“America’s Most Exciting Punk Band” – Rolling Stone

“Accompanied by production from Greg Norman and Fugazi’s Guy Picciotto, Downtown Boys sound sharper than ever, their urgency tightened into a raging storm.” – Pitchfork, Best New Track

“[A Wall] feels powerful enough to break down any physical boundary.” – FADER

“Downtown Boys’ mission: to reject boundaries that separate our humanity.” – NPR

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Downtown Boys will release their third album, Cost of Living, August 11th on Sub Pop. The Providence, RI band savagely stand their ground with this new album cut (and follow-up to the politically charged single “A Wall”) “Lips That Bite,” now available from the Adult Swim Singles Program via Stereogum.

Downtown Boys’ new album, Cost of Living, will be released on CD / LP / CASS / DL, and is available for pre-order here now. LP pre-orders in North America through the Sub Pop Mega Mart and select independent retailers will receive the Loser Edition on marbled gold vinyl while supplies last. Plus, a new T-shirt design will also be available for some sweet bundling action.

[Photo Credit: Miguel Rosario]

Downtown Boys use their ferocious energy and powerhouse live shows to unite crowds in the struggle to smash racism, queerphobia, capitalism, fascism, boredom, and all things people use to try to close our minds, eyes and hearts. In addition to festival appearances at Riot Fest, London Calling, Made In America, and a House of Vans summer show w/ Royal Headache and Sheer Mag next week, Downtown Boys have added a slew of dates to their upcoming tour. Full list of dates HERE or see below.

Cost of Living is Downtown Boys’ first record for Sub Pop, and the band is using this new platform as a megaphone for their protest music, amplifying and centering Chicana, queer, and Latino voices in the far-too-whitewashed world of rock. The album is at once incendiary, cathartic, and fun, melding the band’s revolutionary ideals with boundless energy. Produced by Fugazi’s Guy Picciotto, one of indie-rock’s most mythological figures (he also produced Blonde Redhead, The Gossip, and others), Cost of Living shows a sense of maturity without compromising the band’s righteous assault and captivating presence.

The position of Downtown Boys has been clear since they started storming through basements and DIY spaces with their radically-minded, indefatigable rock music: they are here to topple the white-cis-het hegemony and draft a new history. This is how Downtown Boys began, and their resolve has only strengthened as both their sound and audience have grown. Like the socially conscious groups of years past, from Public Enemy to Rage Against the Machine, Downtown Boys harness powerful sloganeering, repetitive grooves, and earworm hooks to create one of the most necessary musical statements of today.