It feels pretty great to spread good news, doesn’t it? It does! Ready?
We just wanted to let you all know that the long-awaited new record from Iron & Wine will be out on September 25th has us positively jubilant! As if sharing that news isn’t bringing us more than our fair share of joy, gluttons that we are, we have still more for you: If you pre-order the CD or LP through September 25th you’ll get it for $1 off our already low-price. We are clearly not in full possession of our faculties! Plus! (I’m beginning to feel like I’m hosting an infomercial…) We will include a bonus CD with two b-sides (the songs “Serpent Charmer” and “Arms of a Thief”), as well as the stickers and buttons for which we are internationally somewhat famous for giving away to you, dear friends who give us your money.
Here’s some info on the new record…
2005’s Woman King distinguished itself from previous Iron & Wine records with a deepening integration of spiraling, dense opuses with intimate confessionals and with The Shepherd’s Dog this integration is complete. Recorded by Sam Beam with the assistance of longtime producer Brian Deck and engineer Colin Studebaker, The Shepherd’s Dog succeeds in accomplishing a cathartic recasting of the artist’s intentions. The arrangements here are kaleidoscopic and rich. “White Tooth Man” rocks with a desperate, menacing intensity while “Boy with a Coin,” the album’s first single, is darkly playful with a handclap hook tumbling under its cascading melody. The whole album breathes. Its seductive rhythms percolate and undulate, from the Psych-Bhangra-redux of “Pagan Angel and a Borrowed Car” to the album’s last dance-a waltz-“Flightless Bird, American Mouth.” Compositionally, it is Iron & Wine’s most ambitious and accomplished recording to date. It’s also the most satisfying.