Shannon and the Clams / Dreams in the Rat House - SBL-73069

SHANNON AND THE CLAMS are rumored to be from NOW in Oakland California and comprised of Shannon Shaw (vocals, bass), Cody Blanchard (vocals, guitar), and Ian Amberson (drums, vocals). Dreams in the Rat House is their first LP for Hardly Art. From pop ballads to doo woppers, bomp stompers and punk rippers, country clippers and some psych-o trippers, it’s all R’n’R and it’s all right there in the Clams’ hooded velvet trick bag. Ya feel lucky, punk?

Released: May 21, 2013

We Are Loud Whispers / Suchness - SBL-73068

We Are Loud Whispers is a dreamy duo featuring Sonya Westcott (Arthur & Yu) and Ayumu Haitani (4 Bonjour’s Parties). Suchness, their debut LP, displays intricate electronic orchestration, loops, and effects, while relaying an organic ease. Assembled over emails sent between Seattle and Japan, Suchness transcended geographical and language barriers – and traditional ideas of what a “band” is – in its making.

Released: May 7, 2013

Rose Windows / The Sun Dogs - SP1053

The notion that there is nothing new under the sun can be both a blessing and a curse to musicians. On the one hand, it absolves artists from any nagging sense that they have to reinvent the wheel with every new project. On the other, it makes innovation seem like a fool’s errand. Seattle songwriter Chris Cheveyo embraces this blessing, but, with his compatriots in Rose Windows, he also defies the curse. The band follows Western traditions in their instrumentation, using the basic tools employed in past decades of American and British rock music. Elements of The Band’s folk-infused rock, The Doors organ-driven psychedelia, and Black Sabbath’s blues-based dirges can be heard in Rose Window’s debut album The Sun Dogs. But the septet’s curiosity goes much further than a few well-chosen classic rock records. The band devoured Persian, Indian, and Eastern European music, and incorporated the revelations learned into Rose Windows’ sound. The Sun Dogs challenges the assumption that all creative territories have been mapped out and charted. While Rose Windows aren’t interested in making music of the future, one reviewer was wise enough to note “a sound like this would not be possible in any other time.”

Rose Windows began in late 2010 in a house in Seattle’s Central District, where Cheveyo found himself tiring of the limited palette of his prior heavy, post-rock project. Starting with a few rough demos by Cheveyo alone, Rose Windows took shape as the band amassed members from their circle of musician friends. Rose Windows began playing out, fluidly sharing the stage with underground art-metal bands one night and popular indie Americana acts the next.

In November of 2011, the band began working on The Sun Dogs with local producer Randall Dunn (SunnO))), Boris, Earth, Master Musicians of Bukkake). Dunn’s penchant for musical anthropology proved the perfect match for the band, with their mutual curiosity and artistic ambition broadening the scope of the album. Dynamics were expanded. Boundaries were pushed.

Rose Windows have toured the West Coast several times, and with the release of The Sun Dogs, the band plans much more. In the meantime, they continue their search—delving into archives of long-lost albums, learning more about their craft from renowned local musicians, and charting their own path in an ancient art.

If you pre-order The Sun Dogs on CD or LP from SubPop.com, you’ll receive a Rose Windows patch with your order! Also worth noting, pre-orders of the LP will receive the limited, colored-vinyl Loser Edition of the record. These things are governed by a while supplies last type of law, so order soon to ensure your obtainment of such wonderful things.

Released: June 25, 2013

The Thermals / Desperate Ground - 4062297

The Thermals’ Desperate Ground LP.

Released: April 22, 2013

Father John Misty / Singing Ax - 4097096

J. Tillman’s (AKA Father John Misty) full length, Singing Ax LP.

Released: April 22, 2013

Goat / World Music - 4105699

Goat’s World Music LP.

Released: April 22, 2013

Wipers / Over the Edge - 4019097

Limited edition classic 3rd LP by this influential Portland punk band. Re-mastered from the original master tapes originally released in 1983.

Released: March 25, 2009

Low / I Could Live in Hope - 4064385

I Could Live In Hope is the first full-length album by Duluth, Minnesota slowcore group Low, released in 1994. It was produced by Mark Kramer.

Released: January 10, 2012

Daughn Gibson / Me Moan - SP1010

Me Moan is Daughn Gibson’s second full-length record, and his first with Sub Pop.

If you pre-order Me Moan from your good friends here at Sub Pop, you’ll receive at no extra charge, a limited-edition Daughn Gibson seven inch featuring the songs “Every Night I Fall in Love” b/w “Brandy and Daughn”. Daughn himself describes the single this way: “Way back in the year 2002, I produced two R&B singles for a teenage sister group caled “No Option” out of a small recording booth located in a ballerina studio. As payment I received a Korg D1600, and these two songs were among the first solo things I ever recorded on it." As you can surmise, this is likely going to be a rare piece in future record collections. We’re also going to be giving people who pre-order Me Moan on LP the limited, colored-vinyl Loser Edition. Such is the nature of limited-edition things, when they’re gone, they’re gone, so get your order in quickly!

Note: If you pre-order Me Moan with other releases, your entire order won’t arrive until July 9th, so plan accordingly, please!

Released: July 9, 2013

The Baptist Generals / Jackleg Devotional to the Heart - SP648

On The Baptist Generals’ sophomore album, the word “heart” repeats eight*** times. The Denton, TX band, known for its haunting, claustrophobic take on drunken folk, needed ten full years to bare its hearts—one of which is in the album title, Jackleg Devotional to the Heart, a name that songwriter Chris Flemmons conjured shortly after he recorded, and then trashed, the album’s first attempt in 2005.

Flemmons goes so far as to call this his “love album,” and it’s an apt description—though love through The Baptist Generals’ eyes is plenty complicated. Jackleg‘s hearts don’t resemble valentines. No smooth curls into a final point. The band’s vibraphones, guitarrons and ambient feedback combine like a mess of ventricles, aortas and veins—not to mention, from the sound of it, all of the blood spilled while Jackleg lurched for years toward an eventual finish line.

Call it a love record, then. It’s the kind of love Flemmons had to figure out in the ten years since The Baptist Generals’ critically-acclaimed 2003 full-length debut No Silver/No Gold, a period in which he admits he’s fallen in love with a wild spectrum of music—the Ethiopiques series, saxophonist Archie Shepp, film scorer Meredith Willson, and plenty more. That wide spectrum only befits Jackleg‘s repeated need to buck genre; in fact, the 2005 version of the album hit the trash heap because “it sounded like any other indie rock-type band,” Flemmons admits. Co-produced by Stuart Sikes (Loretta Lynn, Cat Power, The Walkmen, Modest Mouse, The White Stripes) and the band’s Jason Reimer, Jackleg Devotional to the Heart sounds like exactly no one else.

NOTE: if you pre-order this record, your order will not ship until May 21st. This applies to everything in your order – none of it will ship until May 21st. So, if you’d like to order more than just this Baptist Generals CD/LP, it would be good to place separate orders if you’re the type who wants what you ordered, and you want it NOW! Thanks! 

Pre-orders come with a limited-edition, one-sided 7" flexi-single featuring the Baptist Generals track “Fly Candy Harvest”, currently not available to hear elsewhere! Also, if you pre-order the LP, you’ll receive the colored-vinyl, limited Loser Edition. Both of these things are LIMITED, so a while supplies last type of thing applies here. Order now.

Released: May 21, 2013

Still Corners / Strange Pleasures - SP1035

Greg Hughes, the driving force behind London’s Still Corners, is not one to rest on his laurels. Despite the critical plaudits hurled at the band’s 2010 debut Creatures of an Hour (“indulgently seductive” opined NME; “an astounding debut” purred Drowned in Sound), Hughes is blessed with the kind of inexorable ardor for refreshing and sharpening his muse that is common to expert sculptors of elegant pop music. “I’ll never be satisfied with any of it, I need to keep trying new things,” he concedes. “Still Corners is The Enterprise, for me.”

Riding that insatiable kinesis over the last two years has resulted in Hughes, along with singing accomplice Tessa Murray, fashioning Strange Pleasures, a devastating sophomore album which is destined to usher Still Corners to a deserved place at dream-pop’s high table. The album was captured in Hughes’ Greenwich studio, with the protean multi-tasker handling all the instruments and penning most of the lyrics. Where its predecessor soared on sugared layers of shoegazing-infused retro-futurism, Strange Pleasures proffers a leaner, more acute extrapolation of ’80s-suffused song and studio craft, navigating a sinuous trajectory between velveteen Angelo Badalamenti noir-pop torch song sophistication, ethereal Cocteau Twins beauty and the glacial, mellifluous territory mapped by Modern English, The Cure and The Passions.

For Hughes, an Austin native whose plans to move to Brooklyn were sidetracked when he fell in love London’s worldly charms, the new album is more than just a stylistic progression from Creatures of an Hour. “Musically, Creatures… was soft and relaxing but it was a massively cathartic record for me. I was destroyed after being in a relationship; it’s all in there, suicide… all that stuff. I needed to calm my soul and Creatures… did that for me. Strange Pleasures is more of an adventure out toward the open seas. It’s an exploring type of record: strange new lands, strange new love…”

Presaged by the soaring “Fireflies” single (Pitchfork’s Best New Track of 9/28/2012), Strange Pleasures brings the Still Corners story up to date.

The vinyl LP comes with a digital download code of the entire record.

People who pre-order Strange Pleasures on CD or LP from SubPop.com will receive a limited-edition scrap book featuring pages taken directly from Still Corners’ lyric book as they were writing the record as well as images from the recording process. People who pre-order the record on LP will receive the colored-vinyl, limited Loser Edition version of Strange Pleasures. And as is the nature of limited things, the sooner you order, the better, as they will run out!

Released: May 7, 2013

Sub Pop / Sub Pop 1000 - SP1000

We STILL want your money!

Yes, I know.

I may as well be a carnival barker; inviting you, valued listener, to step-right-up! If Sub Pop has ever had a mission other than to separate you, gullible customer, from your wallet (and the contents therein), it’s to inspire nasty, compulsive behavior.

We’ve been doing it the same way for over 25 years: by putting out crucial, limited-edition vinyl records.

Back in 1986, before Sub Pop was a company with debt, mass firings and other trappings of corporate culture, our founder, Bruce S. Pavitt, was already plotting a generation’s takeover.

Sub Pop 100, the first vinyl featuring the now-ubiquitous logo, was the first step in his elaborate scheme. Featuring the “spoken word” of Steve Albini and stellar tracks by Sonic Youth, Wipers, U-Men and Scratch Acid among others, Sub Pop 100, with brain-melting cover art by Carl Smool, was a utopian endeavor at its heart: a “greatest hits” compilation for a world that might actually enjoy “underground” music – a mostly laughable conceit in the mid-80s. Its first-and-final pressing was for 5,000 copies.

(We feel your pain, covetous collector, but that shit’s long gone, save the occasional eBay sighting.)

For Sub Pop, 1988 was a year of many firsts: our first office, our first employee, our first bounced check(s) – and that was just April! Sub Pop 200 was conceived over a bottomless trough of beer at the Virginia Inn; twenty masterpieces spread across three twelve inch vinyl EPs with a glossy booklet, this limited edition boxed set was to feature only our friends and our friends’ bands. We then hired an unemployed British actor, re-christened him “Everett True” and bribed a failing music rag to publish our words with that byline. The rest is so much spilt porridge, as they say, and having friends like Nirvana, Soundgarden and Mudhoney didn’t hurt either.

(Sub Pop 200 is still available on CD, old timer; the classic Charles Burns illustration alone makes it worth the purchase.)

At last, it’s 2013, and the music industry is well into its second decade of epic free fall. Once seen as a colorful holdover from a bygone era, like polio and honor killing, record-making is resurgent, and you, discerning buyer, stand to get fleeced by those who would have you spend extravagantly on something unnecessary or worse just ‘cause it’s Record Store Day.

Don’t be deceived! After all: WE still want your money!

Our Silver Jubilee commemorates 25 years of going out of business, and to celebrate, your friends at the Sub Pop water cooler have put together a compilation worthy of your time, money and admiration – though maybe not in that order. We don’t write pithy, half-baked reviews about the music we love; we commit it to vinyl!

Sub Pop 1000 is our gift to you, patient benefactor, for your unwavering devotion in the face of occasionally wavering good taste. Put together as a labor of love, Sub Pop 1000 carries no further agenda than to provide a crucial, maximal listening experience for its own sake. By that measure, it succeeds and then some. With artists from disparate parts of the globe, our quest for World Domination appears to be complete – again!

Sub Pop 1000 will be a one-time pressing of 5,000 on tricked-out colored vinyl, with cover art by Nathan Fox, a 16-page booklet and an MP3 download coupon. Sub Pop 1000 will be available at your local record store on 4/20/2013 (aka Record Store Day, though Sub Pop 1000 is NOT a Record Store Day exclusive), through this here Sub Pop Internet Shopping Place and at our 25th anniversary Silver Jubilee on July 13th. It’s also available digitally, for whatever THAT’S worth.

Your uncle in the record business,
-Jonathan Poneman

A limited number of copies of the Sub Pop 1000 LP are available through this very website, otherwise, they will be available at your local independent record retailers as an official (but not exclusive) part of 2013’s Record Store Day.

Released: April 20, 2013

Colleen Green / Sock it to Me - SBL-73064

Colleen Green always wears sunglasses onstage. Colleen Green is long hair and getting high. Colleen Green’s first full-length for Hardly Art, Sock it to Me, is grounded in pure pop. Colleen Green’s multi-tracked, emotive vocals take an enormous leap forward, evoking all-time heroes such as Rose Melberg and Tina Weymouth, with every drum-machine-tracked song awash in the dreamy slacker romanticism of California.

Released: March 19, 2013

Grave Babies / Crusher - SBL-73067

Grave Babies are a band whose sound might suggest the need for drugs that stabilize mood, while also creating a desire for ones that enhance them. The center of Grave Babies’ sound is the sonic equivalent of thwarted desire – and on Crusher, their first LP for Hardly Art, Grave Babies take the harder approach: doing what they’ve always done, but doing it better. All LPs include a download code.

Released: February 26, 2013

Beachwood Sparks / The Tarnished Gold Cassette - 4050399

Beachwood Sparks’ 2012 The Tarnished Gold on cassette from Burger Records.

Released: November 5, 2012

King Tuff / King Tuff Cassette - 4097699

King Tuff’s self-titled 2012 record on cassette from Burger Records

Released: November 5, 2012

Happy Birthday / Happy Birthday Cassette - 4085099

Happy Birthday’s self-titled debut on cassette from Burger Records

Released: November 5, 2012

The Postal Service / Give Up (Deluxe 10th Anniversary Edition) - SP1045

You can spend all the time and money in the world trying to craft the perfect pop-music scenario, but sometimes the stars have to align all by themselves. Even though early on the members of The Postal Service jokingly referred to Such Great Heights as “the hit” on their debut album, Give Up, there’s no way anyone could have predicted the eventual impact made by a mail-order album designed in a pair of West Coast bedrooms.

It’s been 10 years since the little project that could from Seattelite Ben Gibbard (aka Death Cab For Cutie’s frontman) and Angeleno Jimmy Tamborello (Dntel, Figurine) emerged from seemingly nowhere and began to burrow into the ears of anyone who came into contact with the band’s infectious electro-pop. To celebrate, Sub Pop is reissuing The Postal Service’s sole album, and including in the multi-disc set 15 bonus tracks, including two brand new songs, “A Tattered Line of String” and “Turn Around.” On top of that, the band is back together: The Postal Service will hit the road for a long-overdue victory lap, giving most fans their first (and last—seriously, don’t ask) chance to see the group in person.

Of course, the band’s music was more than just electro-pop, and the force with which Jimmy and Ben captured the indie-rock zeitgeist of the early aughts made them more of a phenomenon than just a regular old band. That such artists as Ben Folds, Amanda Palmer, Streetlight Manifesto, and Confide have covered “Such Great Heights” is a testament to both the song’s magical spark and its melodic inclusivity. The band’s sound is such a touchstone that “Postal Service-esque” has become a generally accepted musical adjective. And it goes way beyond Owl City.

While it was impossible to anticipate how massive Give Up would become, it was obvious in 2003 that these guys had made something special. Ten years on it’s amazing to know that so many people have come to agree.

If you pre-order the 10th Anniversary Edition of Give Up from SubPop.com, you’ll receive a limited-edition Postal Service postcard set. We’re also giving people who pre-order the 3xLP vinyl version of the album the red/white/clear-colored, limited Loser Edition of Give Up. Both the Loser Edition and postcard sets are while supplies last, so act now!

Released: April 9, 2013

Low / The Invisible Way - SP1030

We here at Sub Pop are honored to have our name attached to The Invisible Way, Low’s tenth album in 20 years as a band. Rather than put together our own, inevitably-inadequate description of the album, we will let Low’s Alan Sparhawk do the talking:
“While driving though Chicago, on tour, we stopped finally to visit Wilco at their studio, The Loft. They had invited us to come check it out several times over the years, but this would finally be the day. It’s a great place—a sea of instruments in a relaxed, open working environment. It’s cool, but what really converted us was hearing the new Mavis Staples tracks they were working on: big, simple, raw, and intimate. Plans were made then and there.

’Don’t break my Grammy streak.’
We have worked with many of the great engineer/producers. Jeff Tweedy has been on our side of the microphone for over 25 years, however with engineer (and fellow Grammy winner) Tom Schick, he has of late become a formidable and eclectic producer. He spoke a language we understood, but then took us effortlessly into the mystery.

We’ve made many records, and you know our M.O.: slow, quiet, sometimes melancholy, and, we hope, sometimes pretty…
How is this different from any other Low record?
- Mimi sings lead on five of the eleven songs (she usually only does one or two, despite being a fan favorite).
- Piano, lots of piano… and an acoustic guitar.
- Songs about intimacy, the drug war, the class war, plain old war war, archeology, and love.

Thank you for your time again and please enjoy what we made. I think it’s beautiful."

Pre-orderers at SubPop.com will receive the CD, The Visible End, a limited-edition companion piece featuring four stunning alternate takes of album tracks. Also, if you pre-order the vinyl LP, you’ll receive the limited-edition colored LOSER edition. Both of these offers are limited quantity, so order soon! While we’re out of the limited, Loser Edition version of The Invisible Way, it will be available at select independent retailers on March 19th. Call your local record store on release day for availability.

Released: March 19, 2013

Lost Animal / Ex Tropical - SBL-73066

Lost Animal’s music comes at you in layers: familiar, then mysterious; catchy, then saturated and atmospheric. Lost Animal finds Jarrod Quarrell (pictured on the cover there) using his keyboard to explore new sounds and evoke distant locations. Ex Tropical is the debut LP from Lost Animal. All LPs include a download code.

Released: January 29, 2013

Retribution Gospel Choir / 3 - 4085698

Retribution Gospel Choir’s third full-length record, aptly title, 3.

Released: January 24, 2013

Low / Trust - 4064396

Low’s Trust on vinyl LP.

Released: January 24, 2013

Low / Secret Name - 4064398

Low’s album, Secret Name, on vinyl LP.

Released: January 24, 2013

Low / Songs for a Dead Pilot - 4064387

Track Listing:

1. Will The Night
2. Condescended
3. Born By The Wires
4. Be There
5. Landlord
6. Hey Chicago

Released: August 15, 1974

Mudhoney / Vanishing Point - SP1020

25 years in, Vanishing Point decisively affirms that, even in an age where only the newest of the new can survive (and even then, only for a few weeks at best), Mudhoney still have plenty to say and more to offer. These are songs written from the rare vantage point of a band who went through the rock ‘n’ roll meat-grinder and not only lived to tell such a tale, they came out full of the wisdom and dark humor such a journey provides. Vanishing Point is filled with dread, psychoanalysis and Nuggets-on-fire riffs; the sort of real, uninhibited rock music that is harder and harder to locate these days. With Vanishing Point, Mudhoney make it easy.

Vinyl LP pre-orders will get the limited, Loser Edition of Vanishing Point on “Clear Smoke”-colored vinyl. And such is the nature with limited-edition things, they are limited to first come, first served, so order now!

If you pre-order Vanishing Point, your order will not ship until April 2nd. This applies to everything in your order – none of it will ship until April 2nd. So, if you’d like to order more than just this Mudhoney CD/LP, it would be good to place separate orders. Thanks!

All of Mudhoney’s Sub Pop CD/LP releases and t-shirts prior to Vanishing Point are on sale right now through April 2nd! Sale prices are reflected on each on sale item.

Released: April 2, 2013

Washed Out / High Times Cassette - 4094598

We have a limited number of these in stock!

Mirror Universe Tapes – 20 minute limited edition cassette

Side A:
Belong
Good Luck
Phone Call
Olivia

Side B:
Clap Intro
Luck
It’s Kate’s Birthday
You Will Be Sad
Yeah

Released: July 9, 2012

Total Control / Henge Beat - 4102399

Henge Beat, the full-length record from Total Control

Released: November 30, 2012

C.S. Yeh / Transitions - 4000373

Having rattled the hinges with last year’s “In the Blink of an Eye” 7-inch, C S Yeh (C. Spencer Yeh) flings open the door and steps inside with Transitions, his first full-length album of songs after years of establishing himself as one of Earth’s top humans in experimental music and unbound improvisation, both alone and in collaboration, on record and onstage.

The effect Transitions has on you may or may not depend on your familiarity with Yeh’s past work; regardless, his path in music has always been about and rather than or. And the addition to his catalog of work that Transitions represents is nothing short of startling: songs that flit between sculpted guitar riffs and measured, just-shy-of-lush synth-pop; wry lyrics delivered in guileless tones; the remarkable fact that Yeh made every sound on the record. All the same, his most ardent fans will have little trouble understanding the move and recognizing this distinct voice. Its plainspoken confidence and intrepid spirit are as present as when he’s carving drones or emitting speckled and serrated noise; Transitions is simply a different form of Yeh’s unmediated expression. As you’d guess, for a career outside guy really coming inside for the first time, Transitions involved quite a bit more behind the scenes strategizing than it would for some indie band on its third album. Think of how English can sound so jarringly beautiful on the tongue of non-native speakers: Everything fits even when, maybe especially because things might seem ever so slightly off. Thus we have a new language of melodies, ones of a spirit with say, Slapp Happy, but which wouldn’t sound out of place on a Magnetic Fields record. Ultimately, the pop heart on display is characterized by the artful mind behind it — and besides, when we say pop are we talking popular, or populist? Perhaps the space we’re trying to sketch here could be found between the artists covered on Transitions: Father Yod and the Spirit of ‘76, and Stevie Nicks. Perhaps citing the varied examples of Jim O’Rourke, Dave Gahan and the aforementioned Peter Blegvad in artful songcraft could be useful (whether or not they were inspirations). Perhaps we’re not talking about a space at all, but instead a particular sort of freedom in a music landscape defined by cages and enclosures. Questions, questions — what do we know, we’re only observers. All that’s really clear is that C. Spencer Yeh is transitioning into, not away from.

Released: November 30, 2012

Robust Worlds / Emotional Planet - 4000372

Chris Rose’s Robust Worlds has impressed us since first glimpse. He was actually barefoot, if you can believe that, and his set had the feel of a way more lysergic Kevin Ayers. It was freezing fucking cold and I’m pretty sure he wore a Hawaiian shirt. His debut LP is called Emotional Planet, and it’s deceptively simple. Voice, guitar, some noisey shit, whatever. His playing is sick — fluid, unforced, warm, soothed and soothing. It’s a bath you don’t want to exit. Seriously, if yr going to play guitar, play it like he does. With a trick in his back pocket and a Heavy Moon on his mind, Rose utilizes the sort of neo-noir narratives that you hear thru Neil Michael Hagerty, James Jackson Toth, Kurt Vile and other keen observers. Handguns, b&e, two-lane black tops, love, lust, and hard drugs. Life: summed up !

Released: November 30, 2012

Pissed Jeans / Honeys - SP1029

Age and four full-lengths haven’t mellowed Pissed Jeans; they can still unleash a blare that will exfoliate your cochlea. Formed in Allentown, Pennsylvania, Pissed Jeans released Shallow, their first album, in 2005 on Parts Unknown Records. The band relocated to Philadelphia seven years ago, and Sub Pop released Hope for Men in 2007, and then King of Jeans in 2009. The latter was recorded by Grammy nominee Alex Newport, who also recorded Honeys.

Age and experience have, however, refined Pissed Jeans. Their ideas and execution have become more subtly focused. The songs on Honeys are direct without being obtuse, evocative without being vague, personal without being indulgent. They also rock like nobody’s business. Forget all the claptrap you’ve heard about other bands delivering the goods. If you want bloodthirsty, you’ve got it… At times Honeys is the sound of being bashed over the head with a snow shovel. At times the band slows down and sounds like waking from a nightmare you can’t quite remember. The songs are catchy, but in a way that would appeal to mental patients who only understand colors.

Honeys stews on the kind of mundane, niggling things that keep you up late at night. It’s an ode to the misery and shackles of being a responsible adult, and the shame of one’s own narcissism. Pissed Jeans trucks in menacing songs about insecurity, and nobody has ever done it better.

Vinyl LP comes with a digital download code inside the sleeve.

*As of 1/24 there are only 50 Loser Editions and 200 Pissed Jeans First Demo left (free with CD or LP orders).*

If you pre-order Honeys, you’ll receive a limited-edition bonus seven inch featuring Pissed Jeans’ long-lost original demos. Also, if you pre-order Honeys on LP, you’ll receive the limited, colored-vinyl Loser Edition of the record. Both of these opportunities are a while-supplies-last opportunity, so act quickly.

Released: February 12, 2013