“It’s nice to have something lovely to look at”), to the free-floating grace of debut full-length, Creatures of an Hour. “There’re just certain things in certain movies, like older horror movies and other foreign films, that you see sometimes. They just have a certain vibe and atmosphere,” says Hughes. “You’ll see a girl walking towards a train, it’s very atmospheric. There’s a great vibe in that—all these little bits, these tiny moments. That’s what I was trying to go back to. To bottle that up and put it into a song.”
Recorded at Hughes’ own studio in Greenwich, the devil is truly in the details of Creatures of an Hour. Fusing whispered intimacy to the emotional expansiveness of composer Ennio Morricone, Hughes crafts deceptively simple songs that linger like half-remembered dreams. Lead single “Cuckoo” shines in its simplicity, a single drumbeat, ghostly guitar, and distant organ highlighting Murray’s haunting soprano as she asks, “I’d like to read your mind/can you read mine?” “It’s about confusion,” explains Hughes. “It’s about being confused. Am I going crazy? Does this person like me? What’s happening? That’s the vibe of the whole record really.”
Elsewhere, the tone isn’t so much one of emotional conflict as it is pure atmosphere. Like a world-class art director, Hughes fills the set of “Endless Summer” with walls of reverb and splashes of longing, echoing a very real conflict in his own life—the pursuit of the illusive London sun. “It’s about wishing and chasing after the fleeting sun of England and wishing for an endless summer—or at least that the summer would go on a bit longer,” he says with a laugh. “It only seems to last about a week here!”
For the time being, Hughes is happy to maintain Still Corners’ musical mystery as—like many artists—he’s discovered less is more. “I don’t like to talk too much on decoding the songs. It takes the mystery away,” he says, cagily. “I like when people listen and then come up with their own kind of thing.”
Still Corners (now filled out to a 4-piece by Leon Dufficy and Luke Jarvis) are releasing their debut LP Creatures Of An Hour on October 11th. Tour dates to be announced soon.
So grab some popcorn and stick around, for Still Corners this is just act one.
Oh happy day, we are excited to confirm that Male Bonding’s second full length release, Endless Now, will be released on Sub Pop Records August 30th, 2011. We are offering a track off the upcoming release "Bones via the widget above, check it out!
Endless Now was recorded at Dreamland Recording Studio in Woodstock, NY, the converted 19th century church that birthed such classics as the B-52’s “Love Shack” and Dinosaur Jr.‘s 1993 full-length Where You Been. Male Bonding took special delight in later learning that Dreamland was also where the 1993 single "’74-’75" by North Carolina jangle-pop ensemble the Connells was made. “We used to come onstage to that song, so it was fate,” says drummer Robin Silas Christian. With deep snow everywhere, and sunshine streaming in through the stained glass windows in the morning, the trio worked with producer John Angello (Kurt Vile, Thurston Moore, Dinosaur Jr.) installed behind the altar. After a week in Woodstock they relocated to Headgear Recording in Brooklyn to mix.
The end result is 36 minutes of songs tailor-made to anchor mix tapes and playlists-if you can stand to separate them from the whole album. The enthusiastic “Tame The Sun” heralds the arrival of Endless Now with the first notes its plucky bass line. And “heralds” is the right word: Male Bonding’s music is animated by an infectious, evangelical zeal that reflects their roots in the D.I.Y. indie rock community. “Bones” opens with the giddy rush one associates with classic hardcore or the best of the Wedding Present, then stretches out the same four-chord progression for six minutes and 24 seconds-all the while retaining its succinct air of breathless excitement. With its hazy vocals, hissing cymbals, and just a hint of vintage Beach Boys, the spacey “Can’t Dream” reconciles the Punk and the Hippy in all of us. And then there’s Male Bonding’s take on Phil Spector-style ‘60s pop, "What’s That Scene," which wraps its gritty, grungy center in a sugar-sweet wash of handclaps and wah-ooh backing vocals.
Dum Dum Girls have a new record coming out on September 27 called Only in Dreams and we can tell you that it is real good. The band will embark on a 31 date World Tour beginning on October 1st in San Diego, CA and ending on November 17 in London, England. All North American shows are with Crocodiles, and will see Colleen Green and Royal Baths sharing opening duties. See below for a full list of dates.
Sun, Aug 28, Los Angeles, CA Sunset Junction Street Fair
Sat, Oct 01, San Diego, CA Casbah
Sun, Oct 02, Costa Mesa, CA Detroit Bar $*
Mon, Oct 03, Los Angeles, CA Troubadour $*
Tue, Oct 04, San Francisco, CA Great American Music Hall $*
Fri, Oct 07 Portland, OR Doug Fir $*
Sat, Oct 08, Vancouver, BC Electric Owl $*
Sun, Oct 09, Seattle, WA Neumo’s $*
Wed, Oct 12, St. Paul, MN Turf Club $*
Thu, Oct 13, Madison, WI High Noon $*
Fri, Oct 14, Chicago, IL Empty Bottle $*
Sat, Oct 15, Detroit, MI Magic Stick $*
Sun, Oct 16, Toronto, ONT Lee’s Palace $*
Mon, Oct 17, Montreal, QU Il Motore $*
Wed, Oct 19, Boston, MA Paradise $@
Fri, Oct 21, New York, NY Bowery Ballroom $@
Sat, Oct 22, Washington, DC Black Cat $@
Sun, Oct 23, Philadelphia, PA Union Transfer $@
Mon, Oct 24, Hoboken, NJ Maxwell’s $@
Thu, Nov 03, Berlin, Germany Festsaal Kreuzberg
Fri, Nov 04, Cologne, Germany MTC
Sat, Nov 05, Lyon, France Big Tinnitus Festival at Clacson
Tue, Nov 08, Nantes, France Stereolux
Wed, Nov 09, Roubaix, France Le Cave aux Poetes
Thu, Nov 10, Brussels, Belgium Rotande Botanique
Fri, Nov 11, Amsterdam, Netherlands London Calling Festival
Sun, Nov 13, Manchester, UK FAC 251
Mon, Nov 14, Newcastle, UK The Cluny
Tue, Nov 15, Leeds, UK Brudenell Social Club
Wed, Nov 16, Wrexham, UK Central Station
Thu, Nov 17, London, UK ULU
Memoryhouse, the duo of Evan Abeele (composer) and Denise Nouvion (vocals), hails from Toronto, Canada. Their music blends the contemporary with the forgotten, the traditional and the technological, the visual and the aural, within the sonographic landscape of pop.
The duo’s discography consists of two 7" singles, “Lately (Deuxieme)” b/w “Lately (Teengirl Fantasy Natural Mix)” on Inflated Records and the “Caregiver” b/w “Heirloom” single on Suicide Squeeze Records, and a self-released, digital-only EP entitled, The Years which was released in February 2010. The Years earned praise from Stereogum, AOL Spinner, The Line of Best Fit, and Pitchfork, among others. And Pitchfork had this to say about the original release: “…the EP clearly sets Abeele and Nouvion apart from their more amateur peers. The Years may be awash in nostalgia, but far from inviting unfavorable comparisons, it mostly confirms that the past was indeed as good as you remember.”
On September 13, 2011 Sub Pop Records will release a fully re-recorded, remixed and re-mastered version of The Years, adding two new tracks entitled “Modern, Normal” and “Quiet America.” The Years was re-recorded and mixed by Evan Abeele with the help of Daniel Gray in Toronto. While technically an expanded and improved reissue, this version of The Years will be the first time the EP has been made available on CD or LP. This is exciting. Also exciting: with the release of The Years, the band will be touring in the US and will play at the 2011 CMJ Music Marathon festival in October.
We at Sub Pop are thrilled to announce that South African rapper/DJ and graphic designer/illustrator, Spoek Mathambo, has joined the label family. A new and highly original voice in African music, 25 year-old Spoek Mathambo is hitting the world hard with his take on Afro-futurism. And we were smitten by his 2010 release Mshini Wam. Intent on nurturing a sense of progressiveness while maintaining a pride in culture, Spoek’s unique take on electronic music infuses futurism with a strong sense of pride in where he comes from. This is clearly African music, but not what you might expect from that title.
Insert your email address in the widget above to Download the EP track “Put Some Red On It”.
About Put Some Red On It:
The entire Put Some Red On It EP was produced by Spoek Mathambo in collaboration with Copenhagen-based future-bass artist, Chllngr. They succeeded in creating works that show exciting signs of the maturity that Spoek is reaching in both his songwriting and production work.
The track “Put Some Red On It” is a wildly-performed, sleazy and bass-y take on the usually all-too-macabre story of conflict/blood diamonds. Written and sung with Spoek’s spouse, Ana Rab, the dark duet cleverly articulates the tensions that lie behind the diamond market, while slyly telling a true South African story.
The sonic landscape of “Dog to Bone” perfectly describes a lot of the mood of South Africa, equal parts doom and staggering natural beauty. The song is made up of a number of movements and themes, and features the ever-prolific and daring Zach Hill, as well as guitar work from the exciting young South African guitarist Nicolaas Van Reenen.
On both songs, Spoek reveals his roots in hip-hop, delivering clever rhymes, heartfelt and often angst-ridden, over his futuristic beats. Put Some Red On It will be available as a digital-only release in late July 2011 and a full-length Spoek Mathambo album will be released on Sub Pop at some point in the not-too-distant future.
Put Some Red On It(EP)
2. Put Some Red On It
3. Put Some Red On It (Shabazz Palaces Remix)
4. Put Some Red On It (Machinedrum Remix)
5. Dog To Bone (Telepathe Remix)
6. Dog To Bone (Rashad Remix)
…the Johannasberg native takes listeners on a wild ride through the South African underground, full of heavy tribal percussion, angry political raps, and even a creepy-but-danceable cover of Joy Division’s “Control.”—V Magazine
…putting his own uniquely sly, politicized stamp on cutting-edge electronic dance music.—Spin Magazine
Spoek Mathambo is just that, though, a playful guise for a smart kid to get the word out, an inside joke with deep truth underneath. With a subtle bit of subterfuge, he’ll make you think about things you don’t want to.—Fader
With an eerily distorted vocal and one of those wamp wamp basslines everyone’s using, “Control” maintains the original’s ability to make you want to dance while fully aware that the song itself is best accompanied by a dark depression.—The Guardian
Electro bump ‘n’ grind that blends Prince’s libido-loosening funk with unrestrained eruptions of jittery beat jism.—GQ Magazine